Washington State University Libraries Manuscripts, Archives, and Special Collections
Guide to the Copper Canyon Press Records
1973-2006
Cage 708
Table of Contents
- Summary Information
- Biography/History
- Scope and Content
- Arrangement
- Administrative Information
- Related Materials
- Names and Subjects
- Detailed Description of Collection
- Series 1: Book files, 1973-2001
- Series 2: Book Production files, 1973-2006
- Series 3: Broadsides; 1975-1996, undated
- Series 4: Book and production files, oversize material; 1973-2002
- Series 5: Manuscript submissions and author queries; 1981-2002, undated
- Series 6: Grant, award and fundraising correspondence and supporting documentation, circa 1979-2001
- Series 7: Correspondence, 1973-2001
- Series 8: Sales, marketing, and promotion, 1973-2001
- Series 10: Miscellaneous materials and photographs; 1981-2000, undated
Summary Information
- Repository
- Washington State University Libraries, Manuscripts, Archives and Special Collections
- Creator
- Copper Canyon Press.
- Title
- Copper Canyon Press Records
- ID
- Cage 708
- Date [inclusive]
- 1973-2006
- Extent
- 163 Linear feet of shelf space, 271 boxes
- Language
- Collection materials are in
- Abstract
- This collection includes publishing and business records of Copper Canyon Press, a press established to publish poetry exclusively, within the tradition of serious literary publishing.
Preferred Citation
[Item Description]
Copper Canyon Press Records, 1973-2002 (Cage 708)
Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA.
Biography/History
Copper Canyon Press (CCP), a nonprofit publishing company, was founded in 1972 by Sam Hamill, poet and translator, and Holly (Tree) Swenson, book designer, in Denver, CO. In 1974 Hamill and Swenson relocated the company to Port Townsend, WA. They established the press to publish poetry exclusively, within the tradition of serious literary publishing. Their first titles were printed from hand-set type on antique letterpresses, but they soon began publishing more-affordable trade books.
Three primary aspects of poetry are emphasized by the press, according to an organizational history included in this collection: work from new or emerging writers; major works by distinguished writers, including selected or collected poems; and poetry in translation. Among the poets published by CCP are Nobel Laureates Pablo Neruda, Odysseas Elytis, Vicente Aleixandre, Octavio Paz, and Rabindranath Tagore; Pulitzer Prize winners Carolyn Kizer, Ted Kooser, Maxine Kumin, Theodore Roethke, and W. S. Merwin; and National Book Award winners Hayden Carruth, Lucille Clifton, and Ruth Stone. As of May 2007, CCP has published over 300 titles, including new collections, anthologies, translations, re-issues, and prose books about poetry.
(Source: Copper Canyon Press web site, http://www.coppercanyonpress.org/, accessed 3 May 2007)
Scope and Content
This collection includes publishing and business records of Copper Canyon Press.
Materials related to titles published by Copper Canyon Press (CCP) are included in multiple series, primarily Series 1, 2, 3, and 4. The collection also includes a small amount of material produced by other presses. Series 1 (Book files) generally contains poetry manuscripts, correspondence, galley proofs, and other records related to content development of individual titles. Series 2 (Book production files) includes materials such as page layouts, sample pages, cover art and designs, and other items related to the process of designing and producing individual titles; this series also includes some records related to promotion and marketing of individual titles.
Series 3 (Broadsides) consists of printed broadsides, with related production materials.
Series 4 (Book and production files, oversize) consists of oversize material separated from related items in Series 1 and 2.
Series 5 (Author queries and manuscript submissions) consists of requests for publication and submissions (primarily unsolicited) for consideration by the press.
Series 6 (Grant, award and fundraising correspondence and supporting documentation) consists of documents related to obtaining external funds for operation, and documents related to various award programs, both awards for CCP authors and award programs administered by CCP.
Series 7 through 9 include administrative records related to business aspects of the press, such as board meetings, sales and marketing activities, and routine operations.
Series 10 (Miscellaneous materials and photographs) consists of printed ephemera (catalogs from other presses, newsletters, event announcements, programs, etc.), and a small number of photographs related to authors and CCP events.
Arrangement
Many separate accessions were merged during processing to draw together materials related to individual CCP titles in book and production files.
The records are arranged in ten series. Series 1 and 2 are arranged alphabetically by title. Related oversize materials are included in Series 4, and have been subdivided into three subseries according to size. Each subseries is arranged alphabetically by title, corresponding to the arrangement of Series 1 and 2.
Administrative Information
Publication Information
Washington State University Libraries Manuscripts, Archives, and Special Collections © 2016
https://libraries.wsu.edu/masc/
Terrell Library
P.O. Box 645610
Pullman, WA, 99164-5610 USA
509-335-6691
mascref@wsu.edu
Restrictions on Access
This collection is open and available for research use.
Restrictions on Use
Copyright restrictions apply.
Acquisition Information
These records of the Copper Canyon Press were purchased by Washington State University in installments between 1982 and 2002. Multiple accessions have been combined to form this collection: MS1982-24, MS1983-31, MS1984-37, MS1985-34, MS1986-26, MS1987-32, MS1988-50, MS1989-69, MS1990-08, MS1990-73, MS1992-21, MS1993-31, MS1994-56, MS1994-62, MS1997-01, MS1997-44, MS1998-16, MS2000-01, and MS2002-11.
Processing Information
This collection was processed by several permanent and temporary MASC employees between approximately 1999 and 2007, including Randy Smith, Robert Pickford, Miriam Johnston, Michael Evans, Dometa Wiegand, Robert Matuozzi, Lawrence Stark, and Cheryl Gunselman.
Related Materials
Related Material
Sam Hamill Papers, 1972-2001 (Cage 700)
Separated Material
Printed books were removed for separate cataloging. Printed broadsides and CCP catalogs were retained in the collection.
Some materials were excluded from the collection during processing, such as multiple copies of printed items (for example, books and broadsides); incoming mass mailings; files about employees or prospective employees; and cancelled checks.
Names and Subjects
Corporate Name(s)
Subject(s) :
- Copper Canyon Press -- Records and correspondence
- Copperhead (Press) -- Records and correspondence
Personal Name(s)
Creator(s) :
- Hamill, Sam
- Swenson, Tree
Subject(s)
- Poetry
- Publishers and publishing -- Northwest, Pacific -- History -- Archives
- Small presses -- Northwest, Pacific
- Authors and publishers -- Northwest, Pacific
- Booksellers' catalogs -- Specimens
- Book design
- Literature
- Publishers and Publishing
- Washington (State)
Detailed Description of Collection
Series 1: Book files, 1973-2001Includes poetry manuscripts, correspondence, galley proofs, and other records related to content development of individual titles. |
||||
After Chernobyl, C.L. Rawlins, 1989 |
||||
box | folder | |||
Manuscript and correspondence |
1 | 1 | ||
All That is Burning, DeLuna, undated |
||||
box | folder | |||
Manuscript |
1 | 2 | ||
Always Beginning: Essays on a Life in Poetry, Maxine Kumin, 1998-2000 |
||||
box | folder | |||
Correspondence |
1 | 3 | ||
Edited manuscript |
1 | 4 | ||
Manuscript |
1 | 5 | ||
Galley pages, cover galley, biography, promotional material |
1 | 6 | ||
First galley uncorrected proof |
1 | 7-8 | ||
First galley with notes |
1 | 9-11 | ||
Second galley with notes |
1 | 12 | ||
Second galley with notes (continued) |
2 | 13-14 | ||
Bound proof |
2 | 14.1 | ||
Essay drafts, photocopies, correspondence |
2 | 15-19 | ||
Cover, consortium advance, excerpts from marketing materials |
2 | 20 | ||
Ambition and Survival: Essays on Art and Life, Christian Wiman, undated |
||||
box | folder | |||
Manuscript |
2 | 21-22 | ||
American Citizen and Other Kay Boyle Poems, 1988 |
||||
box | folder | |||
Manuscript |
3 | 23 | ||
American Odalisque, Jane Miller, circa 1987 |
||||
box | folder | |||
Manuscript |
3 | 24-25 | ||
Galleys, bound galley proof |
3 | 26-27 | ||
Animae, Sam Hamill, undated |
||||
box | folder | |||
manuscript |
3 | 28-29 | ||
Archipelago, Arthur Sze, circa 1994-1995 |
||||
box | folder | |||
Manuscript draft |
3 | 30 | ||
Manuscript drafts, final version |
3 | 31 | ||
Manuscript |
3 | 32 | ||
Manuscript with notes |
4 | 33 | ||
Manuscript, first galley |
4 | 34 | ||
First galley with notes, correspondence |
4 | 35 | ||
Sample galley pages |
4 | 36 | ||
First galley (photocopy) |
4 | 37 | ||
Second galley |
4 | 38-40 | ||
Final galley |
4 | 41 | ||
Uncorrected bound proof |
4 | 42 | ||
Ardor, Marvin Bell, circa 1997 |
||||
box | folder | |||
Manuscript, correspondence |
4 | 43 | ||
Manuscript |
5 | 44 | ||
Manuscript with notes, correspondence |
5 | 45 | ||
Sample galley pages |
5 | 46 | ||
First galley with notes, style pages, correspondence |
5 | 47 | ||
First galley |
5 | 48 | ||
Second galley with notes, cover galley, correspondence |
5 | 49 | ||
Final galley |
5 | 50 | ||
Armored Hearts: Selected and New Poems, David Bottoms, circa 1994 |
||||
box | folder | |||
Original manuscript |
5 | 51 | ||
Manuscript |
5 | 52 | ||
Manuscript |
5 | 53 | ||
Manuscript, correspondence |
6 | 54 | ||
First galley |
6 | 55-56 | ||
First galley with notes |
6 | 57 | ||
Second galley, galley replacement pages |
6 | 58-59 | ||
Correspondence, sample galley pages |
6 | 60 | ||
As Earth Begins to End, Patricia Goedicke, circa 1999 |
||||
box | folder | |||
Correspondence, author photograph |
6 | 61 | ||
Third Rail manuscript drafts |
6 | 62 | ||
Manuscript, edited |
7 | 63 | ||
Manuscript, copyedited with notes |
7 | 64 | ||
Manuscript revision |
7 | 65 | ||
Uncorrected proof |
7 | 66 | ||
First galley with notes |
7 | 67 | ||
Second galley with notes, bound proof |
7 | 68 | ||
Asparagus, Jody Gladding, 1998 |
||||
box | folder | |||
Manuscript |
7 | 69 | ||
Correspondence |
7 | 70 | ||
Manuscript, notes, table of contents |
7 | 71 | ||
Galley with notes |
7.1 | 72 | ||
Manuscripts, galley proofs, 1991 |
7.1 | 72.1-72.2 | ||
Text camera-ready copy (incomplete) |
8 | 73-74 | ||
Bound galley proof |
8 | 75 | ||
At the End of This Summer: Poems 1948-54, John Haines, 1997 |
||||
box | folder | |||
Correspondence, galley pages, cover galley |
8 | 76 | ||
Original manuscript |
8 | 77 | ||
Manuscript with notes |
8 | 78 | ||
Manuscript |
8 | 79 | ||
First galley with notes |
8 | 80 | ||
First galley pages |
8 | 81 | ||
Second galley, biographical note |
8 | 82 | ||
Final galley |
8 | 83 | ||
At the Home-altar, Robert Hedin, circa 1978 |
||||
box | folder | |||
Manuscript, correspondence |
8 | 84 | ||
August Zero, Jane Miller, circa 1992-1993 |
||||
box | folder | |||
Preliminary manuscript |
8 | 85 | ||
Manuscript |
8 | 86-87 | ||
Revised manuscript |
9 | 88 | ||
Galley |
9 | 89-90 | ||
Uncorrected bound proof |
9 | 91 | ||
Correspondence regarding Western States Book Award |
9 | 92 | ||
Uncorrected bound proof |
9 | 93 | ||
Reviews, awards |
9 | 94 | ||
Bound galley proof |
9 | 95 | ||
Badlands, Gerald Costanzo, undated |
||||
box | folder | |||
Manuscript |
9 | 96 | ||
Balloons to Help Them Fly, Brian Swann, 1989 |
||||
box | folder | |||
Manuscript, correspondence |
9 | 97 | ||
Beautiful Signor, Cyrus Cassells, circa 1997 |
||||
box | folder | |||
Correspondence |
9 | 98 | ||
Manuscript |
9 | 99-101 | ||
Manuscript, correspondence |
10 | 102 | ||
Manuscript, transcribed and edited |
10 | 103 | ||
Manuscript |
10 | 104 | ||
Sample galley pages |
10 | 105 | ||
First galley |
10 | 106 | ||
First galley with notes |
10 | 107 | ||
First galley |
10 | 108 | ||
Second galley with notes |
10 | 109 | ||
Final galley, cover galley |
10 | 110 | ||
Cover, review, excerpts |
11 | 111 | ||
Sister Circle Book Awards |
11 | 112 | ||
Beauty of the Weapons, Robert Bringhurst, 1985 |
||||
box | folder | |||
Correspondence, proofs |
11 | 113 | ||
Uncorrected proof |
11 | 114 | ||
Bedrock, David Solway, undated |
||||
box | folder | |||
Manuscript |
11 | 115 | ||
Begin Again, Philip Schultz, 1984 |
||||
box | folder | |||
Manuscript, correspondence |
11 | 116 | ||
Before Ten Thousand Peaks, Paul Hansen (translator), undated |
||||
box | folder | |||
Manuscript |
11 | 117-118 | ||
Manuscript |
11 | 119 | ||
Below Cold Mountain, Joseph Stroud, 1997-1998 |
||||
box | folder | |||
Manuscript |
11 | 120 | ||
Manuscript (photocopy) |
11 | 121 | ||
Sample pages, correspondence |
11 | 122-123 | ||
First galley, correspondence |
11 | 124 | ||
First galley with notes |
12 | 125 | ||
Second galley, advertisement |
12 | 126 | ||
Final galley |
12 | 127 | ||
Bending Home: Selected and New Poetry, Susan Griffin, 1997-1998 |
||||
box | folder | |||
Manuscript (photocopy) |
12 | 128-129 | ||
Manuscript with notes, correspondence |
12 | 132 | ||
Manuscript with notes, correspondence (continued) |
13 | 133 | ||
Manuscript (reference) |
13 | 134-135 | ||
Galley |
13 | 136-137 | ||
Galley |
13 | 138-139 | ||
First galley |
13 | 140-141 | ||
Second galley, correspondence |
14 | 142-143 | ||
The Berry Picker, Marianne Wolfe, undated |
||||
box | folder | |||
Manuscript |
14 | 144 | ||
Beside the Shadblow Tree: A Memoir of James Laughlin, Hayden Carruth, 1998 |
||||
box | folder | |||
Manuscript, correspondence, postscript |
14 | 145 | ||
Manuscript with notes |
14 | 146 | ||
Manuscript, edited |
14 | 147 | ||
Style sheets, photographs (photocopies) |
14 | 148 | ||
First galley, photographs (photocopies) |
14 | 149-150 | ||
First galley (photocopy) with notes |
14 | 151 | ||
Second galley with notes |
15 | 152 | ||
Third galley |
15 | 153 | ||
Uncorrected bound proof |
15 | 154 | ||
Big Joy, James Broughton, 1995 |
15 | 154 | ||
Manuscript |
15 | 155 | ||
Bird of Endless Time, James Laughlin, 1989 |
15 | 155 | ||
Correspondence, review, jacket notes |
15 | 156 | ||
Galley with notes and corrections |
15 | 157 | ||
Galley proof with notes |
15 | 158 | ||
Galley proofs |
15 | 159-160 | ||
Bitters, Rebecca Seiferle, 2001 |
||||
box | folder | |||
Correspondence |
16 | 161 | ||
Manuscript, correspondence |
16 | 162 | ||
Manuscript |
16 | 163-165 | ||
Manuscript with notes (photocopy) |
16 | 166-167 | ||
Manuscript with notes |
16 | 168-169 | ||
Final manuscript with notes, correspondence |
16 | 170 | ||
Uncorrected proof |
17 | 171-172 | ||
Text and cover camera-ready copy |
17 | 173 | ||
First galley with notes, correspondence, style pages |
17 | 174-175 | ||
Second galley with notes, correspondence |
17 | 176-177 | ||
Third galley with notes, correspondence |
17 | 178-179 | ||
Black Iris, Jean Joubert, Denise Levertov (translator), circa 1988 |
||||
box | folder | |||
Manuscript |
17 | 180 | ||
Manuscript materials |
17 | 181 | ||
Manuscript materials |
18 | 182-183 | ||
Manuscript material, galley, correspondence |
18 | 184 | ||
Galley |
18 | 185 | ||
Galley, correspondence, promotional material |
18 | 186 | ||
Bound galley proof |
18 | 187 | ||
The Blessing: New and Collected Poems, Richard Jones, 1998-2000 |
||||
box | folder | |||
Correspondence |
18 | 188 | ||
Manuscript, edited |
18 | 189-190 | ||
Manuscript with notes, correspondence |
18 | 191-192 | ||
Manuscript with notes |
18 | 193 | ||
Manuscript with notes (continued) |
19 | 194 | ||
Manuscript with notes, edited |
19 | 195-196 | ||
First galley with notes, style pages |
19 | 197-200 | ||
Uncorrected proof, first galley, cover proof |
19 | 201-203 | ||
Uncorrected proof, first galley, cover proof (continued) |
20 | 204 | ||
Second galley with notes, correspondence |
20 | 206-209 | ||
Third galley |
20 | 210-213 | ||
Blindsided, Jack Myers, 1989 |
||||
box | folder | |||
Manuscript, correspondence |
21 | 214 | ||
Blue Autumn, Christopher Buckley, 1988 |
||||
box | folder | |||
Manuscript, correspondence |
21 | 215 | ||
Blue Dusk: New and Selected ENDPoems, Madeline DeFrees, 2000-2001 |
||||
box | folder | |||
Manuscript |
21 | 216-218 | ||
Manuscript with notes |
21 | 219 | ||
Manuscript, edited |
21 | 220 | ||
First galley with notes |
21 | 221-222 | ||
Second galley with notes |
21 | 223 | ||
Second galley with notes |
22 | 224 | ||
Third galley pages |
22 | 225 | ||
The Body in Bloom, C. Dale Young, undated |
||||
box | folder | |||
Manuscript |
22 | 226 | ||
The Book of Elegiac Geography, Sam Hamill, undated |
||||
box | folder | |||
Manuscript |
22 | 227 | ||
The Book of the Dead Man, Marvin Bell, 1992-1996 |
||||
box | folder | |||
Correspondence |
22 | 228 | ||
Manuscript, correspondence |
22 | 229-230 | ||
Galley, jacket notes |
22 | 231 | ||
Galley with notes |
22 | 232-233 | ||
The Book of Light, Lucille Clifton, 1992-1993 |
||||
box | folder | |||
Manuscript |
22 | 234 | ||
Manuscript, correspondence, review |
22 | 235 | ||
Camera-ready copy reprint |
22 | 236 | ||
Manuscript |
22 | 237 | ||
Manuscript with notes and corrections |
23 | 238 | ||
Galley |
23 | 239-241 | ||
Galley, printer instructions |
23 | 242 | ||
Text camera-ready copy |
23 | 243 | ||
The Book of Questions, Pablo Neruda, William O'Daly (translator), 1991-2000 |
||||
box | folder | |||
Correspondence, introduction |
23 | 244 | ||
Manuscript with notes, correspondence |
23 | 245 | ||
Manuscript |
23 | 246-247 | ||
Manuscript (early draft) |
23 | 248 | ||
Manuscript with notes, correspondence |
23 | 249 | ||
Manuscript draft with notes and corrections |
24 | 250-251 | ||
Proof pages |
24 | 252 | ||
Introduction manuscript with notes |
24 | 253 | ||
Galley with notes, cover galley |
24 | 254-255 | ||
Text camera-ready copy |
24 | 256 | ||
Text camera-ready copy (photocopy), galley jacket notes |
24 | 257 | ||
Reprint material |
24 | 258 | ||
Bones and Buzzards, Kerry Keys, 1990 |
||||
box | folder | |||
Manuscript, correspondence |
24 | 259 | ||
Bottomland: The Whale in the Web, undated |
||||
box | folder | |||
Manuscript, correspondence |
24 | 260 | ||
The Buffalo Sequence, Mark Pawlak, 1974-1978 |
||||
box | folder | |||
Manuscript, correspondence with Denise Levertov |
24 | 261 | ||
Burnt Offerings, Timothy Liu, 1995-2001 |
||||
box | folder | |||
Manuscript, correspondence |
24 | 262 | ||
Manuscript |
25 | 263 | ||
Galley |
25 | 264 | ||
Manuscript with notes |
25 | 265 | ||
Galleys with notes |
25 | 266 | ||
Galley with notes, manuscript |
25 | 267-269 | ||
Sample galley pages |
25 | 270 | ||
Digital proof |
25 | 271 | ||
Galley back cover |
25 | 272 | ||
Promotional postcard |
25 | 273 | ||
Cafe, D.C. Berry, undated |
||||
box | folder | |||
Manuscript |
25 | 274 | ||
The Calling Across Forever, Sam Hamill, undated |
||||
box | folder | |||
Manuscript (photocopy) |
25 | 275 | ||
Carrying Over, Carolyn Kizer, 1988 |
||||
box | folder | |||
Correspondence, manuscript |
26 | 276 | ||
Manuscript, book photocopies |
26 | 277-279 | ||
Galley |
26 | 280-281 | ||
Bound galley proof |
26 | 282 | ||
Cavafy, George Economou, 1999 |
||||
box | folder | |||
Manuscript |
26 | 283 | ||
Celebrations, Michael Cuddihy, circa 1980 |
||||
box | folder | |||
Manuscript |
26 | 284 | ||
Galley |
26 | 285 | ||
Century's Road, Patricia Kirkpatrick, 2000 |
||||
box | folder | |||
Query letter, correspondence, manuscript |
26 | 286 | ||
Cheat Grass, Cheryl Van Dyke, 1975 |
||||
box | folder | |||
Manuscript |
26 | 287-288 | ||
City of Memory, Jose Emilio Pacheco, Cynthia Steele (translator), 1990 |
||||
box | folder | |||
Manuscript, correspondence |
27 | 289 | ||
Cloth of Cilantro, Doren Robbins, undated |
||||
box | folder | |||
Manuscript |
27 | 290 | ||
Collected Longer Poems, Hayden Carruth, 1993 |
||||
box | folder | |||
Manuscript |
27 | 291 | ||
Manuscript |
27 | 292-293 | ||
Manuscript with notes |
27 | 294-295 | ||
Galley with author notes |
27 | 296 | ||
Galley with author notes (continued) |
28 | 297 | ||
Galley, type specifications, query sheet |
28 | 298-299 | ||
Galley |
28 | 300-301 | ||
Galley pages and galley proofs |
28 | 302-305 | ||
Collected Poems of Beatrice Hawley, 1989 |
||||
box | folder | |||
Manuscript, correspondence |
28 | 306 | ||
Collected Poems, Jay Wright, 1997-1998 |
||||
box | folder | |||
Correspondence |
29 | 307 | ||
Collected Poems of Kay Boyle, 1989-1991 |
||||
box | folder | |||
Manuscript, correspondence |
29 | 308-310 | ||
Manuscript with photocopied pages |
29 | 311-312 | ||
Galley |
29 | 313 | ||
Galley proof with notes and corrections |
29 | 314 | ||
Second galley |
29 | 315-316 | ||
Galley, jacket material, facsimile cover |
29 | 317-318 | ||
Uncorrected proof |
30 | 319 | ||
Text camera-ready copy (incomplete) |
30 | 320 | ||
Collected Shorter Poems: 1946-1991, Hayden Carruth, circa 1990-1993 |
||||
box | folder | |||
Correspondence |
30 | 321 | ||
Manuscript (table of contents), correspondence |
30 | 322 | ||
Manuscript |
30 | 323-330 | ||
Uncorrected proof |
31 | 331-332 | ||
Galley with notes |
31 | 333-337 | ||
Unbound proof |
31 | 338-340 | ||
Text camera-ready copy |
32 | 341-343 | ||
The Collected Songs of Cold Mountain, Red Pine (translator), circa 1980s-2000 |
||||
box | folder | |||
Correspondence |
32 | 344 | ||
Manuscript |
32 | 345-346 | ||
Manuscript, correspondence |
32 | 347 | ||
Manuscript with notes, correspondence |
32 | 348 | ||
Manuscript with introduction |
32 | 349 | ||
Manuscript with introduction (continued) |
33 | 350 | ||
Bilingual manuscript |
33 | 351-352 | ||
Manuscript of notes |
33 | 353 | ||
Edited manuscript, correspondence |
33 | 354-355 | ||
Digital manuscript sample |
33 | 356 | ||
Galley text and introduction |
33 | 357 | ||
First galley with notes, correspondence |
33 | 358-361 | ||
Second galley with notes |
34 | 362-365 | ||
Third galley with notes |
34 | 366-369 | ||
Cover galley, postcards |
34 | 370 | ||
Cover consortium advance, marketing, biographical note, excerpts |
34 | 371 | ||
Correspondence, printing brochures |
34 | 372 | ||
Galleys (title page, copyright, notes to preface) |
34 | 373 | ||
Correspondence, Library of Congress information, author's stamp |
34 | 374 | ||
Color Fast, Honor Moore, undated |
||||
box | folder | |||
Manuscript |
34 | 375 | ||
The Compass Flower, W.S. Merwin, undated |
||||
box | folder | |||
Manuscript |
34 | 376 | ||
Manuscript (photocopy back to back) |
34 | 377 | ||
Manuscript with notes |
35 | 378 | ||
Photocopy from 1977 Athenaeum edition. Also photocopies of Feathers from the Hill ENDand Opening the Hand |
35 | 379 | ||
Communion: Poems 1976-1998, Primus St. John; 1999, undated |
||||
box | folder | |||
Manuscript (back to back photocopy) |
35 | 380 | ||
Manuscript |
35 | 381-382 | ||
Manuscript |
35 | 383 | ||
Manuscript (incomplete) |
35 | 384 | ||
Manuscript of "If there Were No Days" (reference text) |
35 | 385 | ||
Manuscript |
35 | 386-387 | ||
Manuscript with notes |
35 | 388 | ||
Manuscript with notes (continued) |
36 | 389 | ||
Edited manuscript |
36 | 390 | ||
Correspondence, galley pages |
36 | 391 | ||
First galley |
36 | 392-393 | ||
First galley with notes |
36 | 394-395 | ||
Uncorrected proof |
36 | 396-397 | ||
Second galley with replacement pages, jacket galley |
37 | 398-399 | ||
Third galley pages |
37 | 400 | ||
Third galley pages |
37 | 401-402 | ||
Uncorrected bound proof |
37 | 403 | ||
Configurations, Clarence Major, 1998 |
||||
box | folder | |||
Manuscript (partial) with notes, correspondence |
37 | 404-405 | ||
First galley (photocopy) with notes |
37 | 406-407 | ||
First galley (photocopy) with notes (continued) |
38 | 408 | ||
First galley |
38 | 409-411 | ||
First galley with notes |
38 | 412-414 | ||
Second galley with notes |
38 | 415 | ||
Second galley with notes (continued) |
39 | 416-417 | ||
Third galley |
39 | 418-420 | ||
Consortium Winter Catalog 1996-97 |
||||
box | folder | |||
Manuscript |
39 | 421-422 | ||
Cool, Calm, and Collected: Poems 1960-2000, Carolyn Kizer, 2000 |
||||
box | folder | |||
Correspondence |
39 | 423 | ||
Manuscript with notes, correspondence |
39 | 424-426 | ||
Manuscript with notes, correspondence (continued) |
40 | 427 | ||
Manuscript |
40 | 428-430 | ||
Manuscript |
40 | 431-433 | ||
Galley |
40 | 434-437 | ||
Galley |
41 | 438 | ||
Second galley with notes |
41 | 439-443 | ||
Uncorrected proof |
41 | 444-446 | ||
Uncorrected proof (continued) |
42 | 447-448 | ||
First galley (uncorrected proof) |
42 | 449-453 | ||
Orders, covers, corrections, correspondence, poems |
42 | 454 | ||
Copper Canyon Press Catalog |
||||
box | folder | |||
1984 (Spring) manuscript, galley |
42 | 455 | ||
1985 manuscript, galley, art, cover |
42 | 456 | ||
1986 catalog |
42 | 457 | ||
1986 manuscript, galley, correspondence, art, invoices |
42 | 458 | ||
1986 manuscript, galley, correspondence, mechanical, camera copies |
43 | 459 | ||
1987 manuscript, paste-ups, camera copies |
43 | 460 | ||
1987 manuscript, galley, mechanicals, art |
43 | 461 | ||
1988 manuscript, galley |
43 | 462 | ||
1988 manuscript, galley, invoices, 1987 catalog with notes |
43 | 463 | ||
1988 manuscript |
43 | 464 | ||
1989 manuscript |
43 | 465 | ||
1989 galley, manuscript, paste-ups |
43 | 466 | ||
1989 galley, art, paste-ups, correspondence |
43 | 467 | ||
1991 (Fall) manuscripts, galley, paste-ups, samples |
43 | 468 | ||
1991 (Spring) galley, paste-ups, correspondence |
43 | 469 | ||
1992 catalog |
43 | 470 | ||
1992-1993 (Fall and Winter) manuscript, paste-ups, cover art |
43 | 471 | ||
1992-1993 (Fall and Winter) manuscript, paste-ups, cover art (continued) |
44 | 472 | ||
1993-1994 manuscript, correspondence |
44 | 473 | ||
1993-1994 galley, cover, layouts, promotional material |
44 | 474-475 | ||
1993-1994 proof |
44 | 476 | ||
1994 (Spring and Summer) galley, paste-ups, sample, notes |
44 | 477 | ||
1994 (Spring and Summer) manuscript |
44 | 478 | ||
1993-1994 manuscript, correspondence, invoices, cover art |
44 | 479 | ||
1994 (Spring and Summer) final catalog |
44 | 480 | ||
1994-1995 (Fall and Winter) final catalog |
44 | 481 | ||
1995 (Spring and Summer) final catalog |
44 | 482 | ||
1996 (Spring and Summer) final catalog |
44 | 483 | ||
1996 (Fall and Winter) galley |
44 | 484 | ||
1996 (Fall and Winter) galley (continued) |
45 | 485 | ||
1996 (Spring and Summer) |
45 | 486 | ||
1996-1997 (Fall and Winter) galley |
45 | 487-488 | ||
1996-1997 (Fall and Winter) final catalog |
45 | 489 | ||
1997 (Spring and Summer) galley |
45 | 490 | ||
1997 (Spring and Summer) galley with notes |
45 | 491 | ||
1997 (Spring and Summer) galley short catalog |
45 | 492 | ||
1997 (Spring and Summer) galley flyer catalog |
45 | 493 | ||
1997 (Fall and Winter) flyer, catalog, galley |
45 | 494 | ||
1997 (Spring and Summer) final catalog |
45 | 495 | ||
1998 (Spring and Summer) catalog |
45 | 496 | ||
1998 (Spring and Summer) "New Poetry" final catalog |
45 | 497 | ||
1998 (Fall) galley |
45 | 498 | ||
1998 (Fall and Winter) catalog |
45 | 499 | ||
1998 (Fall and Winter) final catalog |
45 | 500 | ||
1999 (Fall) galley |
46 | 501 | ||
1999 (Spring and Summer) catalog |
46 | 502 | ||
1999 (Fall and Winter) galleys |
46 | 503 | ||
1999 (Fall and Winter) final catalog |
46 | 504 | ||
1999 (Fall) final catalog |
46 | 505 | ||
1999 (Fall and Winter) final catalog |
46 | 506 | ||
2000 (Spring) galley "Books" |
46 | 507 | ||
2000 (Spring) galley "Poetry" |
46 | 508 | ||
Copperhead II, multiple authors, undated |
||||
box | folder | |||
Manuscript, correspondence |
46 | 509 | ||
Copperhead III, multiple authors; 1995, undated |
||||
box | folder | |||
Manuscript, correspondence, art |
46 | 510 | ||
The Country Between Us, Carolyn Forche, undated |
||||
box | folder | |||
Galley proof |
46 | 511 | ||
Country of Air, Richard Jones, 1985-1992 |
||||
box | folder | |||
Correspondence |
46 | 512 | ||
Manuscript, proofs |
46 | 513-514 | ||
Manuscript, previous reviews, author vita |
46 | 515 | ||
Bound galley proof |
46 | 516 | ||
Reviews |
46 | 517-518 | ||
County O, Robert Hedin; 1986, undated |
||||
box | folder | |||
Manuscript |
46 | 519 | ||
Manuscript, correspondence |
46 | 520 | ||
Review |
47 | 521 | ||
Craving Water, Mary Lou Sanelli, undated |
||||
box | folder | |||
Manuscript |
47 | 522 | ||
Crawles, Nathalie Anderson, 1998 |
||||
box | folder | |||
Manuscript |
47 | 523 | ||
Crow with No Mouth: Ikkyu, Stephen Berg (translator), 1988-2000 |
||||
box | folder | |||
Correspondence |
47 | 524 | ||
Manuscript draft with notes, galley with notes, jacket notes |
47 | 525-526 | ||
Galley (photocopy) with notes, foreword, jacket notes |
47 | 527 | ||
Corrected galley pages |
47 | 528 | ||
Text camera-ready copy |
47 | 529 | ||
Bound galley proof |
47 | 530 | ||
Reprint, correspondence, cover |
47 | 531 | ||
Damages, Elaine Terranova, 1995 |
||||
box | folder | |||
Manuscript |
47 | 532 | ||
Manuscript draft (photocopies) |
47 | 533 | ||
Manuscript |
47 | 534-535 | ||
Manuscript with notes, correspondence |
47 | 536 | ||
First galley |
47 | 537 | ||
First galley with notes, correspondence |
48 | 538 | ||
Sample galley pages |
48 | 539 | ||
Galley |
48 | 540 | ||
Galley |
48 | 541 | ||
Manuscript |
48 | 542 | ||
Dark Freight, A. Hokanson, undated |
||||
box | folder | |||
Manuscript |
48 | 543 | ||
Dark Songs: Slave House and Synagogue, Laurence Leiberman, circa 1994-1996 |
||||
box | folder | |||
Manuscript, author biographical note |
48 | 544 | ||
Manuscript |
48 | 545 | ||
A Daughter's Latitude: New and Selected Poems, Karen Swenson, 1998-1999 |
||||
box | folder | |||
Manuscript with notes |
48 | 546-547 | ||
Manuscript, correspondence |
48 | 548 | ||
Manuscript, correspondence (continued) |
49 | 549 | ||
Galley |
49 | 550-551 | ||
First galley, correspondence |
49 | 552-553 | ||
First galley with notes |
49 | 554-555 | ||
Second galley with notes |
49 | 556 | ||
Second galley with notes (continued) |
50 | 557 | ||
David Lee: A Listener's Guide, 1999 |
||||
box | folder | |||
Galley, cover galley |
50 | 558 | ||
Days of Awe, Maurya Simon, 1987-1992 |
||||
box | folder | |||
Galley |
50 | 559 | ||
Correspondence |
50 | 560 | ||
Galley with corrections |
50 | 561 | ||
Manuscript, galley with notes |
50 | 562-563 | ||
Bound galley proof |
50 | 564 | ||
Day's Work, David Lee, 1990-1992 |
||||
box | folder | |||
Correspondence |
50 | 565 | ||
First draft manuscript |
50 | 566-567 | ||
Manuscript |
51 | 568-569 | ||
Manuscript, author vita |
51 | 570 | ||
Galley proof with notes |
51 | 571-572 | ||
Galley pages with notes |
51 | 573-574 | ||
Blue line text, cover, art |
51 | 575 | ||
Galley quick pages, cover art and text |
51 | 576-577 | ||
Text camera-ready copy |
51 | 578 | ||
Bound galley proof |
52 | 579 | ||
Death Song, Thomas McGrath, 1990 |
||||
box | folder | |||
Correspondence |
52 | 580 | ||
Manuscript |
52 | 581-582 | ||
Manuscript, cover matter, press release |
52 | 583-584 | ||
Galley |
52 | 585 | ||
Galley with corrections and notes |
52 | 586 | ||
Galley with corrections, advertisement galley |
52 | 587-588 | ||
Bound galley proof |
52 | 589 | ||
Promotional material |
53 | 590 | ||
Deepstep Come Shining, C.D. Wright, 1998 |
||||
box | folder | |||
Uncorrected page proofs |
53 | 591 | ||
First galley with notes, correspondence |
53 | 592 | ||
Second galley with notes and correspondence |
53 | 593 | ||
Discovering Ellf, Louise Burton, undated |
||||
box | folder | |||
Manuscript, correspondence |
53 | 594 | ||
Documentary, Robin Morgan, 1981 |
||||
box | folder | |||
Manuscript, correspondence |
53 | 595 | ||
Doctor Jazz, Hayden Carruth, 2000 |
||||
box | folder | |||
Manuscript |
53 | 596 | ||
Manuscript with notes |
53 | 597 | ||
First galley with notes, style pages |
53 | 598 | ||
Second galley with notes |
53 | 599 | ||
Third galley |
54 | 600 | ||
The Doves of Pliny, Simon, undated |
||||
box | folder | |||
Manuscript |
54 | 601 | ||
Driving and Drinking, David Lee, circa 1979-1982 |
||||
box | folder | |||
Manuscript |
54 | 602-603 | ||
Dying for Beauty, Gail Wronsky, circa 1999-2000 |
||||
box | folder | |||
Correspondence |
54 | 604 | ||
Manuscript |
54 | 605 | ||
Edited manuscript |
54 | 606 | ||
Manuscript galley with notes, style pages |
54 | 607 | ||
First galley with notes, correspondence |
54 | 608 | ||
First galley |
54 | 609 | ||
Uncorrected proof |
54 | 610 | ||
Second galley with notes, jacket notes, back cover galley |
54 | 611 | ||
Third galley |
55 | 612 | ||
East Window: The Asian Translations, W.S. Merwin, 1998 |
||||
box | folder | |||
Manuscript with notes |
55 | 613 | ||
Manuscript |
55 | 614 | ||
Galley |
55 | 615-617 | ||
Galley with notes |
55 | 618-619 | ||
Second galley with notes |
56 | 620-623 | ||
Third galley |
56 | 624-626 | ||
Galley replacement pages |
56 | 627 | ||
Uncorrected bound proof |
56 | 628 | ||
Elements, James Galvin, circa 1988 |
||||
box | folder | |||
Galley with notes |
57 | 629-630 | ||
Bound galley proof |
57 | 631 | ||
Empty Word, Emily Warn, 1989 |
||||
box | folder | |||
Manuscript, correspondence |
57 | 632 | ||
The Enchanted Room, Maurya Simon, 1986-1987 |
||||
box | folder | |||
Manuscript, invoices |
57 | 633 | ||
Bound galley proof |
57 | 634 | ||
Review |
57 | 635 | ||
Eros, Eros, Eros: Selected and Last Poems, Odysseas Elytis, Olga Broumas (translator), 1998 |
||||
box | folder | |||
Manuscript |
57 | 636 | ||
Manuscript, correspondence |
57 | 637 | ||
Manuscript with notes |
57 | 638 | ||
Manuscript (incomplete) |
57 | 639 | ||
Galley with notes |
58 | 640-641 | ||
Second galley with notes, correspondence |
58 | 642-643 | ||
Third galley with notes |
58 | 644-645 | ||
Escalante, Sam Hamill, undated |
||||
box | folder | |||
Manuscript |
58 | 646 | ||
Essential Basho, Matsuo Basho, Sam Hamill (translator), 2000 |
||||
box | folder | |||
Article, review |
58 | 647 | ||
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers), 1989-1990 |
||||
box | folder | |||
Correspondence, contract copy |
58 | 648 | ||
Galley |
58 | 649-650 | ||
Galley (continued) |
59 | 651 | ||
Correspondence, press release, news clippings, brochures |
59 | 652 | ||
Table of contents manuscript, jacket notes |
59 | 653 | ||
Correspondence, galley with notes and correspondence |
59 | 654-655 | ||
Bound galley proof |
59 | 656 | ||
Galleys with art work |
59 | 657 | ||
Existing Light, Madeline DeFrees, undated |
||||
box | folder | |||
Manuscript |
59 | 658 | ||
The Faces Are Masks, Made of Stone with Real Tears, Frank Winters, 1993 |
||||
box | folder | |||
Manuscript |
59 | 659 | ||
The Falcon and the Dragon, Mary Johnson, 1976 |
||||
box | folder | |||
Manuscript, correspondence, mechanicals |
60 | 660 | ||
Feathers from the Hill, W.S. Merwin, undated |
||||
box | folder | |||
Manuscript |
60 | 661 | ||
Manuscript with notes |
60 | 662 | ||
Finding True North, W.M. Ransom, 1973 |
||||
box | folder | |||
Manuscript, correspondence, art, supporting documentation |
60 | 663 | ||
Unbound advance galley, art |
60 | 664 | ||
The First Four Books of Poems, W.S. Merwin, 1999-2000 |
||||
box | folder | |||
First galley with notes, style pages, color cover |
60 | 665-668 | ||
Correspondence |
60 | 669 | ||
Manuscript with notes |
60 | 670-671 | ||
First galley |
60 | 672-673 | ||
First galley (continued) |
61 | 674 | ||
Uncorrected proof first galley |
61 | 675-678 | ||
Second galley with notes |
61 | 679-682 | ||
Third galley |
61 | 683-686 | ||
First Things First, Odysseas Elytis, Olga Broumas (translator), 1992 |
||||
box | folder | |||
Manuscript poems, introduction, correspondence |
62 | 687 | ||
Fishing Poems END(anthology; multiple authors), 1975 |
||||
box | folder | |||
Manuscript, correspondence, art |
62 | 688 | ||
Five Pears or ENDPeaches, Reginald Gibbons, undated |
||||
box | folder | |||
Manuscript, correspondence |
62 | 689 | ||
Five Quechua Poets END(anthology), 1997 |
||||
box | folder | |||
Trilingual manuscript, correspondence |
62 | 690 | ||
Flower and Hand, W.S. Merwin, 1996-1997 |
||||
box | folder | |||
Manuscript |
62 | 691-692 | ||
Galley |
62 | 693-694 | ||
Galley |
62 | 695-696 | ||
Cover galley |
62 | 697 | ||
Galley (back to back photocopy) |
62 | 698 | ||
Final galley, correspondence |
62 | 699 | ||
Final galley, correspondence (continued) |
63 | 700 | ||
Correspondence, jacket notes, galley pages |
63 | 701 | ||
Sample galley pages, correspondence |
63 | 702 | ||
Manuscript, style pages |
63 | 703-704 | ||
First galley with notes |
63 | 705-706 | ||
Second galley |
63 | 707-708 | ||
Galley, cover galley, correspondence |
63 | 709-710 | ||
A Flower Whose Name I Do Not Know, David Romtvedt, 1991-1992 |
||||
box | folder | |||
Manuscript, correspondence |
64 | 711 | ||
Correspondence, jacket notes, press release |
64 | 712 | ||
Galley |
64 | 713 | ||
Galley proofs, manuscript with notes |
64 | 714-715 | ||
Manuscript with editor's notes |
64 | 716 | ||
Manuscript |
64 | 717 | ||
Galley |
64 | 718 | ||
Galley |
64 | 719 | ||
Forgiveness, Maxine Scales, 1997 |
||||
box | folder | |||
Correspondence |
64 | 720 | ||
Four Mapuche Poets, undated |
||||
box | folder | |||
Bilingual manuscript |
64 | 721 | ||
Photocopy |
65 | 722 | ||
Fourteen Poems, O.V. de L. Milosz, Kenneth Rexroth (translator), circa 1983 |
||||
box | folder | |||
Manuscript, proofs (photocopies) |
65 | 723 | ||
Photocopy of book pages |
65 | 724 | ||
The Gift of Tongues: Twenty-five Years of Poetry from Copper Canyon Press, 1995-1996 |
||||
box | folder | |||
Manuscript |
65 | 725-726 | ||
Manuscript draft |
65 | 727 | ||
Manuscript |
65 | 728-731 | ||
Manuscript |
66 | 732-733 | ||
Manuscript (back to back) |
66 | 734-736 | ||
First galley front matter |
66 | 737 | ||
First galley with notes |
66 | 738-741 | ||
Uncorrected bound proof |
66 | 742 | ||
Uncorrected bound proof |
67 | 743 | ||
Second galley |
67 | 744-747 | ||
Second galley |
67 | 748-751 | ||
Second galley front matter with notes |
67 | 752 | ||
Third galley |
67 | 753 | ||
Third galley (continued) |
68 | 754-756 | ||
Third galley pages |
68 | 757 | ||
Final galley |
68 | 758-760 | ||
Sample galley pages |
68 | 761 | ||
Page additions and revisions, correspondence |
68 | 762-763 | ||
Galley, postcard insert |
68 | 764 | ||
Glass Town, Lisa Russ Spaar, 1998 |
||||
box | folder | |||
Manuscript, correspondence |
68 | 765 | ||
Gleanings from the Wayside, Pao Yi, undated |
||||
box | folder | |||
Manuscript |
68 | 766 | ||
Go the Distance, Karen Swenson, undated |
||||
box | folder | |||
Original manuscript |
69 | 767-768 | ||
Growing Old Alive, Han Yu, Kenneth Hanson (translator), undated |
||||
box | folder | |||
Manuscript, photographs |
69 | 769 | ||
A Gypsy's History of the World, Kim Robert Stafford, 1976 |
||||
box | folder | |||
Manuscript |
69 | 770 | ||
Manuscript, page proofs |
69 | 771 | ||
A Happy Death: In This Wild Cold Field, Jeffrey Loo, undated |
||||
box | folder | |||
Manuscript |
69 | 772 | ||
Harping On: Poems 1985 to 1994, Carolyn Kizer, 1996 |
||||
box | folder | |||
Correspondence, cover galley |
69 | 773 | ||
Cover galley pages, correspondence |
69 | 774 | ||
Sample galley pages |
69 | 775 | ||
Manuscript |
69 | 776 | ||
Manuscript |
69 | 777 | ||
Manuscript with notes |
69 | 778 | ||
First galley with notes |
69 | 779 | ||
First galley |
69 | 780 | ||
Second galley |
69 | 781 | ||
Uncorrected bound proof |
70 | 782 | ||
First galley |
70 | 783 | ||
First galley with notes |
70 | 784 | ||
Hatsutaiken, Lee Bassett, circa 1980 |
||||
box | folder | |||
Manuscript |
70 | 785 | ||
Hayden Carruth: A Listener's Guide, 1999 |
||||
box | folder | |||
Manuscript, first galley, second galley |
70 | 786 | ||
The Healing Fountains, Jane Miller, undated |
||||
box | folder | |||
Manuscript |
70 | 787 | ||
Heart of Bamboo: A Listener's Guide, 1999 |
||||
box | folder | |||
Manuscript, galley with notes |
70 | 788 | ||
Heart of Bamboo: Poetry and Music in the Zen Tradition, 1999 |
||||
box | folder | |||
Galley, cover galley |
70 | 789 | ||
He Smiled to Himself, Steve Sanfield, undated |
||||
box | folder | |||
Manuscript |
70 | 790 | ||
Hello Central, Give Me Doctor Jazz, Hayden Carruth, undated |
||||
box | folder | |||
Manuscript |
70 | 791-792 | ||
Heroes and Ghosts, Terranova, undated |
||||
box | folder | |||
Manuscript |
70 | 793 | ||
Heroes of the Teton Mythos, Sam Hamill, 1974 |
||||
box | folder | |||
Correspondence, manuscript |
70 | 794 | ||
The Hides of White Horses Shedding Rain, Robert Sund, 1980 |
||||
box | folder | |||
Manuscript |
70 | 795 | ||
Him, Her, the Other, Barrie Jean Borich, undated |
||||
box | folder | |||
Manuscript |
70 | 796 | ||
Holding Our Own: The Selected Poems of Ann Stafford, 2001 |
||||
box | folder | |||
Partial manuscript (photocopy from book) |
70 | 797 | ||
Partial manuscript (photocopy from book) |
71 | 798 | ||
Manuscript with notes |
71 | 799 | ||
Manuscript with notes, correspondence |
71 | 800-801 | ||
Manuscript with notes |
71 | 802 | ||
Manuscript design sample |
71 | 803 | ||
First galley |
71 | 804-805 | ||
First galley with notes |
71 | 806-807 | ||
First galley with notes, style pages |
72 | 808-809 | ||
Second galley pages |
72 | 810 | ||
Third galley, color cover galley |
72 | 811-812 | ||
Ann Stafford diary pages |
72 | 813 | ||
Second galley with notes, style pages |
72 | 814-815 | ||
Homage to Rolf Jacobsen, Robert Bly, undated |
||||
box | folder | |||
Introduction |
72 | 816 | ||
Homage to the Afterlife, Stephen Berg, 1996 |
||||
box | folder | |||
Manuscript, correspondence |
72 | 817-818 | ||
Hotel with Birds, Lewis Hyde, 1986 |
||||
box | folder | |||
Manuscript |
72 | 819 | ||
House of Breath, Ken Garner, circa 1981 |
||||
box | folder | |||
Galley, manuscript |
72 | 820 | ||
House of Poured-Out Waters, Jane Mead, 1998 |
||||
box | folder | |||
Manuscript, correspondence |
73 | 821 | ||
How to Eat a Slug, Frank R. Maloney, 1973-1976 |
||||
box | folder | |||
Manuscript, correspondence |
73 | 822 | ||
Galley |
73 | 823 | ||
I Am Somebody, Oh Yes I Am!, Linda Berg and Paula Bowen, 1984 |
||||
box | folder | |||
Manuscript, correspondence |
73 | 824 | ||
I Don't Bow to Buddhas: Selected Poems of Yuan Mei, J.P. Seaton (translator), 1995 |
||||
box | folder | |||
Manuscript with notes, correspondence |
73 | 825-826 | ||
Style pages, correspondence |
73 | 827 | ||
Sample galley pages |
73 | 828 | ||
First galley with notes |
73 | 829-830 | ||
Second galley with notes |
73 | 831 | ||
Second galley, cover art |
74 | 832 | ||
Third galley |
74 | 833 | ||
Third galley |
74 | 834 | ||
Third galley with notes |
74 | 835 | ||
Promotion |
74 | 836 | ||
Ice Futures, Thomas Johnson, 1976-1978 |
||||
box | folder | |||
Manuscript, correspondence |
74 | 837 | ||
In the Dreamlight: Twenty-two Alaskan Writers, 1983-1984 |
||||
box | folder | |||
Manuscript |
74 | 838 | ||
Correspondence, mailing list, advertising |
74 | 839 | ||
Manuscript |
74 | 840-841 | ||
Manuscript (continued) |
75 | 842 | ||
Page proofs |
75 | 843 | ||
In the Surgical Theatre, Dana Levin, circa 1999 |
||||
box | folder | |||
Manuscript |
75 | 844 | ||
Infanta, Erin Belieu, 1994-1995 |
||||
box | folder | |||
Original manuscript |
75 | 845 | ||
Manuscript, correspondence |
75 | 846 | ||
Manuscript |
75 | 847 | ||
Manuscript, correspondence |
75 | 848 | ||
Manuscript (copyedited) |
75 | 849 | ||
Galley design pages, correspondence |
75 | 850 | ||
First galley, manuscript |
75 | 851 | ||
First galley |
75 | 852 | ||
First galley with notes, correspondence |
75 | 853 | ||
Second galley |
76 | 854 | ||
Proof |
76 | 855 | ||
Second printing, galley page |
76 | 856 | ||
Reprint material |
76 | 857 | ||
Intarsia, Rebecca Wee, undated |
||||
box | folder | |||
Manuscript |
76 | 858 | ||
Iris of Creation, Marvin Bell, 1990 |
||||
box | folder | |||
Manuscript |
76 | 859 | ||
Correspondence, publishing contract copy |
76 | 860 | ||
Manuscript |
76 | 861 | ||
Manuscript |
76 | 862 | ||
Galley, manuscript |
76 | 863 | ||
Galley with notes and corrections |
76 | 864 | ||
Bound galley proof |
76 | 865 | ||
Iron Man of the Hoh, Nelson Bentley, 1975 |
||||
box | folder | |||
Manuscript, correspondence, proofs, publication announcement |
76 | 866 | ||
The Island, Michael White, 1992 |
||||
box | folder | |||
Text camera-ready copy |
76 | 867 | ||
Manuscript (former title "The Narcissus Moored") |
77 | 868 | ||
Correspondence |
77 | 869 | ||
Manuscript |
77 | 870 | ||
Galley |
77 | 871 | ||
The Island of Lost Luggage, Janet McAdams, circa 2000 |
||||
box | folder | |||
Manuscript |
77 | 872 | ||
Ivory Cradle, Anne Marie Macari, 2000 |
||||
box | folder | |||
Manuscript |
77 | 873 | ||
Fourth galley |
77 | 874 | ||
Jawbone, Sam Hamill, undated |
||||
box | folder | |||
Manuscript, notes |
77 | 875 | ||
Jazz: Love, Schuler, undated |
||||
box | folder | |||
Manuscript poem |
77 | 876 | ||
Jonestown, undated |
||||
box | folder | |||
Manuscript |
77 | 877 | ||
Journal of the Sun, James Masao Mitsui, 1973 |
||||
box | folder | |||
Manuscript |
77 | 878 | ||
Manuscript, correspondence, publication announcement |
77 | 878.1 | ||
The Kilroy Sonata, Phillips, 1988 |
||||
box | folder | |||
Manuscript |
77 | 879 | ||
A Kind of Glory, Richard Shelton, circa 1982 |
||||
box | folder | |||
Galley pages |
77 | 880 | ||
Knowing When Being There, Michael Moore, 1990 |
||||
box | folder | |||
Manuscript, correspondence |
77 | 881 | ||
The Landlady in Bangkok, Karen Swenson, 1994 |
||||
box | folder | |||
Postcard promotion |
78 | 882 | ||
First manuscript |
78 | 883 | ||
Manuscript, correspondence |
78 | 884 | ||
Manuscript draft with notes |
78 | 885 | ||
Manuscript (photocopy) |
78 | 886 | ||
Manuscript, correspondence |
78 | 887 | ||
Manuscript, correspondence |
78 | 888 | ||
First galley |
78 | 889 | ||
First galley |
78 | 890 | ||
Galley proofs |
78 | 891-892 | ||
First galley corrections |
78 | 893 | ||
First galley author corrections, correspondence |
78 | 894 | ||
First galley |
79 | 895 | ||
First galley with notes |
79 | 896 | ||
Second galley |
79 | 897 | ||
Galley proof |
79 | 898 | ||
Galley (final) with notes |
79 | 899 | ||
Lauds, Tom Crawford, undated |
||||
box | folder | |||
Manuscript |
79 | 900 | ||
Learning to Clean the Altar, Deena Metzger, undated |
||||
box | folder | |||
Manuscript (bound), correspondence |
79 | 901 | ||
Leaves, Peter Jacoby, 1997 |
||||
box | folder | |||
Book (Ramsey Press) |
79 | 902 | ||
Leaving a Shadow, Heather Allen, 1996 |
||||
box | folder | |||
Manuscript |
79 | 903 | ||
Postcard promotion |
79 | 904 | ||
First galley, second galley |
79 | 905 | ||
Manuscript (photocopy) |
79 | 906 | ||
Manuscript, correspondence |
80 | 907 | ||
Uncorrected bound proof |
80 | 908 | ||
First galley with notes |
80 | 909 | ||
Second galley |
80 | 910 | ||
Final galley, cover galley |
80 | 911 | ||
Lebanese Mountain Cookery, Mary Louise Laird, 1986 |
||||
box | folder | |||
Galley proof, correspondence |
80 | 912-913 | ||
A Legacy of Shadows, Poems 1978 to END1996, David Lee, 1998-1999 |
||||
box | folder | |||
Manuscript with notes |
80 | 914-916 | ||
First galley with notes |
80 | 917-918 | ||
First galley with notes (continued) |
81 | 919-920 | ||
First galley |
81 | 921-923 | ||
Second galley with notes |
81 | 924-926 | ||
Second galley with notes (continued) |
82 | 927 | ||
Third galley |
82 | 928-930 | ||
Cover, marketing material, excerpts |
82 | 931 | ||
Fourth galley, cover mechanical |
82 | 932 | ||
Lethal Frequencies, James Galvin, 1992-1995 |
||||
box | folder | |||
Correspondence, interview |
82 | 933 | ||
Manuscript |
82 | 934 | ||
Manuscript |
82 | 935 | ||
Manuscript with notes |
82 | 936 | ||
Final manuscript |
82 | 937 | ||
Final manuscript (photocopied) |
82 | 938 | ||
First galley |
83 | 939 | ||
Photocopies, manuscript, correspondence (query) |
83 | 940 | ||
Manuscript, cataloging information |
83 | 941 | ||
Manuscript with notes, correspondence |
83 | 942 | ||
Manuscript (photocopied) |
83 | 943 | ||
First galley with notes |
83 | 944 | ||
Second galley |
83 | 945 | ||
Manuscript with notes, correspondence |
83 | 946 | ||
First galley |
83 | 947 | ||
Correspondence, sample galley pages |
83 | 948 | ||
Manuscript |
83 | 949 | ||
Final galley |
83 | 950 | ||
Letter to an Imaginary Friend, Thomas McGrath, 1984-1997 |
||||
box | folder | |||
Correspondence |
83 | 951 | ||
Correspondence |
83 | 952 | ||
Manuscript, correspondence |
83 | 953 | ||
Manuscript with notes |
84 | 954-956 | ||
Manuscript with notes |
84 | 957-959 | ||
Manuscript pages |
84 | 960 | ||
Manuscript with notes, correspondence |
84 | 961-962 | ||
Galley pages, correspondence, invoices |
84 | 963-964 | ||
Galley pages |
85 | 965 | ||
Galley with notes |
85 | 966-967 | ||
Galley |
85 | 968-970 | ||
Galley |
85 | 971-972 | ||
Galley (continued) |
86 | 973 | ||
Bound galley proof |
86 | 974 | ||
Second mark up with notes |
86 | 975 | ||
Galley pages with notes |
86 | 976-977 | ||
Galley with notes |
86 | 978-980 | ||
Galley with notes (continued) |
87 | 981 | ||
Final pages, correspondence |
87 | 982 | ||
Annotated photocopies |
87 | 983-984 | ||
Letters to Wang Wei, Joseph Lisowski, 1989 |
||||
box | folder | |||
Manuscript, correspondence |
87 | 985 | ||
Lights and Mysteries, Thomas Centolella, 1995 |
||||
box | folder | |||
Manuscript |
87 | 986 | ||
Manuscript |
87 | 987 | ||
Manuscript |
87 | 988 | ||
Sample galley pages |
87 | 989 | ||
First galley, correspondence |
87 | 990 | ||
Uncorrected proof |
87 | 991 | ||
First galley with notes |
88 | 992 | ||
Second galley |
88 | 993 | ||
Like Underground Water, Naoshi Koriyama, Edward Lueders (translators), circa 1995 |
||||
box | folder | |||
Manuscript (photocopy) |
88 | 994-996 | ||
Manuscript |
88 | 997-999 | ||
Manuscript (photocopy) with notes |
88 | 1000 | ||
Manuscript (photocopy) with notes |
89 | 1001-1002 | ||
galley |
89 | 1003-1004 | ||
First copy edit |
89 | 1005-1007 | ||
Galley (photocopy) |
89 | 1008-1009 | ||
Galley |
90 | 1010-1011 | ||
Galley |
90 | 1012-1013 | ||
Uncorrected bound proof |
90 | 1014 | ||
First galley quick pages |
90 | 1015-1017 | ||
Manuscript with notes, correspondence |
90 | 1018-1019 | ||
Manuscript with notes, correspondence |
91 | 1020-1021 | ||
Final galley, correspondence |
91 | 1022-1024 | ||
Index |
91 | 1025 | ||
Cover proof |
91 | 1026 | ||
Listener's Guides: Broumas and Carruth, undated |
||||
box | folder | |||
Consortium advance |
91 | 1027 | ||
Little Ice Age, Maureen Seaton, undated |
||||
box | folder | |||
Manuscript |
91 | 1028 | ||
Little Mariner, Odysseas Elytis, Olga Broumas (translator), circa 1988 |
||||
box | folder | |||
Correspondence |
91 | 1029 | ||
Manuscript |
91 | 1030-1031 | ||
Manuscript, galley |
91 | 1032 | ||
Bound galley proof |
92 | 1033 | ||
Galley |
92 | 1034 | ||
Galley, paste-ups |
92 | 1035 | ||
Little Novels, Denise Duhamel and Maureen Seaton, 1998 |
||||
box | folder | |||
Manuscript |
92 | 1036 | ||
Living Light, Sam Hamill, undated |
||||
box | folder | |||
Manuscript |
92 | 1037 | ||
Living Without Horses, J. Barrington, undated |
||||
box | folder | |||
Manuscript |
92 | 1038 | ||
Locusts at the Edge of Summer: New and Selected ENDPoems, John Balaban, 1996-1997 |
||||
box | folder | |||
Manuscript with notes |
92 | 1039-1040 | ||
Manuscript |
92 | 1041 | ||
Sample galley pages |
92 | 1042 | ||
First galley |
92 | 1043 | ||
First galley (continued) |
93 | 1044-1045 | ||
First galley with notes, new poems |
93 | 1046-1047 | ||
First galley |
93 | 1048-1049 | ||
Second galley |
93 | 1050-1051 | ||
Second galley with notes |
93 | 1052-1053 | ||
Second galley |
94 | 1054-1055 | ||
Final galley |
94 | 1056-1057 | ||
Proof (bound digital blues) |
94 | 1058 | ||
Locusts at the Edge of Summer: A Reader's Guide |
||||
box | folder | |||
Pamphlets |
94 | 1059 | ||
Cover, reviews, biographical note, galley excerpts |
94 | 1060 | ||
The Lonesome Beauty of the Moment, Lee Bassett, undated |
||||
box | folder | |||
Manuscript |
94 | 1061 | ||
A Longing for the Light: Selected Poems of Vicente Aleixandre, Lewis Hyde (editor), circa 1985 |
||||
box | folder | |||
Manuscript |
94 | 1062 | ||
Book with binding |
94 | 1063 | ||
Lost Body, Terry Ehret, 1992-1993 |
||||
box | folder | |||
Correspondence |
94 | 1064 | ||
Manuscript, jacket notes |
95 | 1065 | ||
First galley |
95 | 1066 | ||
First galley with notes |
95 | 1067 | ||
Text camera-ready copy |
95 | 1068 | ||
Love and Time, Ou-yang Hsiu, J.P. Seaton (translator), 1989 |
||||
box | folder | |||
Author vita, press release, review copy list |
95 | 1069 | ||
Correspondence |
95 | 1070 | ||
Manuscript (first draft) |
95 | 1071 | ||
Manuscript with notes |
95 | 1072 | ||
Manuscript with notes |
95 | 1073 | ||
Manuscript with notes |
95 | 1074 | ||
Galley |
95 | 1075 | ||
Galley with notes |
95 | 1076 | ||
Galley (translator's copy) with notes |
95 | 1077 | ||
Final galley |
95 | 1078 | ||
Uncorrected proof |
96 | 1079 | ||
Bound galley proof |
96 | 1080 | ||
Madonna Anno Domini, Joshua Clover, 1994 |
||||
box | folder | |||
Manuscript, correspondence |
96 | 1081 | ||
Magpie on the Gallows, Madeline DeFrees, 1982 |
||||
box | folder | |||
Manuscript, galley, art |
96 | 1082-1084 | ||
Manuscript, art, author biography |
96 | 1085 | ||
Making Space for Our Living, undated |
||||
box | folder | |||
Manuscript |
96 | 1086 | ||
Manhattan Seagull: Selected Poetry of Ok-koo Kang Grosjean, translated by Glen and Ok-koo Kang Grosjean, 1999 |
||||
box | folder | |||
Manuscript |
96 | 1087 | ||
The Meadow, James Galvin, undated |
||||
box | folder | |||
Manuscript |
96 | 1088-1089 | ||
Manuscript (continued) |
97 | 1090 | ||
Memory at These Speeds: New and Selected Poems, Jane Miller, 1996 |
||||
box | folder | |||
Correspondence, galley pages |
97 | 1091 | ||
Manuscript with notes |
97 | 1092-1093 | ||
Manuscript |
97 | 1094-1095 | ||
Manuscript (photocopy) |
97 | 1096-1097 | ||
Uncorrected bound proof |
97 | 1098 | ||
Sample galley pages |
97 | 1099 | ||
First galley |
98 | 1100-1101 | ||
First galley with notes |
98 | 1102-1103 | ||
Second galley |
98 | 1104-1105 | ||
Final galley |
98 | 1106-1107 | ||
The Mercy Seat: Collected and New Poems, Norman Dubie, 2000-2001 |
||||
box | folder | |||
Manuscript with notes |
98 | 1108 | ||
Manuscript with notes |
99 | 1109-1111 | ||
Bound manuscript |
99 | 1112 | ||
Manuscript |
99 | 1113-1114 | ||
First galley |
99 | 1115-1116 | ||
First galley (continued) |
100 | 1117-1118 | ||
First galley with notes |
100 | 1119-1122 | ||
Second galley with notes |
100 | 1123-1126 | ||
Manuscript design sample |
101 | 1127 | ||
Third galley |
101 | 1128-1131 | ||
Mermaids in the Basement, Carolyn Kizer, 1984-1987 |
||||
box | folder | |||
Invoices, correspondence |
101 | 1132 | ||
Manuscript |
101 | 1133 | ||
Uncorrected bound proof |
101 | 1134 | ||
Reprint and price change materials |
101 | 1135 | ||
Mexican Hat, Saner, undated |
||||
box | folder | |||
Manuscript |
101 | 1136 | ||
Mid-Winter Break-Up, Sam Hamill (editor), 1977 |
||||
box | folder | |||
Manuscript |
101 | 1137 | ||
Misterioso, Sascha Feinstein, 1991-1999 |
||||
box | folder | |||
Cover, Consortium advance, marketing information, biography |
101 | 1138 | ||
Manuscript |
101 | 1139 | ||
Manuscript design sample, quotes, cover galley |
102 | 1140 | ||
First galley pages (incomplete) |
102 | 1141 | ||
Correspondence, "Brilliant Corners" journal |
102 | 1142 | ||
Manuscript with notes |
102 | 1143 | ||
Edited manuscript |
102 | 1144 | ||
First galley |
102 | 1145 | ||
First galley with notes |
102 | 1146 | ||
Second galley pages (incomplete), correspondence |
102 | 1147 | ||
Second galley with notes, style pages, correspondence |
102 | 1148 | ||
Third galley |
102 | 1149 | ||
Third galley with notes |
102 | 1150 | ||
Uncorrected bound proof |
102 | 1151 | ||
Moment to Moment: Poems of a Mountain Recluse, David Budbill, 1998-1999 |
||||
box | folder | |||
Correspondence |
102 | 1152 | ||
Manuscript, style pages with notes |
102 | 1153-1154 | ||
Manuscript |
103 | 1155 | ||
Manuscript |
103 | 1156 | ||
Manuscript with notes |
103 | 1157 | ||
Uncorrected proof |
103 | 1158 | ||
First galley, manuscript with notes |
103 | 1159 | ||
First galley |
103 | 1160 | ||
Third galley |
103 | 1161 | ||
Mood Science I, Peace Wilson, 1984 |
||||
box | folder | |||
Manuscript |
103 | 1162 | ||
The Moonlit Pond: Korean Classical Poems in Chinese, Sung-Il Lee (translator), 1995-1998 |
||||
box | folder | |||
Edited manuscript |
103 | 1163 | ||
Correspondence |
104 | 1164 | ||
Galley pages, correspondence |
104 | 1165 | ||
Manuscript (early), correspondence, translator vita |
104 | 1166 | ||
Galley with notes |
104 | 1167-1168 | ||
Galley with notes, cover art |
104 | 1169-1170 | ||
Second galley with notes |
104 | 1171-1172 | ||
Final galley |
104 | 1173-1174 | ||
Manuscript |
104 | 1175 | ||
Galley |
105 | 1176-1177 | ||
First manuscript with notes |
105 | 1178-1179 | ||
Second manuscript with notes |
105 | 1180 | ||
The Mother of Waters and Her Son the Dragon, Burt Alpert, 1989-1990 |
||||
box | folder | |||
Manuscript |
105 | 1181 | ||
Mrs. Dumpty, Chana Bloch, undated |
||||
box | folder | |||
Manuscript |
105 | 1182 | ||
My Town, David Lee; 1995, undated |
||||
box | folder | |||
Manuscript |
105 | 1183 | ||
Manuscript |
105 | 1184 | ||
Manuscript with notes |
105 | 1185-1186 | ||
Sample galley pages |
106 | 1187 | ||
First galley (photocopy) |
106 | 1188 | ||
Galley, uncorrected and unbound |
106 | 1189 | ||
First galley with notes, jacket material |
106 | 1190-1191 | ||
Second galley |
106 | 1192-1193 | ||
Final galley |
106 | 1194-1195 | ||
Reprint material (galley) |
106 | 1196 | ||
Consortium sheet, articles, excerpts |
106 | 1197 | ||
The Nearness of You, Carolyn Kizer; 1986, undated |
||||
box | folder | |||
Manuscript |
106 | 1198 | ||
Bound galley proof |
106 | 1199 | ||
Galley, page proofs, mechanicals |
106 | 1200 | ||
Necessary Composition, Leonard Schwartz, 1994 |
||||
box | folder | |||
Manuscript, correspondence, author information |
107 | 1201 | ||
New and Selected Poems, Stephen Berg, 1991-1992 |
||||
box | folder | |||
Blood Axe Books (UK edition), correspondence |
107 | 1202 | ||
Correspondence, review material, manuscript additions |
107 | 1203 | ||
Photocopied manuscript |
107 | 1204 | ||
Manuscript pages, jacket notes, promotional material |
107 | 1205-1207 | ||
Galley |
107 | 1208-1209 | ||
Second galley with notes |
107 | 1210-1211 | ||
Second galley with notes (continued) |
108 | 1212 | ||
Galley |
108 | 1213 | ||
Second galley with notes |
108 | 1214-1216 | ||
Second galley with notes |
108 | 1217-1219 | ||
"Shoeshine" |
108 | 1220 | ||
News from Down to the Cafe: New Poems, David Lee, 1999 |
||||
box | folder | |||
Second galley with notes, correspondence |
108 | 1221 | ||
First galley with notes |
108 | 1222 | ||
First galley |
109 | 1223 | ||
Manuscript with notes |
109 | 1224 | ||
Edited manuscript |
109 | 1225 | ||
Next Door, Gail Mazur, 1980-1981 |
||||
box | folder | |||
Manuscript, proofs |
109 | 1226 | ||
Night Herding Song, Gerald Hausman, 1979 |
||||
box | folder | |||
Correspondence |
109 | 1227 | ||
Manuscript, correspondence, art, pages, publication announcement |
109 | 1228 | ||
Night Seasons, Stephen Kuusisto, undated |
109 | 1228 | ||
Manuscript |
109 | 1229 | ||
Night Works: Poems 1962 to 2000 END(formerly Skulls-Skulls), Marvin Bell, 1999-2000 |
||||
box | folder | |||
Galley |
109 | 1230-1232 | ||
Cataloging data, jacket galley, galley pages |
109 | 1233 | ||
Manuscript with notes |
110 | 1234-1235 | ||
Manuscript with notes |
110 | 1236-1237 | ||
First galley with notes |
110 | 1238-1239 | ||
First galley |
110 | 1240-1242 | ||
Second galley with notes |
111 | 1243-1245 | ||
Manuscript, correspondence |
111 | 1246 | ||
Correspondence |
111 | 1247 | ||
Edited manuscript |
111 | 1248 | ||
No Prisoners, Thomas Lynch, undated |
||||
box | folder | |||
Manuscript (samples) |
111 | 1249 | ||
The Nootka Rose, Sam Hamill; 1986, undated |
||||
box | folder | |||
Manuscript, galley, proofs, reviews, art |
111 | 1250 | ||
Nostalgia for Death, Xavier Villaurrutia, Eliot Weinberger (translator); Hieroglyphs of Desire, Octavio Paz, Esther Allen (translator); 1992-1993 |
||||
box | folder | |||
Manuscript, front matter, jacket notes, correspondence |
111 | 1251 | ||
Galley |
111 | 1252 | ||
Manuscript |
111 | 1253-1255 | ||
Not Even Words Yet Not Even ENDThings, Stephen Berg, 1997 |
||||
box | folder | |||
Manuscript, correspondence |
111 | 1260 | ||
Not Far from the River, David Ray (translator), 1987-1990 |
||||
box | folder | |||
Correspondence, contract copy |
111 | 1261 | ||
Promotion, press release, author vita |
111 | 1262 | ||
Manuscript, introduction |
111 | 1263 | ||
Manuscript with notes |
111 | 1264 | ||
Manuscript introduction with notes |
113 | 1265 | ||
Galley, jacket notes |
113 | 1266 | ||
Galley with corrections |
113 | 1267 | ||
Galley with author's notes |
113 | 1268 | ||
Uncorrected bound proof |
113 | 1269 | ||
Not from Stone, William Ransom Wood, 1983 |
||||
box | folder | |||
Invoices, publishing checklist, correspondence |
113 | 1270 | ||
Not Such a Bad Place to Be, William Kloefkorn, 1980 |
||||
box | folder | |||
Correspondence, manuscript |
113 | 1271-1271.1 | ||
The Novice Insomniac, Emily Warn, 1995-1996 |
||||
box | folder | |||
Manuscript |
113 | 1272 | ||
Manuscript |
113 | 1273 | ||
Final manuscript with notes |
113 | 1274 | ||
Manuscript |
113 | 1275 | ||
Final manuscript, correspondence |
114 | 1276 | ||
First galley sample pages |
114 | 1277 | ||
Sample galley pages |
114 | 1278 | ||
First galley |
114 | 1279 | ||
First galley with notes |
114 | 1280 | ||
Second galley |
114 | 1281 | ||
Second galley, promotional postcard |
114 | 1282 | ||
Second galley, artwork |
114 | 1283 | ||
Uncorrected bound proof |
114 | 1284 | ||
Of Dust, Don Schofield, undated |
||||
box | folder | |||
Manuscript |
114 | 1285 | ||
The Old Beast, Howard McCord; 1974, undated |
||||
box | folder | |||
Manuscript, correspondence, publication announcement |
114 | 1286 | ||
The Old Direction of Heaven, Jennifer Rose, undated |
||||
box | folder | |||
Manuscript |
115 | 1287 | ||
Olga Broumas: A Listener's Guide, 2000 |
115 | 1287 | ||
Third galley |
115 | 1288 | ||
Final galley |
115 | 1289 | ||
On Poetry and Craft: Selected Prose of Theodore Roethke, 2000-2001 |
||||
box | folder | |||
Manuscript |
115 | 1290 | ||
Manuscript, style pages, correspondence, original introduction |
115 | 1291 | ||
Manuscript pages with notes, style pages |
115 | 1292 | ||
Manuscript |
115 | 1293 | ||
Design sample pages |
115 | 1294 | ||
First galley with notes |
115 | 1295-1296 | ||
Second galley |
115 | 1297-1298 | ||
Second galley with notes |
116 | 1299-1300 | ||
On the Way to My Grandmother's House: She is the Wolf, Deena Metzger, 1979 |
||||
box | folder | |||
Manuscript, bound, 1979 |
116 | 1301 | ||
One Above and One Below, Erin Belieu, 1999-2000 |
||||
box | folder | |||
Cover, consortium advance, marketing information, biographical note |
116 | 1302 | ||
Manuscript |
116 | 1303 | ||
Manuscript (photocopy), cover art, manuscript |
116 | 1304 | ||
Manuscript with notes |
116 | 1305 | ||
Edited manuscript |
116 | 1306 | ||
Manuscript, uncorrected cover proof |
116 | 1307 | ||
Manuscript |
116 | 1308 | ||
Final manuscript |
116 | 1309 | ||
First galley with notes |
116 | 1310 | ||
Second galley with notes |
116 | 1311 | ||
Third galley |
117 | 1312 | ||
Uncorrected bound proof |
117 | 1313 | ||
Only Bread, Only Light END(formerly Night Seasons), Stephen Kuusisto, 2000 |
||||
box | folder | |||
Manuscript |
117 | 1314 | ||
Manuscript |
117 | 1315 | ||
Edited manuscript |
117 | 1316 | ||
First galley with notes |
117 | 1317 | ||
Third galley, blues |
117 | 1318 | ||
Correspondence |
117 | 1319 | ||
Manuscript design sample |
117 | 1320 | ||
Manuscript with notes, correspondence |
117 | 1321 | ||
Manuscript with notes |
117 | 1322 | ||
First galley with notes, correspondence |
117 | 1323 | ||
Second galley with notes |
117 | 1324 | ||
Uncorrected bound proof |
118 | 1325 | ||
Open Papers, Odysseas Elytis, Olga Broumas (translator), 1993-1994 |
||||
box | folder | |||
Correspondence |
118 | 1326 | ||
Correspondence |
118 | 1327 | ||
Correspondence, editorial queries |
118 | 1328-1329 | ||
Manuscript |
118 | 1330-1331 | ||
Manuscript |
118 | 1332-1333 | ||
Manuscript |
118 | 1334 | ||
Manuscript (continued) |
119 | 1335 | ||
Manuscript |
119 | 1336-1337 | ||
Manuscript |
119 | 1338-1339 | ||
Editorial changes, correspondence, translation notes |
119 | 1340 | ||
Manuscript (final revisions) |
119 | 1341-1342 | ||
Manuscript, galley |
120 | 1343-1349 | ||
First galley with notes |
121 | 1350-1351 | ||
First galley (revised corrections) |
121 | 1352-1353 | ||
First galley with copyeditor's queries |
121 | 1354-1355 | ||
First galley with translator's notes, correspondence |
121 | 1356-1357 | ||
Second galley with notes |
121 | 1358-1359 | ||
Third galley |
122 | 1360-1361 | ||
Opening the Hand, W.S. Merwin, undated |
||||
box | folder | |||
Manuscript |
122 | 1362-1363 | ||
Manuscript with notes |
122 | 1364 | ||
Orpheus and Eurydice: A Lyric Sequence, Gregory Orr, 2000 |
||||
box | folder | |||
Correspondence |
122 | 1365 | ||
Manuscript |
122 | 1366 | ||
Manuscript with notes |
122 | 1367 | ||
Edited manuscript, style pages |
122 | 1368 | ||
First galley with notes |
122 | 1369 | ||
First galley uncorrected proof |
122 | 1370 | ||
Second galley with notes, correspondence |
122 | 1371 | ||
Other Tongues: Versions, Stephen Berg, 1995 |
||||
box | folder | |||
Manuscript, correspondence |
122 | 1372-1373 | ||
Manuscript |
123 | 1374-1375 | ||
The Owl of Minerva, James Laughlin, 1987 |
||||
box | folder | |||
Manuscript |
123 | 1376 | ||
Manuscript |
123 | 1377 | ||
Galley, proofs, paste-ups, art |
123 | 1378 | ||
Galley proofs |
123 | 1379 | ||
Bound galley proof |
123 | 1380 | ||
Part of the Music, Samuel Green, undated |
||||
box | folder | |||
Bound manuscript |
123 | 1381 | ||
Party of One, Robert Peterson, 1996 |
||||
box | folder | |||
Manuscript |
123 | 1382 | ||
Passages toward the Dark, Thomas McGrath, 1982 |
||||
box | folder | |||
Corrections, additions, mechanicals |
123 | 1383 | ||
Corrections, additions, mechanicals (continued) |
124 | 1384-1386 | ||
Pastoral Jazz, Olga Broumas, circa 1983 |
||||
box | folder | |||
Manuscript |
124 | 1387 | ||
Pawtracks, Tim McNulty, circa 1978 |
124 | 1387 | ||
Manuscript |
124 | 1388 | ||
A Perfect Time, Richard Jones, 1993-1994 |
||||
box | folder | |||
Correspondence, photograph, promotional material |
124 | 1389 | ||
Garden of the World manuscript |
124 | 1390 | ||
Rush manuscript |
124 | 1391-1392 | ||
Rush manuscript |
124 | 1393 | ||
Manuscript, correspondence |
124 | 1394 | ||
Manuscript, galley with notes |
124 | 1395-1396 | ||
Manuscript, correspondence |
125 | 1397 | ||
First galley |
125 | 1398 | ||
First galley |
125 | 1399 | ||
First galley, corrections |
125 | 1400 | ||
Second galley |
125 | 1401 | ||
second galley, corrections |
125 | 1402 | ||
Galley, correspondence, layout notes |
125 | 1403 | ||
Third galley |
125 | 1404 | ||
Galley, correspondence, jacket notes |
125 | 1405-1407 | ||
Galley, correspondence, jacket notes (continued) |
126 | 1408 | ||
Galley, cover |
126 | 1409 | ||
Final galley, front matter |
126 | 1410 | ||
Final galley |
126 | 1411 | ||
Text camera-ready copy |
126 | 1412 | ||
Perpetua, Olga Broumas, 1989 |
||||
box | folder | |||
Correspondence and art |
126 | 1413 | ||
Manuscript, correspondence |
126 | 1414 | ||
Author's manuscript with notes, correspondence |
126 | 1415 | ||
Manuscript (some hand bound), cover art, correspondence |
126 | 1416 | ||
Manuscript (hand bound) with cover photograph |
126 | 1417 | ||
Galley proofs with notes and corrections |
126 | 1418 | ||
Bound galley proof |
126 | 1419 | ||
Philoktetes, Sophokles, Gregory McNamee (translator), 1986-1987 |
||||
box | folder | |||
Correspondence |
126 | 1420 | ||
Manuscript |
126 | 1421 | ||
Manuscript |
127 | 1422 | ||
Galley, correspondence, invoices |
127 | 1423 | ||
Bound galley proof |
127 | 1424 | ||
The Piano beneath the Skin, George Hitchcock, 1977-1979 |
||||
box | folder | |||
Manuscript, correspondence |
127 | 1425 | ||
Manuscript, blues, correspondence, invoices |
127 | 1426 | ||
Pictures that Speak for Themselves, Sharon Dolin, undated |
||||
box | folder | |||
Manuscript |
127 | 1427 | ||
Pieces of Map, Pieces of Music, Robert Bringhurst, 1987 |
||||
box | folder | |||
Bound galley proof |
127 | 1428 | ||
Manuscript, transparencies |
127 | 1429 | ||
A Place Made Fast, Mark Halperin, circa 1982 |
||||
box | folder | |||
Manuscript |
127 | 1430 | ||
Manuscript |
127 | 1431 | ||
Player Piano, Conrad Hilberry, 1996 |
||||
box | folder | |||
Manuscript, correspondence |
127 | 1432 | ||
Poems, Ashley Harmon, undated |
||||
box | folder | |||
Manuscript |
127 | 1433 | ||
Poems 1948 to 1953, John Haines, 1996 |
||||
box | folder | |||
Manuscript, correspondence |
127 | 1434 | ||
Poetry in Native Languages: Four Mapuche Poets, undated |
||||
box | folder | |||
Manuscript (photocopy) |
128 | 1435-1436 | ||
Poetry the Unsayable Said, Donald Hall, circa 1993 |
||||
The Pomegranate Speaks from the Dictator's Garden, J.P. White, 1988 |
||||
box | folder | |||
Promotional material, pages |
128 | 1437 | ||
The Porcine Canticles, David Lee, 1984 |
||||
box | folder | |||
Manuscript |
128 | 1438-1440 | ||
Uncorrected bound proof |
128 | 1441 | ||
Galley |
128 | 1442 | ||
First edition proof |
128 | 1443 | ||
The Porcine Legacy, David Lee, circa 1978 |
||||
box | folder | |||
Manuscript, mechanicals |
128 | 1444 | ||
Porno Diva Numero Uno, Stephen Berg, circa 2000 |
||||
box | folder | |||
Manuscript |
128 | 1445 | ||
Port of Departure, James Nolan, undated |
||||
box | folder | |||
Manuscript |
129 | 1446 | ||
The Potato Eaters: 1990 to 1997, Leonard Nathan, circa 1997 |
||||
box | folder | |||
Manuscript, correspondence |
129 | 1447-1448 | ||
The Precincts of Paradise, A. Hoey, undated |
||||
box | folder | |||
Manuscript |
129 | 1449 | ||
Proses: On Poems and Poets, Carolyn Kizer, 1992-1993 |
||||
box | folder | |||
Type corrections camera-ready copy |
129 | 1450 | ||
Correspondence, cover photograph |
129 | 1451 | ||
Manuscript, galley for table of contents, correspondence |
129 | 1452 | ||
Galley, correspondence, printer's instructions |
129 | 1453 | ||
Galley |
129 | 1454-1455 | ||
Galley with notes |
129 | 1456-1457 | ||
Galley proofs |
129 | 1458 | ||
Galley proofs (continued) |
130 | 1459 | ||
First galley |
130 | 1460-1462 | ||
Author's galley, correspondence |
130 | 1463 | ||
Text camera-ready copy, cover art |
130 | 1464-1465 | ||
Uncorrected proof with cover |
130 | 1466-1467 | ||
Prune, Billy Mack Gamill, circa 1979 |
||||
box | folder | |||
Manuscript, correspondence, galley pages, mailing list |
130 | 1468 | ||
Manuscript |
130 | 1469-1470 | ||
Manuscript (continued) |
131 | 1471-1472 | ||
Puget Sound Country, William Stafford, 1981 |
||||
box | folder | |||
Manuscript |
131 | 1473 | ||
Manuscript |
131 | 1474 | ||
Rave: Poems 1975-1998, Olga Broumas, 1999 |
||||
box | folder | |||
Manuscript, correspondence |
131 | 1475-1477 | ||
Manuscript |
131 | 1478-1480 | ||
Edited manuscript |
132 | 1481-1482 | ||
First galley, style pages |
132 | 1483-1485 | ||
First galley (photocopy) |
132 | 1486-1488 | ||
Second galley, cover galley |
132 | 1489 | ||
Second galley, cover galley (continued) |
133 | 1490-1491 | ||
Third galley |
133 | 1492-1494 | ||
Galley (incomplete), cover and jacket material |
133 | 1495 | ||
Uncorrected bound proof |
133 | 1496 | ||
The Realm of the Possible, Sharon Dolin, undated |
||||
box | folder | |||
Manuscript |
133 | 1497 | ||
The Red Dreams, Ken Gerner, undated |
||||
box | folder | |||
Manuscript |
133 | 1498 | ||
The Redshifting Web: Poems 1970-1996, Arthur Sze, 1997-1998 |
||||
box | folder | |||
Manuscript |
134 | 1499-1500 | ||
Manuscript |
134 | 1501-1502 | ||
Final manuscript |
134 | 1503-1504 | ||
First galley with notes |
134 | 1505-1506 | ||
First galley |
134 | 1507 | ||
First galley (continued) |
135 | 1508 | ||
First galley |
135 | 1509-1510 | ||
Uncorrected bound proof |
135 | 1511 | ||
Second galley with notes, correspondence |
135 | 1512-1513 | ||
Second galley replacement pages, correspondence |
135 | 1514 | ||
Reluctantly, Hayden Carruth, 1998 |
||||
box | folder | |||
Manuscript (original), cover art |
135 | 1515 | ||
Manuscript (original), cover art (continued) |
136 | 1516 | ||
Manuscript with notes |
136 | 1517-1518 | ||
Galley |
136 | 1519 | ||
Galley with notes |
136 | 1520-1521 | ||
Second galley with notes |
136 | 1522-1523 | ||
Manuscript (photocopy) |
136 | 1524-1525 | ||
Third galley |
137 | 1526-1527 | ||
Final galley replacement pages |
137 | 1528 | ||
Uncorrected bound proof |
137 | 1529 | ||
Resurrection Update: Poems 1975-97, James Galvin, 1996-1997 |
||||
box | folder | |||
Manuscript (photocopy book pages), correspondence |
137 | 1530 | ||
Manuscript with notes |
137 | 1531-1532 | ||
First galley |
137 | 1533-1534 | ||
Sample galley pages |
137 | 1535 | ||
First galley |
138 | 1536-1537 | ||
First galley with notes (incomplete), correspondence |
138 | 1538-1539 | ||
Cover, reviews, galley excerpts |
138 | 1540 | ||
Correspondence, sample pages |
138 | 1541 | ||
Second galley with notes |
138 | 1542-1544 | ||
Photocopied poems, correspondence |
138 | 1545 | ||
Third galley |
139 | 1546-1547 | ||
Reversing the Spell: New and Selected Poems, Eleanor Wilner, 1997 |
||||
box | folder | |||
Correspondence |
139 | 1548 | ||
Manuscript |
139 | 1549-1550 | ||
Manuscript with notes |
139 | 1551-1553 | ||
Sample galley pages |
139 | 1554 | ||
First galley |
139 | 1555-1556 | ||
First galley (continued) |
140 | 1557 | ||
First galley with notes |
140 | 1558-1561 | ||
Second galley with notes, correspondence |
140 | 1562-1565 | ||
Final galley |
140 | 1566 | ||
Final galley (continued) |
141 | 1567-1568 | ||
Requiem for Kenneth Rexroth, 1983 |
||||
box | folder | |||
Manuscript |
141 | 1569 | ||
Rider, Mark Rudman, undated |
||||
box | folder | |||
Manuscript |
141 | 1570 | ||
The River Poet, Peter Kantor, 1999 |
||||
box | folder | |||
Manuscript |
141 | 1571 | ||
River Songs, undated |
||||
box | folder | |||
Manuscript |
141 | 1572 | ||
Rivers of Salt, Shirley Kaufman, 1991-1993 |
||||
box | folder | |||
Manuscript |
141 | 1573 | ||
Galley proofs |
141 | 1574 | ||
Manuscript |
141 | 1575 | ||
Galley proofs |
141 | 1576 | ||
Uncorrected bound proof |
141 | 1577 | ||
Jacket copy, jacket notes |
141 | 1578 | ||
Jacket notes, correspondence, press releases |
141 | 1579 | ||
Text camera-ready copy |
141 | 1580 | ||
The Roads Have Come to an End Now, Rolf Jacobson; Robert Bly, Roger Greenwald, Robert Hedin (translators), 2001 |
||||
box | folder | |||
Manuscript with photocopied original and translations |
142 | 1581-1582 | ||
Bilingual manuscript with notes, production schedule |
142 | 1583-1584 | ||
Manuscript |
142 | 1585 | ||
Manuscript |
142 | 1586 | ||
Manuscript |
142 | 1587 | ||
First galley with notes |
142 | 1588-1589 | ||
Second galley with notes |
142 | 1590-1591 | ||
Third galley with notes |
143 | 1592-1593 | ||
Fourth galley with notes |
143 | 1594-1595 | ||
Manuscript design sample |
143 | 1596 | ||
Roots in the Air: New and Selected Poems, Shirley Kaufman, 1996 |
||||
box | folder | |||
Manuscript draft with notes |
143 | 1597-1598 | ||
Correspondence |
143 | 1599 | ||
Sample galley pages |
143 | 1600 | ||
First galley (incomplete) |
143 | 1601-1603 | ||
First galley |
143 | 1604 | ||
First galley (continued) |
144 | 1605 | ||
Manuscript |
144 | 1606-1607 | ||
Manuscript with notes |
144 | 1608-1610 | ||
Final galley |
144 | 1611-1612 | ||
Second galley |
144 | 1613-1614 | ||
First galley with notes |
144 | 1615 | ||
First galley with notes (continued) |
145 | 1616 | ||
Rough Grace: New and Collected Poems, Richard Jones, undated |
||||
box | folder | |||
Manuscript |
145 | 1617-1618 | ||
Rufinus: The Complete Poems, Robin Skelton (translator), 1981 |
||||
box | folder | |||
Manuscript, correspondence |
145 | 1619 | ||
The Ruins of Athens: A Balkan Memoir, P.H. Liotta, undated |
||||
box | folder | |||
Manuscript |
145 | 1620 | ||
Run in Darkness, Sleep in Light, Bill Ransom, undated |
||||
box | folder | |||
Manuscript |
145 | 1621 | ||
Sacramental Acts: The Love Poems of Kenneth Rexroth, 1997 |
||||
box | folder | |||
Manuscript (photocopy) |
145 | 1622 | ||
Manuscript (photocopy) |
145 | 1623 | ||
Edited manuscript |
145 | 1624 | ||
First galley |
145 | 1625 | ||
First galley |
146 | 1626 | ||
First galley with notes |
146 | 1627 | ||
Second galley, style pages, correspondence |
146 | 1628 | ||
Final galley |
146 | 1629 | ||
First galley |
146 | 1630 | ||
Original draft |
146 | 1631-1633 | ||
Original draft (continued) |
147 | 1634-1636 | ||
St. John of God, C. Mulrooney, 1990 |
||||
box | folder | |||
Manuscript, correspondence |
147 | 1637 | ||
Sappho's Gymnasium, Olga Broumas and T. Begley, 1994 |
||||
box | folder | |||
Correspondence |
147 | 1638 | ||
Manuscript |
147 | 1639 | ||
Manuscript |
147 | 1640-1641 | ||
Manuscript |
147 | 1642-1643 | ||
Manuscript |
148 | 1644-1645 | ||
Manuscript |
148 | 1646-1647 | ||
Galley proofs, correspondence |
148 | 1648 | ||
First galley |
148 | 1649-1650 | ||
First galley |
148 | 1651-1652 | ||
First galley with author notes, correspondence |
148 | 1653-1654 | ||
First galley, note card with queries |
149 | 1655-1656 | ||
Second galley |
149 | 1657-1658 | ||
Say Goodnight, Timothy Liu, 1997-1998 |
||||
box | folder | |||
Manuscript |
149 | 1659 | ||
Manuscript |
149 | 1660 | ||
Final manuscript |
149 | 1661 | ||
Galley |
149 | 1662 | ||
Type style guide |
149 | 1663 | ||
Galley with notes |
149 | 1664 | ||
Second galley with notes, correspondence |
149 | 1665 | ||
Third galley |
150 | 1666 | ||
Scrambled Eggs and Whiskey, Hayden Carruth, 1995-1996 |
||||
box | folder | |||
Manuscript |
150 | 1667 | ||
First galley, correspondence |
150 | 1668 | ||
Second galley, correspondence |
150 | 1669 | ||
Second galley |
150 | 1670 | ||
Manuscript |
150 | 1671 | ||
First galley |
150 | 1672 | ||
Memorandum (reprints) |
150 | 1673 | ||
Final galley |
150 | 1674 | ||
Uncorrected bound proof |
150 | 1675 | ||
The Sea and the Bells, Pablo Neruda, William O'Daly (translator), 1988 |
||||
box | folder | |||
Manuscript with notes |
150 | 1676-1677 | ||
Text camera-ready copy |
151 | 1678 | ||
Manuscript, correspondence |
151 | 1679 | ||
Manuscript (book photocopies) |
151 | 1680 | ||
Manuscript |
151 | 1681 | ||
Manuscript |
151 | 1682 | ||
Manuscript, mechanicals, photocopies |
151 | 1683 | ||
Galley, designs, correspondence, promotional material |
151 | 1684 | ||
Galley |
151 | 1685-1686 | ||
Bound galley proof |
151 | 1687 | ||
The Second Four Books of Poems, W.S. Merwin, 1991-1993 |
||||
box | folder | |||
Correspondence |
151 | 1688 | ||
Manuscript, correspondence |
151 | 1689 | ||
Manuscript |
151 | 1690-1692 | ||
Manuscript introduction and photocopied book pages |
152 | 1693-1694 | ||
Uncorrected proof |
152 | 1695 | ||
Manuscript (preface) |
152 | 1696 | ||
Galley, index, table of contents |
152 | 1697 | ||
Galley, correspondence |
152 | 1698 | ||
Galley, correspondence |
152 | 1699-1702 | ||
First galley with notes |
152 | 1703-1705 | ||
First galley with notes |
153 | 1706 | ||
Second galley with notes |
153 | 1707-1709 | ||
Promotional material |
153 | 1710 | ||
Text camera-ready copy |
153 | 1711-1712 | ||
Text camera-ready copy (incomplete) |
153 | 1713 | ||
Selected Essays and Reviews, Hayden Carruth, 1995-1996 |
||||
box | folder | |||
Original manuscript, correspondence |
153 | 1714-1716 | ||
Original manuscript, correspondence (continued) |
154 | 1717 | ||
Manuscript (photocopy) |
154 | 1718-1721 | ||
Manuscript |
154 | 1722-1723 | ||
Manuscript (continued) |
155 | 1724-1725 | ||
First galley |
155 | 1726-1728 | ||
Uncorrected page proof |
155 | 1729 | ||
First galley |
155 | 1730-1732 | ||
First galley, correspondence |
156 | 1733-1736 | ||
Second galley |
156 | 1737-1739 | ||
Second galley with notes |
156 | 1739.1-1739.2 | ||
Second galley with notes (continued) |
157 | 1740 | ||
Final galley |
157 | 1741-1743 | ||
Galley pages, correspondence, jacket notes |
157 | 1744 | ||
Final galley pages, cover, jacket notes, correspondence |
157 | 1745 | ||
Selected Letters, Sam Hamill, 1976 |
||||
box | folder | |||
Manuscript |
157 | 1746 | ||
Selected and New Poems: 1963-1992, Marilyn Hacker, 1986-1993 |
||||
box | folder | |||
Manuscript |
157 | 1747-1748 | ||
Promotion, reviews, correspondence, jacket notes |
157 | 1749 | ||
Correspondence, manuscript poems |
157 | 1750 | ||
Selected Poems, Sam Hamill, undated |
||||
box | folder | |||
Manuscript |
157 | 1751 | ||
Manuscript (continued) |
158 | 1752 | ||
Selected Poems of Sandor Csoori, Len Roberts (translator), 1990-1992 |
||||
box | folder | |||
Correspondence, promotion, press releases, translator vita |
158 | 1753 | ||
Correspondence, manuscript |
158 | 1754 | ||
Manuscript |
158 | 1755-1757 | ||
Manuscript |
158 | 1758 | ||
Correspondence, manuscript |
158 | 1759 | ||
Manuscript, correspondence |
158 | 1760 | ||
Galley, correspondence |
158 | 1761 | ||
Manuscript, correspondence, galley |
158 | 1762-1763 | ||
Manuscript, correspondence, galley (continued) |
159 | 1764 | ||
Galley |
159 | 1765-1766 | ||
Galley |
159 | 1767 | ||
Text camera-ready copy |
159 | 1768 | ||
Text camera-ready copy |
159 | 1769 | ||
Selected and New Poems, Eleanor Wilner, circa 1997 |
||||
box | folder | |||
Blurb, author vita |
159 | 1770 | ||
Selected Poems of Su-Tung-P'o, Burton Watson (translator), 1993-1995 |
||||
box | folder | |||
Manuscript (photocopies) |
159 | 1771 | ||
Manuscript (photocopies) |
159 | 1772 | ||
Manuscript |
159 | 1773 | ||
Manuscript with notes |
159 | 1774 | ||
Final manuscript |
159 | 1775 | ||
Final manuscript |
160 | 1776 | ||
First galley |
160 | 1777 | ||
First galley (photocopy) |
160 | 1778 | ||
First galley |
160 | 1779 | ||
First galley with notes |
160 | 1780 | ||
First galley with author corrections |
160 | 1781 | ||
Second galley, outtakes and queries |
160 | 1782 | ||
Second galley |
160 | 1783-1784 | ||
Second galley with notes |
160 | 1785-1786 | ||
Sample galley pages, cover layout, correspondence, notes |
160 | 1787 | ||
Final galley with notes |
161 | 1788 | ||
Uncorrected proof |
161 | 1789 | ||
Cover galley |
161 | 1790 | ||
Text camera-ready copy |
161 | 1791 | ||
Selected Poems of T'ao Ch'ien, David Hinton (translator), 1992-1993 |
||||
box | folder | |||
Correspondence |
161 | 1792 | ||
Manuscript |
161 | 1793 | ||
Manuscript with notes |
161 | 1794-1795 | ||
Galley |
161 | 1796 | ||
Text camera-ready copy |
161 | 1797 | ||
Digital unbound proof, cover |
161 | 1798 | ||
Uncorrected proof |
162 | 1799 | ||
Selected Poems of Yuan Mei, J.P. Seaton (translator), undated |
||||
box | folder | |||
Manuscript |
162 | 1800 | ||
Manuscript |
162 | 1801 | ||
Manuscript (photocopy) |
162 | 1802 | ||
The Separate Rose, Pablo Neruda, William O'Daly (translator), 1985 |
||||
box | folder | |||
Manuscript, correspondence, invoices |
162 | 1803 | ||
Bound galley proof |
162 | 1804 | ||
Seven Hundred Kisses, Lily Pond (editor), undated |
||||
box | folder | |||
Manuscript |
162 | 1805 | ||
The Shape of the Journey, Jim Harrison, 1998-2000 |
||||
box | folder | |||
Manuscript |
162 | 1806-1807 | ||
Galley |
162 | 1808 | ||
Galley (continued) |
163 | 1809-1811 | ||
Page proofs, name board |
163 | 1812-1813 | ||
Galley pages, cover galley, jacket material |
163 | 1814 | ||
Reprint pages, correspondence, jacket notes |
163 | 1815 | ||
Promotional information, excerpts |
163 | 1816 | ||
The Silk Dragon: Translations from the Chinese, Arthur Sze (translator), 1999-2000 |
||||
box | folder | |||
Page revisions, correspondence |
163 | 1817 | ||
Manuscript |
163 | 1818 | ||
Manuscript with notes |
163 | 1819 | ||
Edited manuscript |
163 | 1820 | ||
First galley with notes, style pages |
164 | 1821 | ||
Second galley with notes |
164 | 1822 | ||
Manuscript design sample |
164 | 1823 | ||
Unbound pages, first galley uncorrected proof |
164 | 1824 | ||
The Silver Swan, Kenneth Rexroth, circa 1976 |
||||
box | folder | |||
Manuscript, correspondence |
164 | 1825 | ||
The Sinking of Clay City, Robert Wrigley, circa 1978-1979 |
||||
box | folder | |||
Manuscript |
164 | 1826 | ||
Manuscript pages, broadside, library list |
164 | 1827 | ||
Skins on the Earth, Primus St. John, undated |
||||
box | folder | |||
Manuscript, correspondence |
164 | 1828 | ||
Skulls-Skulls: Poems 1962-2000, Marvin Bell, 2000 |
||||
box | folder | |||
Manuscript, correspondence |
164 | 1829-1830 | ||
The Sleeping Beauty, Hayden Carruth, 1990 |
||||
box | folder | |||
Bound galley proof |
164 | 1831 | ||
Promotion, press release, reviews, author vita |
165 | 1832 | ||
Correspondence |
165 | 1833 | ||
Manuscript draft, advertisement draft |
165 | 1834 | ||
Galley with corrections, advertisement galley |
165 | 1835 | ||
Snow Country, Robert Hedin, 1974 |
165 | 1835 | ||
Manuscript, correspondence |
165 | 1836 | ||
Manuscript, page proofs |
165 | 1837 | ||
Photographs |
165 | 1838 | ||
Soie Sauvage, Olga Broumas, circa 1979 |
165 | 1838 | ||
Cover galley |
165 | 1839 | ||
Manuscript |
165 | 1840 | ||
Sometimes Like a Legend, William Stafford, circa 1981 |
||||
Songs of the Pine Wife, Sheila Nickerson, circa 1978 |
||||
box | folder | |||
Manuscript |
165 | 1841 | ||
Soul Make a Path Through Shouting, Cyrus Cassells, 1992-1994 |
||||
box | folder | |||
Correspondence, poems, author's biographical note |
165 | 1842 | ||
Edited manuscript |
165 | 1843 | ||
Uncorrected manuscript |
165 | 1844 | ||
Manuscript, correspondence |
165 | 1845 | ||
Manuscript draft |
165 | 1846 | ||
Manuscript, galley |
166 | 1847 | ||
Manuscript, galley |
166 | 1848-1849 | ||
Manuscript |
166 | 1850 | ||
Final manuscript |
166 | 1851 | ||
First galley |
166 | 1852 | ||
First galley |
166 | 1853 | ||
First galley with notes |
166 | 1854 | ||
Second galley |
166 | 1855 | ||
Third galley |
166 | 1856 | ||
Final galley |
166 | 1857 | ||
Front matter manuscript, galley proof |
166 | 1858 | ||
Galley with notes |
166 | 1859 | ||
Galley |
166 | 1860 | ||
Text camera-ready copy |
166 | 1861 | ||
Spring Essence: The Poetry of Ho Xuan Huong, John Balaban (translator), 1999-2000 |
||||
box | folder | |||
Manuscript |
167 | 1862 | ||
Manuscript with notes |
167 | 1863 | ||
Second galley, correspondence |
167 | 1864 | ||
Manuscript |
167 | 1865 | ||
Bound manuscript |
167 | 1866 | ||
Correspondence |
167 | 1867 | ||
Spring Silk: Translations from the Chinese, Arthur Sze (translator), 2000 |
||||
box | folder | |||
Manuscript |
167 | 1868 | ||
Manuscript |
167 | 1869 | ||
First galley |
167 | 1870 | ||
Final galley |
167 | 1871 | ||
Digital proof |
167 | 1872 | ||
Miscellaneous |
167 | 1873 | ||
The Steel Cricket: Versions 1958-1996, Stephen Berg, 1997 |
||||
box | folder | |||
Cover, reviews, promotional material |
168 | 1874 | ||
Final galley pages, note |
168 | 1875 | ||
Manuscript (photocopy) |
168 | 1876-1877 | ||
Galley pages |
168 | 1878 | ||
Sample galley pages |
168 | 1879 | ||
Manuscript |
168 | 1880-1881 | ||
Uncorrected bound proof |
168 | 1882 | ||
Galley |
168 | 1883-1884 | ||
Galley with notes |
169 | 1885-1886 | ||
Galley |
169 | 1887-1888 | ||
Galley with notes |
169 | 1889-1891 | ||
Galley with notes |
169 | 1892-1893 | ||
Galley with notes (continued) |
170 | 1894 | ||
Uncorrected page proof, cover art |
170 | 1895-1896 | ||
Manuscript with notes |
170 | 1897-1898 | ||
Uncorrected proof |
170 | 1899 | ||
Still Another Day, Pablo Neruda, William O'Daly (translator), circa 1984 |
||||
box | folder | |||
Bilingual manuscript, correspondence |
170 | 1900-1902 | ||
Galley |
170 | 1903 | ||
Stones of the Sky, Pablo Neruda, William O'Daly (translator), 1987 |
||||
box | folder | |||
Manuscript with notes |
171 | 1904 | ||
Manuscript, correspondence |
171 | 1905 | ||
Galley |
171 | 1906 | ||
Manuscript |
171 | 1907 | ||
Galley |
171 | 1908 | ||
Galley, blues |
171 | 1909 | ||
Promotional material, cover |
171 | 1910 | ||
Bound galley proof |
171 | 1911 | ||
A Suitable Church, Jim Heynen, 1981 |
||||
box | folder | |||
Manuscript, correspondence, promotional material |
171 | 1912 | ||
Manuscript, production |
171 | 1913 | ||
Talking to My Body, Anna Swir, 1996 |
||||
box | folder | |||
Manuscript |
171 | 1914 | ||
Manuscript (continued) |
172 | 1915 | ||
Manuscript |
172 | 1916-1917 | ||
Manuscript |
172 | 1918-1919 | ||
Uncorrected proof (photocopy) |
172 | 1920-1921 | ||
First galley with notes |
172 | 1922-1923 | ||
Sample galley pages |
172 | 1924 | ||
Uncorrected bound proof |
172 | 1925 | ||
First galley with notes, correspondence |
172 | 1926-1927 | ||
First galley |
173 | 1928-1929 | ||
Final galley |
173 | 1930-1931 | ||
Final galley pages |
173 | 1932 | ||
Ten Thousand Lives, Ko Un; Brother Anthony of Taize, Young-moo Kim, Gary Gach (translators), 1998 |
||||
box | folder | |||
Manuscript, correspondence |
173 | 1933 | ||
Terra Firma, Thomas Centolella, 1989-1990 |
||||
box | folder | |||
Manuscript with notes, correspondence |
173 | 1934 | ||
Manuscript with notes |
173 | 1935 | ||
Galley with notes |
173 | 1936 | ||
Galley, typeset order |
173 | 1937 | ||
Galley quick pages |
173 | 1938 | ||
Bound galley proof |
173 | 1939 | ||
Tethered to My Shadow: Poems 1978-1996, David Lee, undated |
||||
box | folder | |||
Manuscript with notes |
173 | 1940-1941 | ||
Manuscript with notes |
174 | 1942-1943 | ||
Things Are Happening, Joshua Beckman, 1998 |
||||
box | folder | |||
Second galley |
174 | 1944 | ||
This Book Bans the PTA, Billy Mack Gamill, circa 1979 |
||||
box | folder | |||
Manuscript, art, proofs |
174 | 1945 | ||
Thomas McGrath: Selected Poems 1938-1988, circa 1988 |
||||
box | folder | |||
Manuscript, book photocopies |
174 | 1946 | ||
Galley |
174 | 1947 | ||
Loose bound books |
174 | 1948-1949 | ||
Galley |
175 | 1950 | ||
Throwing Shadows, Ken Gerner, 1983 |
||||
box | folder | |||
Manuscript, correspondence |
175 | 1951 | ||
Correspondence, manuscript, galley, promotional material |
175 | 1952-1953 | ||
Three Versions of Ikkyu, Stephen Berg, circa 1989 |
||||
To Frighten a Storm, Gladys Cardiff, 1975 |
||||
box | folder | |||
Manuscript, correspondence |
175 | 1954 | ||
To Leave the Standing Grain, Michael Corr, 1975-1985 |
||||
box | folder | |||
Correspondence, poems, art, publication announcement |
175 | 1955 | ||
Tracking, Nancy Steele, 1975 |
||||
box | folder | |||
Manuscript, page proofs |
175 | 1956 | ||
Advance unbound galley |
175 | 1957 | ||
Transcendence: Poems, Stephen Berg, 1996 |
||||
box | folder | |||
Manuscript (photocopy), correspondence |
175 | 1958 | ||
Triada, Sam Hamill, circa 1978 |
||||
box | folder | |||
Manuscript |
175 | 1959 | ||
Manuscript |
175 | 1960 | ||
Unbound book pages |
175 | 1961 | ||
Twenty-nine Modern Indian Poems, Vinay Dharwadker, 1987 |
||||
box | folder | |||
Uncorrected proofs |
176 | 1962 | ||
Tzuhalem's Mountain, Robert Bringhurst, undated |
||||
box | folder | |||
Unbound pages |
176 | 1963 | ||
Uncertain Grace, Rebecca Liv Wee, 2000 |
||||
box | folder | |||
Manuscript, correspondence |
176 | 1964 | ||
Manuscript with notes |
176 | 1965 | ||
Manuscript, style pages |
176 | 1966 | ||
Uncorrected proof |
176 | 1967 | ||
First galley with notes |
176 | 1968 | ||
Second galley with notes |
176 | 1969 | ||
Third galley, color cover galley |
176 | 1970 | ||
Unexpected Manna, Gary Holthaus, circa 1978 |
||||
box | folder | |||
Manuscript, art |
176 | 1971 | ||
Unremembered Country, Susan Griffin, 1987 |
||||
box | folder | |||
Manuscript, correspondence |
176 | 1972 | ||
Manuscript, correspondence |
176 | 1973 | ||
Galley |
177 | 1974 | ||
Bound galley proof |
177 | 1975 | ||
Unsayable Said, 1993-1994 |
||||
box | folder | |||
Correspondence, promotional brochure |
177 | 1976 | ||
Galley |
177 | 1977 | ||
Vagrant Grace, David Bottoms, 1998-1999 |
||||
box | folder | |||
Correspondence |
177 | 1978 | ||
Manuscript |
177 | 1979 | ||
Manuscript, correspondence |
177 | 1980 | ||
Manuscript with notes |
177 | 1981 | ||
First galley with notes |
177 | 1982 | ||
Second galley with notes, correspondence |
177 | 1983 | ||
Third galley |
177 | 1984 | ||
The Vulnerability of Order, Martine Bellen, 2000-2001 |
||||
box | folder | |||
Manuscript |
177 | 1985 | ||
Manuscript with notes |
178 | 1986 | ||
Manuscript, correspondence |
178 | 1987 | ||
First galley with notes |
178 | 1988 | ||
First galley (additions), correspondence |
178 | 1989 | ||
Second galley with notes, correspondence, style pages |
178 | 1990 | ||
Third galley with notes |
178 | 1991 | ||
Fourth galley |
178 | 1992 | ||
Text proof |
178 | 1993 | ||
First galley |
178 | 1994 | ||
Second galley |
178 | 1995 | ||
W. S. Merwin: A Listener's Guide, 2000 |
||||
box | folder | |||
First and second galley pages, manuscript, correspondence |
179 | 1996 | ||
Waiting for the Angel, Thomas McGrath, undated |
||||
box | folder | |||
Manuscript |
179 | 1997-1999 | ||
Wanderer's Daysong, Denise Levertov, circa 1980-1987 |
||||
box | folder | |||
Manuscript, art, page proofs, correspondence |
179 | 2000 | ||
Galley |
179 | 2001 | ||
Manuscript, galley |
179 | 2002 | ||
Galley, paste up |
179 | 2003 | ||
Bound galley proof |
179 | 2004 | ||
Water Witching, Kathleene West, circa 1984 |
||||
box | folder | |||
Manuscript |
179 | 2005 | ||
Manuscript, galley |
179 | 2006 | ||
What I Love, Odysseas Elytis, Olga Broumas (translator), circa 1985-1986 |
||||
box | folder | |||
Manuscript cover and title page |
179 | 2007 | ||
Manuscript of afterword |
179 | 2008 | ||
Manuscript |
179 | 2009 | ||
Manuscripts, jacket notes, correspondence |
180 | 2010 | ||
Galley |
180 | 2011 | ||
Bound galley proof |
180 | 2012 | ||
Advance galley copy |
180 | 2013 | ||
Correspondence, graphics, production notes |
180 | 2014 | ||
Wherever You Lay Your Head, Jane Miller, 1999 |
||||
box | folder | |||
Manuscript with notes |
180 | 2015 | ||
Manuscript (photocopy), poem pages |
180 | 2016 | ||
Manuscript with notes, style pages |
180 | 2017 | ||
First galley with notes, correspondence |
180 | 2018 | ||
Uncorrected page proof (photocopy) |
180 | 2019 | ||
Second galley with notes, correspondence |
180 | 2020 | ||
Third galley |
180 | 2021 | ||
Uncorrected bound proof |
181 | 2021.1 | ||
The Wind is Blowing on the Crossroads of the World, Tasos Leivaditis, 1990 |
||||
box | folder | |||
Manuscript, correspondence |
181 | 2022 | ||
The Wind of Our Going, Patricia Goedicke, 1985 |
||||
box | folder | |||
Manuscript, correspondence |
181 | 2023 | ||
Manuscript, galley, correspondence |
181 | 2024-2026 | ||
Bound galley proof |
181 | 2027 | ||
Manuscript, correspondence |
181 | 2028-2029 | ||
Winter Garden, Pablo Neruda, William O'Daly (translator), 1986 |
||||
box | folder | |||
Manuscript |
181 | 2030 | ||
Manuscript with notes |
181 | 2031 | ||
Galley with notes |
181 | 2032 | ||
Manuscript |
182 | 2033 | ||
Manuscript |
182 | 2034 | ||
Manuscript with notes, galley |
182 | 2035 | ||
Manuscript (final) |
182 | 2036 | ||
Manuscript, correspondence, invoices |
182 | 2037 | ||
Galley proofs, paste-ups |
182 | 2038 | ||
Bound galley proof |
182 | 2039 | ||
Words for My Daughter, John Balaban, 1990-1991 |
||||
box | folder | |||
Correspondence, revised manuscript |
182 | 2040 | ||
Manuscript with notes, jacket notes |
182 | 2041 | ||
Galley with notes, jacket notes |
182 | 2042 | ||
Bound galley proof |
182 | 2043 | ||
Text camera-ready copy |
182 | 2044 | ||
Galley pages |
182 | 2045 | ||
The Yellow Heart, Pablo Neruda, William O'Daly (translator), 1989-2001 |
||||
box | folder | |||
Manuscript with notes |
182 | 2046 | ||
Revised galley |
182 | 2047 | ||
Manuscript draft with corrections |
182 | 2048 | ||
Manuscript draft with corrections, correspondence |
183 | 2049 | ||
Final manuscript |
183 | 2050-2053 | ||
Final draft |
183 | 2054 | ||
First galley quick pages, type specifications |
183 | 2055-2056 | ||
Bound galley proof |
183 | 2057 | ||
Replacement pages, correspondence |
183 | 2058 | ||
Galley with notes |
183 | 2059 | ||
Galley with notes |
183 | 2060 | ||
Galley with notes |
184 | 2061 | ||
Text camera-ready copy |
184 | 2062 | ||
Manuscript, correspondence |
184 | 2063 | ||
|
||||
Series 2: Book Production files, 1973-2006Includes materials such as page layouts, sample pages, cover art and designs, and other items related to the process of designing and producing individual titles; this series also includes some records related to promotion and marketing of individual titles. |
||||
Always Beginning, Maxine Kumin, 1998 |
||||
box | folder | |||
Correspondence |
185 | 2064 | ||
American Odalisque, Jane Miller, 1987-1988 |
||||
box | folder | |||
Concept drawings, correspondence, invoices, mailing list |
185 | 2065 | ||
Art production correspondence, slides |
185 | 2066 | ||
Paste-ups, galley pages |
185 | 2067 | ||
Animae, Sam Hamill, 1980-1985 |
||||
box | folder | |||
Sample pages, correspondence, page layouts |
185 | 2068-2069 | ||
Correspondence, page layouts, mechanical drawings, camera copy |
185 | 2070 | ||
Paste-up camera copy, invoice |
185 | 2071 | ||
Archipelago, Arthur Sze, 1994-1995 |
||||
box | folder | |||
Correspondence, quotes, cover proofs, miscellaneous |
185 | 2072 | ||
Cover designs |
185 | 2073 | ||
Cover sample |
185 | 2074 | ||
Cover camera-ready copy |
185 | 2075 | ||
Cover galley proofs, correspondence, back cover text, checklist |
185 | 2076 | ||
Ardor, Marvin Bell, 1997 |
||||
box | folder | |||
Cover design |
185 | 2077 | ||
Cover proof |
185 | 2078 | ||
Cover design samples, correspondence, specifications, poetry sample pages |
185 | 2079 | ||
Armored Hearts: Selected and New Poems, David Bottoms, 1995 |
||||
box | folder | |||
Blues |
185 | 2080 | ||
Cover galley designs |
185 | 2081 | ||
Cover sample |
185 | 2082 | ||
Correspondence, quotes, cover designs, manuscript poem, production list |
185 | 2083 | ||
As Earth Begins to End, Patricia Goedicke, 1999 |
||||
box | folder | |||
Cover sample |
185 | 2084 | ||
Design pages, manuscript, quotes |
185 | 2085 | ||
Asklepiados, Sam Hamill (translator), 1996 |
||||
box | folder | |||
Mock-ups |
185 | 2086 | ||
At the End of this Summer, John Haines, 1997 |
||||
box | folder | |||
Cover proof |
185 | 2087 | ||
Sample title pages |
185 | 2088 | ||
Correspondence, specifications, quotes, sample pages, cover samples |
185 | 2089 | ||
Uncorrected bound proof |
185 | 2090 | ||
At the Foot of Denali, Tim McNulty, 1978 |
||||
box | folder | |||
Mock-up |
185 | 2091 | ||
At the Home-altar, Robert Hedin, 1978 |
||||
box | folder | |||
Art, edition details |
185 | 2092 | ||
Book pages |
185 | 2093 | ||
August Zero, Jane Miller, 1993 |
||||
box | folder | |||
Camera copy, paste-ups |
185 | 2094-2095 | ||
Correspondence, specifications, quote |
185 | 2096 | ||
Advertising (also includes Ardor: The Book of the Dead Man) |
185 | 2097 | ||
Badlands, Gerald Costanzo, 1973 |
||||
box | folder | |||
Paste-ups, cover art |
185 | 2098 | ||
Beautiful Signor, Cyrus Cassells, 1996-1997 |
||||
box | folder | |||
Cover design |
185 | 2099 | ||
Cover sample |
185 | 2100 | ||
Correspondence, art, quotes, cover copy |
185 | 2101 | ||
Beauty of the Weapons, Robert Bringhurst, 1982-1985 |
||||
box | folder | |||
Cover camera-ready copy |
185 | 2102 | ||
Blues, mechanicals, paste-ups, invoices |
185 | 2103-2104 | ||
Bound proof |
185 | 2105 | ||
Before Ten Thousand Peaks, Paul Hansen (translator), 1980 |
||||
box | folder | |||
Paste-ups |
185 | 2106 | ||
Art calligraphy, paste-ups, partial manuscript |
185 | 2107 | ||
Below Cold Mountain, Joseph Stroud, 1997-1998 |
||||
box | folder | |||
Cover sample |
185 | 2108 | ||
Correspondence, specifications, quotes, art transparency |
185 | 2109 | ||
Bending Home, Susan Griffin, 1998 |
||||
box | folder | |||
Correspondence, specifications, quotes, sample pages, cover sample |
185 | 2110 | ||
The Berry Picker, Marianne Wolfe, 1973 |
||||
box | folder | |||
Paste-ups, art, book dummy |
185 | 2111 | ||
Beside the Shadblow Tree, Hayden Carruth, 1998-1999 |
||||
box | folder | |||
Cover, photographs (photocopies), author biography, Hamill preface, excerpts, article |
185 | 2112 | ||
Design sample, photographs, correspondence, quotes |
185 | 2113 | ||
Photographs, cover art transparency |
185 | 2114 | ||
Bird of Endless Time, James Laughlin, 1988-1989 |
||||
box | folder | |||
Galleys, mechanicals, paste-ups |
185 | 2115-2116 | ||
Mechanicals, photocopies |
185 | 2117 | ||
Mechanicals, camera-ready copy, paste-ups |
185 | 2118 | ||
Poems and art |
185 | 2119 | ||
Correspondence, quotes, drawings, layout, cover art, invoices |
185 | 2120 | ||
Black Iris, Jean Joubert, Denise Levertov (translator), 1988 |
||||
box | folder | |||
Paste-ups |
185 | 2121 | ||
Cover blues, paste-ups |
185 | 2122 | ||
Type for paste-up, camera-ready copy, cover text paste-up |
185 | 2123 | ||
The Blessing, Richard Jones, 1999-2000 |
||||
box | folder | |||
Design sample, correspondence, quotes, sample pages, art |
186 | 2124 | ||
The Book of Elegiac Geography, Sam Hamill, 1978 |
||||
box | folder | |||
Paste-ups, publication announcement |
186 | 2125 | ||
The Book of Light, Lucille Clifton, 1992-1995 |
||||
box | folder | |||
Jacket notes camera-ready copy |
186 | 2126 | ||
Camera-ready copy |
186 | 2127 | ||
Cover sample |
186 | 2128 | ||
Text camera-ready copy |
186 | 2129 | ||
Correspondence, production specifications and quotes, sample pages, art, cover concept drawings, new copyright page for reprint |
186 | 2130-2132 | ||
The Book of Questions, Pablo Neruda, William O'Daly (translator), 1991-2000 |
||||
box | folder | |||
Correspondence, quotes, cover design |
186 | 2133 | ||
Correspondence, quotes, art slide, cover design, copy for paste-up, text camera-ready copy |
186 | 2134 | ||
Reprint correspondence and documentation |
186 | 2135 | ||
Text camera-ready copy, cover paste-ups |
186 | 2136 | ||
The Book of the Dead Man, Marvin Bell, 1994 |
||||
box | folder | |||
Galleys |
186 | 2137 | ||
Brief Songs of the Kisang, 1993 |
||||
box | folder | |||
Art, slides, negatives |
186 | 2138 | ||
The Buffalo Sequence, Mark Pawlak, 1977 |
||||
box | folder | |||
Paste-ups |
186 | 2139 | ||
Check pages, invoices |
186 | 2140 | ||
Burnt Offerings, Timothy Liu, 1995-2001 |
||||
box | folder | |||
Cover sample |
186 | 2141 | ||
Correspondence, cover designs, author photograph |
186 | 2142 | ||
Correspondence, printing bids |
186 | 2143 | ||
Art slide, author photograph, sample pages, cover design sample, correspondence, quotes |
186 | 2144 | ||
The Calling Across Forever, Sam Hamill; 1976, undated |
||||
box | folder | |||
Cover |
186 | 2145 | ||
Book pages |
186 | 2146 | ||
Loose pages |
186 | 2147 | ||
Unbound book |
186 | 2148 | ||
Caritas, Olga Broumas, 1983 |
||||
box | folder | |||
Correspondence, production quotes, camera-ready copy, calligraphy samples |
186 | 2149 | ||
Carrying Over, Carolyn Kizer, 1988-1989 |
||||
box | folder | |||
Cover sample |
186 | 2150 | ||
Paste-ups |
186 | 2151 | ||
Unbound greens |
186 | 2152 | ||
Camera copy type, paste-ups |
186 | 2153 | ||
Extra type for paste-ups, cover text drawing |
186 | 2154 | ||
Correspondence, quotes, invoices, drawings, mailing lists |
186 | 2155 | ||
Celebration, Michael Cuddihy, 1980 |
||||
box | folder | |||
Camera-ready copy |
186 | 2156 | ||
Celebrations, David Lopez, 1979 |
||||
box | folder | |||
Poems with drawings, art, art paste-up, correspondence |
186 | 2157 | ||
City of Dreams, multiple authors, circa 1986 |
||||
box | folder | |||
Art, mechanicals, type specifications, layouts, production schedule |
186 | 2158 | ||
Collected Longer Poems, Hayden Carruth, 1993-1994 |
||||
box | folder | |||
Correspondence, miscellaneous |
186 | 2159-2160.1 | ||
Galleys with printer's instructions |
186 | 2161-2162 | ||
Correspondence, quotes, invoices, cover copy |
186 | 2163 | ||
Collected Poems of Kay Boyle, 1991 |
||||
box | folder | |||
Cover sample |
186 | 2164 | ||
Cover concept sketches, art, copy for paste-up |
186 | 2165 | ||
Camera-ready copy |
186 | 2166-2167 | ||
Correspondence, quotes, camera-ready copy, cover design, concept drawings, invoices |
186 | 2168 | ||
Collected Shorter Poems, Hayden Carruth, 1992-2000 |
||||
box | folder | |||
Production quote |
186 | 2169 | ||
Cover sample |
186 | 2170 | ||
Correspondence, quotes, invoices, quick pages, type for paste-up |
186 | 2171-2172 | ||
Blues |
186 | 2173-2174 | ||
Camera-ready copy |
187 | 2175-2180 | ||
Proof |
187 | 2181 | ||
Cover mechanical |
187 | 2182 | ||
Collected Songs of Cold Mountain, Red Pine (translator), 2001 |
||||
box | folder | |||
Correspondence, quotes, galley pages, miscellaneous |
187 | 2183 | ||
Paste-ups |
187 | 2184-2186 | ||
Correspondence, invoices |
187 | 2187 | ||
Blues |
187 | 2188 | ||
Production copy (Chinese characters) |
187 | 2189 | ||
Rough design (back cover), jacket copy, quotes |
187 | 2190 | ||
Correspondence, mechanicals, camera-ready copy |
187 | 2191 | ||
Communion, Primus St. John, 1998-1999 |
||||
box | folder | |||
Cover sample |
187 | 2192 | ||
Correspondence, author biography, color art |
187 | 2193 | ||
Cover, Consortium advance marketing information, excerpts |
187 | 2194 | ||
Configurations, Clarence Major, 1998 |
||||
box | folder | |||
Cover design |
187 | 2195 | ||
Cover, biography, excerpts, reviews |
187 | 2196 | ||
Cover |
187 | 2197 | ||
Art transparency, design sample, correspondence, quotes, miscellaneous |
187 | 2198 | ||
Bound proof |
187 | 2199 | ||
Cool, Calm, and Collected, Carolyn Kizer, 2001 |
||||
box | folder | |||
Proof (copyright page), correspondence, quotes, miscellaneous |
187 | 2200 | ||
Copper Canyon Press Catalog, production |
||||
box | folder | |||
1979 |
187 | 2201-2202 | ||
1981 |
187 | 2203 | ||
1983 |
187 | 2204-2206 | ||
1986 |
187 | 2207 | ||
1987 |
187 | 2208 | ||
1988 |
187 | 2209-2212 | ||
1989 |
187 | 2213-2214 | ||
1990 |
187 | 2215-2217 | ||
1991 |
187 | 2218-2219 | ||
1992 |
187 | 2220-2221 | ||
1992-1993 |
187 | 2222 | ||
1993-1994 |
187 | 2223-2224 | ||
1994 |
187 | 2225 | ||
1994-1995 |
188 | 2226-2229 | ||
1995 |
188 | 2230 | ||
1996-1997 |
188 | 2231 | ||
2001 |
188 | 2231.1 | ||
Undated |
188 | 2232-2234 | ||
Copper Canyon Press Catalog, final printed issues, 1985-2006 |
||||
box | folder | |||
1985-2006 |
188 | 2235-2238 | ||
Country of Air, Richard Jones; 1986, undated |
||||
box | folder | |||
Camera-ready copy |
188 | 2239 | ||
Correspondence, quotes, invoices, mailing lists, mechanicals, jacket notes |
188 | 2240 | ||
Art, cover copy, cover drawings, invoices, miscellaneous |
188 | 2241 | ||
Galley proofs, 1985 |
188 | 2241.1 | ||
County O, Robert Hedin; 1984, undated |
||||
box | folder | |||
Paste-ups, typesetting instructions, front matter, mechanicals |
188 | 2242 | ||
Correspondence, quotes, invoices, blues (cover), mechanicals (cover) |
188 | 2243 | ||
Paste-up with notes |
188 | 2244 | ||
Crow with No Mouth: Ikkyu, Stephen Berg (translator), 1988-2000 |
||||
box | folder | |||
Correspondence, cover design, sample pages for correction |
188 | 2245 | ||
Cover type, correspondence, quotes, poems, cover mockups, cover concept drawings |
188 | 2246 | ||
Camera-ready copy (second printing) |
188 | 2247 | ||
Damages, Elaine Terranova, 1995 |
||||
box | folder | |||
Cover sample |
188 | 2248 | ||
Cover design |
188 | 2249 | ||
Cover galley |
188 | 2250 | ||
Cover designs, cover text, production checklist, correspondence |
188 | 2251 | ||
Correspondence, quotes, specifications, art, miscellaneous |
188 | 2252 | ||
A Daughter's Latitude, Karen Swenson, 1998-1999 |
||||
box | folder | |||
Art slide, cover designs, design sample pages, correspondence, quotes |
188 | 2253 | ||
Uncorrected bound proof |
188 | 2254 | ||
David Lee: A Listener's Guide, 1999 |
||||
box | folder | |||
Correspondence, quotes, galley copy, meeting minutes |
188 | 2255 | ||
Days of Awe, Maurya Simon, 1989 |
||||
box | folder | |||
Correspondence, quotes, concept drawings, art, invoices, copy for paste-up |
188 | 2256 | ||
Day's Work, David Lee, 1990 |
||||
box | folder | |||
Paste-ups, camera-ready copy |
188 | 2257 | ||
Death Benefits, Robin Morgan, undated |
||||
box | folder | |||
Sample pages |
188 | 2258 | ||
Death Song, Thomas McGrath, 1990-1991 |
||||
box | folder | |||
Cover sample |
188 | 2259 | ||
Cover mockup, mechanicals, concept drawings, transparency |
188 | 2260 | ||
Correspondence, quotes, cover concept drawings, cover design, paste-up copy |
188 | 2261 | ||
Deepstep Come Shining, C.D. Wright, 1998 |
||||
box | folder | |||
Cover sample |
188 | 2262 | ||
Cover design, slide |
188 | 2263 | ||
Cover, biography, excerpts, articles |
188 | 2264 | ||
Author photograph, promotional materials, correspondence, specifications, quotes, sample galley pages, cover designs, jacket notes |
188 | 2265 | ||
Uncorrected bound proof |
188 | 2266 | ||
The Diviner, Brian Friel, undated |
||||
box | folder | |||
Cover sample |
188 | 2267 | ||
The Double Genesis, Dennis Sampson, 1985 |
||||
box | folder | |||
Correspondence, camera-ready copy, mechanical drawing |
188 | 2268 | ||
Dragon in the Clouds, Sam Hamill, 1988 |
||||
box | folder | |||
Correspondence, conceptual layout drawings, jacket copy, cover art |
188 | 2269 | ||
Driving and Drinking, David Lee; 1982, undated |
||||
box | folder | |||
Jacket cover, paste-ups |
188 | 2270 | ||
Camera-ready copy, paste-ups, mechanicals |
188 | 2271 | ||
Loose pages |
188 | 2272 | ||
Dying for Beauty, Gail Wronsky, 1999-2000 |
||||
box | folder | |||
Cover sample |
188 | 2273 | ||
Author photograph, design sample pages, cover designs, correspondence, specifications, quotes |
188 | 2274 | ||
Uncorrected bound proof |
188 | 2275 | ||
East Window, W.S. Merwin, 1998 |
||||
box | folder | |||
Cover sample |
188 | 2276 | ||
Cover, biography, excerpts, articles |
188 | 2277 | ||
Correspondence, galley sample pages, introduction manuscript, quotes |
188 | 2278-2279 | ||
Elements, James Galvin, 1988 |
||||
box | folder | |||
Annotated photocopy, paste-ups, miscellaneous |
188 | 2280 | ||
Text camera-ready copy |
188 | 2281 | ||
Correspondence, layouts, cover concept drawings, quotes |
188 | 2282 | ||
The Enchanted Room, Maurya Simon, 1986 |
||||
box | folder | |||
Paste-ups |
188 | 2283 | ||
Correspondence, invoices, camera-ready copy, concept drawings, page layouts |
189 | 2284-2285 | ||
Correspondence, cover layout, copy |
189 | 2286 | ||
Eros, Eros, Eros, Odysseas Elytis, Olga Broumas (translator), 1997-1998 |
||||
box | folder | |||
Cover proof |
189 | 2287 | ||
Correspondence, specifications, quotes, sample pages |
189 | 2288 | ||
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers); 1989, undated |
||||
box | folder | |||
Camera-ready copy |
189 | 2289-2290 | ||
Correspondence, art, color key paste-ups, quotes, transparency |
189 | 2291 | ||
Paste-ups |
189 | 2292-2295 | ||
Fatal Pleasure, Sam Hamill, undated |
||||
box | folder | |||
Paste-ups |
189 | 2296 | ||
Fine Print, 1989 |
||||
box | folder | |||
Cover design, layouts, correspondence (regarding cover for July 1989 issue) |
189 | 2297 | ||
The First Four Books of Poems, W.S. Merwin, 1999-2000 |
||||
box | folder | |||
Design sample, correspondence, quotes, miscellaneous |
189 | 2298 | ||
Flower and Hand, W.S. Merwin, 1996-1997 |
||||
box | folder | |||
Cover design |
189 | 2299 | ||
Cover sketch series, cover galley series, miscellaneous |
189 | 2300 | ||
Correspondence, font design sample pages, quotes, cover design samples |
189 | 2301 | ||
A Flower Whose Name I Do Not Know, David Romtvedt, 1992 |
||||
box | folder | |||
Cover art layout |
189 | 2302 | ||
Camera-ready copy |
189 | 2303 | ||
Correspondence, quotes, camera-ready copy, art, transparencies |
189 | 2304 | ||
Fourteen Poems, O.V. de L. Milosz, Kenneth Rexroth (translator), 1983 |
||||
box | folder | |||
Paste-ups, invoice, sample dummy |
189 | 2305-2306 | ||
The Gift of Tongues, 1994-1996 |
||||
box | folder | |||
Cover design series |
189 | 2307 | ||
Cover samples |
189 | 2308 | ||
Correspondence, specifications and quotes, sample pages, introduction, bibliography |
189 | 2309 | ||
Gratitude, Sam Hamill, 1998 |
||||
box | folder | |||
Uncorrected bound proof |
189 | 2310 | ||
The Great Digest of Confucius, Ezra Pound (translator), circa 1978 |
||||
box | folder | |||
Cover samples, sample pages |
189 | 2311 | ||
Growing Old Alive, Han Yu, Kenneth Hanson (translator), 1978 |
||||
box | folder | |||
Paste-ups |
189 | 2312 | ||
A Gypsy's History of the World, Kim Stafford, 1976 |
||||
box | folder | |||
Sample pages, paste-ups, publication announcement |
189 | 2313 | ||
Harping On, Carolyn Kizer, 1996 |
||||
box | folder | |||
Cover designs |
189 | 2314 | ||
Cover sample |
189 | 2315 | ||
Correspondence, quotes, sample pages, jacket notes, cover designs |
189 | 2316 | ||
Having Everything Right, Kim Stafford, 1986 |
||||
box | folder | |||
Correspondence, jacket notes, concept drawings, mechanicals, art, cover art transparency |
189 | 2317-2318 | ||
Hayden Carruth: A Listener's Guide, circa 1999 |
||||
box | folder | |||
Cover proof |
189 | 2319 | ||
Heroes of the Teton Mythos, Sam Hamill; 1973, undated |
||||
box | folder | |||
Sample pages |
189 | 2320 | ||
Paste-ups, photographs, miscellaneous |
189 | 2321 | ||
Holding Our Own, Ann Stafford; Maxine Scales and David Trinidad, editors; 2001 |
||||
box | folder | |||
Miscellaneous |
189 | 2322 | ||
Correspondence, production schedule, cover designs, introduction (manuscript), poems |
189 | 2323 | ||
I Don't Bow to Buddhas: Selected Poems of Yuan Mei, J.P. Seaton (translator), 1996-1997 |
||||
box | folder | |||
Cover designs |
189 | 2324 | ||
Cover designs, correspondence |
189 | 2325 | ||
Cover design, design sample pages, correspondence, specifications, quotes, editorial notes |
189 | 2326 | ||
Ice Futures, Thomas Johnson, 1977 |
||||
box | folder | |||
Paste-ups, invoices |
189 | 2327 | ||
Unbound book |
189 | 2328 | ||
In the Dreamlight, 1984 |
||||
box | folder | |||
Paste-ups |
189 | 2329-2330 | ||
Camera-ready copy, essay manuscript, quotes, mechanicals, production checklist |
190 | 2331 | ||
In the Snow, James Laughlin, undated |
||||
box | folder | |||
Samples |
190 | 2332 | ||
In the Surgical Theatre, Dana Levin, circa 1999 |
||||
box | folder | |||
Cover proof |
190 | 2333 | ||
Infanta, Erin Belieu, 1994-1995 |
||||
box | folder | |||
Cover design galley series |
190 | 2334 | ||
Cover sample |
190 | 2335 | ||
Correspondence, cover designs, galley pages |
190 | 2336 | ||
The Infinite Moment, Sam Hamill, 1991 |
||||
box | folder | |||
Pagination form, correspondence, art, cover drawing and transparency |
190 | 2337 | ||
Iris of Creation, Marvin Bell, 1990 |
||||
box | folder | |||
Camera-ready copy |
190 | 2338 | ||
Correspondence, art, negatives, concept drawings |
190 | 2339 | ||
Correspondence, quotes, art slide, cover mockup, concept drawings, miscellaneous |
190 | 2340 | ||
Iron Country, Floyce Alexander (editor), 1978 |
||||
box | folder | |||
Paste-ups |
190 | 2341-2342 | ||
Iron Man of the Hoh, Nelson Bentley, 1978 |
||||
box | folder | |||
Paste-ups, cover blue |
190 | 2343 | ||
The Island, Michael White, 1992 |
||||
box | folder | |||
Correspondence, quotes, camera-ready copy, cover concept drawings, cover paste-ups, invoices |
190 | 2344 | ||
Ivory Cradle, Anne Macari, circa 2000 |
||||
box | folder | |||
Specifications, bid requests, distribution agreement, author vita, jacket blurbs, introduction |
190 | 2345 | ||
A Kind of Glory, Richard Shelton; 1982, undated |
||||
box | folder | |||
Page proofs, blank dummy |
190 | 2346-2347 | ||
Book pages |
190 | 2348 | ||
Land Bound, Kathleene West, 1978 |
||||
box | folder | |||
Title page sample |
190 | 2349 | ||
Greens, paste-ups |
190 | 2350 | ||
Correspondence, production schedule, quotes, marketing list, publication announcement |
190 | 2351 | ||
The Landlady in Bangkok, Karen Swenson, 1994-1995 |
||||
box | folder | |||
Correspondence, sample pages, cover design, art, author photograph, invoices |
190 | 2352-2353 | ||
The Latitude of a Daughter, Karen Swenson, undated |
||||
box | folder | |||
Cover sample |
190 | 2354 | ||
Cover design |
190 | 2355 | ||
Cover, biography, excerpts, reviews |
190 | 2356 | ||
The Leaf Path, Emily Warn, 1982 |
||||
box | folder | |||
Paste-ups, camera-ready copy, concept drawings, art, manuscript poems |
190 | 2357-2358 | ||
Paste-ups |
190 | 2359 | ||
Leaving a Shadow, Heather Allen, 1996 |
||||
box | folder | |||
Cover photograph |
190 | 2360 | ||
Cover sample |
190 | 2361 | ||
Cover galley |
190 | 2362 | ||
Cover design galley |
190 | 2363 | ||
Cover design |
190 | 2364 | ||
Sample text font pages |
190 | 2365 | ||
Lebanese Mountain Cookery, Mary Louise Laird, circa 1986 |
||||
box | folder | |||
Correspondence, editorial notes, art, concept sketches, mechanicals, specifications |
190 | 2366 | ||
A Legacy of Shadows, David Lee, 1998-1999 |
||||
box | folder | |||
Cover sample |
190 | 2367 | ||
Dust jacket galley, front and back pages |
190 | 2368 | ||
Correspondence, author photographs, design sample pages, cover design, quotes, miscellaneous |
190 | 2369 | ||
Uncorrected bound proof |
190 | 2370 | ||
Lethal Frequencies, James Galvin, 1994-1997 |
||||
box | folder | |||
Cover sample |
190 | 2371 | ||
Cover galley designs, correspondence |
190 | 2372 | ||
Cover camera-ready copy |
190 | 2373 | ||
Correspondence, quotes, miscellaneous |
190 | 2374 | ||
Letter to an Imaginary Friend, Thomas McGrath, 1985-1997 |
||||
box | folder | |||
Paste-ups |
190 | 2375-2376 | ||
Cover designs, sample pages |
190 | 2377 | ||
Design sample pages, correspondence, quotes, copy for introduction, cover galley pages, specifications |
190 | 2378-2379 | ||
Paste-ups, mechanical layouts, miscellaneous |
190 | 2380 | ||
Lights and Mysteries, Thomas Centolella, 1995 |
||||
box | folder | |||
Cover design |
190 | 2381 | ||
Cover designs, correspondence, production checklist, miscellaneous |
190 | 2382 | ||
Like Underground Water, Naoshi Koriyama, Edward Lueders (translators); 1995, undated |
||||
box | folder | |||
Cover sample |
190 | 2383 | ||
Cover sample |
190 | 2384 | ||
Table of contents |
190 | 2385 | ||
Correspondence, quotes, jacket notes, photographs, miscellaneous |
190 | 2386 | ||
Correspondence, cover and jacket design, cover text, sample pages |
190 | 2387-2388 | ||
The Little Mariner, Odysseas Elytis, Olga Broumas (translator), 1988 |
||||
box | folder | |||
Paste-ups |
191 | 2389 | ||
Correspondence, extra type for paste-up |
191 | 2390 | ||
Correspondence, pagination form, concept drawings, jacket notes, preface, art, mailing lists, manuscript poems, negatives |
191 | 2391 | ||
Locusts at the Edge of Summer, John Balaban, 1996-1997 |
||||
box | folder | |||
Cover design |
191 | 2392 | ||
Cover sample, miscellaneous |
191 | 2393 | ||
Reprint galley pages |
191 | 2393.1 | ||
Correspondence, quotes, art slides, sample pages, jacket notes |
191 | 2394 | ||
A Longing for the Light: Selected Poems of Vincente Aleixandre, Lewis Hyde (editor), circa 1985 |
||||
box | folder | |||
Mechanicals, art |
191 | 2395 | ||
Correspondence, camera-ready copy, jacket notes, art transparency, quotes |
191 | 2396 | ||
Lost Body, Terry Ehret, 1993 |
||||
box | folder | |||
Correspondence, quotes, art, concept drawings, camera-ready copy |
191 | 2397 | ||
Love and Time, Ou-yang Hsiu, J.P. Seaton (translator), 1989 |
||||
box | folder | |||
Cover camera-ready copy |
191 | 2398 | ||
Correspondence, quotes, art, copy for paste-up, concept drawings, invoices |
191 | 2399 | ||
Magpie on the Gallows, Madeline DeFrees, 1982 |
||||
box | folder | |||
Blues, copy paste-ups |
191 | 2400-2401 | ||
Memory at These Speeds, Jane Miller, 1996 |
||||
box | folder | |||
Cover designs |
191 | 2402-2403 | ||
Design sample pages, cover design samples, specifications, correspondence, quotes |
191 | 2404 | ||
Uncorrected bound proof |
191 | 2405 | ||
The Mercy Seat: Collected and New Poems, Norman Dubie, 2001 |
||||
box | folder | |||
Cover design, design guide, correspondence, quotes, editorial notes |
191 | 2406-2407 | ||
Mermaids in the Basement, Carolyn Kizer, 1984-1991 |
||||
box | folder | |||
Paste-ups |
191 | 2408-2409 | ||
Blues |
191 | 2410 | ||
Mechanical copy with author's corrections |
191 | 2411 | ||
Correspondence, quotes, camera-ready copy, mechanical layouts |
191 | 2412 | ||
Correspondence, quotes, mailing lists, jacket notes, invoices |
191 | 2413 | ||
Uncorrected bound proof |
191 | 2414 | ||
Reprint correspondence, quotes, cover |
191 | 2415 | ||
Mid-Winter Break-Up, Sam Hamill (editor), 1977 |
||||
box | folder | |||
Text and art mechanicals |
191 | 2416-2417 | ||
Loose pages, cover, paste-ups |
191 | 2418 | ||
Moment to Moment: Poems of a Mountain Recluse, David Budbill, 1999 |
||||
box | folder | |||
Cover sample |
191 | 2419 | ||
Correspondence, art, photographs, cover design, quotes |
191 | 2420 | ||
The Moonlit Pond: Koren Classical Poems in Chinese, Sung Il-Lee (translator); 1996-1997, undated |
||||
box | folder | |||
Cover designs |
191 | 2421-2422 | ||
Cover proof |
191 | 2423 | ||
Sample design pages |
191 | 2424 | ||
Correspondence, quotes, design sample pages, art, poems, corrections |
191 | 2425 | ||
My Town, David Lee, 1994-1995 |
||||
box | folder | |||
Cover sample |
191 | 2426 | ||
Back cover galley reprint |
191 | 2427 | ||
Cover rough sketch, cover designs, miscellaneous |
191 | 2428 | ||
Cover blues, correspondence, quotes, color cover design |
191 | 2429 | ||
Reprint quote, shipping instructions |
191 | 2430 | ||
The Nearness of You, Carolyn Kizer, 1986 |
||||
box | folder | |||
Camera-ready copy, galley with notes, paste-ups |
191 | 2431 | ||
Manuscript (photocopy), mechanicals |
191 | 2432 | ||
Complete typographer's camera copy |
191 | 2433 | ||
Correspondence, quotes, mechanicals, concept drawings, licensing documentation, silver print, invoices, mailing list |
191 | 2434-2435 | ||
New and Selected Poems, Stephen Berg, 1991 |
||||
box | folder | |||
Cover sample |
191 | 2436 | ||
Correspondence, quotes, invoices, camera-ready copy, table of contents |
191 | 2437-2438 | ||
News from Down to the Cafe, David Lee, 1998-1999 |
||||
box | folder | |||
Cover designs, production quotes |
192 | 2439 | ||
Cover sample |
192 | 2440 | ||
Author page |
192 | 2441 | ||
Correspondence, specifications, quotes, author photograph, galley pages, cover samples, miscellaneous |
192 | 2442 | ||
Night Herding Song, Gerald Hausman, 1979 |
||||
box | folder | |||
Paste-ups |
192 | 2443 | ||
No Reason on Earth, Katherine Haake, 1986 |
||||
box | folder | |||
Correspondence, mechanicals, production schedules, camera-ready copy |
192 | 2444 | ||
The Nootka Rose, Sam Hamill, circa 1986 |
||||
box | folder | |||
Concept cover drawings, camera-ready copy |
192 | 2445 | ||
Nostalgia for Death, Xavier Villaurrutia, Eliot Weinberger (translator); Hieroglyphs of Desire, Octavio Paz, Esther Allen (translator); 1992, undated |
||||
box | folder | |||
Correspondence, art, invoices, paste-ups |
192 | 2446 | ||
Text camera-ready copy |
192 | 2447-2448 | ||
Not Far from the River, David Ray (translator), 1990 |
||||
box | folder | |||
Cover camera-ready copy |
192 | 2449 | ||
Cover sample |
192 | 2450 | ||
Camera-ready copy |
192 | 2451 | ||
Correspondence, quotes, art, transparency, cover concept layout |
192 | 2452 | ||
Not Such a Bad Place to Be, William Kloefkorn, 1980 |
||||
box | folder | |||
Blues, paste-ups |
192 | 2453-2454 | ||
Cover mechanical |
192 | 2455 | ||
Photograph, blues, camera-ready copy |
192 | 2456 | ||
Correspondence, camera-ready copy, art, cover drawing, printing specifications, publication announcement |
192 | 2457 | ||
The Novice Insomniac, Emily Warn, 1995-1996 |
||||
box | folder | |||
Cover design |
192 | 2458 | ||
Correspondence, cover designs |
192 | 2459 | ||
Correspondence, quotes, design sample pages, cover designs, final cover proof, jacket notes |
192 | 2460 | ||
Olga Broumas: A Listener's Guide, circa 2000 |
||||
box | folder | |||
Cover proof |
192 | 2461 | ||
On Poetry and Craft: Selected Prose of Theodore Roethke, 2001 |
||||
box | folder | |||
Miscellaneous |
192 | 2462 | ||
One Above and One Below, Erin Belieu, 1999-2000 |
||||
box | folder | |||
Design sample pages, self review, correspondence, quotes |
192 | 2463 | ||
Open Papers, Odysseas Elytis, Olga Broumas (translator), 1994-1995 |
||||
box | folder | |||
Cover sample |
192 | 2464 | ||
Cover mockup, galley corrections |
192 | 2465 | ||
Cover designs, correspondence |
192 | 2466 | ||
Correspondence, quotes, invoices |
192 | 2467 | ||
Orpheus and Eurydice: A Lyric Sequence, Gregory Orr, 2000 |
||||
box | folder | |||
Correspondence, bids, sample pages, cover galley |
192 | 2468 | ||
The Owl of Minerva, James Laughlin, 1987 |
||||
box | folder | |||
Correspondence, quotes, invoices, mailing lists |
192 | 2469 | ||
Paste-up |
192 | 2470 | ||
Passages toward the Dark, Thomas McGrath, 1982 |
||||
box | folder | |||
Paste-ups |
192 | 2471-2473 | ||
Blues |
192 | 2474 | ||
Pastoral Jazz, Olga Broumas, 1983 |
||||
box | folder | |||
Paste-ups, color silver print, cover mechanical, invoices |
192 | 2475 | ||
Correspondence, mechanicals, camera-ready copy, promotional material |
192 | 2476 | ||
Correspondence, review copy list, quotes, publication checklist, jacket notes, art |
192 | 2477 | ||
Pawtracks, Jim McNulty, 1978 |
||||
box | folder | |||
Proofs, loose pages, correspondence |
192 | 2478 | ||
A Perfect Time, Richard Jones, 1994 |
||||
box | folder | |||
Cover sample |
192 | 2479 | ||
Correspondence, quotes, invoices, poems |
192 | 2480 | ||
Perpetua, Olga Broumas, 1989 |
||||
box | folder | |||
Camera-ready copy |
192 | 2481 | ||
Camera-ready copy, paste-up |
192 | 2482 | ||
Correspondence, quotes, invoices, art, concept and layout drawings, paste-ups, jacket notes |
192 | 2483-2484 | ||
Philoktetes, Sophokles, Gregory McNamee (translator), 1987 |
||||
box | folder | |||
Correspondence, page layouts |
192 | 2485 | ||
Camera-ready copy, mechanicals, art, jacket notes |
192 | 2486 | ||
Correspondence, quotes, mailing lists, translator vita, miscellaneous |
192 | 2487 | ||
The Piano beneath the Skin, George Hitchcock, 1978-1987 |
||||
box | folder | |||
Paste-ups |
192 | 2488 | ||
Pieces of Map, Pieces of Music, Robert Bringhurst, 1987 |
||||
box | folder | |||
Correspondence, art, transparency, camera-ready copy, invoices, author vita |
192 | 2489 | ||
Copyright page, Copper Canyon Press logo art |
192 | 2490 | ||
A Place Made Fast, Mark Halperin, 1982 |
||||
box | folder | |||
Paste-ups, art, camera-ready copy |
193 | 2491-2492 | ||
Poems, Frank Maloney, 1976 |
||||
box | folder | |||
Mechanical paste-ups |
193 | 2493 | ||
Concept drawing, advertising broadsides |
193 | 2494 | ||
Text blues, text camera-ready copy |
193 | 2495 | ||
The Porcine Canticles, David Lee, 1984-1992 |
||||
box | folder | |||
Art |
193 | 2496 | ||
Reprint blues |
193 | 2497 | ||
Paste-ups |
193 | 2498-2499 | ||
Correspondence, author vita, camera-ready copy |
193 | 2500 | ||
Uncorrected bound proof |
193 | 2501 | ||
Reprint correspondence, quotations, miscellaneous, 1992 |
193 | 2501.1 | ||
The Porcine Legacy, David Lee, 1978 |
||||
box | folder | |||
Paste-ups |
193 | 2502 | ||
Pound as Wuz: Essays and Lectures on Ezra Pound, James Laughlin, circa 1987 |
||||
box | folder | |||
Cover layout |
193 | 2503 | ||
Priest ENDand A Dead Priestess Speaks, H.D. (Hilda Doolittle), undated |
||||
box | folder | |||
Manuscript (photocopy), printing samples |
193 | 2504 | ||
Prune, Billy Mack Gammill, circa 1979 |
||||
box | folder | |||
Book dummy, unbound pages |
193 | 2504.1 | ||
Psalm, Sam Hamill, undated |
||||
box | folder | |||
Printing samples |
193 | 2505 | ||
Rave: Poems 1977-1998, Olga Broumas, 1998-1999 |
||||
box | folder | |||
Cover sample |
193 | 2506 | ||
Cover, Consortium advance marketing information, articles, biography, excerpts |
193 | 2507 | ||
Correspondence, quotes, poems, cover design, author photographs |
193 | 2508 | ||
The Red Dreams, Ken Gerner, 1978 |
||||
box | folder | |||
Paste-ups, publication announcement, miscellaneous |
193 | 2509 | ||
The Redshifting Web: Poems 1970-1996, Arthur Sze, 1997-1998 |
||||
box | folder | |||
Correspondence, specifications, author biography, photograph, cover designs |
193 | 2510 | ||
Reluctantly, Hayden Carruth, 1996 |
||||
box | folder | |||
Correspondence, quotes, cover proof, slide, author photograph |
193 | 2511 | ||
Requiem, Sam Hamill, 1983 |
||||
box | folder | |||
Printing samples, publication announcement |
193 | 2512 | ||
Resurrection Update: Poems 1975-97, James Galvin, 1996-1997 |
||||
box | folder | |||
Cover designs |
193 | 2513 | ||
Dust jacket galley |
193 | 2514 | ||
Galley pages |
193 | 2515 | ||
Cover design galleys, jacket design galleys |
193 | 2516 | ||
Correspondence, specifications, quotes, sample pages, jacket notes, cover samples |
193 | 2517 | ||
Reversing the Spell: New and Selected Poems, Eleanor Wilner, 1997-1997 |
||||
box | folder | |||
Cover designs |
193 | 2518 | ||
Cover proof |
193 | 2519 | ||
Blues |
193 | 2520-2521 | ||
Cover photograph, cover design, correspondence, jacket notes, sample pages |
193 | 2522 | ||
Rivers of Salt, Shirley Kaufman, 1993 |
||||
box | folder | |||
Camera copy for paste-ups |
193 | 2523 | ||
Text camera-ready copy |
193 | 2524 | ||
Uncorrected bound proof, miscellaneous |
193 | 2525 | ||
The Roads Have Come to an End Now, Rolf Jacobsen; Robert Bly, Roger Greenwald, Robert Hedin (translators), 2001 |
||||
box | folder | |||
Correspondence, quotes, production schedule |
193 | 2526 | ||
Roots in the Air, Shirley Kaufman, 1997 |
||||
box | folder | |||
Cover designs |
193 | 2527-2528 | ||
Cover galley |
193 | 2529 | ||
Correspondence, quotes, sample pages, cover design samples |
193 | 2530 | ||
Running Away from Home, Carolyn Kizer, 1979 |
||||
box | folder | |||
Layout drawings, correspondence, photographs, quotes, small book dummy, concept sketches |
193 | 2531 | ||
Sacramental Acts, Kenneth Rexroth, 1997 |
||||
box | folder | |||
Cover designs and cover proof |
193 | 2532 | ||
Correspondence, specifications, quotes, design sample pages, cover design |
193 | 2533 | ||
Uncorrected bound proofs |
193 | 2534 | ||
Sappho's Gymnasium, Olga Broumas and T. Begley, circa 1994 |
||||
box | folder | |||
Cover sample |
193 | 2535 | ||
Cover camera-ready copy |
193 | 2536 | ||
Cover mechanicals, correspondence, art negatives, author photograph |
193 | 2537 | ||
Correspondence |
193 | 2538 | ||
Manuscript (draft) |
193 | 2539 | ||
Say Goodnight, Timothy Liu, 1997-1998 |
||||
box | folder | |||
Correspondence, quotes, design sample, author photograph, cover concept drawings |
193 | 2540 | ||
Scrambled Eggs and Whiskey, Hayden Carruth, 1995-1997 |
||||
box | folder | |||
Cover design |
194 | 2541 | ||
Cover design, art, author drawing, copy (back cover) |
194 | 2542 | ||
Cover design, correspondence, quotes |
194 | 2543 | ||
Text blues, cover flap galley, galley pages |
194 | 2544-2545 | ||
Design sample pages, correspondence |
194 | 2546 | ||
Dust jacket blues |
194 | 2547 | ||
Correspondence (reprint) |
194 | 2548 | ||
The Sea and the Bells, Pablo Neruda, William O'Daly (translator), 1988 |
||||
box | folder | |||
Cover sample |
194 | 2548 | ||
Uncorrected bound proof |
194 | 2548 | ||
The Second Four Books of Poems, W.S. Merwin, 1992-1993 |
||||
box | folder | |||
Cover sample |
194 | 2549 | ||
Correspondence, specifications, quotes, galley samples, cover concept drawings, introduction (manuscript) |
194 | 2550 | ||
Correspondence, reprint specifications, quotes |
194 | 2551 | ||
Text blues |
194 | 2552-2553 | ||
Selected and New Poems, Marilyn Hacker, 1993 |
||||
box | folder | |||
Correspondence |
194 | 2554 | ||
Selected Essays and Reviews, Hayden Carruth, 1995-1996 |
||||
box | folder | |||
Cover sample |
194 | 2555 | ||
Correspondence, production schedule, miscellaneous |
194 | 2556 | ||
Selected Poems 1938-1988, Thomas McGrath, 1987-1988 |
||||
box | folder | |||
Galley proofs, paste-ups |
194 | 2557-2558 | ||
Art, extra type for paste-up |
194 | 2559 | ||
Mechanicals |
194 | 2560 | ||
Correspondence, invoices, miscellaneous |
194 | 2561 | ||
Selected Poems of Su-Tung-P'o, Burton Watson (translator), 1993-1995 |
||||
box | folder | |||
Cover sample |
194 | 2562 | ||
Correspondence, paste-ups, camera-ready copy, quotes, invoices, transparency |
194 | 2563 | ||
Correspondence, cover design, first galleys |
194 | 2564 | ||
Reprint material |
194 | 2565 | ||
Correspondence, miscellaneous |
194 | 2566-2567 | ||
Uncorrected bound proof |
194 | 2568 | ||
Selected Poems of T'ao Ch'ien, David Hinton (translator); 1993, undated |
||||
box | folder | |||
Cover camera-ready copy |
194 | 2569 | ||
Paste-ups |
194 | 2570 | ||
Miscellaneous |
194 | 2571 | ||
The Separate Rose, Pablo Neruda, William O'Daly (translator); 1985, undated |
||||
box | folder | |||
Art cover mechanical |
194 | 2572 | ||
Paste-ups |
194 | 2573 | ||
Cover sample, galleys, paste-ups, camera-ready copy, mechanicals |
194 | 2574 | ||
The Shape of the Journey, Jim Harrison, 1998 |
||||
box | folder | |||
Correspondence, design sample, author photograph, cover designs, quotes |
194 | 2575-2576 | ||
Cover design |
194 | 2577 | ||
Shelter, Laura Jensen, 1985 |
||||
box | folder | |||
Camera-ready copy, mechanicals, production schedule, art |
194 | 2578-2579 | ||
The Silk Dragon, Arthur Sze (translator), 2000 |
||||
box | folder | |||
Correspondence, poems, cover designs, Chinese characters |
194 | 2580 | ||
Silo, 1974 |
||||
box | folder | |||
Paste-ups |
194 | 2581 | ||
The Silver Swan, Kenneth Rexroth, 1976 |
||||
box | folder | |||
Book pages |
194 | 2582 | ||
Book sample, mechanicals |
194 | 2583 | ||
The Sinking of Clay City, Robert Wrigley, 1978-1979 |
||||
box | folder | |||
Cover mockup, paste-ups |
194 | 2584-2585 | ||
Correspondence, camera-ready copy, production schedules, assembly sheets |
194 | 2586 | ||
The Sleeping Beauty, Hayden Carruth, 1990 |
||||
box | folder | |||
Correspondence, cover concept drawings, art transparencies |
194 | 2587 | ||
Camera-ready copy |
194 | 2588-2589 | ||
Correspondence, specifications, camera-ready copy, cover concept drawings |
194 | 2590 | ||
Uncorrected bound proof |
195 | 2591 | ||
Snow Country, Robert Hedin, 1975 |
||||
box | folder | |||
Sample pages and cover |
195 | 2592 | ||
Soie Sauvage, Olga Broumas, 1979 |
||||
box | folder | |||
Paste-ups, mechanicals, camera-ready copy |
195 | 2593-2595 | ||
Paste-ups |
195 | 2596 | ||
Correspondence, cover text sample, art, manuscript (photocopy) |
195 | 2597 | ||
Some Days, Sam Hamill and Tree Swenson, circa 1988 |
||||
box | folder | |||
Correspondence, paste-ups, camera-ready copy, small book dummy, essay manuscript |
195 | 2598 | ||
Sometimes Like a Legend, William Stafford, circa 1981 |
||||
box | folder | |||
Sample pages |
195 | 2599-2600 | ||
Pages with art paste-ups, pages with concept drawings |
195 | 2601 | ||
Somewhere Down the Road: An Anthology of Washington High School Student Poetry and Fiction, undated |
||||
box | folder | |||
Paste-ups, art, cover mechanicals, copy, printing specifications |
195 | 2602-2605 | ||
Concept drawings, book dummy |
195 | 2606 | ||
Songs for Gaia, Gary Snyder, circa 1978 |
||||
box | folder | |||
Quotations |
195 | 2606.1 | ||
Songs of the Pine Wife, Sheila Nickerson, 1980 |
||||
box | folder | |||
Blues, photograph, paste-ups |
195 | 2607 | ||
Soul Make a Path Through Shouting, Cyrus Cassells, 1993-1994 |
||||
box | folder | |||
Correspondence, quotes, front matter |
195 | 2608 | ||
Correspondence, invoices, miscellaneous |
195 | 2609-2610 | ||
Spring Essence: The Poetry of Ho Xuan Huong, John Balaban (translator); 2001, undated |
||||
box | folder | |||
Cover production, manuscript poem |
195 | 2611 | ||
Correspondence, bids, sample pages, invoices |
195 | 2612 | ||
The Steel Cricket: Versions 1958-1996, Stephen Berg, 1996-1997 |
||||
box | folder | |||
Cover designs |
195 | 2613-2614 | ||
Production specifications, cover samples, quotes, correspondence, introduction (manuscript) |
195 | 2615 | ||
Uncorrected bound proof |
195 | 2616 | ||
Still Another Day, Pablo Neruda, William O'Daly (translator), 1983-1984 |
||||
box | folder | |||
Cover paste-ups, transparency |
195 | 2617 | ||
Layouts, cover copy, transparency |
195 | 2618 | ||
Paste-ups |
195 | 2619 | ||
Reprint blues |
195 | 2620 | ||
Correspondence, production schedule, specifications, mechanicals, camera-ready copy, art, invoices, publication announcement |
195 | 2621 | ||
Stones of the Sky, Pablo Neruda, William O'Daly (translator), 1987-1991 |
||||
box | folder | |||
Unbound pages |
195 | 2622 | ||
Miscellaneous |
195 | 2623 | ||
Reprint documentation |
195 | 2624 | ||
Text blues (second printing) |
195 | 2625 | ||
Correspondence, mailing lists, quotes, cover transparency |
195 | 2626 | ||
Uncorrected bound proof |
195 | 2627 | ||
A Suitable Church, Jim Heynen, circa 1981 |
||||
box | folder | |||
Copy for paste-ups |
195 | 2628 | ||
Paste-ups |
195 | 2628.1 | ||
Cover, camera-ready copy, paste-ups, art |
195 | 2629 | ||
Talking to My Body, Anna Swir, 1995-2000 |
||||
box | folder | |||
Cover camera-ready copy |
195 | 2630 | ||
Cover designs |
195 | 2631 | ||
Cover design series, correspondence, invoice |
195 | 2632 | ||
Text blues |
195 | 2633 | ||
Correspondence, specifications, quotes, cover design samples |
195 | 2634 | ||
Terra Firma, Thomas Centolella, 1990 |
||||
box | folder | |||
Cover sample |
195 | 2635 | ||
Correspondence, quotes, cover concept drawings, art, invoices |
195 | 2636 | ||
Things Are Happening, Joshua Beckman, circa 1998 |
||||
box | folder | |||
Cover proof |
195 | 2637 | ||
Cover, author biography, excerpts |
195 | 2638 | ||
To Frighten a Storm, Gladys Cardiff, circa 1975 |
||||
box | folder | |||
Unbound pages |
195 | 2639-2640 | ||
To Leave the Standing Grain, Michael Corr, 1977 |
||||
box | folder | |||
Paste-ups |
195 | 2641 | ||
Title pages, table of contents |
195 | 2642 | ||
Tracking, Nancy Steele, 1977 |
||||
box | folder | |||
Paste-ups |
195 | 2643 | ||
Manuscript |
196 | 2644 | ||
Cover camera-ready copy, text camera-ready copy |
196 | 2645 | ||
Triada, Sam Hamill, 1978 |
||||
box | folder | |||
Paste-ups |
196 | 2646-2647 | ||
Uncertain Grace, Rebecca Liv Wee, 2000-2001 |
||||
box | folder | |||
Sample pages, cover design samples |
196 | 2648 | ||
Correspondence, art, poems (manuscript) |
196 | 2649 | ||
Unexpected Manna, Gary Holthaus, 1978 |
||||
box | folder | |||
Assembly sheet, paste-ups |
196 | 2650-2651 | ||
Unremembered Country, Susan Griffin, 1987 |
||||
box | folder | |||
Paste-ups, camera-ready copy |
196 | 2652 | ||
Correspondence, quotes, invoices, mailing lists |
196 | 2653 | ||
Correspondence, paste-up copy, invoices, jacket notes |
196 | 2654 | ||
Uncorrected bound proof |
196 | 2655 | ||
Vagrant Grace, David Bottoms, 1999 |
||||
box | folder | |||
Cover sample |
196 | 2656 | ||
Miscellaneous |
196 | 2657 | ||
The Vulnerability of Order, Martine Bellen, 2001 |
||||
box | folder | |||
Correspondence, quotes, cover galley, miscellaneous |
196 | 2658 | ||
"Waiting for Annie" (broadside), Cheryl Morse, undated |
||||
box | folder | |||
Printing sample |
196 | 2659 | ||
Wanderer's Daysong, Denise Levertov, circa 1980-1987 |
||||
box | folder | |||
Unbound pages |
196 | 2660 | ||
The Wandering Border, Jaan Kaplinski, 1987 |
||||
box | folder | |||
Text camera-ready copy |
196 | 2661 | ||
Correspondence, quotes, mechanicals, concept drawings, mailing list |
196 | 2662 | ||
Uncorrected bound proof |
196 | 2663 | ||
Water Witching, Kathleene West, 1984 |
||||
box | folder | |||
Camera-ready copy |
196 | 2664 | ||
Paste-ups, manuscript sample pages |
196 | 2665 | ||
Correspondence, quotes, invoices, art, camera-ready copy, miscellaneous |
196 | 2666 | ||
Waving Arms at the Blind, W.M. Ransom, circa 1975 |
||||
box | folder | |||
Chapbook cover sample |
196 | 2667 | ||
We Sit Here Fixed Driven Back on Ourselves Listening, undated |
||||
box | folder | |||
Loose pages |
196 | 2668 | ||
The Whale in the Web, William O'Daly, circa 1979 |
||||
box | folder | |||
Promotional brochure |
196 | 2669 | ||
What I Love, Odysseas Elytis, Olga Broumas (translator); 1985-1986, undated |
||||
box | folder | |||
Copy for back cover paste-up, author photograph |
196 | 2670 | ||
Paste-up type, table of contents, jacket notes |
196 | 2671 | ||
Camera-ready copy (Greek) |
196 | 2672 | ||
Mechanicals, page layout form |
196 | 2673-2674 | ||
Separations |
196 | 2675 | ||
Camera-ready copy (Greek) |
196 | 2676 | ||
Unbound greens, paste-ups |
196 | 2677-2678 | ||
Quotes |
196 | 2679 | ||
Correspondence, quotes, mailing and review lists, cover stamp art, invoices |
196 | 2680 | ||
Uncorrected bound proof |
196 | 2681 | ||
Book boards |
196 | 2682 | ||
Wherever You Lay Your Head, Jane Miller, 1998-1999 |
||||
box | folder | |||
Cover proof |
196 | 2683 | ||
Author biography, cover, articles |
196 | 2684 | ||
Art slides, design sample, correspondence, specifications, quotes |
196 | 2685 | ||
The Wind of Our Going, Patricia Goedicke, 1985 |
||||
box | folder | |||
Paste-ups |
196 | 2686-2687 | ||
Windows Facing East, Carol Finkelstein, 1985-1986 |
||||
box | folder | |||
Correspondence, art, cover samples, camera-ready copy, paste-ups |
196 | 2688 | ||
Winter Garden, Pablo Neruda, William O'Daly (translator); 1986, undated |
||||
box | folder | |||
Blues |
196 | 2689 | ||
Camera-ready copy, mechanicals |
196 | 2690 | ||
Paste-ups, camera-ready copy |
196 | 2691 | ||
Uncorrected bound proof |
196 | 2692 | ||
Words for My Daughter, John Balaban, circa 1991 |
||||
box | folder | |||
Cover sample |
196 | 2693 | ||
Cover mock-up, art, transparencies, miscellaneous |
197 | 2694 | ||
Correspondence, camera-ready copy, quotes, layout drawings, photographs, art |
197 | 2695 | ||
The Yellow Heart, Pablo Neruda, William O'Daly (translator); 1990, undated |
197 | 2695 | ||
Cover sample |
197 | 2696 | ||
Paste-up cover with art |
197 | 2697 | ||
Correspondence, quotes, poems (manuscript), cover art, slides, copy for paste-up |
197 | 2698 | ||
Uncorrected bound proof |
197 | 2699 | ||
Yesterday's Faces, Sam Hamill (editor), 1979 |
||||
box | folder | |||
Paste-ups, blues, invoices |
197 | 2700 | ||
Miscellaneous or unidentified |
||||
box | folder | |||
Covers and cover slides, multiple titles; 2000, undated |
197 | 2701-2703 | ||
CCP announcements, galley proofs, logos; circa 1982, undated |
197 | 2704-2706 | ||
"A Copperhead Checklist" (promotional brochure), undated |
197 | 2707 | ||
CCP logo; 1994, undated |
197 | 2708 | ||
CCP promotion, publication and event announcements, miscellaneous; undated |
197 | 2709 | ||
CCP advertising and promotion, circa 1993-1994 |
197 | 2709.1 | ||
Coalition of Writers' Organizations, production materials and correspondence, 1990 |
197 | 2709.2 | ||
Poetry sample: Marnie Purple, circa 1984 |
197 | 2710 | ||
Poetry samples: William Stafford, Li Ching-Chao, undated |
197 | 2711 | ||
Art for unidentified project, undated |
197 | 2712 | ||
Art, invoices, miscellaneous, for unidentified project(s); circa 1978 |
197 | 2712.1 | ||
Art for unidentified project(s), undated |
197 | 2712.2-2712.3 | ||
Word lists (style pages) for unidentified Pablo Neruda project, undated |
197 | 2713 | ||
Test designs: harps, undated |
197 | 2714 | ||
Gue Walker art samples for unidentified project, undated |
197 | 2715 | ||
Miscellaneous or unidentified, undated |
197.1 | 2716-2720 | ||
Unidentified Hayden Carruth reprint production, 1993 |
197.1 | 2720.1 | ||
Multiple projects, undated |
197.1 | 2720.2 | ||
Cover mock-ups and concepts, multiple projects, 1995 |
197.1 | 2720.3 | ||
Unidentified Jaan Kaplinski project; 1985, undated |
197.1 | 2720.4 | ||
Unidentified Thomas McGrath project, 1985 |
197.1 | 2720.5 | ||
"Difficult Death," 1986 |
197.1 | 2720.6 | ||
"Watching the Waves," Sam Hamill, 1989 |
197.1 | 2720.7 | ||
Unidentified project(s), undated |
197.2 | 2720.8 | ||
Miscellaneous poetry and poetry samples, 1990-1992 |
197.2 | 2720.9 | ||
Quotations, multiple projects, 1980-1985 |
197.2 | 2720.10-2720.12 | ||
|
||||
Series 3: Broadsides; 1975-1996, undatedConsists of printed broadsides, with related production materials. |
||||
box | folder | |||
Soundings, 1981 |
198 | 2721 | ||
Cheryl Morse, "Waiting for Annie" (4), signed, undated |
198 | 2722 | ||
Larry Laraby, "And Salmon Rise" (2) and "I Have Offered" (2); signed, undated |
198 | 2722 | ||
Marnie Purple, "Love Is Not An Article of Clothing" and "From the Lighthouse" (2); signed, undated |
198 | 2722 | ||
Mary McNeill, "Waiting Your Turn" (2); signed, 1982 |
198 | 2722 | ||
Jo Cochran, "Dent in the Grass," signed, undated |
198 | 2722 | ||
Hali K. Ransom, "California Rabbit," signed, undated |
198 | 2722 | ||
Susan McKelvey, "Alison," signed, undated |
198 | 2722 | ||
Nancy McCleery, "Family on the Platte," signed, undated |
198 | 2722 | ||
Richard Shelton, "Encounter," signed, 1982 |
198 | 2722 | ||
Mary McNeill, "At Madame Madeleine's," signed, 1982 |
198 | 2722 | ||
Tracy Dewsnup, "Cedar Mountain Sundown," signed, undated |
198 | 2722 | ||
Kathleen Crane, "Cornsticks for Margaret," signed, 1982 |
198 | 2722 | ||
Teresa McDougall, "Choke" (2), signed, undated |
198 | 2722 | ||
Robert Hedin, "Glimpse Into a Private Road" (7), signed, undated |
198 | 2722 | ||
Carolyn Kizer, "Election Day, 1984," signed, 1996 |
198 | 2723 | ||
Timothy Liu, "Thoreau," signed, 1995 |
198 | 2723 | ||
Marvin Bell, "Song for a Little Bit of Breath," signed, 1985 |
198 | 2723 | ||
Elaine Terranova, "Self-Examination," signed, 1995 |
198 | 2723 | ||
Alicia Hokanson, "That Weather" (3), signed, undated |
198 | 2723 | ||
Alicia Hokanson, "Harvest of the Dream," signed, undated |
198 | 2723 | ||
Richard Jones, "The Poet's Heart," 1996 |
198 | 2724 | ||
Sam Hamill, "What the Water Knows," 1995 |
198 | 2724 | ||
Sam Hamill, "The Oracle at Sunrise," undated |
198 | 2724 | ||
Sam Hamill, "A Cold Fire," 1996 |
198 | 2724 | ||
Anna Swir, "I Talk to My Body," 1996 |
198 | 2724 | ||
Denise Levertov, "River," undated |
198 | 2724 | ||
Louis Colasanti, "Canada Moon Song" (2), undated |
198 | 2724 | ||
Gerald Hausman, "Wild Geese Again" (2), undated |
198 | 2724 | ||
James Welch, "The Man from Washington," undated |
198 | 2724 | ||
Janice E. Simpson, "The April Rainbow," undated |
198 | 2724 | ||
David Wagoner, "Song for the First People," undated |
198 | 2724 | ||
J.M. Eklund, "Transformations," undated |
198 | 2724 | ||
Pablo Neruda, "Juventud," undated |
198 | 2724 | ||
William Stafford, "Border Incident" (2), undated |
198 | 2724 | ||
Madeline DeFrees, "The Register" and "How the Amish Women Went Down the Iowa River," undated |
198 | 2725 | ||
Ruth Hulett, "A Quick Study of a Slow Afternoon," undated |
198 | 2725 | ||
Robert Hedin, "Last Poet," undated |
198 | 2725 | ||
James Masao Mitsui, "Shrike on Dead Tree," undated |
198 | 2725 | ||
Philip Whalen, "Zenshinji," undated |
198 | 2725 | ||
Alfonso Reyes, "Veracruz," undated |
198 | 2725 | ||
Barbara MacAulay, "My Cat," undated |
198 | 2725 | ||
Jim Bodeen, "Songbird" (2), undated |
198 | 2725 | ||
Tess Gallagher, "In Maceio," undated |
198 | 2725 | ||
Robert Bly, "At Midocean," undated |
198 | 2726 | ||
Thomas Johnson, "Off Hatteras," undated |
198 | 2726 | ||
Kenneth Rexroth, "The Willows," undated |
198 | 2726 | ||
Sam Hamill, "Isis at Twilight" (2), undated |
198 | 2726 | ||
Eron Hamill, "A Dandylion in My Holster," undated |
198 | 2726 | ||
Sam Hamill, "The Cartographer's Wedding," 1982 |
198 | 2726 | ||
Doris Avshalomov, "Not Almond Blossoms" and "Father the Tree," undated |
198 | 2726 | ||
Stephanie Becker, "Farmer," undated |
198 | 2726 | ||
Wanda Buckner, untitled, undated |
198 | 2726 | ||
Joseph Bruchac, "Birdfoot's Grampa," undated |
198 | 2726 | ||
John Brandi, "In a September Rain," undated |
198 | 2726 | ||
Robert Brandts, "Ars Poetica," undated |
198 | 2726 | ||
Kelly Cherry, "Song of the Siberian Shaman," undated |
198 | 2726 | ||
Patricia F. Clark, "Alone in a House," undated |
198 | 2726 | ||
Naomi Clark, "Memorial," undated |
198 | 2726 | ||
James Masao Mitsui, "Poem Written on the First Anniversary of a Parting" (2), 1979 |
198 | 2727 | ||
Kathleene West, "For a Long Winter" (2), undated |
198 | 2727 | ||
Michael McClure, "Big Lips Song," undated |
198 | 2727 | ||
Diane DiPrima, "Dream Poem Abt Reagan and Co., undated |
198 | 2727 | ||
Linda Gregg, "Oedipus Exceeding," undated |
198 | 2727 | ||
James R. Barnett, "Soft Attack," undated |
198 | 2727 | ||
T.E. Jay, "Plainsong," undated |
198 | 2727 | ||
Olga Broumas, from "Home Movies," undated |
198 | 2727 | ||
Sam Hamill, "Saprophyte" (2), undated |
198 | 2727 | ||
W.M. Ransom, "Gaining Sight" (2), undated |
198 | 2728 | ||
Susan Beckley, "Our Smooth Gentleness," undated |
198 | 2728 | ||
Joan Fiset, "Mr. Van Bibber's Winter Fare," undated |
198 | 2728 | ||
Jane Swanson, "Simple to Complex" (2), undated |
198 | 2728 | ||
Chris Sullivan, "Six Ways to Leave the Desert," undated |
198 | 2728 | ||
James Bertolino, "The Toast" (2), 1978 |
198 | 2728 | ||
Donnell Hunter, "Sound Pressure" and "At Fort Worden," undated |
198 | 2728 | ||
Robert Hedin, "Sloughing" (2), undated |
198 | 2728 | ||
Alicia Hokanson, "Harvest of the Dream" (2), undated |
198 | 2728 | ||
Stephen R. Jones, "That Kalapuya Talked," undated |
198 | 2728 | ||
Olga Broumas, "Oregon Landscape With Blue" (2), undated |
198 | 2728 | ||
David Petersen, "Out Our Way," undated |
198 | 2728 | ||
Sam Hamill, "To Kenneth Rexroth" and "Poem for Tree," undated |
198 | 2728 | ||
Judith Irwin, "In My Garden" (2), undated |
198 | 2728 | ||
Samuel Green, "Warming Up at Cape Alava," undated |
198 | 2728 | ||
Primus St. John, "Love and the evil that is victorious," undated |
198 | 2728 | ||
William Pitt Root, "Jeune filles au Bord de la Mer," undated |
198 | 2729 | ||
Kate Gallo, "Bookcases and Hardcovers" (2), undated |
198 | 2729 | ||
W.M. Ransom, "A Beginning" (2), undated |
198 | 2729 | ||
Donald Hall, "My Son, My Executioner," undated |
198 | 2729 | ||
Jane Swanson, "Carrying Anna," undated |
198 | 2729 | ||
Eron Hamill, "A Poem Without a Name," undated |
198 | 2729 | ||
Tom Rea, "Postcard to Beth from Port Townsend," undated |
198 | 2729 | ||
Tracy Dewsnup, "Cedar Mountain Sundown," undated |
198 | 2729 | ||
Tu Fu, "Overlooking the Desert," undated |
198 | 2729 | ||
William Stafford, "Love This Place," undated |
198 | 2729 | ||
Nancy McCleery, "Family on the Platte," undated |
198 | 2729 | ||
Sam Hamill, "Third Psalm," undated |
198 | 2729 | ||
Cynthia Roy McKee, "Reply to My Father," undated |
198 | 2729 | ||
Lisel Miller, "Naming the Animals," undated |
198 | 2729 | ||
Galway Kinnell, "After Making Love We Hear Footsteps" (2), undated |
198 | 2729 | ||
Barbara Courtney, "Visit to a Child With Leukemia," undated |
198 | 2730 | ||
Larry Deal, "From the Heights of Silence," undated |
198 | 2730 | ||
Howard McCord, "Making the Beat Come Out Even," undated |
198 | 2730 | ||
Marvin Bell, "In," undated |
198 | 2730 | ||
Carolyn Kizer (translator), "Spring-Gazing Song," undated |
198 | 2730 | ||
Richard Shelton, "Promises," undated |
198 | 2730 | ||
Edward Cain, 2 Crow Poems, undated |
198 | 2730 | ||
Bill O'Daly, "Our Names Returning After Rain," undated |
198 | 2730 | ||
Kristal Jones, "He and I," undated |
198 | 2730 | ||
Jim Heynen, "Sestina on Middle Age," undated |
198 | 2730 | ||
T.E. Jay, "Lake Ozette," undated |
198 | 2730 | ||
Bill O'Daly, "The Legacy," undated |
198 | 2730 | ||
Linda Packard, "The Monk," undated |
198 | 2730 | ||
Tom Rea, "Love Poem no. 526: Circus" and "Love Poem no. 924: Powder River!" undated |
198 | 2730 | ||
Robert Frost, "Acquainted With the Night," 1976 |
198 | 2730 | ||
Hali K. Ransom, "Butterflys," undated |
198 | 2730 | ||
Howard Aaron, "Beginnings," undated |
198 | 2730 | ||
James Welch, "Snow Country Weavers," undated |
198 | 2731 | ||
Laotse, "Tao," undated |
198 | 2731 | ||
Donnell Hunter, "The View," untitled, "The Lure," and "The Search," undated |
198 | 2731 | ||
Ron McLean, "For These Are My Dry Hills," undated |
198 | 2731 | ||
Marvin Lane, "Orpheus," undated |
198 | 2731 | ||
Barbara MacAulay, "My Cat," undated |
198 | 2731 | ||
James Bertolino, "The Adequacy," undated |
198 | 2731 | ||
J.M. Eklund, "Transformations," undated |
198 | 2731 | ||
W.M. Ransom, "Postcard to K," undated |
198 | 2731 | ||
Suzanne Underwood, "Scar Tissue," undated |
198 | 2731 | ||
William Pitt Root, "Something For You" (2), undated |
198 | 2731 | ||
Richard Hugo, "With Melissa on the Shore" (2), undated |
198 | 2731 | ||
Cheryl Van Dyke, "Kuhn Spit" (2), undated |
198 | 2731 | ||
Deb Beale, "For Isis" (2), undated |
198 | 2731 | ||
Samuel Green, "Calling for a Song on the Mountain," undated |
198 | 2732 | ||
Edward Harkness, "You Took Me," 1975 |
198 | 2732 | ||
Michael S. Harper, "Healing Song for Robert E. Hayden," undated |
198 | 2732 | ||
Robert Hedin, "Herds," undated |
198 | 2732 | ||
Rick Hermann, "The Fisherman," undated |
198 | 2732 | ||
Liz Allison, "The Fisherman," undated |
198 | 2732 | ||
Juan Ramon Jimenez, "With the Roses," undated |
198 | 2732 | ||
Stanley Junitz, "Robin Redbreast," undated |
198 | 2732 | ||
Susan Landgraf, "The Making of a Rainbow," undated |
198 | 2732 | ||
Janet Langbecker, "A Circle of Marbles," undated |
198 | 2732 | ||
Philip Levine, "And the Trains Go On," undated |
198 | 2732 | ||
Margaret Honton, "Falling Into the Crystal Ball," undated |
198 | 2732 | ||
William Pitt Root, "Song of Presence," undated |
198 | 2732 | ||
Marilyn Folkestad, "Okay, Sylvia," undated |
198 | 2732 | ||
Meridel LeSueur, "Bring Us Forth," undated |
198 | 2733 | ||
William Carlos Williams, "Coda" (2), undated |
198 | 2733 | ||
Barbara Pfeiffer, "Bats and Moons," undated |
198 | 2733 | ||
Gladys Cardiff, "Combing" (2 versions), undated |
198 | 2733 | ||
Johannes Bobrowski, "The Baltic Sea Towns," undated |
198 | 2733 | ||
James Welch, "The Man from Washington," undated |
198 | 2733 | ||
Kathleene West, "Roundel on a Sonnet by Marilyn Hacker," 1977 |
198 | 2733 | ||
Sam Hamill, "A Dream of Lorca in San Joaquin" (2), undated |
198 | 2733 | ||
Diane Wakoski, "The Empress No. 5" (2), undated |
198 | 2733 | ||
Kathleene West, "After Matchbox Funerals..." undated |
198 | 2733 | ||
G. Suits, "Point of View" (2), undated |
198 | 2733 | ||
Gwen Kaye, "Weeks of grey and rain," undated |
198 | 2733 | ||
Tess Gallagher, "3 A.M. Kitchen," undated |
198 | 2734 | ||
Gwyneth O'Connell, "Gatherings," undated |
198 | 2734 | ||
Jennifer Hanson, untitled, undated |
198 | 2734 | ||
Sue Walker, "The Sleep Is Different," undated |
198 | 2734 | ||
Primus St. John, "Bedding Down," undated |
198 | 2734 | ||
J.T. Steward, "Maya" (2), undated |
198 | 2734 | ||
Barbara Szerlip, "Cafe," undated |
198 | 2734 | ||
Miriam Schorr, "Writers' Symposium: Cafeteria," undated |
198 | 2734 | ||
Maria Sclafani, "Suicide," undated |
198 | 2734 | ||
Beth Scouller, "Applaud Silently," undated |
198 | 2734 | ||
Richard Shelton, "Job the Father," undated |
198 | 2734 | ||
Janice E. Simpson, "The April Rainbow," undated |
198 | 2734 | ||
Robin Skelton, "The Hermit Shell" (2), undated |
198 | 2734 | ||
Marie-Elise, untitled (3), undated |
198 | 2734 | ||
Elaine Weiss, "Five Images," undated |
198 | 2734 | ||
James Mitsui, "Inland from Tsugaru Strait," undated |
198 | 2734 | ||
James Masao Mitsui, "Nisei," undated |
198 | 2734 | ||
Abby Niebauer, "Uncle's Dream of the Last Century," undated |
198 | 2734 | ||
Miscellaneous or unidentified, undated |
198 | 2735 | ||
Tom Parson, "First Amendment," undated |
199 | 2735.1 | ||
David Petersen, "Entrance," undated |
199 | 2735.1 | ||
Sam Hamill, "Didactic Poem" (2), undated |
199 | 2735.1 | ||
Marie Bronoel, "Coffee," undated |
199 | 2735.1 | ||
Margaret Dolan, "Universal," undated |
199 | 2735.1 | ||
Sam Hamill, "After Twilight," undated |
199 | 2735.1 | ||
Olga Broumas, "Imogene Knode," undated |
199 | 2735.1 | ||
Henry Carlile, "Flying," undated |
199 | 2735.1 | ||
David Leedy, untitled, undated |
199 | 2735.1 | ||
Juliana Rogers, "Gypsy Caravan On The Highway," undated |
199 | 2735.1 | ||
J.T. Stewart, "Snow Queen," undated |
199 | 2735.1 | ||
Bill Ransom, "Note to Barbara," 1980 |
199 | 2735.1 | ||
David Lee, "Tuesday Morning, Driving to the Auction at Salina," undated |
199 | 2735.1 | ||
David Eriksen, "Cherry Soldier," undated |
199 | 2735.1 | ||
Michael Tate, "Seven Meditations," undated |
199 | 2735.2 | ||
Beth Scouller, "Settled," undated |
199 | 2735.2 | ||
Senoi, untitled, undated |
199 | 2735.2 | ||
Marianne Wolfe, "Upstairs," undated |
199 | 2735.2 | ||
David R. Memmott, "Homestead in Union," undated |
199 | 2735.2 | ||
Rob Moore, untitled |
199 | 2735.2 | ||
George E. Murphy, Jr., "Gyre," undated |
199 | 2735.2 | ||
Laura Newkirk, "Eagle Flight," undated |
199 | 2735.2 | ||
Abigail Niebauer, "The Huntsmen," undated |
199 | 2735.2 | ||
Tara O'Bryan, "Winter Moon," undated |
199 | 2735.2 | ||
Ezra Pound, from "Canto XLVII," undated |
199 | 2735.2 | ||
Belle Randall, "Diana," undated |
199 | 2735.2 | ||
Steve Sanfield, "Religion," undated |
199 | 2735.2 | ||
Betty Hall, "Drifting Toward Byzantium," undated |
199 | 2735.2 | ||
Mark Halperin, "The Blue Angel," undated |
199 | 2735.2 | ||
Sam Hamill, "Prologomenon," undated |
199 | 2735.2 | ||
Sam Hamill, "Song for Waiting," undated |
199 | 2735.2 | ||
Sam Hamill, "While Galway Reads," undated |
199 | 2735.2 | ||
Edward Harkness, "Checking the Well at Night," undated |
199 | 2735.2 | ||
Teresa Herlinger, "Discovery," undated |
199 | 2735.3 | ||
Marybeth Hillard, "Rubber Tires in the Sky," undated |
199 | 2735.3 | ||
Art Homer, "For My Daughter," undated |
199 | 2735.3 | ||
Thomas Johnson, "Survival," undated |
199 | 2735.3 | ||
Jane Kenyon, "Full Moon in Winter," undated |
199 | 2735.3 | ||
Carolyn Kizer, "I Go Too," undated |
199 | 2735.3 | ||
Bill Knott, "Rigor Vitus," undated |
199 | 2735.3 | ||
Maxine Kumin, "In the Pea Patch," undated |
199 | 2735.3 | ||
Susan Landgraf, "In the Hour After Rape," undated |
199 | 2735.3 | ||
Susan Landgraf, "Dear David," undated |
199 | 2735.3 | ||
John Lane, "Poem Beginning with a Line from Eron Hamill," undated |
199 | 2735.3 | ||
Jake Levine, "Fourth of July," undated |
199 | 2735.3 | ||
Nancy McCleery, "Correspondences," undated |
199 | 2735.3 | ||
Michael Hogan, "Spring," undated |
199 | 2735.3 | ||
Stephen Leggett, "Driving Home Through a Snowstorm" (Cold Mountain Press), undated |
199 | 2735.3 | ||
Joseph Bruchac, "Birdfoot's Grampa" (Cold Mountain Press), undated |
199 | 2735.3 | ||
Carlen Arnett, "Luna," undated |
199 | 2735.3 | ||
Warren R. Belanger, "At Agate Beach" (2), 1978 |
199 | 2735.3 | ||
Warren R. Belanger, "Freeway," undated |
199 | 2735.3 | ||
Warren R. Belanger, "Of Course Your 'I-Ness," undated |
199 | 2735.3 | ||
Chris Blanton, "The Mosquito," undated |
199 | 2735.4 | ||
Nelson Bentley, "An Evening at La Push," undated |
199 | 2735.4 | ||
Mark Cutshall, "Communion," 1974 |
199 | 2735.4 | ||
"Everything You Own," undated |
199 | 2735.4 | ||
William N. Compton, "Sarah," undated |
199 | 2735.4 | ||
D. Eriksen, "Red Sweatshirt," 1980 |
199 | 2735.4 | ||
David Neal Eriksen, "Untitled Poem About Dumb Birds and Old Fools," undated |
199 | 2735.4 | ||
Carolyn Forche, "Because One Is Always Forgotten," undated |
199 | 2735.4 | ||
Soloman, untitled, undated |
199 | 2735.4 | ||
"Tenth Decade," undated |
199 | 2735.4 | ||
Li Ch'ing-chao, "To the Tune," undated |
199 | 2735.4 | ||
Ishmael Reed, "For Dancer," undated |
199 | 2735.4 | ||
Barry Lopez, "A Short Manifesto," 1984 |
199 | 2735.4 | ||
Charles Wright, "Ars Poetica," undated |
199 | 2735.4 | ||
Mark Strand, "Keeping Things Whole," undated |
199 | 2735.4 | ||
William Stafford, "Pilgrims," undated |
199 | 2735.4 | ||
Margaret Atwood, "The Light," undated |
199 | 2735.4 | ||
Nancy Steele, "The Cremation," undated |
199 | 2735.4 | ||
Alice Derry, "The Director," undated |
199 | 2735.4 | ||
Carla Cavanaugh, "What Is Old?" undated |
199 | 2735.5 | ||
Graeme Gibson, from "Perpetual Motion," undated |
199 | 2735.5 | ||
Hali Kalae Ransom, "The Singing Tree," undated |
199 | 2735.5 | ||
Tom Rea, "Postcard to Barb from Port Townsend," undated |
199 | 2735.5 | ||
Marybeth Hillard, "Blue Chocolate Afternoon," undated |
199 | 2735.5 | ||
Bill Gamill, "That Was the Clearest Moment of His Life," undated |
199 | 2735.5 | ||
Steven Rea, "Your Other Life," undated |
199 | 2735.5 | ||
Gigi Suits, "Solo," undated |
199 | 2735.5 | ||
Sandra McPherson, "7-22-66," undated |
199 | 2735.5 | ||
Betty Richardson, "The Veil," 1979 |
199 | 2735.5 | ||
Roger Roberson, "Poems Pass Like Flashes in a River Rolling Over Round Stones," undated |
199 | 2735.5 | ||
Patricia Ware, "In Winter You Kill Some Meat," undated |
199 | 2735.5 | ||
C.F. Sutton, "Our Town: Waterfront Park in the Rain," undated |
199 | 2735.5 | ||
Gigi Suits, "Dark Thought," undated |
199 | 2735.5 | ||
Tara O'Bryan, "Noche," undated |
199 | 2735.5 | ||
Betty Richardson, "Listen to My Father Talk of Cattle," undated |
199 | 2735.5 | ||
Seals and Croft, "King of Nothing," undated |
199 | 2735.5 | ||
Jane Seidman Vosk, "For my Grandparents," undated |
199 | 2735.5 | ||
Ann Stanford, "The Center of the Garden," undated |
199 | 2735.5 | ||
Cherie Luckhurst, "Directional" (2), undated |
199 | 2735.5 | ||
Gary Snyder, "O Mama," undated |
199 | 2735.5 | ||
Gail Mazur, "Next Door," lithograph (signed and numbered), 1980 |
199 | 2735.6 | ||
Numbered Copperhead broadsides |
199 | 2736 | ||
Belle Randall, "At Spandau" (2), signed, undated |
199 | 2737 | ||
Anita Skeen, "Mowing" (2), signed, undated |
199 | 2737 | ||
Terry Ehret, "Lost Body," signed, undated |
199 | 2737 | ||
Bill O'Daly, "A New Day," signed, 1977 |
199 | 2737 | ||
Hayden Carruth, "Ecstasy," undated |
199 | 2738 | ||
Leonard Randolph, "Village Dying," 1975 |
199 | 2738 | ||
Leonard Randolph, "Village Dying," undated |
199 | 2738 | ||
Philip Levine, "On a Drawing by Flavio," undated |
199 | 2738 | ||
Pat Kieselhorst, "Davy, Baby," undated |
199 | 2738 | ||
Thomas McGrath, "Praises," undated |
199 | 2738 | ||
Garland Norin, "Search for Genesis," undated |
199 | 2738 | ||
R.A. Swanson, "Solemn Spirits," undated |
199 | 2738 | ||
John Haines, "Nocturnal," circa 1997 |
199 | 2738 | ||
Broadside production files |
||||
box | folder | |||
Copperhead Two, cover sample, undated |
199 | 2739 | ||
The Gift of Tongues, print samples, circa 1996 |
199 | 2740 | ||
Belle Randall, "At Spandau," undated |
199 | 2741 | ||
Gary Snyder, "For All," undated |
199 | 2742 | ||
Lewis Hyde, "Glass Door," undated |
199 | 2743 | ||
Tu Fu, "Heading South," undated |
199 | 2744 | ||
James Laughlin, "In the Snow," undated |
199 | 2745 | ||
Jaan Kaplinski, "New Butterflies," undated |
199 | 2746 | ||
Linda Gregg, "Oedipus Exceeding," undated |
199 | 2747 | ||
box | folder | |||
Supporting documentation: complete list of broadsides published by CCP, circa 1994 |
199 | 2747.1 | ||
|
||||
Series 4: Book and production files, oversize material; 1973-2002Consists of oversize material separated from related items in Series 1 and 2. These have been subdivided into three subseries according to size. Each subseries is arranged alphabetically by title, corresponding to the arrangement of Series 1 and 2. |
||||
Subseries 4.1: Book and production files, Oversize 1 (boxed) |
||||
box | folder | |||
American Odalisque, Jane Miller, circa 1987 |
200 | 2748 | ||
At Home in the World, Sam Hamill; galley, publication announcement; circa 1981 |
200 | 2749-2750 | ||
At Last We Enter Paradise, Richard Jones, circa 1990-1991 |
200 | 2751 | ||
At the Home-altar, Robert Hedin, circa 1978 |
200 | 2752 | ||
August Zero, Jane Miller, circa 1992-1993 |
200 | 2753 | ||
Bending Home: Selected and New Poetry, Susan Griffin, 1997-1998 |
200 | 2754 | ||
The Berry Picker, Marianne Wolfe, undated |
200 | 2755 | ||
The Blessing: New and Collected Poems, Richard Jones, 1998-2000 |
200 | 2755 | ||
Bird of Endless Time, James Laughlin; paste-ups, cover camera-ready copy; 1989 |
200 | 2756 | ||
Blue Dun, undated |
200 | 2757 | ||
Beside the Shadblow Tree: A Memoir of James Laughlin, Hayden Carruth; cover camera-ready copy, 1998 |
200 | 2758 | ||
The Book of Questions, Pablo Neruda, William O'Daly (translator); galley, edited galley, final galley; 1991-2000 |
200 | 2759-2761 | ||
Brief Songs of the Kisang, 1993 |
201 | 2762-2764 | ||
Carrying Over, Carolyn Kizer, 1988-1989 |
201 | 2765-2766 | ||
Celebrations, Michael Cuddihy, circa 1980 |
201 | 2767-2768 | ||
Collected Longer Poems, Hayden Carruth; cover camera-ready copy; 1993 |
201 | 2769 | ||
Collected Poems of Kay Boyle, 1989-1991 |
201 | 2770 | ||
Collected Songs of Cold Mountain, Red Pine (translator), 2001 |
201 | 2771 | ||
Copper Canyon Press Catalog |
||||
box | folder | |||
Fall 1988 |
202 | 2772 | ||
Spring 1989 |
202 | 2773 | ||
Fall 1989 |
202 | 2774 | ||
Fall 1990 |
202 | 2775 | ||
Fall 1991 |
202 | 2776 | ||
Spring 1991 |
202 | 2777 | ||
Fall and Winter 1992-1993 |
202 | 2778 | ||
Fall and Winter 1995 |
202 | 2778.1 | ||
box | folder | |||
Copper Canyon Press advertising and promotion (miscellaneous), circa 1988 |
202 | 2779 | ||
The Country Between Us, Carolyn Forche, undated |
202 | 2780 | ||
The Country Between Us, Carolyn Forche, undated (continued) |
203 | 2781 | ||
Crow with No Mouth: Ikkyu, Stephen Berg (translator); cover design, cover camera-ready copy, paste-ups; 1988-2000 |
203 | 2782-2783 | ||
Damages, Elaine Terranova; cover camera-ready copy; 1995 |
203 | 2784 | ||
Elements, James Galvin; cover camera-ready copy; 1988 |
203 | 2785 | ||
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers); paste-ups, miscellaneous; circa 1989 |
203 | 2786-2789 | ||
To Frighten a Storm, Gladys Cardiff, circa 1975 |
204 | 2790 | ||
Finding True North, W.M. Ransom, 1973 |
204 | 2790 | ||
The Landlady in Bangkok, Karen Swenson, 1994-1995 |
204 | 2790 | ||
The Hides of White Horses Shedding Rain, Robert Sund, 1980 |
204 | 2791 | ||
Locusts at the Edge of Summer, John Balaban; paste-ups, cover; 1996-1997 |
204 | 2792-2793 | ||
Lost Body, Terry Ehret; cover camera-ready copy; 1993 |
204 | 2794 | ||
Journal of the Sun, James Masao Mitsui, 1973 |
204 | 2795 | ||
Open Papers, Odysseas Elytis, Olga Broumas (translator), 1994-1995 |
204 | 2795 | ||
The Piano beneath the Skin, George Hitchcock, 1978-1987 |
204 | 2795 | ||
The Owl of Minerva, James Laughlin, 1987 |
204 | 2796 | ||
Philoktetes, Sophokles, Gregory McNamee (translator), 1987 |
204 | 2797 | ||
Pieces of Map, Pieces of Music, Robert Bringhurst, 1987 |
204 | 2798 | ||
Proses: On Poems and Poets, Carolyn Kizer; manuscript, miscellaneous; 1992-1993 |
205 | 2799-2800 | ||
Prune, Billy Mack Gammill, circa 1979 |
205 | 2801 | ||
The Sleeping Beauty, Hayden Carruth; cover sample; circa 1990 |
205 | 2802 | ||
The Steel Cricket: Versions 1958-1996, Stephen Berg; paste-ups; circa 1996-1997 |
205 | 2803 | ||
Still Another Day, Pablo Neruda, William O'Daly (translator), 1983-1984 |
205 | 2804 | ||
Throwing Shadows, Ken Gerner, 1983 |
205 | 2805 | ||
Tracking, Nancy Steele; page proofs, print samples; 1975 |
206 | 2806 | ||
Unremembered Country, Susan Griffin, 1987 |
206 | 2807 | ||
Wanderer's Daysong, Denise Levertov, circa 1980-1987 |
206 | 2808 | ||
What I Love, Odysseas Elytis, Olga Broumas (translator); undated |
206 | 2809 | ||
The Wind of Our Going, Patricia Goedicke, 1985 |
206 | 2810 | ||
Winter Garden, Pablo Neruda, William O'Daly (translator); undated |
206 | 2811 | ||
Stones of the Sky, Pablo Neruda, William O'Daly (translator), circa 1987-1991 |
206 | 2811 | ||
Miscellaneous or unidentified production materials, undated |
206 | 2812-2813 | ||
Subseries 4.2: Book and production files, Oversize 2 (boxed) |
||||
box | folder | |||
Animae, Sam Hamill; cover mechanical; circa 1980-1985 |
207 | 2814 | ||
"An Apology To A Friend For Shooting A Hole In His Ceiling," James McKean; miscellaneous; undated |
207 | 2815 | ||
Armored Hearts: Selected and New Poems, David Bottoms; cover galley, dust jacket; 1995 |
207 | 2816 | ||
August Zero, Jane Miller; cover production; 1993 |
207 | 2819 | ||
Beauty of the Weapons, Robert Bringhurst; miscellaneous; 1982-1985 |
207 | 2820 | ||
Before Ten Thousand Peaks, Paul Hansen (translator); art, cover mechanicals; 1980 |
207 | 2821 | ||
Beside the Shadblow Tree, Hayden Carruth; cover galley, cover design; 1998-1999 |
207 | 2822 | ||
Bird of Endless Time, James Laughlin; cover mechanical, overlay; 1988-1989 |
207 | 2823 | ||
Black Iris, Jean Joubert, Denise Levertov (translator); cover production; 1988 |
207 | 2824-2825 | ||
The Book of Elegiac Geography, Sam Hamill; cover production; 1978 |
207 | 2826 | ||
The Book of Light, Lucille Clifton; dust jacket; 1992-1995 |
207 | 2827 | ||
The Book of Questions, Pablo Neruda, William O'Daly (translator); dust jacket; undated |
207 | 2828 | ||
The Book of the Dead Man, Marvin Bell; cover mechanicals, dust jacket; 1994 |
207 | 2829-2830 | ||
Brief Songs of the Kisang; cover mechanicals; 1993 |
207 | 2831 | ||
The Buffalo Sequence, Mark Pawlak; original art, cover production; 1977 |
207 | 2832 | ||
Burnt Offerings, Timothy Liu; cover design, cover camera-ready copy; 1995-2001 |
207 | 2833 | ||
The Calling Across Forever, Sam Hamill; 1976; cover production; undated |
207 | 2834-2836 | ||
Carrying Over, Carolyn Kizer; cover layout, color separations; 1988-1989 |
207 | 2837-2838 | ||
Collected Longer Poems, Hayden Carruth; cover mockup, cover mechanicals, author photograph, production memo; 1993-1994 |
208 | 2839 | ||
Collected Poems of Kay Boyle; cover mechanicals, author photograph; 1991 |
208 | 2840 | ||
Collected Shorter Poems: 1946-1991, Hayden Carruth; cover camera-ready copy, cover mechanicals, copy for paste-up, production correspondence; 1992 |
208 | 2841-2842 | ||
Collected Songs of Cold Mountain, Red Pine (translator); cover mechanicals, proofs, paste-ups, overlay; 2001 |
208 | 2843 | ||
Communion, Primus St. John; cover camera-ready copy; 1998-1999 |
208 | 2844 | ||
Configurations, Clarence Major; art, cover camera-ready copy; 1998 |
208 | 2845-2846 | ||
Copper Canyon Press Catalog production files |
||||
box | folder | |||
Paste-up, text, galley; 1979 |
208 | 2847 | ||
Miscellaneous, 1985-1986 |
208 | 2848 | ||
Paste-up, Spring 1987 |
208 | 2849 | ||
Miscellaneous, Fall 1987 |
208 | 2850 | ||
Mechanicals and art, Spring 1988 |
208 | 2851 | ||
Galleys, Spring 1989 |
208 | 2852 | ||
Galley proofs, Fall 1990 |
208 | 2853 | ||
Mechanical (cover art), Fall 1991 |
209 | 2854 | ||
Camera composite, undated |
209 | 2855 | ||
box | folder | |||
Copperhead; promotion, print samples; undated |
209 | 2856 | ||
Copperhead; metal plates; undated |
209 | 2857 | ||
Country of Air, Richard Jones; layout, cover camera-ready copy; undated |
209 | 2858 | ||
Days of Awe, Maurya Simon; cover mechanicals, text camera-ready copy, overlay; 1989 |
209 | 2859-2860 | ||
Day's Work, David Lee; cover mechanicals and mock-up; 1990 |
209 | 2861 | ||
Death Song, Thomas McGrath; cover mechanicals and camera-ready copy; 1990-1991 |
209 | 2862 | ||
Doctor Jazz, Hayden Carruth; dust jacket mockup, cover copy and designs; 2000 |
209 | 2863 | ||
Driving and Drinking, David Lee; cover color key, cover paste-up, art, camera-ready copy; circa 1979-1982 |
209 | 2864-2866 | ||
"Duwamish Head," Richard Hugo; poetry samples; 1976 |
209 | 2867 | ||
Elements, James Galvin; cover mock-up; 1988 |
209 | 2868 | ||
The Enchanted Room, Maurya Simon; cover production; 1986 |
209 | 2869 | ||
Eros, Eros, Eros, Odysseas Elytis, Olga Broumas (translator); dust jacket, miscellaneous; 1997-1998 |
209 | 2870 | ||
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers); cover production; undated |
209 | 2871 | ||
A Flower Whose Name I Do Not Know, David Romtvedt; cover overlay; 1991-1992 |
210 | 2872 | ||
Fourteen Poems, O.V. de L. Milosz, Kenneth Rexroth (translator); art, cover mechanicals; 1983 |
210 | 2873 | ||
Graywolf Press; galley proofs, miscellaneous; circa 1985 |
210 | 2874-2874.1 | ||
A Gypsy's History of the World, Kim Stafford; cover production; 1976 |
210 | 2875 | ||
Heart of Bamboo: Poetry and Music in the Zen Tradition, 1999 |
210 | 2876 | ||
The Hides of White Horses Shedding Rain, Robert Sund; art, page proofs; 1980 |
210 | 2877 | ||
How to Eat a Slug, Frank R. Maloney; cover paste-ups; 1973-1976 |
210 | 2878 | ||
I Don't Bow to Buddhas: Selected Poems of Yuan Mei, J.P. Seaton (translator); final proof color key, cover galleys; 1995 |
210 | 2879-2880 | ||
Ice Futures, Thomas Johnson; cover paste-up, sample, transparencies; 1976-1978 |
210 | 2881-2882 | ||
In the Dreamlight: Twenty-two Alaskan Writers; cover art, production correspondence; 1983-1984 |
210 | 2883 | ||
In the Surgical Theatre, Dana Levin; cover production; circa 1999 |
210 | 2884 | ||
Iris of Creation, Marvin Bell; cover production; 1990 |
210 | 2885-2886 | ||
Iron Country, Floyce Alexander (editor); paste-ups; 1978 |
210 | 2887 | ||
The Island, Michael White; cover camera-ready copy, cover mock-up; 1992 |
210 | 2888 | ||
A Kind of END, Richard Shelton; cove production, poetry samples, signed colophon, miscellaneous; circa 1982 |
210 | 2889-2891 | ||
Land Bound, Kathleene West; cover production; 1978 |
210 | 2892 | ||
The Leaf Path, Emily Warn; cover production; 1982 |
210 | 2893 | ||
Leaving a Shadow, Heather Allen; cover production, correspondence; 1996 |
210 | 2894 | ||
Lebanese Mountain Cookery, Mary Louise Laird; art; circa 1986 |
210 | 2895 | ||
A Legacy of Shadows, Poems 1978 to END1996; cover camera-ready copy; David Lee, 1998-1999 |
211 | 2896 | ||
Letter to an Imaginary Friend, Thomas McGrath; promotion, paste-ups, cover production; 1985-1997 |
211 | 2897-2899 | ||
"The Light," Margaret Atwood; galley proofs; undated |
211 | 2900 | ||
The Little Mariner, Odysseas Elytis, Olga Broumas (translator); cover production; 1988 |
211 | 2901 | ||
Love and Time, Ou-yang Hsiu, J.P. Seaton (translator); cover production, paste-ups; 1989 |
211 | 2902-2904 | ||
Magpie on the Gallows, Madeline DeFrees; cover production; 1982 |
211 | 2905 | ||
Memory at These Speeds, Jane Miller; cover mechanical, production correspondence; 1996 |
211 | 2906 | ||
Mermaids in the Basement, Carolyn Kizer; cover production, miscellaneous; 1984-1991 |
211 | 2907-2908 | ||
Mid-Winter Break-Up, Sam Hamill (editor); cover art paste-up; 1977 |
211 | 2909 | ||
Moment to Moment: Poems of a Mountain Recluse, David Budbill; halftone cover transparency; 1999 |
211 | 2910 | ||
The Nearness of You, Carolyn Kizer; cover production; 1986 |
211 | 2911 | ||
New and Selected Poems, Stephen Berg; cover camera-ready copy; 1991 |
211 | 2912 | ||
News from Down to the Cafe, David Lee; cover camera-ready copy; 1998-1999 |
212 | 2913 | ||
Night Herding Song, Gerald Hausman; cover paste-up; 1979 |
212 | 2914 | ||
Nostalgia for Death, Xavier Villaurrutia, Eliot Weinberger (translator); Hieroglyphs of Desire, Octavio Paz, Esther Allen (translator); cover production; undated |
212 | 2915 | ||
Not Far from the River, David Ray (translator); cover mechanical, art, camera-ready copy; 1990 |
212 | 2916 | ||
Not Such a Bad Place to Be, William Kloefkorn; cover mechanical; 1980 |
212 | 2917 | ||
The Novice Insomniac, Emily Warn; cover mechanicals; 1995-1996 |
212 | 2918 | ||
Orpheus and Eurydice: A Lyric Sequence, Gregory Orr; cover camera-ready copy; 2000 |
212 | 2919 | ||
A Perfect Time, Richard Jones; cover production; 1994 |
212 | 2920 | ||
Perpetua, Olga Broumas; cover camera-ready copy, paste-ups; 1989 |
212 | 2921-2922 | ||
The Piano beneath the Skin, George Hitchcock; quotation, cover mechanicals, screen mechanical; 1978-1987 |
212 | 2923 | ||
A Place Made Fast, Mark Halperin; cover production; 1982 |
212 | 2924 | ||
Passages toward the Dark, Thomas McGrath; cover production; 1982 |
212 | 2925 | ||
Poetry the Unsayable Said, Donald Hall; cover design mechanicals; circa 1993 |
212 | 2926 | ||
A Poet's Work, Sam Hamill; cover mechanical; 1997 |
212 | 2927 | ||
The Porcine Canticles, David Lee; cover production, miscellaneous; 1984 |
212 | 2928-2930 | ||
Priest ENDand A Dead Priestess Speaks, H.D. (Hilda Doolittle); poetry samples, chapbook layout, art, mechanicals, concept drawing, publication announcement, miscellaneous; undated |
213 | 2931-2933 | ||
Proses: On Poems and Poets, Carolyn Kizer; cover production; 1992-1993 |
213 | 2934-2935 | ||
The Red Dreams, Ken Gerner; cover mechanicals, paste-ups, art; 1978 |
213 | 2936 | ||
The Redshifting Web: Poems 1970-1996, Arthur Sze; cover production; 1997-1998 |
213 | 2937 | ||
Resurrection Update: Poems 1975-97, James Galvin; cover proofs; 1996-1997 |
213 | 2938 | ||
Rave: Poems 1977-1998, Olga Broumas; cover production; 1998-1999 |
213 | 2939 | ||
Rivers of Salt, Shirley Kaufman; cover mechanical; 1993 |
213 | 2940 | ||
Sacramental Acts, Kenneth Rexroth; cover mechanical; 1997 |
213 | 2941 | ||
Scrambled Eggs and Whiskey, Hayden Carruth; bluelines (dust jacket proof); 1995-1997 |
213 | 2942 | ||
The Sea and the Bells, Pablo Neruda, William O'Daly (translator), 1988 |
||||
box | folder | |||
Edited galley draft |
213 | 2943-2944 | ||
Final galley |
213 | 2945 | ||
Cover mechanicals |
213 | 2946 | ||
box | folder | |||
The Second Four Books of Poems, W.S. Merwin; cover production; 1992-1993 |
214 | 2947-2949 | ||
Selected Poems 1938-1988, Thomas McGrath; cover production; 1987-1988 |
214 | 2950-2952 | ||
Selected Poems of Sandor Csoori, Len Roberts (translator); cover production; undated |
214 | 2953-2954 | ||
Selected Poems of T'ao Ch'ien, David Hinton (translator); cover mechanical; undated |
214 | 2955 | ||
The Separate Rose, Pablo Neruda, William O'Daly (translator); cover production; undated |
214 | 2956-2957 | ||
Shelter, Laura Jensen; proof with printing instructions; 1985 |
214 | 2958 | ||
The Silver Swan, Kenneth Rexroth; book pages, text, art copy; 1976 |
214 | 2959 | ||
The Sinking of Clay City, Robert Wrigley; cover production; 1978-1979 |
214 | 2960 | ||
The Sleeping Beauty, Hayden Carruth; paste-ups, cover production; 1990 |
214 | 2961-2962 | ||
Some Days, Sam Hamill and Tree Swenson; paste-ups; circa 1988 |
214 | 2963 | ||
Soul Make a Path Through Shouting, Cyrus Cassells; cover and dust jacket production; 1993-1994 |
214 | 2964-2965 | ||
Special Deliveries, James Broughton; promotion; undated |
214 | 2966 | ||
Still Another Day, Pablo Neruda, William O'Daly (translator); cover production, miscellaneous; 1983-1984 |
214 | 2967 | ||
Stones of the Sky, Pablo Neruda, William O'Daly (translator), 1987-1991 |
||||
box | folder | |||
Edited galley draft |
215 | 2968-2969 | ||
Final galley |
215 | 2970 | ||
Cover (final galley) |
215 | 2971 | ||
Dust jacket |
215 | 2972 | ||
box | folder | |||
A Suitable Church, Jim Heynen; cover production; circa 1981 |
215 | 2973 | ||
Terra Firma, Thomas Centolella; uncorrected proof, cover camera-ready copy; 1990 |
215 | 2974-2975 | ||
Throwing Shadows, Ken Gerner; cover camera-ready copy; 1983 |
215 | 2976 | ||
To Frighten a Storm, Gladys Cardiff; cover samples; circa 1975 |
215 | 2977 | ||
To Leave the Standing Grain, Michael Corr; pages with color woodcuts; 1977 |
215 | 2978-2979 | ||
Tracking, Nancy Steele; cover camera-ready copy; 1977 |
215 | 2980 | ||
Triada, Sam Hamill, 1978 |
||||
box | folder | |||
Galley proofs |
215 | 2981 | ||
Cover mock-up with art |
215 | 2982 | ||
Camera-ready copy pages |
215 | 2983-2984 | ||
Book pages |
215 | 2985 | ||
box | folder | |||
Trinc, Thomas McGrath; loose pages, cover sample, poetry samples, colophon, signed title page; undated |
215 | 2986-2987 | ||
Unremembered Country, Susan Griffin; cover camera-ready copy; 1987 |
215 | 2988 | ||
Unexpected Manna, Gary Holthaus; cover production; 1978 |
215 | 2989 | ||
Vagrant Grace, David Bottoms; cover production; 1999 |
216 | 2990-2992 | ||
Wanderer's Daysong, Denise Levertov; galleys, cover proof, paste-ups; circa 1980-1987 |
216 | 2993 | ||
The Wandering Border, Jaan Kaplinski; cover production; 1987 |
216 | 2994-2995 | ||
Water Witching, Kathleene West; cover production; 1984 |
216 | 2996-2997 | ||
What I Love, Odysseas Elytis, Olga Broumas (translator); cover production; circa 1985-1986 |
216 | 2998-3001 | ||
The Wind of Our Going, Patricia Goedicke; cover production; 1985 |
216 | 3002-3003 | ||
Winter Garden, Pablo Neruda, William O'Daly (translator); 1986-2002, undated |
||||
box | folder | |||
Galley draft, 2001 |
216 | 3004 | ||
Galley draft, 2002 |
216 | 3005 | ||
Final galley, 2002 |
216 | 3006 | ||
Cover final galley, 2001 |
216 | 3007 | ||
Cover production, undated |
216 | 3008-3009 | ||
box | folder | |||
Words for My Daughter, John Balaban; cover production; circa 1991 |
216 | 3010-3011 | ||
The Yellow Heart, Pablo Neruda, William O'Daly (translator); 1990-2002, undated |
||||
box | folder | |||
Uncorrected proof, 1990 |
216 | 3011.1 | ||
Edited galley draft, 2002 |
216 | 3012 | ||
Galley draft, 2002 |
216 | 3013 | ||
Revised galley, 2002 |
216 | 3014 | ||
Final galley, 2002 |
216 | 3015 | ||
Final cover galley, 2001 |
216 | 3016 | ||
Cover production; 1990, undated |
216 | 3017-3018 | ||
box | folder | |||
Yesterday's Faces, Sam Hamill (editor); art, cover production; 1979 |
216 | 3019 | ||
Miscellaneous or unidentified materials |
||||
box | folder | |||
Miscellaneous Copper Canyon Press promotions, advertising, announcements; 1979-1985, undated |
217 | 3020-3021 | ||
"An Evening of Poetry with Carolyn Kizer and Lucille Clifton," paste-up and pamphlet, 1993 |
217 | 3022 | ||
Copper Canyon Press logo, unidentified project, undated |
217 | 3023 | ||
Unidentified or multiple projects, production materials, undated |
217 | 3024 | ||
Cover production, multiple projects, undated |
217 | 3025 | ||
Mechanical drawings and paste-ups, multiple projects, undated |
217 | 3026 | ||
Cover proofs, multiple projects, undated |
217 | 3027 | ||
Logos, paste-ups, miscellaneous; multiple projects; undated |
217 | 3028 | ||
Advertising and promotion, multiple projects; undated |
217 | 3029 | ||
Production materials, multiple or unidentified projects; undated |
218 | 3030-3034 | ||
"Portfolio 1984" production materials; other unidentified materials; circa 1984, undated |
219 | 3035 | ||
Art, unidentified projects, undated |
219 | 3036 | ||
Production materials, unidentified projects, undated |
219 | 3037-3044 | ||
Course materials, Pacific Lutheran University, Tree Swenson, 1982 |
219 | 3045 | ||
Workshop and lecture materials, Tree Swenson, undated |
219 | 3046 | ||
News clippings, Copper Canyon Press, 1992 |
219 | 3047 | ||
Sam Hamill, Governor's Writers' Day Award certificate, 1990 |
219 | 3048 | ||
Subseries 4.3: Book and production files, Oversize 3 (location: map case) |
||||
box | folder | |||
Armored Hearts: Selected and New Poems, David Bottoms; production materials; 1995 |
219 | 3049 | ||
The Book of Light, Lucille Clifton; promotional poster; undated |
219 | 3050 | ||
Carrying Over, Carolyn Kizer; promotional poster; undated |
219 | 3051 | ||
Collected Longer Poems, Hayden Carruth; dust jacket production; undated |
219 | 3052 | ||
Collected Longer Poems, Hayden Carruth; dust jacket and cover production; undated |
219 | 3053-3055 | ||
Collected Songs of Cold Mountain, Red Pine (translator); production materials; undated |
219 | 3056 | ||
The Country Between Us, Carolyn Forche; galley proofs; undated |
219 | 3057 | ||
Damages, Elaine Terranova; promotional poster; 1995 |
219 | 3058 | ||
Iris of Creation, Marvin Bell; dust jacket production; 1990 |
219 | 3060 | ||
The Landlady in Bangkok, Karen Swenson; cover production; undated |
219 | 3061 | ||
Letter to an Imaginary Friend, Thomas McGrath; cover production; undated |
219 | 3062 | ||
Like Underground Water, Naoshi Koriyama, Edward Lueders (translators); cover production; undated |
219 | 3063-3064 | ||
Night Works: Poems 1962 to 2000 END(formerly Skulls-Skulls), Marvin Bell; dust jacket production; undated |
219 | 3065-3066 | ||
The Nootka Rose, Sam Hamill; camera-ready copy; circa 1986 |
219 | 3067 | ||
The Owl of Minerva, James Laughlin; cover production; 1987 |
219 | 3068 | ||
Pawtracks, Tim McNulty; production; circa 1978 |
219 | 3069 | ||
Poetry the Unsayable Said, Donald Hall; poster production and poster; undated |
219 | 3070-3071 | ||
Prune, Billy Mack Gammill; proofs; circa 1979 |
219 | 3072 | ||
The Red Dreams, Ken Gerner; cover production; undated |
219 | 3073 | ||
Scrambled Eggs and Whiskey, Hayden Carruth; promotional poster and dust jacket production; undated |
219 | 3074-3075 | ||
Thomas McGrath: Selected Poems 1938 - 1988; dust jacket and cover production; circa 1988 |
219 | 3076-3077 | ||
The Separate Rose, Pablo Neruda, William O'Daly (translator); dust jacket production; undated |
219 | 3078 | ||
Sometimes Like a Legend, William Stafford; galley; circa 1981 |
219 | 3079 | ||
A Suitable Church, Jim Heynen; production; undated |
219 | 3080 | ||
Three Version of Ikkyu, Stephen Berg; promotional poster; undated |
219 | 3081 | ||
Unremembered Country, Susan Griffin; cover blues; undated |
219 | 3082 | ||
Miscellaneous unidentified plates and negatives, undated |
219 | 3083 | ||
|
||||
Series 5: Manuscript submissions and author queries; 1981-2002, undatedConsists of requests for publication and submissions (primarily unsolicited) for consideration by the press. |
||||
box | folder | |||
Publishing request log, 1989-1998 |
220 | 3084-3085 | ||
Author queries and submissions |
||||
box | folder | |||
1981-1984 |
220 | 3086-3097 | ||
1985 |
220 | 3098-3104 | ||
1986 |
220 | 3105-3111 | ||
1987 |
220 | 3112-3116 | ||
1987 (continued) |
221 | 3117-3122 | ||
1988 |
221 | 3123-3134 | ||
1989 |
221 | 3135-3146 | ||
1989 (continued) |
222 | 3147-3149 | ||
1990 |
222 | 3150-3161.1 | ||
1990s |
222 | 3161.2-3161.4 | ||
1991 |
222 | 3162-3167 | ||
1992 |
222 | 3168-3171.1 | ||
1992-1993 |
222 | 3171.2 | ||
1992-1993 (continued) |
223 | 3171.3-3171.8 | ||
1993 |
223 | 3172-3177 | ||
1994 |
223 | 3178-3181 | ||
1995 |
223 | 3182-3188 | ||
1996 |
224 | 3189-3195 | ||
1997 |
224 | 3196-3204 | ||
1998 |
224 | 3205-3206 | ||
1998 (continued) |
225 | 3207-3216 | ||
1999 |
225 | 3217-3225 | ||
2000 |
225 | 3226-3227 | ||
2000 (continued) |
226 | 3228-3235 | ||
2001 |
226 | 3236-3241 | ||
2002 |
226 | 3242 | ||
Mixed or multiple dates, 1990-1999 |
226 | 3243-3251 | ||
Mixed or multiple dates, 1990-1999 (continued) |
227 | 3252 | ||
Undated |
227 | 3253-3297 | ||
Undated (continued) |
228 | 3298-3307 | ||
|
||||
Series 6: Grant, award and fundraising correspondence and supporting documentation, circa 1979-2001Consists of documents related to obtaining external funds for operation, and documents related to various award programs, both awards for CCP authors and award programs administered by CCP. |
||||
Hayden Carruth Award for New and Emerging Poets, 1998-2000 |
||||
box | folder | |||
Entry form requests, 1998 |
228 | 3308 | ||
Entry forms, 1998 |
228 | 3309-3318 | ||
Withdrawals, 1998-1999 |
228 | 3319 | ||
Finalists, 1999 |
228 | 3320 | ||
Query letters, 1999-2000 |
228 | 3321 | ||
Entry forms, 1999 |
228 | 3322-3329 | ||
Withdrawals, 1999-2000 |
228 | 3330 | ||
Finalists, 1999-2000 |
228 | 3331 | ||
Finalists, 1999-2000 (continued) |
229 | 3332-3335 | ||
Manuscripts, undated |
229 | 3336-3339 | ||
Award correspondence (by author) |
||||
box | folder | |||
Heather Allen, 1996-1997 |
229 | 3340 | ||
Joshua Beckman, 1998-1999 |
229 | 3341 | ||
Erin Belieu, 1995-1999 |
229 | 3342 | ||
John Berry, 1996 |
229 | 3343 | ||
David Bottoms, 1995 |
229 | 3344 | ||
Olga Broumas, 1999 |
229 | 3345 | ||
Hayden Carruth, 1996 |
229 | 3346 | ||
Thomas Centolella, 1995 |
229 | 3347 | ||
James Galvin, 1995 |
229 | 3348 | ||
James Harrison, 1999 |
229 | 3349 | ||
Shirley Kaufman, 1996 |
229 | 3350 | ||
Carolyn Kizer, 1996-1999 |
229 | 3351 | ||
David Lee, 1995 |
229 | 3352 | ||
Sung-Il Lee, 1988 |
229 | 3353 | ||
Timothy Liu, 1995-1999 |
229 | 3354 | ||
Jane Miller, 1996-1998 |
229 | 3355 | ||
Carl Sandburg Literary Awards, 1995 |
229 | 3356 | ||
Joseph Stroud, 1999 |
229 | 3357 | ||
Anna Swir, 1995-1997 |
229 | 3358 | ||
Arthur Sze, 1995-1999 |
229 | 3359 | ||
Elaine Terranova, 1995-1997 |
229 | 3360 | ||
Emily Warn, 1996 |
229 | 3361 | ||
Gail Wronsky, circa 1998 |
229 | 3362 | ||
box | folder | |||
Grant applications, through 1983 |
229 | 3363 | ||
National Endowment for the Arts (NEA) |
||||
box | folder | |||
1986-1987 |
229 | 3364 | ||
1987-1988 |
229 | 3365-3366 | ||
1988-1989 |
229 | 3367-3368 | ||
1989-1990 |
229 | 3369-3370 | ||
1990-1991 |
229 | 3371-3373 | ||
1991-1992 |
229 | 3374-3377.1 | ||
1992-1993 |
229 | 3378-3380 | ||
1993-1994 |
229 | 3381-3384 | ||
1994-1995 |
229 | 3385-3387 | ||
1996 |
229 | 3388 | ||
1996-1997 |
229 | 3389-3391 | ||
1997 |
229 | 3392 | ||
1997-1998 |
229 | 3393-3394 | ||
1998 |
229 | 3395-3399 | ||
2000 |
230 | 3400-3401 | ||
NEA Advancement |
||||
box | folder | |||
1992 |
230 | 3402-3403 | ||
1993 |
230 | 3404-3407 | ||
1994 |
230 | 3408-3409 | ||
1996 |
230 | 3410 | ||
Undated |
230 | 3411 | ||
box | folder | |||
NEA Small Press grants, 1993-1996 |
230 | 3412-3414 | ||
NEA Small Press grants, 1991-1994 |
230 | 3415 | ||
Wallace, 1991 |
230 | 3415 | ||
Lannan, 1992 |
230 | 3415 | ||
NEA, CCP fundraisers, 1993-1998 |
230 | 3416 | ||
NEA, festival creation and presentation, 1998 |
230 | 3417 | ||
NEA, WSAA, other arts alliances, 1994-1995 |
230 | 3418 | ||
New York, CCP 25th anniversary readings, 1996 |
230 | 3419 | ||
Bill O'Daly correspondence, 1995 |
230 | 3420 | ||
Poet Laureate award, 1991-1992 |
230 | 3421-3422 | ||
CCP Read and Feed Barbecue and Poetry, 1996 |
230 | 3423 | ||
Seattle Art Museum reading, 1995 |
230 | 3424 | ||
Small Press Loan Fund, 1992-1996 |
230 | 3425 | ||
Stevens Group, 1992-1997 |
230 | 3426-3428 | ||
Arthur Sze, 1995 |
230 | 3429 | ||
Lila Wallace |
||||
box | folder | |||
1991 |
230 | 3430 | ||
Application, 1992 |
230 | 3431 | ||
Expenses, 1993-1994 |
230 | 3432 | ||
Financial information, 1993-1994 |
230 | 3433 | ||
Final report, 1994 |
230 | 3434-3435 | ||
Reports and summary, 1994, 1996-1998 |
230 | 3436 | ||
Marketing development program, 1995-1997 |
230 | 3437 | ||
Marketing plan, 1992-1994 |
230 | 3438 | ||
Phase II; 1990, 1992-1994 |
230 | 3439 | ||
Evaluation report, 1994 |
230 | 3440 | ||
Evaluation report, 1997-1998 |
230 | 3441 | ||
1992-1993 |
230 | 3442 | ||
Survey, undated |
230 | 3443 | ||
Press releases, 1993 |
230 | 3444 | ||
Marketing trip, 1993 |
230 | 3445 | ||
Poster, 1993 |
230 | 3446 | ||
1993 |
230 | 3447-3449 | ||
Author correspondence, 1994 |
230 | 3450 | ||
20th anniversary celebration, 1993 |
230 | 3451 | ||
Yearly report, 1993 |
231 | 3452 | ||
Evaluation report, 1994-1995 |
231 | 3453-3454 | ||
Final report, 1996 |
231 | 3455 | ||
Essay, 1994 |
231 | 3456 | ||
Projects, 1996 |
231 | 3457 | ||
Poetry pamphlet correspondence, 1994 |
231 | 3458 | ||
Advertising, 1992-1995 |
231 | 3459 | ||
Trip, San Francisco, Denver; 1994 |
231 | 3460 | ||
Marketing trip, Philadelphia, Washington, D.C.; 1994 |
231 | 3461 | ||
Press clippings, reviews; undated |
231 | 3462 | ||
Bookstores, undated |
231 | 3463 | ||
Non-traditional events, 1995-1996 |
231 | 3464 | ||
Mary Bisbee correspondence, 1996 |
231 | 3465 | ||
Quarterly reports, 1993 |
231 | 3466 | ||
Budget notes, undated |
231 | 3467 | ||
Marketing plan and working notes, 1992-1995 |
231 | 3468 | ||
Poetry reading group flyers, 1994 |
231 | 3469 | ||
Proposal draft, 1998 |
231 | 3470 | ||
Sales, circa 1993 |
231 | 3471 | ||
Council of Literary Magazines and Presses, Wallace Award announcement, 1992 |
231 | 3472 | ||
box | folder | |||
Award submissions, through 1990 |
231 | 3473 | ||
Award submissions, 1991-1992 |
231 | 3474 | ||
Award submissions, 1993-1994 |
231 | 3475 | ||
Awards news, 1997 |
231 | 3476 | ||
Academy of American Poets, 1985-1998 |
231 | 3477 | ||
American Institute of Graphic Arts, Fifty Books competition; 1993, 1999 |
231 | 3478 | ||
American Literary Translators Association, 1985-1999 |
231 | 3479 | ||
Anisfield Wolf Book Awards, 1996-1999 |
231 | 3480 | ||
Association for Asian American Studies, 1995 |
231 | 3481 | ||
Poetry contests (Hayden Carruth, Kathryn A. Morton), 1998 |
231 | 3482 | ||
CCP awards, 1986-1999 |
231 | 3483 | ||
CCP awards, 1988 |
231 | 3484 | ||
Bay Area Book Reviewers Association, 1995-1999 |
231 | 3485 | ||
Rebekah Johnson Bobbitt National Prize for Poetry, 1994-1996 |
231 | 3486 | ||
Boston Globe/Winship, 1988-1998 |
231 | 3487 | ||
Centrum Foundation, circa 1976 |
231 | 3488 | ||
Commonwealth Club of California Book Awards, 1987-1998 |
231 | 3489 | ||
"ForeWord," 1998 |
231 | 3490 | ||
Fund for Culture/Mexico, 1992-1994 |
231 | 3491 | ||
Great Lakes Colleges Association New Writers Award, 1986-1999 |
231 | 3492 | ||
Hardison Prize, 2000 |
231 | 3493 | ||
Independent Publisher Book Awards, 1999 |
231 | 3494 | ||
Kingsley Tufts Poetry Awards, 1994-2000 |
231 | 3495 | ||
Kiriyama Pacific Rim Book Prize, 1996-1999 |
231 | 3496 | ||
Lambda Literary Awards, 1993-1998 |
231 | 3497 | ||
Lannan, 1991-1994 |
231 | 3498-3501 | ||
Lannan, 1991-1999 |
232 | 3502-3506 | ||
Los Angeles Times Book Prizes, 1994-1999 |
232 | 3507 | ||
Marshall/Nation Prize, 1989 |
232 | 3508 | ||
Andrew Mellon Foundation, 1990-1996 |
232 | 3509-3512 | ||
Murray Morgan Prize, 1996 |
232 | 3513 | ||
National Book Awards, 1992-1999 |
232 | 3514 | ||
National Poetry Series, 1994 |
232 | 3515 | ||
Oregon Book Awards; 1987, 1999 |
232 | 3516 | ||
Paterson Poetry Prize, circa 1990s |
232 | 3517 | ||
PEN award, 1991-1999 |
232 | 3518 | ||
Phi Kappa Phi National Artist Award, 2001 |
232 | 3519 | ||
Poets Prize, Nicholas Roerich Museum, 1992-1999 |
232 | 3520 | ||
Poetry Center, San Francisco State University, 1999 |
232 | 3521 | ||
Poetry Society of America, 1988-1998 |
232 | 3522 | ||
Present Tense, 1989 |
232 | 3523 | ||
Pulitzer Prize, 1985-1999 |
232 | 3524 | ||
Pushcart Prize, undated |
232 | 3525 | ||
Rocky Mountain Book Publishers Association, 1998 |
232 | 3526 | ||
Miscellaneous awards, 1986-2000 |
232 | 3527 | ||
Washington State Arts Alliance, 1998 |
232 | 3528 | ||
Washington State Arts Commission, Governor's Arts and Heritage Awards, undated |
232 | 3529 | ||
Washington State Arts Commission |
||||
box | folder | |||
1983-1984 |
232 | 3530 | ||
1989-1990 |
232 | 3531 | ||
1990 |
232 | 3532 | ||
Final report, 1992 |
232 | 3533 | ||
1992 |
232 | 3534 | ||
Final report, 1993 |
232 | 3535 | ||
1993 |
232 | 3536 | ||
1994 |
232 | 3537 | ||
Grant application, 1994-1995 |
232 | 3538 | ||
Final report, 1994-1995 |
232 | 3539 | ||
Grant application, 1995-1996 |
232 | 3540 | ||
Professional development grant, 1995-1996 |
232 | 3541 | ||
Institutional support program, 1995-1997 |
232 | 3542 | ||
Institutional support grant, 1996 |
232 | 3543 | ||
Institutional support program, 1996-1999 |
232 | 3544 | ||
Final report, 1996 |
232 | 3545 | ||
WESTAF; 1993, 1995 |
232 | 3546 | ||
box | folder | |||
WESTAF, winners, 1998-2000 |
232 | 3547 | ||
WESTAF, undated |
232 | 3548 | ||
Weathertop Prize, 1999 |
232 | 3549 | ||
Poetry symposium submissions |
||||
box | folder | |||
1979 |
233 | 3550 | ||
1980 |
233 | 3551 | ||
1981 |
233 | 3552 | ||
|
||||
Series 7: Correspondence, 1973-2001 |
||||
box | folder | |||
Erin Belieu, 1995 |
233 | 3553 | ||
David Bottoms, 1995 |
233 | 3554 | ||
Robert Bringhurst, 1985-1989 |
233 | 3555 | ||
Olga Broumas, 1992 |
233 | 3556 | ||
Hayden Carruth, 1995 |
233 | 3557 | ||
Cyrus Cassells, 1995 |
233 | 3558 | ||
Michael Cuddihy, 1978-1980 |
233 | 3559 | ||
Madeline DeFrees, 1979-1986 |
233 | 3560 | ||
Galen Garwood, 1988 |
233 | 3561 | ||
Ken Gerner, 1979-1986 |
233 | 3562 | ||
Patricia Goedicke, 1984-1988 |
233 | 3563 | ||
Mark Halperin, 1981-1988 |
233 | 3564 | ||
Ken Hanson, 1976-1980 |
233 | 3565 | ||
Robert Hedin, 1978-1993 |
233 | 3566 | ||
Richard Jones, undated |
233 | 3567 | ||
Jean Joubert, 1988 |
233 | 3568 | ||
Shirley Kaufman, 1993-1995 |
233 | 3569 | ||
Stephen Kessler and Vincent Alexandre, 1984-1985 |
233 | 3570 | ||
Carolyn Kizer, 1996-1997 |
233 | 3571 | ||
John Lane, 1979-1985 |
233 | 3572 | ||
J. Laughlin, 1987 |
233 | 3573 | ||
David Lee, 1981-1985 |
233 | 3574 | ||
David Lee, circa 1987 |
233 | 3575 | ||
David Lee, 1995 |
233 | 3576 | ||
Denise Levertov, 1979 |
233 | 3577 | ||
Thomas McGrath, 1981-1989 |
233 | 3578 | ||
Jane Miller, 1987-1991 |
233 | 3579 | ||
Frank Mitsui, 1973 |
233 | 3580 | ||
Pablo Neruda, 1982-1993 |
233 | 3581 | ||
James Nolan, Pablo Neruda; 1987-1989 |
233 | 3582 | ||
William O'Daly, 1985-1986 |
233 | 3583 | ||
Bill Porter (Red Pine), 1983 |
233 | 3584 | ||
Bill Ransom, Walking the Whitman Mission (chapbook), undated |
233 | 3585 | ||
Richard Shelton, 1985-1986 |
233 | 3586 | ||
Maurya Simon, 1986-1989 |
233 | 3587 | ||
Bill Stafford, 1981-1984 |
233 | 3588 | ||
Kim Stafford, 1976-1986 |
233 | 3589 | ||
Nancy Steele, 1975-1979 |
233 | 3590 | ||
Review and desk copy requests |
||||
box | folder | |||
1980-1983 |
233 | 3591 | ||
1986-1989 |
233 | 3592 | ||
1988-1991 |
233 | 3593 | ||
1990-1992 |
233 | 3594 | ||
2000 |
233 | 3595 | ||
box | folder | |||
Copyright and permissions, 1991-1996 |
233 | 3596-3601 | ||
John Berry correspondence, 1988-1997 |
233 | 3602-3610 | ||
General and miscellaneous correspondence, 1973-1994 |
234 | 3611-3644 | ||
General and miscellaneous correspondence, 1985-1993 |
235 | 3646-3668 | ||
General and miscellaneous correspondence, 1988-1993 |
236 | 3669-3703 | ||
General and miscellaneous correspondence, 1992-2001 |
237 | 3704-3765 | ||
General and miscellaneous correspondence; 2000-2001; undated |
238 | 3766-3777.1 | ||
Tree Swenson files, 1973-1993 |
||||
box | folder | |||
Miscellaneous correspondence; 1978, undated |
238 | 3778 | ||
Correspondence, Swenson biographical information, miscellaneous; 1982-1990, undated |
238 | 3779 | ||
Correspondence, address book; 1992-1993 |
238 | 3780 | ||
Correspondence, 1993 |
238 | 3781 | ||
Article, 1979 |
238 | 3782 | ||
Carol Jane Bangs, 1980-1982 |
238 | 3783 | ||
Bringhurst; 1985-1988, undated |
238 | 3784 | ||
Olga Broumas, Perpetua, 1985 |
238 | 3785 | ||
Alcuin (miscellaneous correspondence), 1977-1990 |
238 | 3791-3793 | ||
1984 Writers Conference |
238 | 3794 | ||
Summer conferences; 1981-1983, undated |
238 | 3795 | ||
Dragon Gate, 1985-1986 |
238 | 3796 | ||
Graywolf Press (Jane Kenyon, "Constance"), 1993 |
238 | 3802 | ||
Japan, 1988 |
238 | 3803 | ||
Denise Levertov, 1979 |
238 | 3804 | ||
Miller reviews, 1986 |
238 | 3805 | ||
Bill Ransom poetry; 1982-1983, undated |
238 | 3806 | ||
Review copies and exchange; 1984, undated |
238 | 3807 | ||
Seluzicki, 1981-1985 |
238 | 3808 | ||
Spring Valley Press, undated |
238 | 3809 | ||
T (Turkey, Toothpaste, others), 1979-1989 |
238 | 3810 | ||
Ten Crow, 1980-1981 |
238 | 3811 | ||
Jane Yolen correspondence, 1981-1983 |
238 | 3812 | ||
Emily Warn, 1977-1986 |
238 | 3813 | ||
K. West, 1979-1985 |
238 | 3814 | ||
Miscellaneous, 1973-1992 |
238 | 3815-3823 | ||
Miscellaneous, 1973-1993 (continued) |
239 | 3824-3830 | ||
Vendor files, circa 1970s-1990s |
239 | 3831-3846 | ||
|
||||
Series 8: Sales, marketing, and promotion, 1973-2001 |
||||
box | folder | |||
Consortium, 1986-2001 |
239 | 3847-3858 | ||
Consortium, 1986-2001 (continued) |
240 | 3859-3881 | ||
Consortium, 1986-2001 (continued) |
241 | 3882-3920 | ||
Consortium, 1986-2001 (continued) |
242 | 3921-3967 | ||
Consortium, 1986-2001 (continued) |
243 | 3968-3994 | ||
Consortium, 1986-2001 (continued) |
244 | 3995-4010 | ||
Consortium, 1986-2001 (continued) |
245 | 4011-4026 | ||
Consortium, 1986-2001 (continued) |
246 | 4027-4038 | ||
Sales reports, 1987 |
246 | 4039 | ||
Sales reports, 1989 |
246 | 4040 | ||
Inventory, shipping and backorder reports, various distributors, 1988 |
246 | 4041-4046 | ||
Miscellaneous invoices, 1982-1984 |
246 | 4047 | ||
Before Columbus Foundation, 1978-1982 |
246 | 4048 | ||
Bookpeople, 1976-1997 |
246 | 4049-4053 | ||
Books and Books, undated |
246 | 4054 | ||
Bookslinger, 1982-1993 |
246 | 4055-4056 | ||
Canadian distribution, 1992-1993 |
246 | 4057 | ||
Distributor sales, 1997 |
246 | 4058 | ||
Foreign distribution, 1989-1995 |
246 | 4059 | ||
Granary, 1985-1989 |
246 | 4060 | ||
Imprint, 1979-1986 |
246 | 4061 | ||
Inland Book Co., 1982-1996 |
246 | 4062-4063 | ||
Inland Book Co., 1982-1996 (continued |
247 | 4064-4065 | ||
Bob Lyon, 1981-1986 |
247 | 4066 | ||
Monmouth Institute, 1986 |
247 | 4067 | ||
Lee Perron, 1986-1988 |
247 | 4068 | ||
Main Street Book Cafe, 1995 |
247 | 4069 | ||
Pacific Pipeline, 1985-1996 |
247 | 4070-4075 | ||
Publisher's monthly statement (Bookpeople), 1986-1987 |
247 | 4076 | ||
Purchase orders and catalog requests, 1986-1992 |
247 | 4077 | ||
Purchase orders |
||||
box | folder | |||
1973-1976 |
247 | 4078-4079 | ||
1976-1977 |
247 | 4080-4081 | ||
1977 |
247 | 4082 | ||
1978 |
247 | 4083-4086 | ||
1979 |
247 | 4087-4088 | ||
1980 |
247 | 4089 | ||
1980 |
247 | 4090 | ||
1981 |
248 | 4091-4092 | ||
1981-1982 |
248 | 4093 | ||
1981-1984 |
248 | 4094 | ||
1982 |
248 | 4095 | ||
1983 |
248 | 4096-4098 | ||
1984 |
248 | 4099-4101 | ||
1984-1985 |
248 | 4102-4104 | ||
1985 |
248 | 4105-4106 | ||
1985-1986 |
248 | 4107 | ||
1986 |
248 | 4108-4109 | ||
1986 (continued) |
249 | 4110-4111 | ||
1987 |
249 | 4112 | ||
1987-1988 |
249 | 4113-4114 | ||
box | folder | |||
Sales kit poems, 1991 |
249 | 4115 | ||
Comps and exchanges, 1990-1993 |
249 | 4116 | ||
Returns, 1983-1992 |
249 | 4117-4118 | ||
In-house sales, 1986-1992 |
249 | 4119-4120 | ||
In-house sales, 1988-1992 |
249 | 4121 | ||
In-house sales, 1990 |
249 | 4122-4123 | ||
In-house sales, 1991-1993 |
249 | 4124-4126 | ||
In-house sales, 1993-1994 |
249 | 4127-4128 | ||
In-house sales, 1994 |
249 | 4129 | ||
In-house sales, circa 1995 |
249 | 4130 | ||
In-house sales, 1994-1995 |
249 | 4131 | ||
Books requested, 1991 |
249 | 4132 | ||
Order forms, book requests; 1993-1994 |
249 | 4133 | ||
Requests for Hall, Poetry: the Unsayable Said. 1995 |
249 | 4134-4135 | ||
Subscription ledger for Copperhead, 1975-1978 |
249 | 4136 | ||
Mailing lists; 1982, 1983, undated |
249 | 4137 | ||
CCP mailing list, October 1986 |
250 | 4138 | ||
Mailing lists, 1992 |
250 | 4139 | ||
Mailing lists, undated |
250 | 4140-4142 | ||
Orders shipped, 1999 |
250 | 4143 | ||
Special accounts, 1988-1996 |
250 | 4144 | ||
Sales records (weekly), 1982-1986 |
250 | 4145 | ||
Sales lists, 1986-1987 |
250 | 4146 | ||
Invoices, correspondence; 1981-1982 |
250 | 4147 | ||
Sales correspondence, 1979-1983 |
250 | 4148-4149 | ||
Shaman Drum Bookshop, circa 1995 |
250 | 4150 | ||
Small Press Distribution, 1987-1996 |
250 | 4151-4154 | ||
Small Press Traffic Bookstore, 1977-1984 |
250 | 4155 | ||
Standing orders, circa 1980-1990 |
250 | 4156 | ||
Warn, 1982-1985 |
250 | 4157 | ||
Publisher's monthly statement, 1986-1987 |
250 | 4158 | ||
Advertising |
||||
box | folder | |||
Newspapers, 1995-1996 |
250 | 4159 | ||
Ad clippings, 1996 |
250 | 4160 | ||
Agreements, specifications; 1996 |
250 | 4161 | ||
Non-current, circa 1980s |
250 | 4162 | ||
Ad clippings, 1982-1986 |
250 | 4163 | ||
Ad clippings and mechanicals, 1984-1985 |
250 | 4164 | ||
Ad clippings, 1987 |
250 | 4165 | ||
Ad clippings, 1988 |
250 | 4166 | ||
Ad clippings, 1989-1990 |
250 | 4167 | ||
Superstore information, 1992 |
250 | 4168 | ||
Contracts and miscellaneous, 1990s |
250 | 4169-4170 | ||
Ad clippings, 1990 |
251 | 4171 | ||
Ad clippings, 1991 |
251 | 4172 | ||
Ad clippings, 1992 |
251 | 4173 | ||
1992-1993 |
251 | 4174 | ||
1993 |
251 | 4175 | ||
Galleys, newsletters, news articles; circa 1996-1999 |
251 | 4176 | ||
Ad draft, 1997 |
251 | 4177 | ||
Ad clippings, 1997 |
251 | 4178 | ||
Ad mechanicals and diskettes, 1998 |
251 | 4179 | ||
Hamill quotes and CCP ad, "Rain Taxi," 1999 |
251 | 4180 | ||
Rate cards and miscellaneous, 1985-1998 |
251 | 4181-4182 | ||
box | folder | |||
Book promotion packets, undated |
251 | 4183 | ||
Promotional cards, undated |
251 | 4184 | ||
Promotional materials, undated |
251 | 4185 | ||
Promotion: CCP by season tip sheets, advance book information, production schedule; 1988-1995 |
251 | 4186 | ||
Promotion: academia, 1993-1996 |
251 | 4187 | ||
Promotion: Bay Area, circa 1991 |
251 | 4188 | ||
Promotion: BOA Editions and CCP joint presentation to Barnes and Noble, circa 1998 |
251 | 4189 | ||
Advertising, 1993 |
251 | 4190 | ||
CCP ads and literary mentions, 1994 |
251 | 4191 | ||
Lila Wallace advertising, 1994 |
251 | 4192 | ||
Ad clippings, 1995 |
251 | 4193 | ||
Advertisement confirmation, 1995 |
251 | 4194 | ||
Advertising, 1995 |
251 | 4195 | ||
Inland, 1995 |
251 | 4196 | ||
Promotion, 1980-1985 |
251 | 4197 | ||
Promotion and miscellaneous, circa 1982-1990 |
251 | 4198 | ||
Promotion, 1984-1993 |
251 | 4199 | ||
Promotion, 1985-1995 |
251 | 4200 | ||
Publicity, news clippings; 1986-1987 |
251 | 4201 | ||
Seattle Times article, 1987 |
251 | 4202 | ||
Promotion packages, 1987-1993; press releases, 1992-1993 |
251 | 4203-4206 | ||
Promotion, 1988 |
251 | 4207 | ||
Promotion and miscellaneous; 1988-1992, undated |
251 | 4208 | ||
Local publicity 1993 |
251 | 4209 | ||
Promotion: poem mark-ups, 1993 |
252 | 4210 | ||
Printed announcements and miscellaneous, undated |
252 | 4211-4213 | ||
Centrum and McGrath; 1988, 1993 |
252 | 4214 | ||
Promotional and news releases, 1989 |
252 | 4215 | ||
Promotion, 1989 |
252 | 4216 | ||
Press releases and promotion, 1990-1991 |
252 | 4217 | ||
Promotion, 1991 |
252 | 4218 | ||
Promotion, undated |
252 | 4219 | ||
Promotion, 1993 |
252 | 4220 | ||
Promotion, 1993 |
253 | 4221 | ||
Publicity statements, undated |
253 | 4222 | ||
CCP new reads and notes, undated |
253 | 4223 | ||
Bookstore addresses and promotion, undated |
253 | 4224 | ||
Distributor news, 1987-1991 |
253 | 4225 | ||
Marketing to libraries, 1987 |
253 | 4226 | ||
MLA mailing list information, 1997 |
253 | 4227 | ||
Waterstone's Booksellers, 1995 |
253 | 4228 | ||
Marketing, 1990 |
253 | 4229 | ||
Council of Literary Magazines and Presses, Literary Publishers Marketing Development program, 1992 |
253 | 4230-4231 | ||
Promotion and marketing: conferences, exhibits, fairs |
||||
box | folder | |||
ABA, 1991-1997 |
253 | 4232-4239 | ||
American Library Association, 1998 |
253 | 4240 | ||
Associated Writing Programs conference, 2001 |
253 | 4241 | ||
Book Expo America, 1997-1999 |
253 | 4242-4244 | ||
Book fairs, 1990-1997 |
253 | 4245 | ||
Bumbershoot, 1990-1997 |
253 | 4246-4254 | ||
Displays and exhibits, 1984-1993 |
253 | 4255-4259 | ||
Mountain Writers Series, 1994 |
253 | 4260 | ||
Poets House, 1993 |
253 | 4261 | ||
Poets House, 1994 |
253 | 4262 | ||
Poets House, 2000 |
253 | 4263 | ||
box | folder | |||
Promotion and marketing: readings and events, 1980-1999 |
253 | 4264-4278 | ||
Promotion and marketing: readings and events, 1980-1999 (continued) |
254 | 4279-4281 | ||
Author information and reviews |
||||
box | folder | |||
Olga Broumas CD research, undated |
254 | 4282 | ||
Gui, 1999 |
254 | 4283 | ||
Susan Griffith, undated |
254 | 4284 | ||
John Haines press release, 1997 |
254 | 4285 | ||
Mark Halperin, undated |
254 | 4286 | ||
Sam Hamill, 1973-2000 |
254 | 4287-4290 | ||
Carolyn Kizer, 1997 |
254 | 4291 | ||
David Lee, 1990 |
254 | 4292 | ||
Pablo Neruda; 1991, 2000 |
254 | 4293 | ||
Kenneth Rexroth, undated |
254 | 4294 | ||
CCP author photographs, undated |
254 | 4295 | ||
Author information (multiple authors), 2000 |
254 | 4296 | ||
Author interviews (multiple authors), undated |
254 | 4297 | ||
Book abstracts and quotes, undated |
254 | 4298 | ||
Author questionnaire, undated |
254 | 4299 | ||
Reviews, 1978-2000 |
254 | 4300-4329 | ||
|
||||
Series 9: Corporate and administrative records, 1973-2001 |
||||
box | folder | |||
Accounts receivable and receipts (primarily invoices), 1978-1998 |
255 | 4330-4356 | ||
Accounts receivable and receipts (primarily invoices), 1978-1998 (continued) |
256 | 4357-4370 | ||
Accounts payable and disbursements, 1973-1999 |
256 | 4371-4412 | ||
Accounts payable and disbursements, 1973-1999 (continued) |
257 | 4413-4467 | ||
Accounts payable and disbursements, 1973-1999 (continued) |
258 | 4468-4529 | ||
Accounts payable and disbursements, 1973-1999 (continued) |
259 | 4530-4572 | ||
Accounts payable and disbursements, 1973-1999 (continued) |
260 | 4573-4596 | ||
Accounts payable and disbursements, 1973-1999 (continued) |
261 | 4597-4614 | ||
Accounts payable and disbursements, 1973-1999 (continued) |
262 | 4615-4635 | ||
Royalty reports, 1992-1995 |
262 | 4636-4637 | ||
Financial and accounting documents: worksheets, ledgers, journals, statements, check stubs, etc.; 1973-1999 |
262 | 4638-4649 | ||
Financial and accounting documents: worksheets, ledgers, journals, statements, check stubs, etc.; 1973-1999 (continued) |
263 | 4650-4696 | ||
Financial and accounting documents: worksheets, ledgers, journals, statements, check stubs, etc.; 1973-1999 (continued) |
264 | 4697-4703 | ||
Corporate, board, and planning records |
||||
box | folder | |||
Annual meeting agenda and planning documents, 1991 |
264 | 4704 | ||
Articles of incorporation; 1990, undated |
264 | 4705-4706 | ||
Bylaws, 1990 |
264 | 4707 | ||
Board of directors insurance, 1992-1993 |
264 | 4708 | ||
Board agenda and minutes, 1994 |
264 | 4709 | ||
Board minutes, 1994-1999 |
264 | 4710 | ||
Board of directors minutes and miscellaneous, 1993-1998 |
264 | 4711-4725 | ||
List of directors and trustees of Washington State foundations (funding sources), 1995 |
264 | 4726 | ||
Personnel policy, 1994 |
264 | 4727 | ||
Organizational history, undated |
264 | 4728 | ||
Marketing plan, 1993-1994 |
264 | 4729 | ||
Job descriptions, undated |
264 | 4730 | ||
Health insurance, undated |
264 | 4731 | ||
Fundraising, undated |
264 | 4732 | ||
Job descriptions, personnel policies; undated |
264 | 4733 | ||
Internal business (miscellaneous), circa 1996 |
264 | 4734 | ||
Sales meeting notes, undated |
264 | 4735 | ||
Budget statements, 1993-1999 |
264 | 4736 | ||
Budget review, 2000-2001 |
264 | 4737 | ||
Budget information, 1996-1998 |
264 | 4738 | ||
Budget, production and operation, 1999-2001 |
264 | 4739 | ||
Office calendar, 2000 |
264 | 4740 | ||
CCP web site planning and miscellaneous, 1997-2000 |
264 | 4741-4742 | ||
Long-range plan, 1993-1996 |
264 | 4743 | ||
Business plan draft, 2000 |
264 | 4744 | ||
Editorial meeting minutes, 2000-2001 |
264 | 4745 | ||
Miscellaneous notes, undated |
264 | 4746-4747 | ||
Staff meeting minutes, miscellaneous; 1995, 1998 |
264 | 4748 | ||
Marketing committee, 1997 |
264 | 4749 | ||
Long-range plan, 1993-1996 |
264 | 4750 | ||
Long-range planning process, 1996 |
264 | 4751 | ||
Staff meeting and long-range goals notes, undated |
264 | 4752 | ||
Production: Microsoft project proposal, undated |
264 | 4753 | ||
box | folder | |||
Miscellaneous office records; 1994-1998, undated |
265 | 4754-4761 | ||
Manuscript checklists: production, marketing; 1994 |
265 | 4762 | ||
Production schedule; 1988, 1990 |
265 | 4763-4765 | ||
Production and publication schedules, 1984-2000 |
265 | 4766-4772 | ||
Spring titles, 1992 |
265 | 4773 | ||
Inventory records, 1988-1999 |
265 | 4774-4784 | ||
Miscellaneous or unidentified; 1994-2000, undated |
265 | 4785-4799 | ||
ISBN, barcode, and bibliographic information forms; undated |
265 | 4800-4803 | ||
Title data, 1983-1993 |
266 | 4804 | ||
CCP style guide, 1999 |
266 | 4805 | ||
Highlights, 1995 |
266 | 4806 | ||
Series 10: Miscellaneous materials and photographs; 1981-2000, undated |
||||
box | folder | |||
Miscellaneous (catalogs, non-CCP promotional materials, event, program, and conference announcements, newsletters, etc.); 1981-2000, undated |
266 | 4807-4835 | ||
Miscellaneous (catalogs; non-CCP promotional materials; event, program, and conference announcements; newsletters; clippings; poems, etc.); 1981-2000, undated (continued) |
267 | 4836-4853 | ||
Photographs, undated |
267 | 4854-4855 | ||
|
||||