Manuscripts, Archives, and Special Collections, Washington State University Libraries
William E. Brandt Papers
Cage 584
Table of Contents
- Summary Information
- Biographical/Historical note
- Scope and Contents note
- Administrative Information
- Controlled Access Headings
- Index of Compositions in Opus Number Order
- Collection Inventory
- Music Manuscripts
- Correspondence and Reference Material
- Writings and Ephemera
- Photographs and Drawings
- Phonograph Records
Summary Information
- Repository
- Manuscripts, Archives, and Special Collections, Washington State University Libraries
- Title
- William E. Brandt Papers
- ID
- Cage 584
- Date [inclusive]
- 1872-1995
- Extent
- 16.0 Linear feet
- Language
- English
- Abstract
- The William Brandt Papers consist chiefly of music manuscripts. The collection also includes correspondence, audio recordings, printed materials, photographs and miscellaneous items.
Biographical/Historical note
William Edward Brandt was born in Butte, Montana, in 1920. Shortly thereafter, his family moved to Spokane, Washington. He began endeavoring to compose music as early as fourteen, teaching himself enough to write rudimentary compositions during the period between high school and his second year of college (1934-1939). Brandt began attending the State College of Washington in 1939, majoring in chemistry, but composing music for the classes in Modern Dance taught by Norma Anderson. Brandt began almost four years of military service in the U.S. Army in 1942. Travel associated with his army enlistment allowed him to attend recitals and concerts around the country, including stops in Minneapolis-St. Paul, New York, Philadelphia, and San Francisco, where he attended concerts and recitals. He worked for three years as a librarian of classified materials at the Dugway Proving Ground in Utah, a position that gave Brandt time on weekends to continue his work with composition, with a strong emphasis on counterpoint and form. In Utah, he also met the late well-known illustrator Edward Gorey, with whom he maintained a friendship.
In 1945, Brandt met and married Jane Quire (also from Spokane), who for a brief time had attended the famous Eastman School of Music at the University of Rochester in New York. Their son, Roger Frederick, was born in May of 1946. Jane Quire encouraged Brandt to apply to Eastman on a so-called "challenge" basis, which he did successfully with a composition titled "Night." After he was discharged from the Army in 1946, Jane encouraged him to apply for serious study in music at the Eastman School of Music of the University of Rochester, New York, which she had attended briefly. He applied to their Graduate School on a "challenge" basis, submitting a work for large orchestra, chorus and vocal soloists based on Robinson Jeffers' poem "Night" as evidence of his abilities. He was admitted and studied orchestration and composition with Bernard Rogers and Howard Hanson from 1946-1950. His successes at Eastman began with a reading of the "Poe Ballet" at the 1947 Symposium, and with other readings at subsequent Eastman Symposia.
During the Eastman years, Brandt's compositional style (as he writes in unpublished biographical notes quoted throughout this synoptic sketch) became more "reasoned and modal" and less rooted in "romantic chromaticism" and "tonality." Though contrapuntal, the writing was less dissonant, featuring compositions more "unified in harmonic and melodic" schemes. The orchestral "King Lear Suite" and the "Third String Quartet," examples of Brandt's Eastman style, were chosen by Howard Hanson to be performed at the American Composers Festival Concerts in Rochester and in Toronto, respectively. Brandt obtained his Master of Music degree in 1948 and his Ph.D. in 1950.
From 1950 to 1956, Brandt sought permanent employment in his field. He and Jane Quire divorced. He taught music in Seattle for a time, giving piano classes under the auspices of the Hopper-Kelly Music Company. During the course of his work, he met soprano Janet Steinke. They were married in 1953 and had two sons, David Evans Brandt (b. 1955) and Douglas Edward Brandt (b. 1960).
Brandt was a member of the musical faculty of Washington State University from 1956 to 1985, when he retired as full professor. From 1958 to 1983, he was also the choirmaster at St. James Episcopal Church in Pullman, Washington. During this period Brandt's secular compositional style became increasingly "chromatic, building on the previous contrapuntal style" and evolved into the twelve-tone serial technique. The variety of choral music he composed for the church, by contrast, was written in a tonally nonfunctional triadic style "in order to effect some sort of compromise between desirable æmodernity' and the limitations of the choir, the tastes of the congregation, and the composer's own somewhat conservative ideas about church music... ." Brandt published The Way of Music in 1963, and issued a revised edition in 1968. He worked with music faculty at Indiana University to produce a unified course in music theory and history. Brandt was responsible for anthologies covering the Baroque, Classic and Romantic periods. Other authors produced the Medieval and Modern period anthologies as well as accompanying theory and sight-singing texts. Due to a change in the ownership of the publisher, only the anthologies were published. In the 1980s, Brandt wrote another unpublished text for use in his Washington State University Honors courses which dealt with how various arts in the twentieth century reflected their historical contexts. Since retiring in 1985, his musical compositions have been composed in a "looser, not always dodecaphonic style, even plainly tonal when the purpose and the materials seem to require it." Brandt's "Toccata for Piano" was played in South America on a tour sponsored by the U.S. State Department.
Scope and Contents note
The William Brandt Papers consist chiefly of music manuscripts. Some of these compositions are fragments. The organizational arrangement has been imposed by the archivist, and consists of two series: Series 1, Music Manuscripts 1934 -1993, includes Subseries 1.1, Non-Oversize Manuscripts, and Subseries 1.2, Oversize Manuscripts, both arranged in alphabetical order by composition title. (In cases where a composition has been produced and/or reproduced in both size formats, those folders of material have all been placed with oversize manuscripts.) Series 2, Correspondence and Reference Material 1946-1995, includes Subseries 2.1 Correspondence, and Subseries 2.2, Reference Material. The correspondence is arranged chronologically by date but has been left in its original internal order. Series 3, Writings and Ephemera 1872-1993, includes programs, publicity, reviews, lectures, talks, published articles, introductions, miscellaneous materials and diplomas and certificates. Series 4, Photographs and Drawings 1942-1993, includes both black and white and color performance stills and personal photographs. Series 5, Phonograph Records, circa 1940s, contains six 78 RPM demonstration recordings.
The descriptive information in Series 1 is standardized according to the classification of musical compositions employed by Arthur Cohn in Recorded Classical Music: A Critical Guide to Compositions and Performances (Schirmer Books, 1981), xi-xii. An index following the descriptive inventory lists Brandt's music compositions in opus number order with corresponding folder number.
Administrative Information
Publication Information
Manuscripts, Archives, and Special Collections, Washington State University Libraries © 2012
https://libraries.wsu.edu/mascTerrell Library
P.O. Box 645610
Pullman, WA, 99164-5610
509-335-6691
mascref@wsu.edu
Conditions Governing Access note
The collection is open and available for on-site research use.
Immediate Source of Acquisition note
William Brandt (Emeritus Professor of Music, Washington State University) donated his papers to Washington State University Libraries in 1987 (MS87-35) and 1990 (MS90-69).
Controlled Access Headings
Subject(s)
- Composers -- 20th century -- Archives.
- Music
- Washington State University -- Faculty -- Archives
Index of Compositions in Opus Number Order
Note: William Brandt did not always assign unique opus numbers to specific compositions, nor did he assign all compositions an opus number. Thus, to the group of compositions titled "Miscellaneous Piano Pieces" from the period 1934-1938, Brandt assigned opus numbers 1-7, though these are not listed here. Brandt also assigned individual opus numbers 1 through 7 to a later group of (seven) different compositions, which are listed in this index. "Miscellaneous Piano Pieces" may be found in Folder 89.
Name(s)
- Opus 1: 125
- Opus 11: 29-31, 107
- Opus 12: 66
- Opus 13: 29-31
- Opus 14: 158
- Opus 15: 29-31, 132
- Opus 16: 184-185
- Opus 17: 157
- Opus 18: 167
- Opus 19: 80
- Opus 2: 15
- Opus 20: 55-56
- Opus 21: 99
- Opus 22: 159
- Opus 23: 133
- Opus 24: 131
- Opus 26: 57
- Opus 27: 119-120
- Opus 28: 134
- Opus 29: 181-183
- Opus 3: 26
- Opus 30: 201-207
- Opus 31: 49
- Opus 33: 43
- Opus 34: 148
- Opus 35: 120
- Opus 36: 88
- Opus 37: 123
- Opus 38: 164
- Opus 39: 83
- Opus 4: 46
- Opus 40: 168-174
- Opus 41: 64
- Opus 42: 135
- Opus 44: 124
- Opus 45: 121
- Opus 46: 17-20
- Opus 47: 63
- Opus 48B: 40
- Opus 48D: 5
- Opus 48E: 53
- Opus 49A: 127
- Opus 49B: 128
- Opus 5: 198-200
- Opus 51: 38
- Opus 51A: 39
- Opus 53: 74
- Opus 54: 60
- Opus 55: 44-45
- Opus 56: 94
- Opus 57: 153
- Opus 58: 85
- Opus 59: 87
- Opus 6: 15
- Opus 60A: 68
- Opus 60D: 6
- Opus 60E: 7
- Opus 60F: 11
- Opus 61: 72
- Opus 62: 62
- Opus 63: 73
- Opus 64A: 25
- Opus 64B: 24
- Opus 65: 58
- Opus 66A: 106
- Opus 66B: 86
- Opus 66C: 34
- Opus 66D: 35
- Opus 67: 175-180
- Opus 68: 97
- Opus 69: 16
- Opus 7: 41-42
- Opus 70: 32
- Opus 71: 59
- Opus 72: 165
- Opus 73: 95
- Opus 74: 48
- Opus 75: 21
- Opus 76: 28
- Opus 79: 130.1-130.5
- Opus 9: 154
Collection Inventory
1 Music Manuscripts 1934-1993 |
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1.1 Non-Oversize Manuscripts |
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| Box-folder | ||||
|
Allegro molto e brilliante circa 1943 Scope and Contents noteInstrumentation: Two pianos Genre: Solo instruments Textual Format: Holograph |
1/1 | |||
|
Allegro molto for piano undated Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
1/2 | |||
|
American Rhapsody ("Let Not the Wind") 1941 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph and typescript text |
1/3 | |||
|
An Evening's Entertainment at an Elizabethan Manor House 1972 Scope and Contents noteInstrumentation: Violin, viola, cello, recorders, percussion, tourdian, harpsichord Genre: Chorus and orchestra Textual Format: Holograph and photocopies (complete and parts), script |
1/4 | |||
|
Antiphon (Psalm Response), Psalm 80, Op. 81A 1993 Scope and Contents noteInstrumentation: organ Genre: Voice with accompaniment Textual Format: Holograph |
1/4.1 | |||
|
Anthem: "Behold My Servant, " Op. 48D 1962 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph, multiple mimeographed complete copies |
1/5 | |||
|
Anthem: Psalm 19 & 34, Op. 60D 1981 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
1/6 | |||
|
Anthem: Psalm 62, "My Soul in Silence Waits, " Op. 60E 1980-1981 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Multiple complete photocopies |
1/7 | |||
|
Anthem: Psalm 67 undated Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph |
1/7.1 | |||
|
Anthem: Psalm 119, "Thy Word Shall Be a Lantern To My Feet, " Op. 119 1979 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
1/8 | |||
|
Anthem: Psalm 119 (121), "I Lift up My Eyes unto the Hills" 1961 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Multiple mimeographed complete copies |
1/9 | |||
|
Anthem: Psalm 145, "I Will Exalt You, O Lord" 1979 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
1/10 | |||
|
Anthem: Psalm 146, "Praise the Lord, O My Soul, " Op. 60F 1981 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
1/11 | |||
|
Anthem sketch for "Ps" setting undated Scope and Contents noteInstrumentation: Strings, piano (see Sketches for string/piano trio movements) Genre: Chorus with accompaniment Textual Format: Holograph |
1/12 | |||
|
Arrangements of Medieval, Renaissance and Early Baroque Music circa 1970s Scope and Contents noteSuite X, Banchetto Musicale; Sonata - Il Pomo d'oro; Chiome d'oro; O rosetta che rosetta; Ohimè dovè il mio ben; Dunque ha potutu in me; Ahi, sciocco mondo; Damigella tutta bella; Faulte d'argent; A guest' Olmo; Amarilli; Amor che deggio far; Damigella tutto bella; Sinforia - chorus- dance; Orteo - chorus - dance; Canzona La Maggia; Consort Accompaniment to "Amyntes with his Rhyllis Fair; Allemande - Brade; Gavotte; Rosasolis; Balletti; Ballet de la Royne; Bransle de la Royne; Elle Crainct Cela Instrumentation: Recorder, violin, vibraphone, piano, percussion, harpsichord, cello flute, krummhorn Genre: Voice with accompaniment Textual Format: Holograph and photocopies (complete and parts), program |
1/3 | |||
|
Ash Wednesday circa 1945 Scope and Contents noteInstrumentation: Speaker and string quartet Genre: Voice and instrumental ensemble Textual Format: Holograph |
1/14 | |||
|
"The Blind Man's Song," Op. 6 1945 Scope and Contents noteInstrumentation: Soprano, piano Genre: Voice with accompaniment Textual Format: Holograph |
2/15 | |||
|
Brevities for Piano, Op. 69 1982 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph, computer print-out, photocopies (complete and parts) |
2/16 | |||
|
Cantata for Christmas, Op. 46 1956 Scope and Contents noteInstrumentation: Orchestra Genre: Voice and orchestra Textual Format: Holograph, printed copies, Ozlid reproductions, multiple complete photocopies |
2/17-20 | |||
|
Cantata Mistica, Op. 75 1986 Scope and Contents noteInstrumentation: Chamber orchestra Genre: Voice and orchestra Textual Format: Holograph and multiple complete photocopies |
3/21 | |||
|
Caprice 1944 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
3/22 | |||
|
Caprice No. 2 1944 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
3/23 | |||
|
Carol: "Before the Paling of the Stars, " Op. 64B 1983 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
3/24 | |||
|
Carol: "Let us Gather Hand in Hand, " Op. 64A 1981 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and photocopy |
3/25 | |||
|
Chaconne, Op. 3 1941 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
3/26 | |||
|
Chaconne II undated Scope and Contents noteInstrumentation: Piano, trombone Genre: Instrumental unaccompanied Textual Format: Holograph |
3/27 | |||
|
Chamber Concerto I, II, III, Op. 76 1990 Scope and Contents noteInstrumentation: Woodwind quintet, harpsichord, percussion Genre: Instrumental Textual Format: Holograph and multiple computer print-outs |
3/28-28.4 | |||
|
Chamber Music, Collected Piano Quintet [1944], Op. 11, Four Poems [1944], Op. 13, String Quartet No. 1 [1946], Op. 15 1943-1946 Scope and Contents noteInstrumentation: Piano, string quartet; string quartet; string quartet Genre: String ensemble; speaking voice with accompaniment; string ensemble Textual Format: Ozlid reproductions |
4/29-31 | |||
|
Children's Pentecost Pageant, Op. 70 1985 Scope and Contents noteInstrumentation: Organ Genre: Chorus with accompaniment Textual Format: Holograph and photocopies (complete and parts), program |
5/32 | |||
|
Chorale Preludes 1948 Scope and Contents noteInstrumentation: Solo instrument Genre: Piano Textual Format: Holograph |
5/33 | |||
|
Chorales for Passion Sunday, Op. 66C 1959 Scope and Contents noteInstrumentation: Organ Genre: Chorus and orchestra Textual Format: Holograph and photocopies (complete and parts), mimeographed complete copy |
5/34 | |||
|
Christmas Introit, Op. 66D 1979 Scope and Contents noteInstrumentation: Brass quintet, organ Genre: Voice and instrumental ensemble Textual Format: Holograph and multiple complete photocopies |
5/35 | |||
|
Christmas Music 1982 Scope and Contents noteInstrumentation: Brass and organ Genre: Voice with instrumental ensemble Textual Format: Holograph, photocopies (complete and parts), program, readings |
5/36 | |||
|
Christmas Piece circa 1946-1947 Scope and Contents noteInstrumentation: Orchestra Genre: Choral works Textual Format: Holograph |
5/37 | |||
|
A Civil War Requiem, Op. 51, 51A 1959 Scope and Contents noteInstrumentation: Winds, percussion Genre: Voice and instrumental ensemble Textual Format: Holograph, Ozlid reproductions, printed copies, microfilm copies, multiple printed vocal scores |
5/38-39 | |||
|
Communion Anthem ("Cipher"), Op. 48B 1969 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and photocopies (complete and parts), published copy, Communion Anthem (Carol Stream, Illinois: Hope Publishing Company, 1974) |
6/40 | |||
|
Concertino for Piano & Chamber Orchestra, Op. 7 1941-1942 Scope and Contents noteInstrumentation: Piano and chamber orchestra Genre: Chamber ensemble Textual Format: Holograph and Ozlid reproductions |
6/41-42 | |||
|
Concerto for Piano & Orchestra, Op. 33 1951 Scope and Contents noteInstrumentation: Piano, orchestra Genre: Piano and orchestra Textual Format: Holograph |
6/43 | |||
|
Concerto for Piano and Small Orchestra, Op. 55 1967 Scope and Contents noteInstrumentation: Piano and orchestra Genre: Solo instrument and orchestra Textual Format: Holograph |
6/44-45 | |||
|
Dance Suite, Op. 4 1941 Scope and Contents noteInstrumentation: Five winds and percussion Genre: Wind ensemble Textual Format: Holograph |
7/46 | |||
|
Dance: "Unresolved Dissonance" 1940 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
7/47 | |||
|
Dialogue for Flute & Piano, Op. 74 1987 Scope and Contents noteInstrumentation: Flute, piano Genre: Solo instruments Textual Format: Holograph and multiple complete photocopies |
7/48 | |||
|
Divertimento for String Trio, Op. 31 1951 Scope and Contents noteInstrumentation: String trio Genre: String ensemble Textual Format: Holograph |
7/49 | |||
|
Divertimento for Three Winds 1959 Scope and Contents noteInstrumentation: Flute, clarinet, bassoon Genre: Wind ensemble Textual Format: Holograph and multiple complete photocopies, Ozlid reproductions |
7/50 | |||
|
Du Ring an meinen Finger circa 1954 Scope and Contents noteInstrumentation: Soprano, piano Genre: Voice with accompaniment Textual Format: Holograph |
7/51 | |||
|
E Tenebris 1944 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph |
7/52 | |||
|
Easter Anthem II: "This is the Day, " Op. 48E 1970 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
7/53 | |||
|
Easter - Jesus Christ is Risen Today undated Scope and Contents noteInstrumentation: Orchestra Genre: Voice and orchestra Textual Format: Holograph and photocopies (complete and parts) |
7/54 | |||
|
Edgar Allen [sic] Poe, Ballet, Op. 20 1946 Scope and Contents noteInstrumentation: Orchestra Genre: Orchestral, ballet score Textual Format: Holograph and Ozlid reproductions |
8/55-56 | |||
|
The Enchanted Garden, Op. 26 1947 Scope and Contents noteInstrumentation: Orchestra Genre: Orchestral suite Textual Format: Holograph and Ozlid reproductions |
8/57 | |||
|
Exsultet for The Great Vigil of Easter (Easter Candle Service), Op. 65 1977, revised 1990 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph, computer print-out, photocopies (complete and parts) |
8/58 | |||
|
Fantasia for Clarinet & Piano, Op. 71 1986 Scope and Contents noteInstrumentation: Clarinet, piano Genre: Solo instruments Textual Format: Holograph and multiple complete photocopies |
9/59 | |||
|
Fantasie for Clarinet, Cello & Piano, Op. 54 1962 Scope and Contents noteInstrumentation: Clarinet, cello, piano Genre: Chamber ensemble Textual Format: Holograph |
9/60 | |||
|
Joe Farmer, piano composition dedicated to William Brandt undated Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
9/61 | |||
|
Festival Anthem for Easter: "This is the Day the Lord hath Made. . ., " Op. 62 1981 Scope and Contents noteInstrumentation: Brass, trombone, trumpet, horn, organ Genre: Voice and instrumental ensemble Textual Format: Holograph and multiple complete photocopies |
9/62 | |||
|
Festival Mass, Op. 47 1958 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph |
9/63 | |||
|
Four Folk Songs: Buckeye Jim, Leatherwing Bag, Come All You Fari & Tender Ladies, The Invitation, Op. 41 1953 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph and Ozlid reproductions |
9/64 | |||
|
Four Poems for Speaking Voice & String Quartet: Strange Victory, Sea Longing, To Joy, The New Moon 1944 Scope and Contents noteInstrumentation: String quartet Genre: Voice and instrumental ensemble Textual Format: Holograph |
9/65 | |||
|
Four Songs: Joy, Like Barley Bending, The Net, Pierrot, Op. 12 1944 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph and Ozlid reproductions |
9/66 | |||
|
Four Songs: "Spring Thunder," "Serenade," "Dirge," "The Warbler, " (includes Song Sketches: ""Spring Thunder," "Serenade," "Song," "Alone"), Op. 18 1945 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph and Ozlid reproductions |
9/67 | |||
|
Gradual Anthem: "In the Beginning, " Op. 60A 1976 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
9/68 | |||
|
Hark the Herald Angels Sing 1944 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph and Ozlid reproductions |
9/69 | |||
|
Helen of Troy 1944 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph |
9/70 | |||
|
Homage to Bacchus 1953 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph |
9/71 | |||
|
Hymm 333, "Now" 1992 Scope and Contents noteInstrumentation: organ Genre: Voice with accompaniment Textual Format: computer print-out |
9/71.1 | |||
|
Incidental Music for "Hamlet, " Op. 61 1979 Scope and Contents noteInstrumentation: Brass quintet and recorders Genre: Voice and instrumental ensemble Textual Format: Holograph and photocopies (complete and parts) |
9/72 | |||
|
Incidental Music for "The Lion in Winter, " Op. 63 1981 Scope and Contents noteInstrumentation: Harpsichord, percussion, ww quintet Genre: Chamber ensemble Textual Format: Holograph, computer print-out |
10/73 | |||
|
Incidental music to "The Lark," "Sherherd's Dance," "Alleluia," "Court Song," "Benedictus," "Soldier's Song," "Santus," "Gloria in Excelsis," "Piu Mosso," "Agnus Dei," "Kyrie, " Op. 53 1960 Scope and Contents noteInstrumentation: Double bass and percussion Genre: Voice with accompaniment Textual Format: Holograph, Oz reproductions, vocal scores, Jean Anouilh, The Lark, adapted by Lillian Hellman (New York: Dramatists Play Service, Inc., 1957) |
10/74 | |||
|
In the Forest 1942 Scope and Contents noteInstrumentation: String quartet Genre: Chamber ensemble Textual Format: Holograph |
10/75 | |||
|
Intermezzo 1943-1946 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
10/76 | |||
|
Instrumental Ensemble of Two Easter Hymns undated Scope and Contents noteInstrumentation: Flute, oboe, clarinet, bassoon, horn, harpsichord, violin, viola, cello, piccolo Genre: Voice and instrumental ensemble Textual Format: Holograph |
10/77 | |||
|
Kyrie 1961 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple mimeographed complete copies |
10/78 | |||
|
Larghetto Tranquillo 1944 Scope and Contents noteInstrumentation: String quartet Genre: String ensemble Textual Format: Holograph |
10/79 | |||
|
The Last Invocation, Op. 19 1946 Scope and Contents noteInstrumentation: Voice alone Genre: Choral works Textual Format: Holograph |
10/80 | |||
|
Lute Book Lullaby 1978 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and photocopy |
10/81 | |||
|
Lute Song: "I Know a Maiden" 1977 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph |
10/82 | |||
|
Lyric Piece for Piano, Op. 39 1952 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph and photocopy |
10/83 | |||
|
Macbeth undated Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Holograph |
10/84 | |||
|
Magnificat, Op. 58 1976 Scope and Contents noteInstrumentation: Organ and recorders Genre: Voice with instrumental ensemble Textual Format: Holograph, multiple mimeographed complete copies, multiple complete photocopies |
10/85 | |||
|
Marriage Vows, Op. 66B 1979 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph |
10/86 | |||
|
Mass of St. James: Rite II, Op. 59 1977, 1992 Scope and Contents noteInstrumentation: Piano, organ, trumpet, horn, bassoon, flute, violin, clarinet, cello, Genre: Chorus and orchestra Textual Format: Holograph and multiple complete photocopies, computer print-out |
10/87 | |||
|
The Meditation of Mary, Op. 36 1951 Scope and Contents noteInstrumentation: Piano, violin, viola, cello Genre: Voice and instrumental ensemble Textual Format: Holograph |
10/88 | |||
|
Miscellaneous Piano Pieces: Nocturne (Abendstück), Impromptu, Bagatelle, Serenade, Deux Prelude, Romanza, Suite Petit, Valse, Opus 1-7 1934-1938 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
11/89 | |||
|
(Monteverdi): "Il Ballo delle Ninfe d'Istria, " canzonett and madrigals undated Scope and Contents noteInstrumentation: Violin, cello, harpsichord Genre: Chorus and instrumental ensemble Textual Format: Holograph, photocopies (complete and parts), program |
11/90 | |||
|
Movement for String Quartet 1944-1945 Scope and Contents noteInstrumentation: String quartet Genre: String ensemble Textual Format: Holograph |
11/91 | |||
|
Movement for String Quartet 1949 Scope and Contents noteInstrumentation: String quartet Genre: String ensemble Textual Format: Holograph |
11/92 | |||
|
Movement for Violin and Piano 1945 Scope and Contents noteInstrumentation: Violin, piano Genre: Solo instruments Textual Format: Holograph |
11/93 | |||
|
Music for the Decalogue, Op. 56 1967 Scope and Contents noteInstrumentation: Orchestra Genre: Voice and orchestra Textual Format: Holograph, Ozlid reproductions, photocopies (complete and parts), reader's score |
11/94 | |||
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Music for the Dedication of an Altar, Op. 73 1987 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph and multiple complete photocopies |
11/95 | |||
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Music of the Middle Ages and the Renaissance 13th-15th century (presented for programs of February, 1975 and January, 1976) Scope and Contents noteHac in anni janua; Kalenda maya; Mayenzeit; A l'entrada el tens clar; Robins m'aime; Tout me greif-Robins m'aime-Portare; Summer is icumen in; Douce dame, Gram piant agl'occhi; Tosto che l'alba; O Rosa bella; Adieu m'amour; Dit le Bourguignon; Je suis tant bien; Elle a bien ce ris gracieux; J'ay fait pour vous cent mille pas; Two bourrée; Chiare, fresch'e dolci acque; Pavane and Galliarde; Three Balletti; De petit po'; Preambulium; Ballet du Roy; Sonata di Pomo d'oro; A la bataglia; Bien doy servir; Gentil Robyn; programs Instrumentation: Guitar, krummhorn/viol drone, recorders, finger cymbals, percussion, harpsichord Genre: Voice and instrumental ensemble Textual Format: Holograph and photocopies (complete and parts) |
11/96 | |||
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Namarie: Threnody of Galadriel, Op. 68 1984 Scope and Contents noteInstrumentation: Clarinet, piano, chamber orchestra Genre: Chorus and instrumental ensemble Textual Format: Holograph and photocopies (complete and parts), program |
12/97 | |||
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Non Nobis, Dominie 1961 Scope and Contents noteInstrumentation: Piano Genre: Voice with accompaniment Textual Format: Mimeographed complete copy |
12/98 | |||
|
Overture: The Highland Mountains, Op. 21 1946 Scope and Contents noteInstrumentation: Orchestra Genre: Orchestral Textual Format: Holograph |
12/99 | |||
|
A Palm Sunday Processional 1975 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Holograph |
12/100 | |||
|
Piano Piece 1946 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph and Ozlid reproductions |
12/101 | |||
|
Piano Pieces 1945 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
12/102 | |||
|
Poem 1943 Scope and Contents noteInstrumentation: Piano Genre: Solo instrument Textual Format: Holograph |
12/103 | |||
|
Prelude for Horn and Strings 1948 Scope and Contents noteInstrumentation: Horn, strings Genre: Orchestral Textual Format: Holograph |
12/104 | |||
|
Prelude for Small Orchestra 1953 Scope and Contents noteInstrumentation: Orchestra Genre: Orchestral Textual Format: Holograph |
12/105 | |||
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Puer Natus in Bethlehem, Op. 66A 1977 Scope and Contents noteInstrumentation: Organ Genre: Voice with accompaniment Textual Format: Photocopy |
12/106 | |||
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Quintet for Piano & String Quartet, Op. 11 1943 Scope and Contents noteInstrumentation: piano and strings Genre: chamber ensemble Textual Format: Holograph and Ozlid reproductions |
12/107 | |||
|
Reveries 1934-1938 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
12/108 | |||
|
Rhapsody 1943 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holography and Ozlid reproductions |
12/109 | |||
|
Rondo in G for String Quartet 1946-1947 Scope and Contents noteInstrumentation: string quartet Genre: string ensemble Textual Format: Holograph |
12/110 | |||
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Scherzo 1948 Scope and Contents noteInstrumentation: string quartet Genre: chamber ensemble Textual Format: Holograph |
12/111 | |||
|
Scherzo for Small Orchestra 1948 Scope and Contents noteInstrumentation: orchestra Genre: orchestral Textual Format: Holograph |
12/112 | |||
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The Ship of Death: A Song Cycle 1953 Scope and Contents noteInstrumentation: piano Genre: voice with accompaniment Textual Format: Holograph |
12/113 | |||
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Sketch, for orchestra 1944 Scope and Contents noteInstrumentation: piano and orchestra Genre: orchestral Textual Format: Holograph |
12/114 | |||
|
Sketch: "Christmas Piece" 1964 Scope and Contents noteInstrumentation: organ Genre: voice with accompaniment Textual Format: Holograph |
12/115 | |||
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Sketch: "Let Freedom Ring!" 1964 Scope and Contents noteInstrumentation: accordion Genre: voice with accompaniment Textual Format: Holograph |
12/116 | |||
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Sketch: "Steely Stars and Moon of Brass" 1945 Scope and Contents noteInstrumentation: string quartet Genre: voice and instrumental ensemble Textual Format: Holograph |
12/117 | |||
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Sketch: "Trio No. 1" 1942 Scope and Contents noteInstrumentation: viola, cello, piano Genre: chamber ensemble Textual Format: Holograph |
12/118 | |||
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Sinfonietta No. 2, Op. 27 1948 Scope and Contents noteInstrumentation: Orchestra Genre: Orchestral Textual Format: Holograph and Ozlid reproductions |
13/119-120 | |||
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Sinfonietta No. 3, Op. 45 1955 Scope and Contents noteInstrumentation: Orchestra Genre: Orchestral Textual Format: Holograph |
13/121 | |||
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The Slaughter of the Innocents and Rachel's Lamentation 1953 Scope and Contents noteInstrumentation: piano Genre: voice with accompaniment Textual Format: Holograph |
13/122 | |||
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Sonata for Flute & Piano, Op. 37 1951 Scope and Contents noteInstrumentation: flute and piano Genre: chamber ensemble Textual Format: Holograph and Ozlid reproductions |
13/123 | |||
|
Sonata for Harpsichord 1991 Scope and Contents noteInstrumentation: harpsichord Genre: solo instrument Textual Format: Holograph and multiple complete computer print-outs |
13/123.1 | |||
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Sonata for Piano, Op. 44 1954 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
14/124 | |||
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Sonata in B-Flat Minor, Op. 1 1939 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
14/125 | |||
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Sonata No. 2 for Piano, No. 39 1953 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
14/126 | |||
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Sonatas I & II for Clarinet & Piano, Op. 49, A, B 1959 Scope and Contents noteInstrumentation: clarinet and piano Genre: chamber ensemble Textual Format: Holograph, Ozlid reproductions, multiple complete photocopies |
14/127-128 | |||
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Sonatas for Violin & Piano 1945 Scope and Contents noteInstrumentation: violin and piano Genre: chamber ensemble Textual Format: Holograph |
14/129 | |||
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Song: "Eyes Look into the Well, " Op. 35 1950 Scope and Contents noteInstrumentation: piano Genre: voice with accompaniment Textual Format: Holograph |
14/130 | |||
|
Songs of the Golden Wood, Op. 79 1992 Scope and Contents noteInstrumentation: orchestra Genre: chorus and orchestra Textual Format: Holograph, multiple complete photocopies, computer print-outs |
15/130.1-130.5 | |||
|
Songs (Riches, Pierrot, Joy, Pierrot's Song, Jabberwocky, Like Barley Bending), Op. 24 1944 Scope and Contents noteInstrumentation: soprano, piano Genre: voice with accompaniment Textual Format: Holograph |
15/131 | |||
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Square Dance 1940 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
15/131.1 | |||
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String Quartet No. 1, Op. 15 1945 Scope and Contents noteInstrumentation: string quartet Genre: string ensemble Textual Format: Holograph and Ozlid reproductions |
16/132 | |||
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String Quartet No. 2, Op. 23 1947 Scope and Contents noteInstrumentation: string quartet Genre: string ensemble Textual Format: Holograph |
16/133 | |||
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String Quartet No. 3, Op. 28 1948 Scope and Contents noteInstrumentation: string quartet Genre: string ensemble Textual Format: Holograph and photocopies (complete and parts) |
16/134 | |||
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String Quartet No. 4, Op. 42 1954 Scope and Contents noteInstrumentation: string quartet Genre: string ensemble Textual Format: Holograph and photocopies (parts) |
17/135 | |||
|
Suite for Piano 1942 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
17/136 | |||
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Suite for Piano: "Filigree," "Lonesome," "Grotesque," "Gaiety" 1946 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
17/137 | |||
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Suite for Small Orchestra 1950 Scope and Contents noteInstrumentation: orchestra Genre: orchestral suite Textual Format: Holograph and Ozlid reproductions |
17/138-141 | |||
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Suite for Small Orchestra No. 2 1964 Scope and Contents noteInstrumentation: orchestra Genre: orchestral Textual Format: Holograph |
18/142 | |||
|
Suite in the Ancient Style 1941 Scope and Contents noteInstrumentation: flute and piano Genre: chamber ensemble Textual Format: Holograph |
18/143 | |||
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Theme & Variations 1943 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
18/144 | |||
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Theme & Variations 1948 Scope and Contents noteInstrumentation: string quartet Genre: string ensemble Textual Format: Holograph |
18/145 | |||
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Theme for Music for WSU Foreign Films 1963 Scope and Contents noteInstrumentation: woodwind quintet Genre: wind ensemble Textual Format: Holograph |
18/146 | |||
|
There's No Business Like Show Business 1955 Scope and Contents noteInstrumentation: jazz band Genre: voice and jazz band Textual Format: Holograph and sheet music |
18/147 | |||
|
Thirteen Choruses from "The Meditation of Simeon, " Op. 34 1950 Scope and Contents noteInstrumentation: voice alone Genre: choral works Textual Format: Holograph |
18/148 | |||
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Three Preludes 1945 Scope and Contents noteInstrumentation: violin, piano Genre: chamber ensemble Textual Format: Holograph |
18/149 | |||
|
Three Religious Songs: "Show Me the Way," "O Lord, How Joyous to Sing the Lord's Praises," "Bend Me to Thy Will" 1957 Scope and Contents noteInstrumentation: organ or piano Genre: voice with accompaniment Textual Format: Holograph |
18/150 | |||
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Three Songs: "Dew," "Rome," "The Return," "Spring," Op. 2 1941 Scope and Contents noteInstrumentation: soprano, piano Genre: voice with accompaniment Textual Format: Holograph and Ozlid reproductions |
18/151 | |||
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Three Songs: "Song for April," "Troth," "Conversation Piece" 1955 Scope and Contents noteInstrumentation: soprano, piano Genre: voice with accompaniment Textual Format: Holograph |
18/152 | |||
|
Toccata for Harpsichord 1992 Scope and Contents noteInstrumentation: harpsichord Genre: solo instrument Textual Format: Holograph, multiple complete photocopies, computer print-out |
18/152.1 | |||
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Toccata for Piano, Op. 57 1974 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph, photocopy, computer print-out |
18/153 | |||
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Trilogy 1941 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
18/153.1 | |||
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Trio for Flute, Violin & Piano, Op. 9 1942 Scope and Contents noteInstrumentation: flute, violin, piano Genre: chamber ensemble Textual Format: Holograph and Ozlid reproductions |
18/154 | |||
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Trio in a Minor 1941 Scope and Contents noteInstrumentation: viola, cello, piano Genre: chamber ensemble Textual Format: Holograph |
18/155 | |||
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Trio No. 1 1942 Scope and Contents noteInstrumentation: cello Genre: solo instrument Textual Format: Holograph |
19/156 | |||
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Trio No. 2, Opus 17 1946 Scope and Contents noteInstrumentation: violin, viola, cello Genre: chamber ensemble Textual Format: Holograph |
19/157 | |||
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Trio No. 2 for Viola, Violin, Piano, Op. 14 1945-1946 Scope and Contents noteInstrumentation: viola, violin, piano Genre: chamber ensemble Textual Format: Holograph and Ozlid reproductions |
19/158 | |||
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Trio No. 4, Op. 22 1946 Scope and Contents noteInstrumentation: cello, piano Genre: chamber ensemble Textual Format: Holograph |
19/159 | |||
|
Two Grimaces for Modern Dance 1941 Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
19/160 | |||
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Two Sketches 1952 Scope and Contents noteInstrumentation: piano, orchestra Genre: orchestral Textual Format: Holograph |
19/161 | |||
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Two Songs: "Melody," "Alone," "Untitled" 1952 Scope and Contents noteInstrumentation: soprano, piano Genre: voice with accompaniment Textual Format: Holograph |
19/162 | |||
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Two Songs and a Chorus: "Mystery," "Baby Moon" 1955 Scope and Contents noteInstrumentation: piano Genre: chorus with accompaniment Textual Format: Holograph |
19/163 | |||
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The Wall Soldier's Lament, Op. 38 1951 Scope and Contents noteInstrumentation: piano Genre: voice with accompaniment Textual Format: Holograph |
19/164 | |||
|
Wedding Song, Op. 72 1986 Scope and Contents noteInstrumentation: piano Genre: voice with accompaniment Textual Format: Holograph and photocopies (complete and parts) |
19/165 | |||
|
Where or When 1954 Scope and Contents noteInstrumentation: piano Genre: voice with accompaniment Textual Format: Holograph |
19/166 | |||
|
untitled undated Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
19/167 | |||
1.2 Oversize Manuscripts |
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| Box-folder | ||||
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Beaumarchais: Chamber Opera, Op. 40 1958 Scope and Contents noteInstrumentation: orchestra Genre: opera Textual Format: Holograph, typescript script, vocal scores |
20/168-174 | |||
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Canzona Prismatica, Op. 67 1982 Scope and Contents noteInstrumentation: wind ensemble Genre: wind symphony Textual Format: Holograph |
21/175-180 | |||
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King Lear Suite, Op. 29 1949 Scope and Contents noteInstrumentation: orchestra Genre: orchestral Textual Format: Holograph and Ozlid reproductions |
22/181-183 | |||
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Night: Symphonic Poem, Op. 16 1946 Scope and Contents noteInstrumentation: orchestra Genre: voice and orchestra Textual Format: Holograph and Ozlid reproductions |
22/184-185 | |||
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No Neutral Ground, Op. 52 1959 Scope and Contents noteInstrumentation: orchestra Genre: chamber opera Textual Format: Holograph, multiple complete photocopies, Ozlid reproductions, vocal and performance scores |
23-24/186-196 | |||
|
Piano Concerto (unfinished score) undated Scope and Contents noteInstrumentation: piano Genre: solo instrument Textual Format: Holograph |
24/197 | |||
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Sinfonietta No. 1, Op. 5 1939 Scope and Contents noteInstrumentation: orchestra Genre: orchestral Textual Format: Holograph and Ozlid reproductions |
25/198-200 | |||
|
Symphony No. 1, Op. 30 1950 Scope and Contents noteInstrumentation: orchestra Genre: orchestral Textual Format: Holograph and Ozlid reproductions |
26-27/201-207 | |||
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|
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2 Correspondence and Reference Material 1946-1995 |
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2.1 Correspondence |
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| Box-folder | ||||
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Letters received from "Notable" people 1946-1981, undated Scope and Contents noteIn connection with The Way of Music; readers' reviews |
28/208 | |||
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Letters received from Edward Gorey, "Les Scaphandreuers" par Stephen Cimier and Edward Gorey, sketches (color photocopies). 1947, 1951, undated |
28/209 | |||
|
Letters received from Cal (Englbart) Rogers; "A Comparison of Two Novels," Month's Best, The Creative Writing magazine of the University of Washington, March 1950; poem. 1949, 1956, undated |
28/210 | |||
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Letters received, miscellaneous 1950-1995, undated |
28/211-212 | |||
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Letters received concerning publications, performances, positions, commissions, etc. 1951-1992 Scope and Contents noteAdvertisement for The Way of Music, report of sales for The Way of Music (1966), Report on sabbatical leave, first semester, 1976-1977, Comments on Proposed Revision of The Way of Music, program notes & text for St. James performance of Cantata Mistica, flyer, newspaper clipping (1982). |
28/213-214 | |||
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Letters received, fan mail 1956-1992, undated |
28/215 | |||
|
Letters received in connection with The Way of Music; readers' reviews. 1962-1965 |
28/216-217 | |||
|
Moldenhauer correspondence 1963-1983 Scope and Contents noteIncludes photo of sculpture, program (1983), announcement, "Hans Moldenhauer, Pionier der Musikwissenschaft" (1960), newspaper clippings (1979, 1985). |
28/218 | |||
2.2 Reference Material |
||||
| Box-folder | ||||
|
Previous compilations of notes on this collection 1981-circa 1990s Scope and Contents noteBiographical periods of works in this catalogue, an alphabetical index, chronological catalog, large box catalog, chronological works list including both numbered and unnumbered compositions, container lists, index of compositions by opus number, index of compositions by performance, and index of compositions by performance medium. Also, photocopies from Arthur Cohn, Recorded Classical Music: A Critical Guide to Compositions and Performances (1981), xi-xii. |
29/219-221 | |||
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|
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3 Writings and Ephemera 1872-1993 |
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| Box-folder | ||||
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Programs and publicity; handwritten notes, printed programs, newspaper clippings, bulletins, announcements 1930-1995, undated |
29/222-230 | |||
|
Same as folders 222-230. |
30/231-233 | |||
|
Miscellaneous materials 1872-1990 Scope and Contents noteMusic to be Performed at the World's Peace Jubilee and International Musical Festival, in Boston, 1872, Metropolitan Opera House, Grand Opera Season 1910-1911 (program), Veterans Administration notice of expiration of entitlement (1950), schedule of events (1968), entry form for The International Who's Who, announcement, class evaluation (1983), In Memoriam: Peter DeLone (1984), The Nutcrackers (program) 1989-1990, Washington State Composers (brochure), instructions for assembling my first telescope, song, Auditorium Theatre (program), Patriotic Lectures; diplomas, certificates, State College of Washington, Phi Kappa Phi, Washington State University Certificate of Service, letter of recognition from Samuel H. Smith, President, WSU, to Dr. William E. Brandt, upon his retirement. |
30/234-235 | |||
|
Lectures, talks, skits, published articles, introductions; Music Literature Outline 1949-1985, undated Scope and Contents noteThe Development of Concerto Form from J.S. Bach to Mozart; Beethoven: The Spiritual Bridge; Music Now: A Dying Fall; Three American Composers; Musorgsky: Pictures at an Exhibition; Music for Czar and Commissar - Elderhostel Course; A Prologue Illustrated Address; Twin Trends in 20th Century Painting and Music; The Arts in Turmoil Conference; Music in Germany under the Weimar Republic, 1920-1933; Introduction to Nadas recital as "The Invited Address"; April Fool's Day - Introduction; Otto Stumpf-Fassbender is the Name & Musicology is my Game!; Introduction for Nicolas Slonimsky; A Collage of Modern Music; Ussachevksy; Music to be Performed at the World's Peace Jubilee and Music Festival in Boston, June, 1872; Beethoven's Russian Enigma; Some Speculation about Beethoven's Use of Integrative Devices in Large Compositions; Criticisms of the Beethoven Symphonies from Thayer-Forbers; Third Relationships; Metternick; Researchers of Note; Honors Address Examples (cassette tape), Common Courtesy III (cassette tape) |
30/236-241 | |||
|
A Short History of Russia & Its Music for Elderhostel; Music in Soviet Russia; Music for Csar and Commissar - Notes; Stop and Go: Soviet Art Music Since Stalin; The Soviet Gig: Pop Music in the USSR; Russky Jazzsky |
31/242-245 | |||
|
Programs, notes, reviews 1964-1987 Scope and Contents notePrinted materials, program notes for Istvan Nadas' Recital, periodical and newspaper clippings, Review of Washington-Idaho Symphony Concert, book reviews |
31/246 | |||
|
WSU Anton von Webern Centennial 1983 Scope and Contents noteProposal, introduction, news release, memoranda, biographical sketch, chronology, miscellaneous materials |
31/247 | |||
|
Notes, essays, clarifications, "Progress in the High Arts" undated Scope and Contents noteSix-page handwritten ms. |
31/248 | |||
|
Miscellaneous notes, sketches, C.M. von Weber Concerto, Moldenhauer notes, Notes: Incantation undated |
31/249 | |||
|
For SANE: The Art of Peace undated Scope and Contents noteHandwritten and typed outlines |
31/250 | |||
|
|
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4 Photographs and Drawings 1942-1993 |
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| Box-folder | ||||
|
Black & white and color stills of WSU classes, campus performances, the "Quarter Century Club," on set of Neutral Ground, military photos, including Dugway Proving Ground and Camp Sibert, Alabama, and publication photos 1942-1993 Scope and Contents noteAlso sketch. |
31/251 | |||
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5 Phonograph Records circa 1940s |
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| Box-folder | ||||
|
Six 78 RPM production disks. Trio String Quartet #2; Two Pieces for Bassoon and Piano circa 1940s |
31/252 | |||
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