Washington State University Libraries Manuscripts, Archives, and Special Collections
Guide to the Humphrey W. Leynse Films and Papers
1916-1977
Cage 438
Table of Contents
- Summary Information
- Biography/History
- Scope and Content
- Arrangement
- Administrative Information
- Names and Subjects
- Detailed Description of Collection
- Series 1: Films and Pre-Production Material, ca. 1950-1970
- Series 2: Audiotapes and Phonograph Records, 1952-1977, nd
- Series 3: Photographs, 1931-1962, n.d.
- Series 4: Miscellaneous Papers, 1916-1977, n.d.
- Series 5: Memorabilia, 1930-1976, n.d.
- Index
Summary Information
- Repository
- Washington State University Libraries, Manuscripts, Archives and Special Collections
- Creator
- Leynse, Humphrey W. (Humphrey William), 1921-1977.
- Title
- Humphrey W. Leynse Films and Papers
- ID
- Cage 438
- Date [inclusive]
- 1916-1977
- Extent
- 70 Linear feet of shelf space, 142 containers
- Language
- Collection materials are in English.
- Abstract
- Humphrey W. Leynse’s career in filmmaking began in 1957 as a Motion Picture Officer for the United States Information Service (USIS), first in Djakarta, Indonesia, and later in Seoul, Korea. He made more than fifty documentary films with USIS. In 1970 Leynse came to Washington State University as an Assistant Professor of Communications. The Humphrey W. Leynse Collection consists of films and pre-production material, audiotapes and phonograph records, photographs, miscellaneous papers, and memorabilia.
Preferred Citation
[Item description] Humphrey W. Leynse Films and Papers, 1916-1977 (Cage 438)
Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA.
Biography/History
Humphrey W. Leynse was born on June 22, 1921 in Peking, China. His parents, Reverend James and Anna Groenendyk Leynse, were Dutch Reformed Church Missionaries at the Presbyterian Mission in Peking. As a child, Leynse attended the Peking American School, where he first learned to speak English; previously he spoke only Dutch and Mandarin Chinese, and he remained fluent in these languages throughout his life. He also studied French and Indonesian.
Peking was Leynse’s home until age twenty, when he came to the United States to study at Pomona College in Pomona, California. World War II interrupted his education. He served in the U.S. Army and from 1943 to 1945 as a special agent in the Counter Intelligence Corps (CIC) in the Philippines and New Guinea. His duties included teaching the Chinese language, formulating an English-Indonesian dictionary, and engaging in combat duty as an Agent Investigator. During his time as an Agent Investigator then Sergeant Leynse investigated foreign political groups in the Manila area and helped to establish an informant network. The Army awarded him the Bronze Star in 1945.
At the end of the war, Leynse returned to Pomona to complete his studies for a bachelor’s degree in liberal arts. From 1949 through 1951 Leynse served as an educational advisor for the United States Department of the Army and as superintendent of an Educational Center in Karlsruhle, Germany. In 1951, Leynse returned to the Pacific (the Marshall Islands) as an administrator of the Department of the Interior. From1954 to 1957 he again worked for the State Department, investigating those Chinese visa applicants in Hong Kong who sought to emigrate to the United States under the Refugee Relief Act.
Leynse’s career in filmmaking began in 1957 as a Motion Picture Officer for the United States Information Service (USIS), first in Djakarta, Indonesia, and later in Seoul, Korea. He made more than fifty documentary films with USIS. It was during his time in Seoul that he met and married Judith L. Light, a journalist who was assigned to Seoul as a Motion Picture Officer.
Despite his successful career with USIS, Leynse tired of governmental bureaucracy and desired to produce his own full-length feature film. In 1966 he resigned his Foreign Service position and began the odyssey that led him, with Judith and their baby son, to the remote island of Ullung-Do, Korea, some 180 miles east of the mainland in the Sea of Japan. For two years he recorded the harsh life of the fishermen and their families on Ullung-Do. His film, Out There, a Lone Island, won Leynse several awards and was featured in various New York venues, including the Whitney Museum of American Art, the Museum of Modern Art, the American Film Festival, and the Ethnological Film Festival at the Museum of Natural History. Leynse made this film and many others under the auspices of Oceania Productions, a company he created in 1951 to produce educational and theatrical films concerning the Far East.
In 1970 Leynse came to Washington State University as an Assistant Professor of Communications. He was promoted to Associate Professor in 1975. Throughout his tenure at Washington State Leynse played an important part developing cinema instruction as part of the Washington State University’s mass media curriculum. In addition to his classes on film criticism, scripting, and documentary film, he taught the very popular "Masters of Cinema" course, which grew from an enrollment of thirty-seven students in the fall of 1970 to seven hundred in the spring of 1977. His film experience was also combined with his Asian interests in a course on Asian society as revealed through Asian films. Leynse also helped to produce one of the area’s most popular radio programs, "Moviegoers," which was written by students in his film criticism classes.
Leynse became ill in April of 1977. Despite this he was able to complete teaching all of his classes and missed only two weeks of the semester; when at one point he dropped in on one of his classes to see how things were going, he was given a spontaneous standing ovation by the students. Following surgery for a brain tumor, Leynse died on August 20, 1977, at the age of fifty-six.
Scope and Content
The Humphrey W. Leynse Collection is divided into five series.
Series 1: Films and Pre-Production Material - The film collection of Humphrey W. Leynse at Washington State University Libraries consists of finished films, work prints, original film, sound tracks on 16mm and 35mm magnetic stock.
Series 2: Audiotapes and Phonograph Records - Includes sounds recorded for filmmaking, tapes for teaching college cinema courses, an index of lecture material, and records from Leynse’s personal collection.
Series 3: Photographs - The photograph collection consists of prints and negatives taken during Leynse’s youth in China, photographs taken by Leynse while producing films in the Orient and South Pacific, and pictures of artwork.
Series 4: Miscellaneous Papers - These include material on Leynse’s childhood in China and his professional life as a filmmaker and college professor.
Series 5: Memorabilia - This series includes mementos and materials from Leynse’s work and travels, such as puppets, rubber stamps, notebooks, scrolls, and medals.
Arrangement
Series 1: Films and Pre-Production Material, ca. 1950-1970. - The film collection of Humphrey W. Leynse at Washington State University Libraries consists of finished films, work prints, original film, sound tracks on 16mm and 35mm magnetic stock. The collection includes four categories of films, arranged in numerical sequence.
Subseries 1.1, films numbered 1 to 25, are based on a list developed by Mrs. Judith Leynse, including those made by Leynse or his company, Oceania Productions. Subsereis 1.2, films numbered 26 to 47, are those Leynse made while working for the USIS-Korea. Subseries 1.3, films numbered 48 to 77, are those that Leynse collected. Subseries 1.4, Miscellaneous, includes those film materials (numbered 78 to 89) that were part of the original accession, but that were not described in the original inventory.
Note: Each listing in Series 1 contains information about the film, including credits, summary, length, sound, color, print size and type, and additional collateral materials such as work prints, out takes, sound tracks, or duplicate prints. All materials are numbered sequentially within each listing. Prints are generally ranked in sequence, from the final print back to the original filming. For example, Micronesia, film number 10, consisting of fifty related items, is numbered 10-1 through 10-50. This includes two final prints (10-1 and 10-2), a work print and its duplicate (10-3 and 10-4), one reel of sound track (10-5), two rolls of out takes (10-6 and l0-7), and forty-three rolls of original film (10-8 through 10-50).
Series 2: Audiotapes and Phonograph Records, 1952-1977, n.d. - Includes sounds recorded for filmmaking, tapes for teaching college cinema courses, an index of lecture material, and records from Leynse’s personal collection. The Leynse Audiotape and Record Collection consists of a variety of audio mediums including 3" 5" and 7" reels, some which play at 3 ¾, 7 ½, and 15 inches per second, cassettes, and 45rpm and 75rpm records. For listening convenience, all reel-to-reel items have been dubbed to cassette, re-numbered, and combined with the original cassette collection.
Subseries 2.1 (numbered 1-52) is a collection of tapes that were used in the production of some of the films that Leynse produced for Oceania Productions and those films that Leynse worked on while he was with USIS-Korea. The first fifteen tapes are recordings of music, songs, sounds from the South Pacific Islands, Hong Kong, and parts of Southeast Asia. Tapes 16-26 (including 19 and 19a) are similar, but they include recordings of soundtracks used in the production of some films produced by the USIS-Korea. Tapes numbered 27-36 were used in the production of Out There, a Lone Island (previously titled Under One Roof). The last set in this group (numbered 37-52) is a collection of sounds, songs, and radio programs from various parts of the Orient, some used in the production of Sumodo and Out There, a Lone Island.
Subseries 2.2 of the audiotape collection includes tapes (numbered 53-170) that Leynse recorded for use in teaching college courses about cinema, especially history and criticism. These consist of conversations and discussions recorded from television and radio programs, speeches, and readings from autobiographies. Among some of the subjects are film directors such as Robert Altman, Ingmar Bergman, Frank Capra, Alfred Hitchcock, John Huston, Arthur Penn, and Orson Welles, all of whom discuss their careers in films and filmmaking. Leynse also recorded famous scenes from films like Casablanca (Bogart and Bergman) and High Noon (Gary Cooper). Leynse made these tapes by recording television programs such as "The History of the Movies," "The Men who Made the Movies," "The Moviegoers," and others on more specific subjects such as Japanese cinema and the impact of film on black culture.
There are 171 cassettes total that include MASC recordings of approximately 310 reel-to-reel tapes and fifty-four cassettes from the original collection. Original tapes numbered 235, 244, 245, 259, 271, 275, 279, and 281 to 284 are absent from the archive.
The lecture material portion of the collection was indexed by Leynse on 3 x 5 file cards and divided alphabetically into two categories: "People and Things" and "Films." The numbers indexed refer to the originally numbered item. This index can be found in Box 95.
Subseries 2.3: consists of fourteen phonograph records of music from various countries, including China, Thailand, and Germany.
Subseries 2.4: consists of Leynse’s original reel-to-reel tapes.
Series 3: Photographs, 1931-1962, n.d. - The photograph collection consists of prints and negatives taken during Leynse’s youth in China, photographs taken by Leynse while producing films in the Orient and South Pacific, and pictures of artwork.
The material is arranged into four subseries: 3.1, Prints and Negatives; 3.2, Glass Transparencies; 3.3, Transparencies; and 3.4, Oversize. The hand-colored prints are mostly of landscape scenes and pictures of ornate temples and castles. The snapshots are more tourist-oriented, featuring images of the Leynse family at various sites in China. The glass transparencies are of the Chinese people, many portraits and scenes of people working, and seem to be an attempt to capture the culture in photographs.
Series 4: Miscellaneous Papers, 1916-1977, n.d. - These include material on Leynse’s childhood in China and his professional life as a filmmaker and college professor. Series 4 has been divided into seven subseries:
Subseries 4.1, Clippings, 1916-1976, consists of newspaper and magazine articles that Leynse collected over the years as a source of information for his film classes and for personal reference. This series has been divided into two groups: The Film Industry, and, Movies. The Film Industry pertains to directors, stars, and countries that have made an impact on film. Movies deals with news items on individual films.
Subseries 4.2, Oceania Productions, 1954-1973, contains company records, including all costs and profits associated with movie production, letters to investors, purchase orders, expenses, and employee information. These records show how Leynse attempted to distribute Out There, a Lone Island (originally titled Under One Roof), and includes magazine articles, primarily in English, with some in Korean. This subseries has been divided into two groups: Chronology, and Brochures and Pamphlets. Chronology contains closed accounts, correspondence, receipts, shipping invoices, bills, and film bookings of the company formed by Leynse in 1951 to produce educational and theatrical films dealing with the Far East. The material in this group dates from 1954 through 1973. The second group, Brochures and Pamphlets, includes film brochures for many of Leynse’s movies and the photoprints for the pamphlet on his film Micronesia.
Subseries 4.3, Writings for Publication, 1945-1975, is divided into Short Story Manuscripts and Magazine Articles, and, Book Materials. Short Story Manuscripts and Magazine Articles consists of Leynse’s short story material, much of which was submitted for publication. Book Materials includes drafts, proofs, and copies of Leynse’s book, Selected Short Subjects, a study of Asian, documentary, and propaganda films.
Subseries 4.4, Washington State University, 1908-1977, consists largely of Leynse’s classroom material. Included are lecture notes, tests, syllabi, handouts, news articles, film schedules, reserve material, and other readings. Also included is a small amount of correspondence, travel fund requests, and other material related to Washington State University.
Subseries 4.5, Film-Related Material, 1957-1976, consists of various production components of Leynse’s film-making activities, such as director’s manuals, working notes, scripts, subject and descriptive treatments, recording assignments, and photographs taken on location.
Subseries 4.6, Personal Papers, 1921-1971, includes biographical items, personal documents, and some personal correspondence.
Subseries 4.7, Card File, consists chiefly of undated lecture notes.
Series 5: Memorabilia, 1930-1976, n.d. - This series includes mementos and materials from Leynse’s work and travels, such as puppets, rubber stamps, notebooks, scrolls, and medals.
Administrative Information
Publication Information
Washington State University Libraries Manuscripts, Archives, and Special Collections © 2016
https://libraries.wsu.edu/masc/
Terrell Library
P.O. Box 645610
Pullman, WA, 99164-5610 USA
509-335-6691
mascref@wsu.edu
Restrictions on Access
Specific written permission is required from the donor to publish extracts from the correspondence, diaries, logs, and journals of Humphrey W. Leynse. This restriction expired on January 1, 2000. Additionally, reproduction or distribution of the films requires written permission. In all cases, public use of the materials will include an appropriate credit line. The full statement of applicable restrictions can be found in Judith Leynse’s letter to the department that is dated December 21, 1979. This letter is in MASC’s office files.
Restrictions on Use
Copyright restrictions apply.
Acquisition Information
The papers, films, tapes, and photographs of Humphrey W. Leynse were deposited in Manuscripts, Archives and Special Collections at Washington State University Libraries by Mrs. Judith Leynse in 1979, forming accession MS 79-39. Robert Arnett arranged and described the film and audio tapes between January and May of 1981.
Processing Information
Barbara Kovarik Gahl processed the papers and photographs between July and September of 1981. Anna S. Vogt (audiotapes) and Lisa Kliger (films, papers, photographs, and memorabilia) further processed the collection in the fall of 1998 and the spring of 1999 under the supervision of Lawrence Stark (Assistant Archivist) and Trevor Bond (Manuscripts Librarian).
Names and Subjects
Geographic Name(s)
- East Asia -- Description and travel.
Personal Name(s)
Subject(s) :
- Leynse, Humphrey W. (Humphrey William), 1921-1977 -- Archives
Subject(s)
- Motion pictures -- Production and direction.
- Motion pictures -- Study and teaching -- Washington (State) -- Pullman.
- Media and Communication
- Colleges and Universities
- Washington (State)
Detailed Description of Collection
Series 1: Films and Pre-Production Material, ca. 1950-1970The film collection of Humphrey W. Leynse at Washington State University Libraries consists of finished films, work prints, original film, sound tracks on 16mm and 35mm magnetic stock. The collection includes four categories of films, arranged in numerical sequence. Subseries 1.1, films numbered 1 to 25, are based on a list developed by Mrs. Judith Leynse, including those made by Leynse or his company, Oceania Productions. Subsereis 1.2, films numbered 26 to 47, are those Leynse made while working for the USIS-Korea. Subseries 1.3, films numbered 48 to 77, are those that Leynse collected. Subseries 1.4, Miscellaneous, includes those film materials (numbered 78 to 89) that were part of the original accession, but that were not described in the original inventory. Note: Each listing in Series 1 contains information about the film, including credits, summary, length, sound, color, print size and type, and additional collateral materials such as work prints, out takes, sound tracks, or duplicate prints. All materials are numbered sequentially within each listing. Prints are generally ranked in sequence, from the final print back to the original filming. For example, Micronesia, film number 10, consisting of fifty related items, is numbered 10-1 through 10-50. This includes two final prints (10-1 and 10-2), a work print and its duplicate (10-3 and 10-4), one reel of sound track (10-5), two rolls of out takes (10-6 and l0-7), and forty-three rolls of original film (10-8 through 10-50). A subject index to these films is available. |
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Subseries 1.1: Films by Leynse or his company, Oceania Productions |
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container | ||||
ATOLL CALLED MAJURO, AN (Majuro I) 14 items 16mm. 7" reel ; Digital Tape + 2 VHS video, length: 14 minutes ; Producer: H. W. Leynse ; Scenes of life on the island, with shots of H. and Judith Leynse, coconut splitting, sailing, christening of boat, shore fishing. |
1-1 | |||
ATOLL CALLED MAJURO, AN ; Additional materials: Majuro III (print Air Drop to Bikini Island ?) |
1-2 | |||
BALI 20 items color; 16mm 10" reel, September 1959 ; Digital Tape + 2 VHS video, length: 20 minutes ; Producer: H. W. Leynse ; Aerial shots of Bali, a cock fight, scenes of the palace. |
2-1 | |||
BALI ; Additional materials: original film 7" reel |
2-2 | |||
GREAT WALL, THE 27 items sound. black and white. 16mm. 12" reel, April 1957 ; Digital Tape + 2 VHS video, length: 27 minutes ; Producer, Li Li-Hwa (Hong Kong's foremost actress); English narration written by H. W. Leynse. ; Story of a young Chinese couple who fall in love, marry, and then are separated when the Emperor demands more workers on the Great Wail. After the wife’s father is arrested and her mother dies, she travels north to be with her husband. When she arrives at the Wall, she finds that her husband has been selected as one of the workers to be killed as a sacrifice called for by the Emperor. The husband is killed as the wife fights for his freedom. |
3-1 | |||
GREAT WALL, THE ; Additional materials: work print, 14" reel outtakes (3-2), 3-11-72; 7" reel (3-3); 35mm print w/Chinese soundtrack (3-4 to 3-6); 35mm negative print (3-7 to 3-9); three 35mm negative outtakes (3-10 to 3-12); 16mm soundtrack on magnetic stock (3-13 to 3-16) |
3-2 to 3-16 | |||
GUAM AND SAIPAN 13 items color. 16mm. 7" reel. ; Digital Tape + 2 VHS video, length: 13 minutes ; Producer, H. W. Leynse. ; Film record of Leynse trip featuring Christmas celebration on Majuro with children of the military personnel. |
4 | |||
HONG KONG 17 items color. 16mm (work print). 10" reel. ; Producer, H. W. Leynse. ; Film record of a Leynse trip to Hong Kong. |
5-1 | |||
HONG KONG ; Additional materials include original film, 7" reels |
5-2 to 5-4 | |||
INDONESIA 25 items color. 16mm. 10" reel. (not found) ; Producer, H. W. Leynse. ; Cattle races, also outtakes from THE NARCOTICS TRADE |
6-1 | |||
INDONESIA ; Additional materials include original film, 7" reels. |
6-2 and 6-3 | |||
JAPAN 12 items color. 16mm. 7" reel. ; Digital Tape + 2 VHS video, length: 12 minutes ; Producer, H. W. Leynse. ; Film record of Leynse trip featuring ship being loaded, Leynses on a cruise ship with friends, a Japanese city, a Samurai-type archer, and city lights at night. |
7-1 | |||
JAPAN ; Additional materials include original film, 7" reel. |
7-2 | |||
MACAU 23 items color. 16mm (work print). 10" reel. ; Producer, H. W. Leynse. ; Travelogue through the city of Macau featuring city scenes, fish market, glass blowing, firecracker packaging. |
8-1 | |||
MACAU ; Additional materials include original film, 7" reels. |
8-2 and 8-3 | |||
MEO TRIBES 30 items color. 16mm (work print). 12" reel. ; Producer, H. W. Leynse. ; The Meo tribes growing opium in the wilds of Thailand. ; Most of the footage was used in THE NARCOTICS TRADE. |
9-1 | |||
MEO TRIBES ; Additional materials include original film, 7" reels. |
9-2 and 9-3 | |||
MICRONESIA 9 items sound. color. 16mm. (2 prints) 7" reels. ; Digital Tape + 2 VHS video, length: 9 minutes ; Producer, H. W. Leynse. ; The people of the islands: Marshalls, Carolines, and Palauan groups. The film explains their clothes, trade, food, entertainment, traditional dances, geographical locations, and political situation. |
10-1 and 10-2 | |||
MICRONESIA ; Additional materials include work prints, 7" reels (10-3, 10-4); cinesound sound track, 7" reel (10-5); outtakes, 100 ft. rolls (10-6, 10-7); and original film, 100 ft. rolls (10-8 through 10-50). |
10-3 to 10-50 | |||
MICRONESIA LECTURE 50 items sound. mm. color. 16mm. (2 prints) 14" reel. ; Producer, H. W. Leynse. ; Geographical and historical information about Micronesia, includes footage from MICRONESIA. One print includes newsreel-type footage of dropping an Atomic bomb. The second print runs 23 minutes and excludes the Atomic bomb footage. |
11-1 and 11-2 | |||
MOMENTS OF TRUTH 4 items black and white. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Collection of film clips concerning the Korean April Revolution of 1960, riots, and people deformities. |
12 | |||
NARCOTICS TRADE, THE 23 items sound. color. 16mm. (2 prints) 14" and 12" reels. ; Digital Tape + 2 VHS video, length: 27 minutes ; Producer, H. W. Leynse. ; Description of the source of the narcotics problem; how and where opium is grown, cultivated, harvested, processed, and refined. Film explains how opium is used in Asian culture and how it is smuggled to the Western world. |
13-1 and 13-2 | |||
NARCOTICS TRADE, THE ; Additional materials include black and white work print, 14" reel (13-3) and color work print, 12" reel (13-4);½" digital tape transfer from 16 mm, July 1998 (13-5); two videocassettes (13-6, 13-7) |
13-3 to 13-7 | |||
OPIUM [Note: Not available. In 2010 these four reels were determined to be both blank and severely chemically degraded. They were withdrawn from the collection.] (recordings on magnetic stock) four 10" reels. ; Recordings used for the production of the motion picture OPIUM. ; OUT THERE, A LONE ISLAND (originally UNDER ONE ROOF) |
14-1 to 14-4 | |||
OUT THERE, A LONE ISLAND (originally UNDER ONE ROOF) 67 items sound. black and white. 16mm. two 14" reels. ; Digital Tape + 2 VHS video, length: 67 minutes ; Producer, director, writer, H. W. Leynse. Special effects, Judith Leynse. Released by the University of California, Extension Media Center ; The life of a family on a remote Korean island. Designed as a film to be studied as a cultural and social examination of the people living on a desolate island. |
15-1 and 15-2 | |||
OUT THERE, A LONE ISLAND (originally UNDER ONE ROOF) ; Additional materials include 35mm positive and negative outtakes and film, some mixed with SUMODO material, (15-3 A-H), (15-4 A-F), (15-5 A-E), (15-6 A-D), (15-7 A-G), (15-8), (15-9 A-D), (15-10 A-K), (15-11 A-G), (15-12), (15-13 A-D); 35mm work print (15-14 to 15-22); 35mm composite sound (15-23 to 15-32); UNDER ONE ROOF, heads (15-33); four small reels (15-34 to 15-37); one small roll, music (15-38); videocassette (15-39); videocassette, same as ½" digital tape transfer from 16mm to D5, July 16, 1998, 67 min., (see "To Mr. Leynse") (15-40); fifteen small rolls 16mm magnetic stock sound effects with eight cue sheets (15-41 A-W); Nine rolls of music with notes (15-42 A-I); eight small reels dialog and dialog/music (15-43 A-H); eight small reels heads, two "cuckoo loops," one sheet notes (15-44 A-K); eight small reels heads (15-45 A-H); nine reels of camera originals (15-46 to 15-54); nine fine-grain internegs (15-55 to 15-63); nine 35mm sound (15-64 to 15-72); five 35/32 internegs or 16mm action (15-73 to 15-77); five 35/32 sound tracks or 16mm sound (15-78 to 15-82); four cans of out takes (15-83 to 15-86); one can of 35mm interpositive (15-87); two reels out takes from 16mm print (15-88, 15-89). |
15-3 to 15-89 | |||
PACIFIC ISLANDS 14 items color. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Film record of Leynse trip featuring tourists on Fiji, Niafoou, Samoa, and Hawaii; includes underwater footage, a cruise ship, and a Polynesian festival. |
16 | |||
POLYNESIAN DANCES 10 items sound. color. 16mm. 7" reel. ; Digital Tape + 2 VHS video, length: 10 minutes ; Producer, H. W. Leynse. ; Dances of Tahiti, Samoa, the Gilberts, and Hawaii, includes explanation of musical instruments, costumes, and how dances are taught to children. |
17-1 | |||
POLYNESIAN DANCES ; Additional materials include work print, 7" reel (17-2, 17-3); original film, 100 ft. rolls (17-4 to 17-8). |
17-2 to 17-8 | |||
RHYTHM OF HONG KONG 18 items sound. color. 16mm. 9" reel. ; Digital Tape + 2 VHS video, length: 18 minutes ; Producer, H. W. Leynse. ; A travelogue of the British Crown Colony featuring scenes of modern Hong Kong’s wealthy homes, an industrial fair, children playing, and a carnival. |
18-1 | |||
RHYTHM OF HONG KONG ; Additional materials include a final print without sound, 9" reel (18-2); a final print broken up for TV and damaged, 10" reel (18-3); work print, 10" reel (18-4); soundtrack, 10" reel (18-5); original film and duplicate prints, 100 ft. rolls (18-6 to 18-44). |
18-2 to 18-44 | |||
SAIPAN, GUAM, MAJURO 7 items color. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Film record of Leynse trip featuring different views of Saipan, a city on Guam, and a cockfight. |
19 | |||
SALOME 8 items color l6mm. 7" reel. ; Producer: H. W. Leynse. ; Film by Leynse about their boat called Salome. |
20 | |||
SINGAPORE 10 items color. 16mm (original film). 7" reel. ; Producer, H. W. Leynse. ; Film record of the Leynses in Singapore. |
21-1 | |||
SINGAPORE ; Additional materials include duplicate film of footage not used in final film, 7" reel . |
21-2 | |||
SUMATRA 12 items color. 16mm. 7" reel. ; Producer, H. W Leynse. ; Scenes of a village in Sumatra. |
22-1 | |||
SUMATRA ; Additional materials include 16mm work print, 10" reel. |
22-2 | |||
SUMODO, 1969 15, 14:45 items sound. color. video cassette (U standard ¾") (23-1); beta cam digital, 11-6-98 (23-2); VHS, 11-6-98 (23-3, 23-4; VHS, n.d. (23-5) ; Producer, director, writer, H. W. Leynse. ; The Japanese sport of Sumo wrestling, the lives of the wrestlers and the modern sporting event. |
23-1 to 23-5 | |||
SUMODO, 1969 ; Additional materials include two 16mm work prints, 7" reel, one w/note (23-6, 23-7); 16mm, unident. (23-8); 16mm original film, split core (23-9 to 23-15), duplicates of original film, split core (23-16 to 23-22); 16mm soundtrack (music B) (23-23); two 35mm 10" work prints (23-24, 23-25); 35mm composite soundtrack, split core (23-26); two fx additions, 16mm, split core (23-27, 23-28); 16mm 9" reel master (23-29); 35mm split core (14:07 time) (23-30); two a negs, opt Pts I and II (23-31 A-E, 23-32 A-C); six small boxes with eight 16mm split core (23-33 to 23-38). |
23-6 to 23-38 | |||
THAILAND 30 items color. 16mm (work print). 12" reel. ; Producer, H. W. Leynse. ; Travelogue through Bangkok and outlands, featuring city scenes. |
24-1 | |||
THAILAND ; Additional materials include original film, 7" reels (24-2, 24-3), 100 ft. rolls (24-4 through 24-14). |
24-2 to 24-14 | |||
TIJUANA BULLFIGHTS 4 items black and white. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Film record of bullfights and opening parade, 1951. |
25 | |||
Subseries 1.2: Films produced by Leynse at USIS-Korea |
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APRIL STUDENT REVOLT, KOREA 1960 ( Korea in Review) 7, 20 items sound. black and white. 16mm. 7" reel and 10" reel, March 16, 1960 ; Newsreel footage of students rioting in streets of city. |
26-1 and 26-2 | |||
ASK ME! 7 items sound. black and white. 16mm. 7" reel. ; Produced by USIS-Korea staff. ; Animated cartoon about setting up a democracy. Written by Richard Dyer McCann, an American film scholar. |
27-1 | |||
ASK ME! ; Additional materials: Korean language version. |
27-2 | |||
BIRDS OF A FEATHER 45 items sound. color. 16mm. 14" reel. ; Produced by USIS-Korea staff headed by Leynse. ; A poor man goes to Seoul looking for a job with the government and finds corruption. A kindly ruler exposes the corruption. Historical drama. |
28 | |||
COAL 30 items sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea staff headed by Leynse. ; The coal industry in Korea, its change from crude mining to the use of modern mining techniques. |
29 | |||
INCOMPARABLE ZYGMUNT NAGORSKI, THE 20 items sound. black and white. 16mm. 10" reel. ; Produced by USIS-Korea staff headed by Leynse. ; Nagorski’s work in re-establishing industry in Korea |
30 | |||
INN, THE 40 items sound. black and white. 16mm. 14" reel. ; Produced by USIS-Korea staff headed by Leynse. ; An American musician who comes to Korea to lead the Philharmonic orchestra learns about traditional Korean music and the history of inn keeping while vacationing at a village inn. |
31 | |||
ISLAND DOCTOR 30 items sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea staff headed by Leynse. ; A doctor comes to live on a secluded Korean island. Modern medicine helps poverty and health problems. |
32 | |||
LEGACY, A 30 items sound. color. 16mm. 12" reel. ; Produced by USIS-Korea staff headed by Leynse. ; The history of Korean potters in Japan. The Japanese invaded Korea and took potters back to Japan, where their descendants still live. |
33 | |||
LIBERTY NEWS #352 10 items sound. black and white. 16mm. 7" reel. Korean language version only. ; Produced by USIS-Korea staff. ; Riots and student revolts in Korea. |
34 | |||
LIGHTHOUSE, THE 60 items sound. black and white. 16mm. .4" reel. ; Produced by USIS-Korea staff headed by Leynse. ; Two men working in a lighthouse demonstrate the jobs and responsibilities of the lighthouse. A sea captain is used as an example. |
35 | |||
LITANY OF HOPE 60 items sound. black and white. 16mm. Two 14" reels. ; Produced by USIS-Korea staff headed by Leynse. ; The story of Korean poet Han Ha Wun who was a leper and was cured. |
36-1 and 36-2 | |||
MASTER’S HAND, THE 20 items sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea staff headed by Leynse. ; An old artist remembers his life. |
37 | |||
MIGHTY HAN, THE 30 items sound. black and white. 16mm. 10" reel. ; Produced by USIS-Korea staff headed by Leynse. ; The Han River. |
38 | |||
MOUNTAIN, THE 40 items sound. black and white. 16mm. 14" reel. ; Produced by USIS-Korea staff headed by Leynse ; A man’s wife and son are killed on April 3, 1949 when the Communists raid his village. For 10 years the man and his two remaining children live in poverty in a city, then return to the mountain village. Film explains culture on secluded Korean island. |
39 | |||
PRESIDENT SUKARNO'S TOUR OF INDONESIA 20 items sound. black and white. 16mm. 10"reel. ; Produced by USIS staff. ; Sukarno, President of Indonesia, visits the districts of Indonesia. Film shows cultural festivals as the President arrives at the different parts of Indonesia. Leynse produced and directed this film as well as being the cameraman. |
40 | |||
REEDERS OF SANGNAM, THE 20 items sound. black and white. 16mm. 10" reel. ; Produced by USIS-Korea staff headed by Leynse. ; The career of Lorin Reeder, manager of USIS MOPIX Lab, Sangnam. |
41 | |||
SCREEN MAGAZINE #13¾ HORSE HAIR HAT, THE sound. black and white. 16mm. 7" reel. English (44-A) and Korean language (44-B) versions. ; Produced by USIS-Korea staff. ; The making of the traditional Korean hat. (motion picture) USIS-Korea English (44-A) and Korean. |
42 | |||
SCREEN MAGAZINE #21¾ CHRIS VON SALTZA 10 items sound. black and white. 16mm. (2 prints) 7" reels ; Produced by USIS-Korea staff. ; American girl comes to Korea to coach the Olympic swimming team. |
43-1 | |||
SHIPMATES 30 items sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea and staff headed by Leynse. ; The life of a fisherman and his family. The oldest son wants to leave the family and go to college to learn about modern fishing. Film explains the Pusan Fishery College. Modern fishing ship is built and demonstrated. |
44 | |||
TANK 40 items sound. black and white. 16mm. 14" reel. ; Produced by USIS-Korea staff headed by Leynse. ; The transfer of tanks from the U. S. Army to the Korean Army. One American works for the Korean Army and Communist spies try to steal a tank. |
45 | |||
TO MR. LEYNSE 20 items sound. black and white. 16mm. 10" reel. ; Digital Tape + 2 VHS video, length: 20 minutes ; Produced by USIS-Korea staff as a gift to Leynse. ; Leynse’s career while at USIS-Korea. |
46-1 | |||
TO MR. LEYNSE ; ½" digital tape transfer from 16mm, July 1998 (Out There, a Lone Island) |
46-2 | |||
TO MR. LEYNSE ; Two video cassettes, n.d |
46-3 and 46-4 | |||
WITH HAND AND HEART 30 items sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea staff headed by Leynse. ; A handicapped young man returns to his village after the Korean War. He becomes depressed and goes to the city and finds help at the Union Christian Service Center. |
47 | |||
Subseries 1.3: Films collected by Leynse |
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container | ||||
ART OF CHINESE PAINTINGS, THE 20 items sound. color. 16mm. 10" reel. ; Taiwan Film Studios ; Chinese paintings are explained. |
48 | |||
ASHES, ASHES ALL FALL DOWN 4 items sound. color. 16mm. 5" reel (with 7" reels). ; Student film from Cal. Poly, Pomona; class taught by Leynse. ; Mannequins, flowers, and a deserted train. |
49-1 to 49-3 | |||
ATLAS IN ORBIT 8 items sound. black and white. 16mm. 711 reel. ; Newsreel produced by USIS. ; Launching of Atlas rocket on December 18, 1958 and explanation of American satellite system. |
50 | |||
BATTLE OF BRITAIN 20 items sound. black and white. 16mm. 10" reel. ; Air battle of England. Part II only. |
51 | |||
BATTLE OF RUSSIA 90 items sound. black and white. 16mm. Two 14" reels. ; A history of all the times Russia has been invaded. ; Includes scenes from ALEXANDER NEVSKY. |
52-1 and 52-2 | |||
BERLIN STORY 8 items sound. black and white. 16mm. 7" reel. ; Newsreel produced by USIS. ; Liberation of Berlin at end of World War II. |
53 | |||
BOMBS OVER EUROPE 8 items sound. black and white. 16mm. 7" reel. ; Newsreel produced by The News Parade-Castle Films. ; World War II air strikes on European cities. |
54 | |||
CHRISTMAS IN MANY LANDS 8 items sound. black and white. 16mm. 7" reel ; Celebration of Christmas in various countries. |
55 | |||
ENOCH PRENTIS 25 items sound. black and white. 16mm. 12" reel. ; A dramatic presentation with Charles Bickford. |
56 | |||
EXPLORERS IN SPACE 8 items sound. black and white. 16mm. 7" reel. ; Newsreel produced by USIS. ; Space research and the 1957 Geophysical Year. |
57 | |||
FALL OF HONG KONG, RUSSIAN SNOW TROOPS, GUADALCANAL 25 items sound. black and white. 16mm. 10" reel. ; Produced by Armed Forces Films. ; Compilation of World War II films. |
58 | |||
FIGHT FOR EGYPT 8 items sound. black and white. 16mm. 7" reel. ; Newsreel produced by The News Parade-Castle Films. ; Allied victory in African deserts over Rommel. |
59 | |||
GROWTH OF A LANGUAGE¾ AMERICAN VERSION 30 items sound. black and white. 16mm. 12" reel. ; Korean language. |
60 | |||
HOUSE, A WIFE, A SINGING BIRD, A 30 items sound. color. 16mm. 12" reel. ; P.F.N. State Film Studios of Indonesia. ; An Indonesian family. |
61 | |||
IMAGES OF DEBUSSY 10 items sound. black and white. 16mm. 10" reel. ; Cinemath que de L'Ensiegnement Public ; French composer, Debussy. In French. |
62 | |||
JAPAN: THE TEN YEARS BEFORE PEARL HARBOR 20 items sound. black and white. 16mm. 10"reel (2 prints) ; Newsreel produced by March of Time. ; Military history of Japan before Pearl Harbor attack. |
63-1 and 63-2 | |||
MAN IN INHUMANITY, A 8 items sound. black and white. 16mm. 7" reel. ; Documentary produced by Free Hungary. ; Imre Nagy, Premier, is taken out of office by the Communists. |
64 | |||
MOBY DICK 30 items sound. color. 16mm. 12" reel. ; Moby Dick story told with paintings. |
65 | |||
NATION IN TORMENT 8 items sound. black and white. 16mm. 7" reel. ; Newsreel produced by USIS. ; Hungary after World War II. |
66 | |||
PACIFIC ISLAND 18 items sound. black and white. 16mm. 10" reel. ; The International Film Foundation ; Travelogue of islands in the Pacific. |
67 | |||
PEARL HARBOR AND NORMANDY 8 items sound. black and white. 16mm. 7" reel. ; A newsreel by The News Parade-Castle Films. ; War effort up until D-Day. |
68 | |||
ROME FALLS TO THE ALLIES 8 items sound. black and white. 16mm. 7" reel. ; A newsreel by The News Parade-Castle Films. ; Allied invasion of Italy. |
69 | |||
SCHOOL AT RINCON SANTO 10 items sound. black and white. 16mm. 7" reel. ; A film by James Blue. ; Poor village in Colombia gets its first school. |
70 | |||
SEA OF WINSLOW HOMER, THE 20 items sound. color. 16mm. 9" reel. ; An episode of the OMNIBUS program, CBS-TV ; Maritime paintings by Homer. |
71 | |||
SKY POWER 8 items sound. black and white. 16mm. 7" reel. ; Credits: Newsreel produced by USIS. ; American defense missiles. |
72 | |||
TEXTILES AND ORNAMENTAL ARTS OF INDIA 8 items sound. color. 16mm. 7" reel. ; Art of Indian clothing, made by Charles and Ray Eames. |
73 | |||
TILT 19 items sound. color. 16mm. 10" reel. ; Film Board of Canada ; An animated film about ecology and population control. |
74 | |||
TRUE GLORY, THE 90 items sound. black and white. 16mm. Three 12" reels. ; Documentary produced by the U.S. War Department. ; Allied invasion of Europe from D-Day to fall of Berlin. |
75-1 to 75-3 | |||
UNCONQUERABLE TIBET 8 items sound. black and white. 16mm. 7" reel. ; Geography and history of Tibet. |
76 | |||
YAKUZA 20 items sound. color. 16mm. 10" reel. ; Organized crime in Japan. |
77 | |||
Subseries 1.4: Miscellaneous3 ½" reel, 16mm |
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container | ||||
"Japanese Army" (tinted) 3 ½" reel |
78 | |||
"Lei Day" 3" reel |
79 | |||
"Maps done by artist" 2 ¾" reel |
80 | |||
"Marchena" 2 ¾" reel |
81 | |||
"Masuro" (Majuro?) Three 3 ½" reels (two are originals) |
82 | |||
"Nauru" 3 ½" reel |
83-85 | |||
"Simulated lizards and rats" Three 3 ½" reels |
86 | |||
Unidentified films |
87-89 | |||
|
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Series 2: Audiotapes and Phonograph Records, 1952-1977, ndIncludes sounds recorded for filmmaking, tapes for teaching college cinema courses, an index of lecture material, and records from Leynse’s personal collection. The Leynse Audiotape and Record Collection consists of a variety of audio mediums including 3" 5" and 7" reels, some which play at 3 ¾, 7 ½, and 15 inches per second, cassettes, and 45rpm and 75rpm records. For listening convenience, all reel-to-reel items have been dubbed to cassette, re-numbered, and combined with the original cassette collection. There are 171 cassettes total that include MASC recordings of approximately 310 reel-to-reel tapes and fifty-four cassettes from the original collection. Original tapes numbered 235, 244, 245, 259, 271, 275, 279, and 281 to 284 are absent from the archive. The lecture material portion of the collection was indexed by Leynse on 3 x 5 file cards and divided alphabetically into two categories: "People and Things" and "Films." The numbers indexed refer to the originally numbered item. This index can be found in Box 95. |
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Subseries 2.1: Oceania Productions and USIS-Korea (Cassettes)(Numbered 1-52) A collection of tapes that were used in the production of some of the films that Leynse produced for Oceania Productions and those films that Leynse worked on while he was with USIS-Korea. The first fifteen tapes are recordings of music, songs, sounds from the South Pacific Islands, Hong Kong, and parts of Southeast Asia. Tapes 16-26 (including 19 and 19a) are similar, but they include recordings of soundtracks used in the production of some films produced by the USIS-Korea. Tapes numbered 27-36 were used in the production of Out There, a Lone Island (previously titled Under One Roof). The last set in this group (numbered 37-52) is a collection of sounds, songs, and radio programs from various parts of the Orient, some used in the production of Sumodo and Out There, a Lone Island. |
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container | cassette-side | |||
Men’s Stick Dance, Yap; Songs in Palauan, Koron, February 1952 Original tape 1 |
90 | 1A | ||
Balinese Gamelan Music, April 1959 Original tape 2 |
90 | 1B | ||
Indonesian Music (side 1) Original tape 3 |
90 | 2A | ||
Indonesian Music cont. (side 2 of reel) Song List: 1. Ajo Mama (Ambon); 2. Memotong Padi (Java); 3. Sarinande (Ambon); 4. Iwang Sarge (Batok); 5. Gunung Salhutu (Ambon); 6. Kasih (Java); 7. Sudah Berlajar (Ambon); 8. Rajuan Pulau Kelapa (Java); 9. Tari Pajung (Sumatra); 10. O, Ina, Mkeke (Ambon); 11. Poton Padi (Java); 12. Debiecah Smar Bulan (Java); 13. Bela ‘Ku iNgat (Java); 14. Bununb Nona (Ambon) Original tape 3 |
90 | 2B | ||
Music to sound version of Micronesia Original tape 4 |
90 | 3A | ||
Aids to the Pronunciation of Micronesian Words Original tape 4 |
90 | 3B | ||
Tahitian Songs: 1. Tamure; 2. Tiare Rere; 3. Vana Vana; 4. Tanga Tika; 5. Tau Here; 6. Vahine Anamite; 7. Minoi Minoi; 8. Manu; 9. Papio; 10. Mareva; 11. Café au lait; 12. Maruru Original tape 5 |
90 | 4A | ||
Majuro and Truk Songs Original tape 6 |
90 | 4B | ||
Yap Women Dances, February 23, 1955 Original tape 7 |
90 | 5A | ||
(blank) |
90 | 5B | ||
Korean Kayagum Variations, June 6 ; This is a recording of Leynse at a meeting with several Korean musicians in which he is inquiring into the possibility of using Korean music in his film. Original tape 8 |
90 | 6A | ||
Korean Kayagum music used in Birds of a Feather Original tape 9 |
90 | 6B | ||
Nauru Music: original Nauru music including singing, instrumentals, and chants Original tape 10 |
90 | 7A | ||
(blank) |
90 | 7B | ||
Easter Service on airfield on the island of Majuro, April 1952: 1."Glad Breaks the Day" sung by Intermediate Students of the Marshall Islands; 2. Leynse re-reads the Easter Sermon; 3. "I know that my Redeemer" sung in Marshallese 4. Recording of child named "Dougy", Sound to Reel #2 on Atoll Called Majuro Original tape 11 |
90 | 8A | ||
UN radio presents "The Grand Alliance" (side 2 of reel), October 1953; Abby and Humphrey Leynse’s trip to Hawaii, summer 1951 Original tape 11 |
90 | 8B | ||
Street sounds, Hong Kong, Dec. 1955 Original tape 12 |
90 | 9A | ||
Naura, singing and instruments, March 1953 Original tape 13 |
90 | 9B | ||
Sumatra, music Song List: 1. Sunstrom’s Trio; 2. Hek di-simbir? from Lake Toba; 3. Marsirong; 4. Sian nd dao; 5. Na frogos; 6. Andung ni si Boruadi Original tape 14 |
90 | 10A | ||
Sebolga, Sumatra, Batak Chuetra. Church Songs, February 8, 1958 Original tape 15 |
90 | 10B | ||
Sumatra, Menangkaban modern music, February 12, 1958 Song List: 1. Gadih Minang (Minang girls); 2. Oi kampuang; 3. Titian Nan La Puak (the old bridge); 4. Dendang Djo tari (song and dance); 5. Bruak Pinto (Bad Luck) Original tape 16 |
90 | 11A | ||
Sumatra, classic and modern music, February 14, 1958 Song List: 1. Originals from Padang Sidempuan -- Uning An Djando and Dendang Sajana; 2. From Kotanopan – Gondang; Sarama (Tari-Tarian); 3. From S. Golga – Tari piring (modern); 4. From S. Golga – si Kamgang Botan (classical); 5. Grom Toba – Marbulang Ombun (classical); From Toba Paonan Hasang (modern) Original tape 17 |
90 | 11B | ||
Musical Background Sound for the production Thailand Original tape 18 |
90 | 12A | ||
Indonesian wedding party, Djakarta, February 1, 1959 Original tape 19 |
90 | 12B | ||
Street Sounds, Djakarta, Indonesia (original) Original tape 20 |
90 | 13A | ||
Sumatra, jungle sound, songs from Mandailing Song List: 1. Jungle Sounds w/monkeys in trees – Central Sumatra; 2. Waterfall – Bakit Tinggi; 3. Flute, Drums and Songs from Mandailing Area (Minangkabau) Original tape 21 |
90 | 13B | ||
Marshallese singing, August 1952 Song List: 1. Bakudar (Bomb) song of World War II; 2. Hymn – Jodis Love; 3. Christmas Song – Joy to the World; 4. Christmas Tree Song; 5. War Chant (Yebwa) Original tape 22 |
90 | 14A | ||
Sound to An Atoll Called Majuro (side two of reel) Original tape 22 |
90 | 14B | ||
Balinese Gamelan Music, April 1959 Recorded at Bangli, Bali, Indonesia Song List: 1. Legong Keraton; 2. Baris; 3. Kebiar Duduk (siting dance); 4. Tambulilngan (Bee Dance) Original tape 23 |
90 | 15A | ||
Korean Buddhist Monk Chants Original tape 24 |
90 | 15B | ||
Sibolga, church songs, February 14, 1958 Song List: 1. Cadang do hasusaon (poor recording) Original tape 25 |
90 | 16A | ||
(blank) |
90 | 16B | ||
Sound to "Salome" Original tape 26 |
90 | 17A | ||
Tahitian Music (side 2 of reel) Original tape 26 |
90 | 17B | ||
Minangkagau music, February 12, 1958 Song List: 1. Talempong – gongs and flute; 2. Flue (made of glass); 3. Nalam (native song); 4. Indang (story); 5. Rebab (violin) Original tape 27 |
90 | 18A | ||
Sound for Micronesia Lecture Film Original tape 28 |
90 | 18B | ||
National election returns and "Tidal Wave Report" (KGU Honolulu radio report), November 4, 1952 Original tape 29 |
90 | 19A | ||
(blank) |
90 | 19B | ||
Hawaiian Music (side 2) (19, 19a on same original tape, #29) Original tape 29 |
90 | 19a-A | ||
(blank) |
90 | 19a-B | ||
Soundtrack to Island Doctor Original tape 30 |
90 | 20A | ||
Soundtrack to Shipmates (music, effects and dialogue) Original tape 31 |
90 | 20B | ||
Soundtrack to The Mighty Han Original tape 32 |
90 | 21A | ||
(blank) |
90 | 21B | ||
Soundtrack to Litany of Hope (reels # 1,2,3,4,5) Original tape 33 |
90 | 22A | ||
Soundtrack to Litany of Hope (reels # 6,7) (side 2 of reel) Original tape 33 |
90 | 22B | ||
Soundtrack to A Legacy Original tape 34 |
90 | 23A | ||
(blank) |
90 | 23B | ||
Soundtrack to Ashes, Ashes All Fall Down Original tape 35 |
90 | 24A | ||
Mask Dance, music and effects Original tape 36 |
90 | 24B | ||
Composite pickup for Sumodo, June 23, 1969 Original tape 37 |
90 | 25A | ||
Indigenous sound effects for Sumodo Original tape 38 |
90 | 25B | ||
Rhythm of Hong Kong, May 17, 1957 Original tape 39 |
90 | 26A | ||
(blank) |
90 | 26B | ||
Composite Protection for Out There, A Lone Island, R#1, Jan. 31, 1969 Original tape 1 |
90 | 27A | ||
Composite Protection for Out There, A Lone Island, R#2 Original tape 2 |
90 | 27B | ||
Composite Protection for Under One Roof, R#1, Dec. 19, 1968 Original tape 3 |
90 | 28A | ||
Composite Protection for Under One Roof , R#2, Dec. 19, 1968 Original tape 4 |
90 | 28B | ||
Composite Protection for Under One Roof , R#2, Dec 19, 1968 Original tape 5 |
90 | 29A | ||
Composite Protection for Under One Roof, R#3, Dec. 19, 1968 Original tape 6 |
90 | 29B | ||
Composite Protection for Under One Roof, R#5, Dec. 19, 1968 Original tape 7 |
90 | 30A | ||
Composite Protection for Under One Roof, R#6, Dec. 19, 1968 Original tape 8 |
90 | 30B | ||
Composite Protection for Under One Roof, R#7, Dec. 19, 1968 Original tape 9 |
90 | 31A | ||
Composite Protection for Under One Roof, R#8, Dec. 19, 1968 Original tape 10 |
90 | 31B | ||
Under One Roof music, reels no. 1 and 2 Original tape 11 |
90 | 32A | ||
Under One Roof music, reels no. 3 and 4 Original tape 12 |
90 | 32B | ||
Under One Roof music, reels no. 5 and 6 Original tape 13 |
90 | 33A | ||
Under One Roof music, reels no. 7 and 8 Original tape 14 |
90 | 33B | ||
Short clips from Under One Roof (side two of reel 14) Original tape 14 |
90 | 34A | ||
(blank) |
90 | 34B | ||
Composite pickup for Out There a Lone Island, June 23, 1969 Original tape 15 |
90 | 35A | ||
Narration spoken by Lindsay Workman, for Out There, a Lone Island, Jan 9, 1969 Original tape 16 |
90 | 35B | ||
Indigenous Sounds for film Under One Roof, reels # 5,6,7,8 Original tape 17 |
91 | 36A | ||
(blank) |
91 | 36B | ||
Sound, songs, and radio programs |
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container | cassette-side | |||
Train at Sangnam, June 1964 : Cow Market at Sadong – including cow auctioneer, Oct. 1966 Original tape 1 |
91 | 37A | ||
Cow Market Restaurant; Mountain Cow Talk-echoes, Oct 1966 Original tape 2 |
91 | 37B | ||
Cow Talk at loading on Blue Dragon, Aug. 1964; Post Sync dialogue scene #20, Mar. 1967; Blue Dragon Ship music at Todong with pong-pong of neighboring fishing boat, March 1967; James Aaron Leynse, 7 ½ mo. old, baby talk Original tape 3,4 |
91 | 38A | ||
Dialogue scene #14, effects Original tape 4 |
91 | 38B | ||
Blue Dragon effects; Sangnam train, Mar. 1967 Original tape 4 |
91 | 39A | ||
Blue Dragon effects; funeral mourns and chants Original tape 5 |
91 | 39B | ||
Dialogue scenes #36, 37, and 38 Original tape 6 |
91 | 40A | ||
Dialogue scenes #33, 29, 31, and 34 Original tape 7 |
91 | 40B | ||
Chants; cuckoo bird; Moon-ja singing Miyuk song Original tape 8 |
91 | 41A | ||
(blank) |
91 | 41B | ||
Korean Music Effects, June 27, 1967 Original tape 10 |
91 | 42A | ||
Moon-ja’s song, birds twittering, thrashing barley, Autumn Breeze (song) Original tape 11 |
91 | 42B | ||
Cow Panting; Annual Old Men’s Club Affair Original tape 12 |
91 | 43A | ||
Crickets, rain and thunder sounds Original tape 13 |
91 | 43B | ||
Rain and thunder sounds, theme ideas: Miss Kim sings Korean song, "Cradle Song" Original tape 14,15 |
91 | 44A | ||
Two Korean Chants: Pyong Chong and Pompei Original tape 15 |
91 | 44B | ||
Squid Fishing Sounds (boat motors, fisherman, squid being caught) Original tape 16 |
91 | 45A | ||
Squid Return: waves and beach sounds while squid fishers come in, shoveling rocks Original tape 17 |
91 | 45B | ||
Funeral Chants, Monk with bell, Field Day Sounds Original tape 18 |
91 | 46A | ||
Korean pop music recorded from radio in Seoul, Korea, May 1968 Original tape 19 |
91 | 46B | ||
High School Band at Todong, Barbershop sounds Original tape 20 |
91 | 47A | ||
Barbershop sounds, Court music Original tape 21 |
91 | 47B | ||
Court music Original tape 22 |
91 | 48A | ||
Scull squawks, water effects and chickens cackling Original tape 23 |
91 | 48B | ||
Bar sounds, Market sounds and Street Sounds in Seoul Original tape 24 |
91 | 49A | ||
Street Sounds in Seoul, April 1968 Original tape 25 |
91 | 49B | ||
Korean farmers dance, Webcore Stereophonic Sound Advertisement Original tape 26 |
91 | 50A | ||
Webcore Stereophonic Sound Advertisement w/ music from the Concert Series Original tape 26 |
91 | 50B | ||
Out-takes of live ceremonial sounds not used in the Sumo film, July 20, 1968 Original tape 27 |
91 | 51A | ||
Sumo matches, recorded off radio w/ Japanese commentary, July 13, 1968 Original tape 28 |
91 | 51B | ||
Interview (in English) with Jesse Takamiyama, Sumo wrestler from Hawaii, Oct. 18, 1968 Original tape 29 |
91 | 52A | ||
Viennese Zithers Original tape 30 |
91 | 52B | ||
Subseries 2.2: Teaching Materials (See file-card index in box 95)Includes tapes (numbered 53-170) that Leynse recorded for use in teaching college courses about cinema, especially history and criticism. These consist of conversations and discussions recorded from television and radio programs, speeches, and readings from autobiographies. Among some of the subjects are film directors such as Robert Altman, Ingmar Bergman, Frank Capra, Alfred Hitchcock, John Huston, Arthur Penn, and Orson Welles, all of whom discuss their careers in films and filmmaking. Leynse also recorded famous scenes from films like Casablanca (Bogart and Bergman) and High Noon (Gary Cooper). Leynse made these tapes by recording television programs such as "The History of the Movies," "The Men who Made the Movies," "The Moviegoers," and others on more specific subjects such as Japanese cinema and the impact of film on black culture. |
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container | cassette-side | |||
Frank Capra on Why We Fight series taken from his autobiography, The Name abovethe Title, narrated by Paul Wadley Counter 000-246 Original tape 1 |
91 | 53A | ||
Frank Capra on the production of Lost Horizon (1937) taken from his autobiography The Name abovethe Title, narrated by Paul Wadley Counter 000-274 Original tape 2 |
91 | 53B | ||
NBC News Speaking Freely with Frank Capra, interviewed by Edwin Nealman , Dec. 17, 1971 Counter 000-872 Original tape 3 |
91 | 54A | ||
"Hollywood in the ‘50s" from TV series The Dream Factory Counter 000-235 Original tape 4 |
91 | 54B | ||
TV Show Film Odyssey presents M (1931), Frame of Reference interview with Fritz Lang (director of M) and Phil Chamberland Counter 245-498 Original tape 5 |
91 | 54A | ||
TV Show Film Odyssey presents Ivan the Terrible (1945) by Sergei Eisenstein, Frame of Reference interview with Annette Michalson Counter 508-764 Original tape 6 |
91 | 54A | ||
TV Show Film Odyssey presents Battleship Potemkin (1925) by Sergei Eisenstein, Frame of Reference (Charles Champlin) interview with Annette Michalson Counter 000-312 Original tape 7 |
91 | 55A | ||
Frank Capra speaks on the death of Harry Langdon Counter 322-344 Original tape 8 |
91 | 55A | ||
TV Show Film Odyssey presents Orphius (1972) by Jean Cocteau, Frame of Reference (Charles Champlin) interview with Peter Ustinof Counter 000-359 Original tape 9 |
91 | 55B | ||
TV Show Film Odyssey presents Knife in the Water (1962) by Roman Polanski, Frame of Reference (Charles Champlin) interview with Roman Polanski Counter 000-365 Original tape 10 |
91 | 56A | ||
TV Show Film Odyssey presents The Overcoat (1961) by Nikolai (Vasilyevich) Gogol, Frame of Reference (Charles Champlin) interview with Franklin Schaffner Counter 000-217 Original tape 11 |
91 | 56B | ||
TV Show Film Odyssey presents Our Daily Bread (1934) by King Vidor, Frame of Reference (Charles Champlin) interview with King Vidor and Peter Bogdanovich (film critic) Counter 227-395 Original tape 12 |
91 | 56B | ||
TV Show Film Odyssey presents Yojimbo (1961) by Akiri Kurasaura, Frame of Reference (Charles Champlin) interview with Richard Brooks (director) Counter 000-126 Original tape 13 |
91 | 57A | ||
TV Show Film Odyssey presents The Last Laugh (1924) by F.W. Murnau, Frame of Reference (Charles Champlin) interview with John Schlesinger Counter 036-329 Original tape 14 |
91 | 57A | ||
Bette Davis interview from TV series The Movie Crazy Years Counter 334-426 Original tape 15 |
91 | 57A | ||
Bette Davis interview from TV series The Movie Crazy Years Counter 000-243 Original tape 16 |
91 | 57B | ||
TV Show Film Odyssey presents Sawdust and Tinsel (1953) by Igmar Bergman, Frame of Reference (Charles Champlin) interview with Stanley Kauffman (film critic), 1972 Counter 000-375 Original tape 17 |
91 | 58A | ||
TV Show Film Odyssey presents Man of Aran (1934) by Robert Flaherty, Frame of Reference (Charles Champlin) interview with Arthur Night, 1972 Counter 000-195 Original tape 18 |
91 | 58B | ||
TV Show Film Odyssey presents L’adventura (1959) by Michelangelo Antonioni, Frame of Reference (Charles Champlin) introduction, 1972 Counter 205-235 Original tape 19 |
91 | 58B | ||
TV Show Film Odyssey presents Two Daughters (1961) by Satjut Ray, Frame of Reference (Charles Champlin) introduction Counter 245-275 Original tape 20 |
91 | 58B | ||
TV Show Film Odyssey presents Los Olividados (1950) by Louis Buñel, Frame of Reference (Charles Champlin) interview with Andrew Sarris, 1972 Counter 285-366 Original tape 21 |
91 | 58B | ||
TV Show Film Odyssey presents Cabinet of Dr. Caligari (1919) by Rob Weine, Frame of Reference (Charles Champlin) interview with Alfred Hitchcock, 1972 Counter 000-463 Original tape 22 |
91 | 59A | ||
Interview with Ingrid Bergman about Casablanca, from TV series Life Goes to the Movies Counter 000-126 Original tape 23 |
91 | 59B | ||
Short interview with John Huston about San Pietro and clips from the film Counter 136-220 Original tape 24 |
91 | 59B | ||
Film clips of Charlie Chaplin in Monsieur Verdieux Counter 230-251 Original tape 25 |
91 | 59B | ||
Communism in Hollywood, from TV series Hollywood in the 1940s Counter 261-337 Original tape 26 |
91 | 59B | ||
The Treasure of Sierra Madre (1948), from TV series Hollywood in the 1940s Counter 347-383 Original tape 27 |
91 | 59B | ||
Excerpts from James Cagney films: Roaring Twenties (1938), Strawberry Blond (1941), and White Heat (1949), from TV series Hollywood in the 1940s Counter 393-440 Original tape 28 |
91 | 59B | ||
Spellbound (1945) by Alfred Hitchcock (new techniques used in film), from TV series Hollywood in the 1940’s. Counter 000-085 Original tape 29 |
91 | 60A | ||
Excerpts from Frank Capra’s Meet John Doe and remarks from Capra. Counter 095-189 Original tape 30 |
91 | 60A | ||
Interviews on Humphrey Bogart’s films: Roaring Twenties (1939), They Drive by Night (1940), High Sierra (1941), and The Maltese Falcon (1941) Counter 199-323 Original tape 31 |
91 | 60A | ||
World War II films Air Force (1943), Mission to Moscow, request by President Roosevelt to enter WWII (1941), patriotic songs Counter 000-252 Original tape 32 |
91 | 60B | ||
TV Show Film Odyssey presents Beauty and the Beast (1946) by Jean Cocteau, Frame of Reference (Charles Champlin) interview with Francis Steegmuller (Cocteau’s biographer) Counter 000-387 Original tape 33 |
91 | 61A | ||
Discussion of Arthur Penn’s ending of Bonnie and Clyde (1967), taken from film on Penn, Themes and Variants Counter 000-214 Original tape 34 |
91 | 61B | ||
Discussion on impromptu directing and violence and sex used by Arthur Penn, taken from film on Penn, Themes and Variants Counter 224-438 Original tape 35 |
91 | 61B | ||
Discussion on Arthur Penn’s films Alice’s Restaurant (1969) and Mickey One, taken from film on Penn Themes and Variants Counter 000-187 Original tape 36 |
91 | 62A | ||
Discussion on Arthur Penn’s film Little Big Man (1970), taken from film on Penn Themes and Variants Counter 197-251 Original tape 37 |
91 | 62A | ||
TV Show Film Odyssey presents Rules of the Game (1939) by Jean Renoir, Frame of Reference (Charles Champlin) interview with Jean Renoir Counter 261-396 Original tape 38 |
91 | 62A | ||
TV Show Film Odyssey presents Intimate Lighting (1965) by Ivan Passer, Frame of Reference (Charles Champlin) interview with Robert Altman Counter 000-269 Original tape 39 |
91 | 62B | ||
TV Show Film Odyssey presents Barrier (1966) Jersy Skolimowski, Frame of Reference (Charles Champlin) interview with Jersy Skolimowski Counter 279-356 Original tape 40 |
91 | 62B | ||
TV Show Film Odyssey presents Jules and Jim (1961) by Francois Truffaut, Frame of Reference (Charles Champlin) interview with Jean Renoir Counter 000-225 Original tape 41 |
91 | 63A | ||
TV Show Film Odyssey presents The Blue Angel (1942) by Joseph von Sternburg, Frame of Reference (Charles Champlin) interview with Andrew Sarris Counter 229-399 Original tape 42 |
91 | 63A | ||
TV Show Film Odyssey presents Grand Illusion (1937) Jean Renoir, Frame of Reference (Charles Champlin) interview with Jean Renoir Counter 404-456 Original tape 43 |
91 | 63A | ||
TV Show Film Odyssey presents Seven Samurai (1954) Akira Kurascausa, Frame of Reference (Charles Champlin) interview with Tishoro Mifune Counter 000-121 Original tape 44 |
91 | 63B | ||
Mutiny on the Bounty, from TV (incl. scene MGM lot bids of props) Wizard of Oz Counter 131-149 Original tape 45 |
91 | 63B | ||
Wizard of Oz (includes bidding on glass shoes - $15,000) Counter 159-193 Original tape 46 |
91 | 63B | ||
Hollywood in the 1920’s Counter 203-302 Original tape 47 |
91 | 63B | ||
"Hollywood Starts," from the TV series The Dream Factory (Greta Garbo, Clark Gable) Counter 312-426 Original tape 48 |
91 | 63B | ||
TV series The Dream Factory, Hollywood Counter 000-128 Original tape 49 |
91 | 64A | ||
the song "Happy Endings" Counter 138-164 Original tape 50 |
91 | 64A | ||
(blank) |
91 | 64B | ||
Honky Tonk Music (piano) Counter 000-564 Original tape 51 |
91 | 65A | ||
Lewis Milestone discusses his film All Quiet on the Western Front (1930), spoken by Herbert Wood and H. Leynse asking the interview questions Counter 574-824 Original tape 52 |
91 | 65A | ||
D.W. Griffith – His declining years (by Igor Kosin) Counter 829-901 Original tape 53 |
91 | 65A | ||
Charlie Chaplin speaks about his childhood Counter 000-051 Original tape 54a |
91 | 65B | ||
Charlie Chaplin speaks about meeting Max Sennett Counter 056-179 Original tape 54b |
91 | 65B | ||
Charlie Chaplin speaks about Gold Rush Counter 184-291 Original tape 54c |
91 | 65B | ||
Charlie Chaplin speaks about his immigration probe Counter 296-405 Original tape 54d |
91 | 65B | ||
Charlie Chaplin speaks about leaving the US Counter 410-460 Original tape 54e |
91 | 65B | ||
Orson Welles introduces the TV showing of the film Intolerance (1916) by D.W. Griffith Counter 470-554 Original tape 55 |
91 | 65B | ||
Honky Tonk Music Counter 000-643 Original tape 56 |
91 | 66A | ||
Norman McLaren interview by Canadian TV about his films (beginning was not recorded), Oct. 1972 Counter 653-807 Original tape 57 |
91 | 66A | ||
45th Academy Awards, cut to awards won by Cabaret (most awards), Mar. 1973 Counter 000-576 Original tape 58 |
91 | 66B | ||
45th Academy Awards, announcement of Limelight, Mar. 1973 Counter 586-627 Original tape 59 |
91 | 66B | ||
American Film Institute tribute to John Ford, April 2, 1973 Counter 000-915 Original tape 60 |
91 | 67A | ||
American Film Institute tribute to John Ford (continued from side a), April 2, 1973 Counter 000-167 Original tape 60 |
91 | 67B | ||
45th Academy Awards, special on Edward G. Robinson introduced by James Cagney, Mar. 1973 Counter 177-332 Original tape 61 |
91 | 67B | ||
45th Academy Awards, music medley for the 50th Anniversary of Disney Productions, Mar. 1973 Counter 342-418 Original tape 62 |
91 | 67B | ||
45th Academy Awards, Humanitarian Award given by Frank Sinatra, Mar. 1973 Counter 428-497 Original tape 63 |
91 | 67B | ||
45th Academy Awards, best actor award for Godfather (Marlon Brando), March 1973 Counter 507-642 Original tape 64 |
91 | 67B | ||
Frank Capra at the Seattle Film Society, Mar. 9, 1973 Counter 000-851 Original tape 65 |
91 | 68A | ||
Frank Capra at the Seattle Film Society (continued from Side A), March 9, 1973 Counter 000-704 Original tape 65 |
91 | 68B | ||
TV series Humanities Film Forum presents Hamlet (1969) by Tony Ricardson, opening and ending comments only with host Jim Billington, March 12, 1973 Counter 000-558 Original tape 66 |
91 | 69A | ||
Film clip from Sergant York (1941) by John Huston Counter 568-608 Original tape 67 |
91 | 69A | ||
Don Manicienicz talking about Citizen Kane at the Motion Picture Seminar of the Northwest , May 5, 1973 Counter 618-729 Original tape 68 |
91 | 69A | ||
PBS TV special "Eisenstein" about Russian film director Sergei Eisenstein: his early background, May 1973 Counter 739-888 Original tape 69 |
91 | 69A | ||
PBS TV special "Eisenstein" on Sergei Eisenstein’s films Strike (1924) and Battleship Potempkin (1925), May 1973 Counter 000-180 Original tape 70 |
91 | 69B | ||
PBS TV special "Eisenstein" on Sergei Eisenstein’s films Ten Days that shook the World (1927) and Old and New, May 1973 Counter 185-493 Original tape 71 |
91 | 69B | ||
PBS TV special "Eisenstein" on Sergei Eisenstein overseas (his western tour in London), including Que Viva Mexico (1930) and Thunder over Mexico, May 1973 Counter 498-668 Original tape 72 |
91 | 69B | ||
PBS TV special "Eisenstein" on Sergei Eisenstein in Russia again, May 1973 Original tape 73 |
91 | 69B | ||
PBS TV special "Eisenstein" on Ivan the Terrible (1943) and Sergei Eisenstein’s Last Days, May 1973 Counter 806-921 Original tape 74 |
91 | 69B | ||
Camera Talk with Mike Tatem: "What kind of Camera to Buy" Counter 000-113 Original tape 75 |
91 | 70A | ||
Camera Talk with Mike Tatem: "Films: Black and White vs. Color" Counter 118-175 Original tape 76 |
91 | 70A | ||
Camera Talk with Mike Tatem: "Electronic Flash" Counter 180-248 Original tape 77 |
91 | 70A | ||
Camera Talk with Mike Tatem: "You and the Dark Room" Counter 253-324 Original tape 78 |
91 | 70A | ||
Camera Talk with Mike Tatem: "Accessories" Counter 329-394 Original tape 79 |
91 | 70A | ||
Camera Talk with Mike Tatem: "Indoor Photography" Counter 399-394 Original tape 80 |
91 | 70A | ||
Camera Talk with Mike Tatem: "Light Meter" Counter 000-113 Original tape 81 |
91 | 70B | ||
Camera Talk with Mike Tatem: "Light Meters" Counter 118-181 Original tape 82 |
91 | 70B | ||
Camera Talk with Mike Tatem: "The Photographic Eye" Counter 186-266 Original tape 83 |
91 | 70B | ||
Camera Talk with Mike Tatem: "Photographing Human Emotion" Counter 271-340 Original tape 84 |
91 | 70B | ||
Camera Talk with Mike Tatem: "Filters" Counter 345-411 Original tape 85 |
91 | 70B | ||
Camera Talk with Mike Tatem: "Macro and Zoom Lessons" Counter 416-475 Original tape 86 |
91 | 70B | ||
Katherine Hepburn on the Dick Cavett TV Show, First of 2 part series, Oct. 2 1973 Counter 000-911 Original tape 87 |
91 | 71A | ||
Part I continued, of Katherine Hepburn on the Dick Cavett TV Show, Oct. 2 1973 Counter 000-108 Original tape 87 |
91 | 71B | ||
Part II of Katherine Hepburn on the Dick Cavett TV Show, Oct. 2 1973 Counter 118-889 Original tape 88 |
91 | 71B | ||
Katherine Hepburn reminisces about experience making African Queen (1951) with Humphrey Bogart. Clip from the Dick Cavett TV Show, Oct. 3 1973 Counter 000-141 Original tape 89 |
92 | 72A | ||
Katherine Hepburn interview about early cinema and what it’s like in Hollywood. Clip from Dick Cavett TV Show Counter 151-248 Original tape 90 |
92 | 72A | ||
Camera Talk with Mike Tatem: "Enlarging Hints" Counter 258-331 Original tape 91 |
92 | 72A | ||
Camera Talk with Mike Tatem: "Available Light Photography" Counter 341-390 Original tape 92 |
92 | 72A | ||
KWSU Radio Show: The Moviegoers moderated by Humphrey Leynse, first show, Sept. 1973. Counter 000-285 Original tape 93 |
92 | 72B | ||
Ending clip of Frank Capra taken from the TV show Men Who Made the Movies, Nov. 11, 1973 Counter 295-350 Original tape 94 |
92 | 72B | ||
Frank Capra’s Meet John Doe (1941) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 000-276 Original tape 95 |
92 | 73A | ||
Frank Capra’s Lost Horizon (1937) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 281-358 Original tape 96 |
92 | 73A | ||
Frank Capra’s Why We Fight Series from the TV Series Men Who Made The Movies, Nov. 1973 Counter 263-407 Original tape 97 |
92 | 73A | ||
Frank Capra’s Arsenic and Old Lace (1944) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 412-462 Original tape 98 |
92 | 73A | ||
Frank Capra’s It Happened One Night (1934) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 467-574 Original tape 99 |
92 | 73A | ||
Frank Capra’s It’s a Wonderful Life (1946) from the TV Series Men Who Made The Movies, Nov. 1973 Counter 579-703 Original tape 100 |
92 | 73A | ||
Frank Capra’s Mr. Deeds Goes to Town (1936) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 708-793 Original tape 101 |
92 | 73A | ||
Frank Capra’s Mr. Smith Goes to Washington (1939) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 000-250 Original tape 102 |
92 | 73B | ||
Howard Hawks interview taken from the TV Series Men Who Made The Movies, includes clips from Crowd Roars (1932), 20th Century (1934), Only Angels Have Wings (1939), His Girl Friday(1940), Air Force (1943), Nov. 1973 Counter 255-714 Original tape 103 |
92 | 73B | ||
Howard Hawks interview taken from the TV Series Men Who Made The Movies, includes clips from To Have and To Have Not (1944), Nov. 1973 Counter 719-807 Original tape 104 |
92 | 73B | ||
Howard Hawks’ Red River (1948) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 812-887 Original tape 105 |
92 | 73B | ||
Howard Hawks’ Rio Bravo (1959) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 000-211 Original tape 106 |
92 | 74A | ||
Raoul Walch – His early life and films taken from the TV Series, Men Who Made The Movies, Nov. 1973 Counter 216-632 Original tape 107 |
92 | 74A | ||
Raoul Walsh’s The Roaring Twenties (1939) from the TV Series Men Who Made The Movies, Nov. 1973 Counter 637-712 Original tape 108 |
92 | 74A | ||
Raoul Walsh’s High Sierra (1941) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 717-808 Original tape 109 |
92 | 74A | ||
Raoul Walsh’s The Strawberry Blond (1941) from the TV Series Men Who Made The Movies, Nov. 1973 Counter 000-218 Original tape 110 |
92 | 74B | ||
Raoul Walsh’s They Died with Their Boots (1941) On from the TV Series Men Who Made The Movies, Nov. 1973 Counter 223-425 Original tape 111 |
92 | 74B | ||
Raoul Walsh’s Gentleman Jim (1942) taken from the TV Series Men Who Made The Movies, Nov. 1973 Counter 440-540 Original tape 112 |
92 | 74B | ||
War years films by Raoul Walsh from the TV Series Men Who Made The Movies, Nov. 1973 Counter 545-624 Original tape 113 |
92 | 74B | ||
Raoul Walsh’s White Heat (1949) and his last films, from the TV Series Men Who Made The Movies, Nov. 1973 Counter 629-765 Original tape 114 |
92 | 74B | ||
"George Lukor – His Films" (Part I), from the TV Series Men Who Made the Movies , Nov. 1973 Counter 000-509 Original tape 115 |
92 | 75A | ||
"George Lukor – His Films" (Part II), from the TV Series Men Who Made the Movies, Nov. 1973 Counter 000-533 Original tape 116 |
92 | 75B | ||
"The Films of Vincent Minelli" (Part I), from the TV Series Men Who Made the Movies, Nov. 1973 Counter 000-468 Original tape 117 |
92 | 76A | ||
"The Films of Vincent Minelli" (Part II), from the TV Series Men Who Made the Movies Counter 000-439 Original tape 118 |
92 | 76B | ||
("Science in the News" feature of WSU TV and Radio – ending clip) Counter 439-448 Original tape 118 |
92 | 76B | ||
"William Wellman" (Part I), taken from the TV Series Men Who Made the Movies Counter 000-453 Original tape 119 |
92 | 77A | ||
"William Wellman" (Part II), taken from the TV Series Men Who Made the Movies Counter 000-438 Original tape 120 |
92 | 77B | ||
("Literacy Scrapbook" WSU Radio – ending clip) Counter 439-444 Original tape 120 |
92 | 77B | ||
"Alfred Hitchcock – His Early Years," from the TV Series Men Who Made the Movies Counter 000-177 Original tape 121 |
92 | 78A | ||
Alfred Hitchcock’s The Lodger (1926) and Sabeoteur (1942), taken from the TV Series Men Who Made the Movies Counter 182-324 Original tape 122 |
92 | 78A | ||
Alfred Hitchcock’s Uncle Charlie, from the TV Series Men Who Made the Movies Counter 329-409 Original tape 123 |
92 | 78A | ||
Alfred Hitchcock’s Notorious (1946), taken from the TV Series Men Who Made the Movies Counter 413-520 Original tape 124 |
92 | 78A | ||
Alfred Hitchcock’s Psycho (1960), taken from the TV Series Men Who Made the Movies Counter 525-642 Original tape 125 |
92 | 78A | ||
Alfred Hitchcock’s the Birds (1963), taken from the TV Series Men Who Made the Movies Counter 000-149 Original tape 126 |
92 | 78B | ||
Alfred Hitchcock’s Torn Curtain (1966) and Frenzy (1971), taken from the TV Series Men Who Made the Movies Counter 159-325 Original tape 127 |
92 | 78B | ||
"Films of King Vidor" (Part I), taken from the TV Series Men Who Made the Movies Counter 330-705 Original tape 128 |
92 | 78B | ||
"Films of King Vidor" (Part II), taken from the TV Series Men Who Made the Movies Counter 000-432 Original tape 129 |
92 | 79A | ||
Humphrey Leynse interviewed by Jim Dunne, commentator of WSU Radio show Lets Talk About That (program #541). Topic: Film Criticism Counter 000-461 Original tape 130 |
92 | 79B | ||
*Classical music recording of Rossial Counter 000-661 Original tape 131 |
92 | 80A | ||
*Classical music recording of Mozart Counter 000-586 Original tape 132 |
92 | 80B | ||
*Classical music recording of Suppe Counter 000-600 Original tape 133 |
92 | 81A | ||
*Classical music recording of Hadyn Counter 000-616 Original tape 134 |
92 | 81B | ||
The Moviegoers – WSU film criticism radio show, Mar. 15, 1974 Counter 000-510 Original tape 135 |
92 | 82A | ||
(blank) |
92 | 82B | ||
Platform Presentation by Vincent Price entitled "The Villains Still Pursue Me," Mar. 16, 1974 Counter 000-910 Original tape 136 |
92 | 83A | ||
Vincent Price (cont.), Mar. 15, 1974 Counter 000-043 Original tape 136 |
92 | 83B | ||
Platform Presentation by Vincent Price entitled "The Villains Still Pursue Me", Mar. 16, 1974 Counter 048-677 Original tape 137 |
92 | 83B | ||
Carl Orff’s Carmina Burana (Part I) Counter 000-518 Original tape 138 |
92 | 84A | ||
Carl Orff’s Carmina Burana (Part II) Counter 523-870 Original tape 139 |
92 | 84A | ||
Tchaikovsky Counter 000-637 Original tape 140 |
92 | 84B | ||
Prokofiev: Alexander Nevsky, Love of Three Oranges Counter 000-612 Original tape 141 |
92 | 85A | ||
James Cagney receives the Life Achievement Award by the American Film Institute, Master of Ceremonies: Frank Sinatra (reel 1) Counter 622-911 Original tape 142 |
92 | 85A | ||
American Film Institute, reel 1 continued Counter 000-143 Original tape 142 |
92 | 85B | ||
American Film Institute, reel 2 Counter 148-644 Original tape 143 |
92 | 85B | ||
American Film Institute, reel 3 Counter 649-775 Original tape 144 |
92 | 85B | ||
The Moviegoers interview with Vincent Price, Mar 16, 1974 Counter 000-300 Original tape 145 |
92 | 86A | ||
The Moviegoers with two guests: Robert Littlewood and Vincent Price Counter 000-502 Original tape 146 |
92 | 86B | ||
Mozart – Beethoven – Smetana Counter 000-623 Original tape 147 |
92 | 87A | ||
Tchaikovsky – Symphony #4 Counter 000-574 Original tape 148 |
92 | 87B | ||
Eddie Cantor singing "Making Whoopie" (1930) Counter 000-033 Original tape 149 |
92 | 88A | ||
From the TV show "The Movies," The Chase, Mar. 30, 1974; Teddy at the Throttle, Never Give A Sucker an Even Break (1941), Ben Hur (1925), Bullitt (1968), Casablanca (1943) Counter 043-414 Original tape 150 |
92 | 88A | ||
Al Jolson in "Jazz Singer," Toot Toot Tootsie, etc. Counter 424-449 Original tape 151 |
92 | 88A | ||
The Marx Brothers (1931) Counter 000-087 Original tape 152a |
92 | 88B | ||
The Marx Brothers receiving the Honorary Award at the Academy Awards, April 1974 Counter 094-256 Original tape 152b |
92 | 88B | ||
Sunset Boulevard (1950), Von Stroheim, Wm. Holden Counter 266-304 Original tape 153 |
92 | 88B | ||
Blue Angel, song: "Can’t Help It," sung by M. Dietrich Counter 314-334 Original tape 154 |
92 | 88B | ||
Going to Town (1935), Mae West Counter 344-369 Original tape 155 |
92 | 88B | ||
From TV series The Movies, Close Up Kisses in the Movies (clips) Counter 000-608 Original tape 156 |
92 | 89A | ||
J.S. Bach, harpsichord, Concerts in C major, C minor, A minor Counter 000-608 Original tape 157 |
92 | 89B | ||
song: "Hurray for Hollywood" Counter 510-527 Original tape 158 |
92 | 89B | ||
From the TV series The Movies, songs and scenes from Space Odyssey, narrated by Jack Nicholson, C. Gish, Carl Malden and Gregory Peck Counter 000-369 Original tape 159 |
92 | 90A | ||
From the TV series The Movies, Eyes on the Sparrow, Sound of Music, Zippededoodah Original tape 160 |
92 | 90B | ||
From the TV series The Movies, Counter 000-503 Original tape 161 |
92 | 91A | ||
Gone With the Wind, Mar. 1974 Counter 000-328 Original tape 162 |
92 | 91B | ||
Henri Langlois receives award at the Academy Awards, April 1974 Counter 333-390 Original tape 163 |
92 | 91B | ||
Cries and Whispers wins Best Cinematography award at Academy Awards, April 1974 Counter 395-466 Original tape 164 |
92 | 91B | ||
A Touch of Class nominated for Best Picture of the Year at Academy Awards (film clip) Counter 471-498 Original tape 165 |
92 | 91B | ||
Day for Night (Truffant) wins Best Foreign Film of the Year at Academy Awards, April 1974 Counter 503-533 Original tape 166 |
92 | 91B | ||
Clip from Exorcist, 5th nominee for Best Picture at Academy Awards, April 1974 Counter 538-562 Original tape 167 |
92 | 91B | ||
From the TV show "The Movies," clip from High Noon Counter 567-605 Original tape 168 |
92 | 91B | ||
(clip) On the Waterfront (Marlon Brando) Counter 610-637 Original tape 169 |
92 | 91B | ||
"The Moviegoers" thirtieth issue, last for the season Counter 000-500 Original tape 170 |
92 | 92A | ||
Marshal McLuhan speaks on human behavior and the new and the old Counter 510-535 Original tape 171 |
92 | 92A | ||
From TV show "History of the Movies," clip on Harold Lloyd Counter 540-571 Original tape 173 |
92 | 92A | ||
From TV show "History of the Movies: Laurel and Hardy" (early period before they got together) Counter 576-636 Original tape 174 |
92 | 92A | ||
From TV show "History of the Movies: Buster Keaton" Counter 641-667 Original tape 175 |
92 | 92A | ||
"The Moviegoers," November 8 Counter 000-500 Original tape 172 |
92 | 92B | ||
Harry Langdon: From TV show History of the Movies Counter 510-548 Original tape 176 |
92 | 92B | ||
Charlie Chaplin’s early films: From TV show "History of the Movies" Counter 553-614 Original tape 177 |
92 | 92B | ||
Comments on Double Suicide (1969) by Masahiro Shinoda, From TV series The Japanese Film, Jan. 1975 Counter 000-177 Original tape 178 |
92 | 93A | ||
Karikiri, From TV series The Japanese Film (poor recording), February 1975 Counter 182-298 Original tape 179 |
92 | 93A | ||
Three filmmakers discuss Edward Curtis’ work in a documentary. Curtis embarked on a project to record on film all available info on North American Indians (1896) Counter 000-405 Original tape 180 |
92 | 93B | ||
Ansel Adams interview by Susan Sollens on NPR Counter 000-170 Original tape 181 |
92 | 94A | ||
(side 2) President Nixon announces resignation from the Oval Office (end is cut off) Counter 175-233 Original tape 181 |
92 | 94A | ||
Sanjuro (1962) by Akiro Kurosawa and Japanese Film History, From TV series "The Japanese Film" Counter 243-480 Original tape 182 |
92 | 94A | ||
The Moviegoers, February 14, 1975 Counter 000-443 Original tape 183 |
92 | 94B | ||
Night Drum (1958) by Tadashi Imai, From TV series "The Japanese Film" Counter 000-191 Original tape 184 |
92 | 95A | ||
Harp of Burma (1956) by Kon Ichikawa, From TV series "The Japanese Film,"January 23, 1975 Counter 201-391 Original tape 185 |
92 | 95A | ||
D.W. Griffith: Lillian Gish on Radio, January 1975 Counter 396-448 Original tape 186 |
92 | 95A | ||
Audio Soundtrack from film Glimpses of Indian Cinema, also Al Butler speaks on thunder on The Science in the News radio show Counter 000-410 Original tape 188 |
92 | 95B | ||
Honky Tonk Music Original tape 187 |
92 | 96*A | ||
Honky Tonk Music cont. Original tape 187 |
92 | 96*B | ||
Soundtrack from the film African Queen (1951), Part I Counter 000-914 Original tape 189 |
92 | 97A | ||
Soundtrack from the film African Queen (1951), Part I cont. Counter 000-074 Original tape 189 |
92 | 97B | ||
Soundtrack from the film African Queen (1951), Part II Counter 079-571 Original tape 190 |
92 | 97B | ||
Ugetsu (1953) by Kenji Mizoguchi, comments by Edwin Reichamer, from TV series The Japanese Film, February 1975 Counter 576-777 Original tape 191 |
92 | 97B | ||
Comments on When A Woman Ascends the Stairs (1960) by Mikio Naruse, from the TV series The Japanese Film, Mar. 1975 Counter 000-410 Original tape 192 |
92 | 98A | ||
Tribute to 80 years of Hollywood filmmaking – Hollywood music for the chase (i.e. chase scenes) Counter 420-476 Original tape 193 |
92 | 98A | ||
Sansho the Baliff (1954) by Kenji Mizoguchi, from the TV series The Japanese Film, Mar. 1975 (also comments on Japanese culture and male/female roles in society) Counter 486-577 Original tape 194 |
92 | 98A | ||
Twenty Four Eyes (1954) by Keisuke Kinoshita, from TV series, The Japanese Film, Mar. 1975 Counter 000-304 Original tape 195 |
92 | 98B | ||
Gate of Hell (1953) by Teinosuke Kinugasa, from TV series The Japanese Film, Mar. 1975 Counter 314-434 Original tape 196 |
92 | 98B | ||
51st airing of The Moviegoers (1974) Counter 000-418 Original tape 197 |
92 | 99A | ||
Early Summer (1951) by Ozu, from TV series The Japanese Film, Mar. 1975 Counter 508-621 Original tape 198 |
92 | 99A | ||
NBC Today Show comments by Vincent Canby (NY Times) and Richard Schickel (TIME) on the forthcoming Academy Award Winners, April 8, 1975 Counter 000-236 Original tape 199 |
92 | 99B | ||
Howard Hawks receives Honorary Award at the 47th Academy Awards, April 8, 1975 Counter 246-335 Original tape 200 |
92 | 99B | ||
Jean Renoir receives Honorary Award, accepted by Ingrid Bergman at the 47th Academy Awards, April 8, 1975 Counter 345-394 Original tape 201 |
92 | 99B | ||
Special tribute to Fred Astaire at 47th Academy Awards, presented and sung by Sammy Davis, April 8, 1975 Counter 408-477 Original tape 202 |
92 | 99B | ||
47th Academy Awards, April 8, 1975 Counter 000-915 Original tape 203 |
92 | 100A | ||
47th Academy Awards cont., April 8, 1975 Counter 000-306 Original tape 203 |
92 | 100B | ||
47th Academy Awards, part II, April 9, 1975 Counter 311-742 Original tape 204 |
92 | 100B | ||
Script Writers Award presented by James Michener at the 47th Academy Awards, April 9, 1975 Counter 752-804 Original tape 205 |
92 | 100B | ||
Strauss: Death and Transfiguration, Don Juan; Mahler: Symphony #1 (1st and 2nd movements) Counter 000-702 Original tape 206 |
92 | 101A | ||
Strauss cont. Counter 000-072 Original tape 206 |
92 | 101B | ||
Mahler – Symphony #1 in D, "Titan," ; Beethoven – Symphony #7, A major ; Strauss – Death and Transfiguration, Don Juan Counter 000-915 Original tape 207 |
92 | 102A | ||
Mahler, Beethoven and Strauss cont. Counter 000-915 Original tape 207 |
92 | 102B | ||
American Film Institute tribute to Orson Welles, reel 1 of 3. Highlighting the program are clips from some of Welles’ best films, including "Citizen Kane," "The Magnificent Ambersons" (1942), "Othello" (1955) and "Falstaff: Chimes at Midnight" (1967): and from "The Other Side of the Wind," which (was) still in production. At press time, celebrities scheduled to honor Welles included host Frank Sinatra, Charlton Heston, Ingrid Bergman, Edgar Bergen (With Charlie McCarthy), Joseph Cotton, Janet Leigh and Dennis Weaver. Counter 000-519 Original tape 208 |
92 | 103A | ||
American Film Institute tribute to Orson Welles, reel 2 of 3 Counter 000-524 Original tape 209 |
92 | 103B | ||
American Film Institute tribute to Orson Welles, reel 3 of 3 Counter 529-704 Original tape 210 |
92 | 103B | ||
60 Minutes interview with Federico Fellini, May 1975 Counter 000-210 Original tape 211 |
92 | 104A | ||
The Moviegoers 100th – how it began, how it’s put together and why it’s so popular, Jan. 14, 1975 Counter 215-636 Original tape 218 |
92 | 104A | ||
WSU Dept. of Music Student Convocation, February 10, 1976, original compositions from MUS 251 class: Counter 000-642 Original tape 218 |
92 | 104B | ||
"The Drowning Pool," an interview with Gordon Willis Original tape 213 |
92 | 105*A | ||
"The Drowning Pool," an interview with Lawrence Turman and David Foster Original tape 213 |
92 | 105*B | ||
"The Yakuza," an interview with Sydney Pollack Original tape 214 |
92 | 106*A | ||
"The Yakuza," an interview with Robert Towne Original tape 214 |
92 | 106*B | ||
"Aloha Bobby and Rose," an interview with William Fraker Original tape 215 |
92 | 107*A | ||
"Aloha Bobby and Rose," an interview with Floyd Mutrux Original tape 215 |
92 | 107*B | ||
"Night Moves," an interview with Arthur Penn Original tape 216 |
92 | 108*A | ||
"Night Moves," an interview with Bruce Surtees Original tape 216 |
92 | 108*B | ||
Charlie Chaplin: a Nostalgia Theater Presentation with commentator Douglas Sparebanks Jr Counter 000-915 Original tape 220 |
93 | 109A | ||
Charlie Chaplin (cont. side 2) and Charles Kuralt CBS story "On the Road" Counter 000-612 Original tape 220 |
93 | 109B | ||
WSU Dept. of Music presents WSU in Concert: Istuan Nadas (artist in residence) plays the keyboard: Fantasia (Chopin) and de Falla, Kimbrough Hall Counter 000-506 Original tape 221 |
93 | 110A | ||
(blank) |
93 | 110B | ||
"Let’s Do it Again," an interview with Curtis Mayfield Original tape 222 |
93 | 111*A | ||
"Let’s Do it Again," an interview with Sidney Poitier Original tape 222 |
93 | 111*B | ||
"Lowell Thomas Remembers"¾ Documentary, Oct. 5, 1975. A history of movie news reels (1919-1963). The 1937 Hindenburg disaster, the eruption of Mount Etna in 1923, and the Russian Revolution are among the headline stories recalled in the first show of a series tracing the history of movie new reels. Veteran commentator Lowell Thomas serves as host for the programs, which draw upon Fox-Movietone News clips from 1919-1963. In the opener, Thomas reminisces about the medium’s early years. |
93 | 112*A | ||
"Lowell Thomas Remembers" – documentary, Oct. 19, 1975. The events of World War II dominate these film clips from 1942. Highlights include scenes of the Allied raid on Dieppe, a Nazi-held French port; air-sea fighting in the Mediterranean; and Prime Minister Churchill reviewing U.S. troops and equipment at a parade at Fort Jackson, S.C. |
93 | 112*B | ||
(broken tape)! "Lowell Thomas Remembers" – Documentary, Oct. 12, 1975 ; The election of President Franklin D. Roosevelt is among the headlines of 1932 recalled in newsreels. Other featured clips include Al Capone beginning a prison sentence for income tax evasion; aviatrix Amelia Earhart setting a new record for crossing the U.S. – 10 hours and 19 minutes; and a speech by President Roosevelt. Original tape 224 |
93 | 113*A | ||
BROKEN! "Lowell Thomas Remembers" – Documentary, Oct. 26, 1975. Election news dominates the events of 1952. Film clips cover the Democratic and Republican conventions and the landslide victory of President Eisenhower. Other excerpts include scenes of an atomic-bomb test in Nevada Original tape 224 |
93 | 113*B | ||
"WWII in North Africa 1940," TV special aired Nov. 9, 1975. The seesaw desert war begins –tanks hold the key to success. Early British victories are reversed when Rommel sweeps across the sands. Films from national and private sources follow the fierce victory-retreat-victory cycles of El Alamein, Tobruk and Benghazi. Officers from both sides candidly discuss the hardships and unique problems encountered. Original tape 225 |
93 | 114*A1 | ||
"WWII in North Africa 1940," TV special aired Nov. 9, 1975 Original tape 225 |
93 | 114*B1 | ||
"World At War 1942," TV special aired Nov. 2, 1975. The United States prepares for and enters the war. Roosevelt is reelected, the Lend-Lease Bill is passed and aid goes to Britain. U-boats attack American escort ships in the Atlantic and the Neutrality Act is repealed. Films from national and private sources show Japanese-Americans being sent to incarceration camps and war preparations. Footage also highlights the fall of Manila, the surrender of American troops at Bataan and the battle at Midway Island Original tape 225 |
93 | 115*A2 | ||
"World At War 1942," TV special aired Nov. 2, 1975 Original tape 225 |
93 | 115*B2 | ||
War of the Worlds - Drama, aired Oct. 31, 1975. 1975 TV-movie based on a true incident: "The Night That Panicked America" follows the events surrounding Orson Welles’ 1938 radio adaptation of H.G. Wells’ "War of the Worlds" a broadcast that convinced many Americans that Martians had actually attacked New Jersey (2 hours) Original tape 226 |
93 | 116*A1 | ||
War of the Worlds (cont.) Original tape 226 |
93 | 116*B2 | ||
War of the Worlds (cont.) Original tape 226 |
93 | 117*A3 | ||
War of the Worlds (cont.) Original tape 226 |
93 | 117*B4 | ||
"World At War" – documentary, aired Nov. 16, 1975. A bitter German defeat at the hands of the Russians – the battle of Stalingrad. (60 min.) Original tape 227 |
93 | 118*1a | ||
"World At War" –documentary, aired Nov. 16, 1975. Battle of Stalingrad (cont.) Original tape 227 |
93 | 118*1b | ||
"World At War" – documentary, aired Nov. 23, 1975. 1943: U-boat wolf packs stalk the Atlantic, sinking merchant ships on the way to England. On Oct. 17, "the night of the long knives," half the convoy is lost. Capt. Eyton Jones, whose ship was sunk halfway between Brazil and North Africa, recalls how the Germans laughingly retrieved cargo form his ship. Films from national and private sources show U-boats launching torpedoes. (60 min.) Original tape 227 |
93 | 119*2a | ||
"World At War" – documentary, aired Nov. 23, 1975. U-boats (cont.) Original tape 227 |
93 | 119*2b | ||
"Bogart" – Documentary, aired Nov. 17, 1975. Special: The life and legend of Humphrey Bogart are portrayed in clippings from his movies, footage of his off-screen activities and remembrances by Ingrid Bergman, George Raft and producer Stanley Kramer. Excerpted films include "Casablanca." (60 min) Original tape 228 |
93 | 120*A | ||
"Bogart" – Documentary continued Original tape 228 |
93 | 120*B | ||
The Moviegoers, Nov. 21, 1975 (28 min.) Original tape 229 |
93 | 121*A | ||
(blank) |
93 | 121*B | ||
"World At War" – Documentary, aired Nov. 30, 1975. The Soviet Union…where Hitler’s surge east is finally stopped – at a cost of 20 million lives. Films show the German occupation, the devastated countryside, factories being moved on trains to eastern Russia and the spring thaw of 1942, which reveals thousands of corpses in the streets and yards of Leningrad. Church services resume, fresh troops arrive by ship. (60 min) Original tape 230 |
93 | 122*A | ||
"World At War" – Documentary, (cont.) Original tape 230 |
93 | 122*B | ||
"Lowell Thomas Remembers" – Documentary, aired Dec. 7, 1975. WWII dominates clips from 1941. Events covered include the Japanese bombing of Pearl Harbor, which prompted America’s entry into the war; the German invasion of Yugoslavia and Greece. Original tape 231 |
93 | 123*A | ||
"International Report," aired Dec. 7, 1975. A view of the U.S. from abroad is offered in four documentaries produced in England, Japan , Denmark and Canada. Subjects include the Boston busing crisis Original tape 231 |
93 | 123*B | ||
"World At War" – Documentary, aired Jan. 18, 1976. Holland, 1940-44: The long years between capitulation and liberation. Films highlighting the German occupation are accompanied by comments by Dutch civilians. Included in the footage: a rally of Dutch Nazis, the issuing of identity cards, transportation of Jews to concentration camps, conscription of Dutch men to work in war munitions factories and the harsh winter of 1944. Laurence Olivier is the series narrator Original tape 232 |
93 | 124*A | ||
"World At War" – Documentary, aired Jan. 18, 1976, (cont.) Original tape 232 |
93 | 124*B | ||
Contemporary Japanese Society Original tape 233 |
93 | 125*A | ||
(blank) |
93 | 125*B | ||
Stanley Kubrick Original tape 234 |
93 | 126*A | ||
(blank) |
93 | 126*B | ||
American Film Institute’s Tribute to William Wyler, Mar. 14, 1976, side 1/3 Original tape 236 |
93 | 127*A | ||
American Film Institute’s Tribute to William Wyler, Mar. 14, 1976, side 2/3 Original tape 236 |
93 | 127*B | ||
American Film Institute’s Tribute to William Wyler, Mar. 14, 1976, side 3/3 Original tape 236 |
93 | 128*A | ||
(blank) |
93 | 128*B | ||
The Moviegoers, February 14, 1975 with Chief Dan George Original tape 237 |
93 | 129*A | ||
(blank) |
93 | 129*B | ||
Gary Kilder, Dec. 13, 1975. An ethnographer-filmmaker from Australia interviewed by Jim Hunt and Humphrey Leynse (50 min.) Original tape 238 |
93 | 130*A | ||
Gary Kilder, Dec. 13, 1975 (cont.) Original tape 238 |
93 | 130*B | ||
Gene Roddenberry, 1975. Science-fiction writer interviewed by Jim Hunt (76 min) Original tape 239 |
93 | 131*A | ||
Gene Roddenberry interview, 1975 (cont.) Original tape 239 |
93 | 131*B | ||
Roger Greenspun, WSU Lecture Artist Series, February 12, 1976 Original tape 240 |
93 | 132*A | ||
Roger Greenspun (cont.) Original tape 240 |
93 | 132*B | ||
Greenspun interview (9:10) Counter 000-186 Original tape 240a |
93 | 133A | ||
(blank) |
93 | 133B | ||
(blank) |
93 | 134*A | ||
KGUR interview with Gene Roddenberry, 1975 Original tape 241 |
93 | 134*B | ||
48th Academy Awards, Mar. 29, 1976 Original tape 242 |
93 | 135*A | ||
48th Academy Awards, Mar. 29, 1976 Original tape 242 |
93 | 135*B | ||
48th Academy Awards, Mar. 29, 1976 Original tape 242 |
93 | 136*A | ||
48th Academy Awards, Mar. 29, 1976 Original tape 242 |
93 | 136*B | ||
Ken Kasey Counter 000-88 Original tape 243 |
93 | 137*A | ||
Dick Cavett Show, "Backlot U.S.A." aired April 5, 1976 A sentimental journey down Hollywood’s memory lane. Touring Paramount Studios, Dick Cavett is the guide for the hour which blends musical numbers and conversations with stars to recall the old days of movie-making. After a brief segment with a new dog star in the tradition of Rin Tin Tin, Cavett meets Mickey Rooney on a city street lot, whereRooney and a children’s chorus sing and dance to "We Got Us." On an Old West set, John Wayne recalls his career, and there’s also a comic sketch with Gene Kelly, but the highlight of the show is a closing segment with Mae West: costumed as Diamond Lil, one of her ‘30s roles, the 82-year-old Miss West sings sultry versions of "Frankie and Johnny" and "After You’ve Gone" 88-end Original tape 243 |
93 | 137*A | ||
Dick Cavett Show, "Backlot U.S.A." (cont.) Original tape 243 |
93 | 137*B | ||
John Cleare interviewed by Jim Hunt and Sam Prigg, Oct. 19, 1975 Counter 000-248 Original tape 246 |
93 | 138A | ||
(blank) |
93 | 138B | ||
Roger Greenspun interviewed for The Moviegoers, February 13, 1976. The Moviegoers #80, Apr. 2, 1976 Counter 000-436 Original tape 247 |
93 | 139A | ||
(blank) |
93 | 139B | ||
Double Suicide (1969) by Masahiro Shinoda, from the TV Film series, The Japanese Film Original tape 249 |
93 | 140*A | ||
Double Suicide (cont.) Original tape 249 |
93 | 140*B | ||
"All The President’s Men," an interview with Robert Redford, 1976 Original tape 250 |
93 | 141*A | ||
"All The President’s Men," an interview with Dustin Hoffman Original tape 250 |
93 | 141*B | ||
"All the President’s Men," an interview with Jason Robards 1976 Original tape 251 |
93 | 142*A | ||
"All the President’s Men," an interview with Jack Wardon Original tape 251 |
93 | 142*B | ||
"All the President’s Men," an interview with Walter Coblenz, 1976 Original tape 252 |
93 | 143*A | ||
"All the President’s Men," an interview with Alan Pakula Original tape 252 |
93 | 143*B | ||
"All the President’s Men," an interview with Gordon Willis Original tape 253 |
93 | 144*A | ||
"All the President’s Men," an interview with George Jenkins Original tape 253 |
93 | 144*B | ||
State of Washington, a history Original tape 254 |
94 | 145*A | ||
State of Washington (cont.) Original tape 254 |
94 | 145*B | ||
Donald Bogle interviewed by Ron Brown for The Moviegoers, Mar. 24, 1976 Original tape 255 |
94 | 146*A | ||
(blank) |
94 | 146*B | ||
Donald Bogle interview clip for The Moviegoers by Ron Brown Counter 000-197 Original tape 255a |
94 | 147A | ||
(blank) |
94 | 147B | ||
Jim Halpin –Screen Writer speaks-- "How to Get the Most Out of a Screen Writer" Original tape 256 |
94 | 148*A | ||
Rob Thompson speaks -- "Writing to Success" Original tape 256 |
94 | 148*B | ||
The film scores of composer Bernard Herrman (1911-1975), from the TV series Camera Three, Sept. 26, 1976 Original tape 257 |
94 | 149*A | ||
"Book Beat," Oct. 4, 1976. James Baldwin discusses his latest book "The Devil Finds Work," a look at the impact of American movies on black culture. Baldwin criticizes Hollywood’s portrayal of blacks Original tape 257 |
94 | 149*B | ||
Soundtrack to film The Gentleman Tramp (1975) – Doc., Original tape 258 |
94 | 150*A | ||
Soundtrack to film The Gentleman Tramp (1975) – Doc. Original tape 258 |
94 | 150*B | ||
Clark Gable, a profile from TV show Dear Mr. Gable, Nov. 4, 1976 Original tape 260 |
94 | 151*A | ||
Clark Gable profile, continued Original tape 260 |
94 | 151*B | ||
"Life Goes to the Movies" (cont. #2), see clipping file for details Original tape 261 |
94 | 152*A | ||
"Life Goes to the Movies" (cont. #3), see clipping file for details Original tape 261 |
94 | 152*B | ||
"Life Goes to the Movies" (cont. #4), see clipping file for details Original tape 262 |
94 | 153*A | ||
"Life Goes to the Movies" (end), see clipping file for details Original tape 262 |
94 | 153*B | ||
Scott Joplin, "The Red Back Book" Original tape 263 |
94 | 154*A | ||
Scott Joplin, "The Red Back Book" Original tape 263 |
94 | 154*B | ||
All-Star Tribute to John Wayne, Nov. 26, 1976. Honoring a movie legend. Frank Sinatra is the host for the affair, which feature testimonials to the 69-year-old Wayne by Bob Hope, Charles Bronson, Angie Dickinson, Claire Trevor, Monty Hall, Ron Howard, Henry Winkler, Dan Rowan and Dick Martin Original tape 264 |
94 | 155*A | ||
All-Star Tribute to John Wayne, Nov. 26, 1976 Original tape 264 |
94 | 155*B | ||
PBS special: "Chinatown, New York," Dec. 10, 1976. Profiles of the residents of New York City’s Chinatown. For tourists, "it’s a nice place to visit," says producer Jon Alpert, but for the poor, like workers in restaurants and laundries, "it’s a difficult place to live." Their hours are long, their wages low, and hopes for a better life (especially among non-English-speaking older Chinese) are said to be slim. The program looks at those who have opened businesses, young people, senior citizens Original tape 265 |
94 | 156*A | ||
PBS special, "Chinatown, New York" (cont.) Original tape 265 |
94 | 156*B | ||
"Woman," Dec. 16, 1976. Actress Jeanne Moreau, whose first writing-directing effort, "Lumiere," has been well received by critics, describes working behind the camera in the first of a two-part interview Original tape 266 |
94 | 157*A | ||
"Woman," Dec. 27, 1976. French actress, Jeanne Moreau discusses how she perceives relations between the sexes in the conclusion of a two-part interview Original tape 266 |
94 | 157*B | ||
"Citizen Kane: A Bridge Between the Theories of Realism and Expressionism in Film" by Prof. Edward Hudwin. Life of the Mind presents 2nd of four papers presented to the colloquium on the problem of interpreting film philosophically at the Eastern division of the American Philosophical Association in Boston Original tape 267 |
94 | 158*A | ||
Life of the Mind presents "Two Views of Rashomon" (45 min), by George Lindon, the third paper presented to the colloquium on the problem of interpreting film philosophically at the Eastern division of the American Philosophical Association in Boston Original tape 267 |
94 | 158*B | ||
"Making of the Weather Underground Film" (50 min) Original tape 268 |
94 | 159*A | ||
"Making of the Weather Underground Film" (cont.) Original tape 268 |
94 | 159*B | ||
Five Weather Underground (1975) members speak to filmmakers about their revolutionary movement Original tape 269 |
94 | 160*A | ||
Five Weather Underground (1975) members speak to filmmakers about their revolutionary movement Original tape 269 |
94 | 160*B | ||
"Jeanne Wolf," Jan. 20, 1977. Joan Fontaine talks about the studio star system, and Hollywood in its heyday. Recalls the actress: "The woman had to fight for her part, fight for her right to do it, fight for her salary." She also discusses her current life Original tape 270 |
94 | 161*A | ||
"Jeanne Wolf with¼ ," January 27, 1977. Jimmy Stewart looks back on his career in a conversation with Jeanne Wolf. Stewart reminisces about the golden years of Hollywood and talks about changes in his acting style Original tape 270 |
94 | 161*B | ||
"The Moviegoers," #95, November 11, 1976 with Bob Clampett Counter 000-500 Original tape 272 |
94 | 162A | ||
Full Recording of the interview with Bob Clampett Counter 510-671 Original tape 273 |
94 | 162A | ||
(blank) |
94 | 162B | ||
Scenes from 49th Academy Award winning of Best Picture, February 13, 1977 Original tape 274 |
94 | 163*A | ||
Scenes from 49th Academy Award winning of Best Picture, February 13, 1977 Original tape 274 |
94 | 163*B | ||
Frank Capra speaking to WSU "American Film" class on his first years in Hollywood Original tape 276 |
94 | 164*A | ||
Frank Capra speaking to WSU "American Film" class on his first years in Hollywood and Charles Kuralt speaking to class Original tape 276 |
94 | 164*B | ||
My Darling Clementine/Gunfighter Original tape 277 |
94 | 165*A | ||
49th Academy Awards, Mar 28, 1977 Original tape 277 |
94 | 165*B | ||
American Film Institute Tribute to Bette Davis, Mar. 21, 1977 Original tape 278 |
94 | 166*A | ||
American Film Institute Tribute to Bette Davis, Mar. 21, 1977 Original tape 278 |
94 | 166*B | ||
John Milius – scriptwriter and director Original tape 280 |
94 | 167*A | ||
John Milius (cont.) Original tape 280 |
94 | 167*B | ||
Frank Capra interviewed by Humphrey Leynse at WSU, reel 1 Counter 000-566 Original tape 285 |
94 | 168A | ||
Frank Capra interviewed by Humphrey Leynse at WSU, reel 2 Counter 571-765 Original tape 286 |
94 | 168A | ||
"Chung Kuo" (China), an audio-track to the TV documentary by Antonioni, Jan. 11, 1973 Counter 000-915 Original tape 288 |
94 | 168B | ||
"Chung Kuo" (China), an audio-track to the TV documentary by Antonioni, Jan. 11, 1973 (continuation) Original tape 288 |
94 | 169A | ||
(blank) |
94 | 169B | ||
Audio track of The Quiet One Original tape 287 |
94 | 170*A | ||
Audio track of The Quiet One Original tape 287 |
94 | 170*B | ||
container | ||||
Four green file boxes of 3x5 file cards indexing the previous teaching materials. The file cards are divided alphabetically into two categories: "People and Things" and "Films" |
95 | |||
Subseries 2.3: Phonograph RecordsConsists of fourteen phonograph records of music from various countries, including China, Thailand, and Germany. |
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box | disc | |||
"Etenraku": gagaku (court music) ; 45 rpm ; Columbia Records |
96 | 171 | ||
"Tango of the Roses" ; 78 rpm ; RecorDisc Corp. |
96 | 172 | ||
Disc similar to "Tango of the Roses," content unknown ; 78 rpm ; RecorDisc Corp. |
96 | 173 | ||
Siamese (Thai) music; notes written by Leynse on the record cover concerning portions appropriate for use in his films ; 78 rpm ; Philips |
96 | 174 | ||
Chinese Classic (Cantonese) ; 78 rpm ; Wondertone Record Co., LTD. |
96 | 175 | ||
Modern Chinese ; 78 rpm ; Columbia Records |
96 | 176 | ||
Siamese (Thai) music; notes by Leynse on record cover ; 78 rpm ; D. Couper-Johnston and Co. |
96 | 177 | ||
"Varicoes Em Mi Menor," guitarra e viola, Casmiro Ramos e Miguel Ramos ; 78 rpm ; Columbia Records |
96 | 178 | ||
Modern Chinese (Cantonese) ; 78 rpm |
96 | 179 | ||
Chinese Classic (Mandarin) |
96 | 180 | ||
Siamese (Thai) Sylaphone, old style ; 78 rpm ; Philips |
96 | 181 | ||
German Marches, 16th, 17th, 18th, and 19th century, copied from Nippon-Telefunken Records: "Grosses Historisches Marsch¾ Potpourri," Bearberieter von Emil Kaiser, Grosses Blas-Orchester; Dirigent: Carl Woitschach; songs including Frederic der Grosse Marsc |
96 | 182-184 | ||
Subseries 2.4: Original TapesConsists of Leynse’s original reel-to-reel tapes. |
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box | ||||
Seven boxes housing Leynse’s reel-to-reel tapes, which were copied by Anna Vogt onto cassettes for the present audio tape collection. Leynse’s original cassettes have been incorporated into this audio cassette collection. Original box/tape numbers have been included in the description, and original cassettes marked with an asterisk (*). (See above Audio Cassettes, Description) |
97-103 | |||
|
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Series 3: Photographs, 1931-1962, n.d.Consists of prints and negatives taken during Leynse’s youth in China, photographs taken by Leynse while producing films in the Orient and South Pacific, and pictures of artwork. The material is arranged into four subseries: 3.1, Prints and Negatives; 3.2, Glass Transparencies; 3.3, Transparencies; and 3.4, Oversize. The hand-colored prints are mostly of landscape scenes and pictures of ornate temples and castles. The snapshots are more tourist-oriented, featuring images of the Leynse family at various sites in China. The glass transparencies are of the Chinese people, many portraits and scenes of people working, and seem to be an attempt to capture the culture in photographs. |
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Subseries 3.1: Prints and negatives |
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container | folder | |||
Box of colored slides on Micronesia, "snap-it," w/letterhead paper, Marshall Islands, n.d. 49 items |
104 | 1 | ||
Roll of film in small kodak container, n.d. 1 items |
104 | 2 | ||
Photographs, Black and white: Kobe area, Japan, n.d. 5 items |
104 | 3 | ||
Small yellow boxes of color transparencies: 6 items |
104 | 4 | ||
a. Korean mask-dances, 1962, prod. Seoul, Korea 22 items |
104 | 5 | ||
b. Sangram Motion Picture Production Center, 1962, prod. Seoul, Korea (USIS) [photo of USIS Motion Picture Production Center] 14 items |
104 | 6 | ||
c. Litany of Hope shooting, Soraksan: Korean archery, May, 1962 11 items |
104 | 7 | ||
d. Seoul and environs, May, 1962 11 items |
104 | 8 | ||
e. Easter 1962, Sangnam; old woman dancing, Chungmu, April, 1962 11 items |
104 | 9 | ||
f. Corvenia, fishing, May, 1962 9 items |
104 | 10 | ||
Photographs, Black and white: China scenes, Leynse family members at Chinese landmarks and other places they visited, one studio portrait, 1931, n.d. 89 items |
104 | 11 | ||
Photographs: China scenes; landscapes, temples, people, 5 color, 24 Black and white, n.d. 29 items |
104 | 12 | ||
Prints: Chinese artwork, Black and white, n.d. 5 items |
104 | 13 | ||
Postcards, China, 5 color, 26 Black and white, n.d. 31 items |
104 | 14 | ||
Pictures in clippings, 2 color, 1 Black and white, n.d. 3 items |
104 | 15 | ||
Large cards, 14 color, 4 Black and white, Japan, China, n.d. 23 items |
104 | 16 | ||
Color slides from China and Korea, 1930s, 5 flats 5 items |
104 | 17 | ||
14" 35mm. negatives (in mylar strips), various subjects, n.d. 15 items |
105 | 1 | ||
Small negs, Peiling Murkdon Photographs Studio, w/folder for holding negs. 10 items |
106 | 1 | ||
Small albums of negs., marked A-F (lacking B), 1950s, 1961, 1962, n.d. 5 items |
106 | 2 | ||
a. California, Hawaii, South Pacific Islands., 1951-52 items |
106 | 3 | ||
c. California, Hong Kong, 1954-55; Hong Kong, Macau, 1954-56 items |
106 | 4 | ||
d. Singapore, 1957; Djakarta, 1958; Bali, 1959; Maui, Japan, Korea, 1960 items |
106 | 5 | ||
e. Japan, Korea, some shots for USIS-Korea films, 1961 items |
106 | 6 | ||
f. Korea: family shots and shots for USIS-Korea films, 1961-1962 items |
106 | 7 | ||
Black 5x6" album of 3 ½ x 2 ½ and 35mm. negatives with H. Leynse’s name written on the inside cover. Negatives arranged by country, most described: Honolulu, U.S.A., France, Belgium, Holland, China. Contains images of family, friends, places the Leynses v 1 items |
106 | 8 | ||
Small metal canisters w/rolls of film negs; most unidentified, some of China 21 items |
106 | 9 | ||
Subseries 3.2: Glass Transparencies |
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container | ||||
(Wooden boxes (4), black case (1) holding glass transparencies, China) 5 items |
106 | |||
Temples, crafts, food preparation, agriculture, fishing, trade |
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container | ||||
Color, 4 x 3 41 items |
107 | |||
Black and white 3 ¼" square (Great Wall) 3 items |
107 | |||
Color 3 ¼" square, temples, gods, n.d. 3 items |
107 | |||
Images of traveling: rivers, boats, and transporting luggage |
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container | ||||
Color, 4 x 3, n.d. 55 items |
108 | |||
Photos regarding evangelism in China, cultural scenes, Black and white drawings, n.d. |
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container | ||||
Color, 4x3 54 items |
109 | |||
Color 3 ¼" square 11 items |
109 | |||
Black and white 3 ¼" square 5 items |
109 | |||
China missions or Chinese life; landmarks and people in Peking area |
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container | ||||
Black and white and color, 3 ¼"square 56 items |
110 | |||
Color, 2" square, n.d. 3 items |
110 | |||
Subseries 3.3: Transparencies (2x2) |
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container | ||||
Case: General description on inside covers; temples, Buddhas, series with title slide labeled: "An Opium Den in Peking Photographed by Waldo Leynse," Black and white and color, 2x2, n.d. 200 items |
111 | |||
Subseries 3.4: Prints (including oversize in mapcase) |
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container | ||||
Pieces of artwork; includes prints, original artwork (all n.d.), and pages from book Peking the Beautiful, 1927 16 items |
112 | |||
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Series 4: Miscellaneous Papers, 1916-1977, n.d.These include material on Leynse’s childhood in China and his professional life as a filmmaker and college professor. Series 4 has been divided into seven subseries: 4.1, Clippings, 1916-1979; 4.2, Oceania Productions, 1954-1973; 4.3, Writings for Publication, 1945-1975; 4.4, Washington State University, 1948-1977; 4.5, Film-Related Material, 1957-1976; 4.6, Personal Papers, 1921-1971; and 4.7, Card File, n.d. All material, with the exception of Oceania Productions, has been arranged alphabetically by title or subject. |
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Subseries 4.1: Clippings, 1916-1979)Consists of newspaper and magazine articles that Leynse collected over the years as a source of information for his film classes and for personal reference. This series has been divided into two groups: The Film Industry, and, Movies. The Film Industry pertains to directors, stars, and countries that have made an impact on film. Movies deals with news items on individual films. |
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The Film Industry |
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container | folder | |||
Aa-Ak, 1972-1977 18 items |
113 | 1 | ||
Al-Az, 1970-1977 43 items |
113 | 2 | ||
Academy Awards, 1971-1977 20 items |
113 | 3 | ||
Allen, Woody, 1973-1976 7 items |
113 | 4 | ||
Animation, 1972-1977 20 items |
113 | 5 | ||
Asian films, 1971-1976 11 items |
113 | 6 | ||
Australia, 1972-1976 40 items |
113 | 7 | ||
Bali, 1968-1971 7 items |
113 | 8 | ||
Ba-Bk, 1971-1977 41 items |
113 | 9 | ||
B1-Bz, 1971-1977 45 items |
113 | 10 | ||
Bergman, Ingmar, 1970-1976 16 items |
113 | 11 | ||
Bertolucci, Bernardo,,1971-1977 8 items |
113 | 12 | ||
Black Films, 1971-1976 20 items |
113 | 13 | ||
Bogart, Humphrey, 1973-1977 6 items |
113 | 14 | ||
Brando, Marlon, 1973-1976 21 items |
114 | 1 | ||
British Films, 1972-1974 8 items |
114 | 2 | ||
Bunuel, Luis, 1973-1976 28 items |
114 | 3 | ||
Ca-Ck, 1963, 1971-1976 71 items |
114 | 4 | ||
C1-Cz, 1971-1978 81 items |
114 | 5 | ||
Canada, 1971-1976 295 items |
114 | 6 | ||
Cannes Film Festival, 1971-1977 35 items |
114 | 7 | ||
Capra, Frank, 1971-1977 13 items |
114 | 8 | ||
Censorship, 1973-1975 58 items |
115 | 1 | ||
Chabrol, Claude, 1970-1976 7 items |
115 | 2 | ||
Chaplin, Charlie, 1971-1975 81 items |
115 | 3 | ||
China, 1972-1977 118 items |
115 | 4 | ||
China, 1945-1978 98 items |
115 | 5 | ||
China, 1945-1978 (cont.) 55 items |
115 | 6 | ||
Comedy, 1975-1976 15 items |
115 | 7 | ||
Coppola, Francis Ford, 1974-1976 11 items |
115 | 8 | ||
Costa-Gavras, Constantin, 1971-1976 18 items |
115 | 9 | ||
Criticism, 1970-1977 106 items |
115 | 10 | ||
D, 1971-1977 103 items |
115 | 11 | ||
Documentary, 1949-1957, 1974-1977 138 items |
116 | 1 | ||
Documentary, photographs, 1973 3 items |
116 | 2 | ||
E, 1970-1976 97 items |
116 | 3 | ||
Eastman-Kodak, n.d. 10 items |
116 | 4 | ||
Ethnographic, 1970-1976 93 items |
116 | 5 | ||
Europe, 1971-1973 49 items |
116 | 6 | ||
F, 1970-1977 112 items |
116 | 7 | ||
Fellini, Frederico,, 1974-1977 18 items |
116 | 8 | ||
Ford, John, 1971-1976 38 items |
116 | 9 | ||
France, 1972-1976 11 items |
116 | 10 | ||
G, 1970-1977 81 items |
116 | 11 | ||
Germany, 1972-1977 32 items |
116 | 12 | ||
Griffith, David W., 1926, 1972-1975 41 items |
116 | 13 | ||
H, 1971-1977 127 items |
116 | 14 | ||
Hitchcock, 1971-1975 44 items |
117 | 1 | ||
Hollywood,, 1971-1977 54 items |
117 | 2 | ||
Hong Kong, 1960-1976 83 items |
117 | 3 | ||
Horror films, 1973-1976 15 items |
117 | 4 | ||
I, 1972-1976 38 items |
117 | 5 | ||
India, 1972-1976 100 items |
117 | 6 | ||
Indonesia, 1957-1977 183 items |
117 | 7 | ||
J, 1973-1976 38 items |
117 | 8 | ||
Japan, 1971-1977 167 items |
118 | 1 | ||
Japan, 1971-1977 (cont.) 52 items |
118 | 2 | ||
Japanese film, 1974 121 items |
118 | 3 | ||
K, 1971-1977 104 items |
118 | 4 | ||
Korea, 1968-1976 12 items |
118 | 5 | ||
Korea, 1968-1976 (cont.) 44 items |
118 | 6 | ||
L, 1936, 1972-1977 96 items |
118 | 7 | ||
Ma-Mk, 1971-1977 163 items |
118 | 8 | ||
Micronesia, 1969-1975 28 items |
118 | 9 | ||
Ml-Mz, 1973-1976 77 items |
118 | 10 | ||
N, 1971-1976 88 items |
118 | 11 | ||
O, 1970-1976 58 items |
118 | 12 | ||
Pacific, 1969-19671 11 items |
118 | 13 | ||
Pa-Pk, 1971-1976 82 items |
118 | 14 | ||
Pl-Pz, 1973-1977 95 items |
118 | 15 | ||
Philippines, 1973-1975 40 items |
118 | 16 | ||
Protest/propaganda films, 1973-1975 44 items |
118 | 17 | ||
Q-Rk, 1969, 1972-1976 104 items |
118 | 18 | ||
R1-Rz, 1942, 1972-1976 88 items |
118 | 19 | ||
Sa-Sk, 1971-1976 84 items |
119 | 1 | ||
S1-Sz, 1960-1976 129 items |
119 | 2 | ||
Scorsese, Martin, 1975-1976 35 items |
119 | 3 | ||
Scripting, 1972-1977 110 items |
119 | 4 | ||
The Seventies, 1970-1979 90 items |
119 | 5 | ||
Singapore, 1973-1975 6 items |
119 | 6 | ||
The Sixties, 1960-1969 3 items |
119 | 7 | ||
Southeast Asia, 1970-1976 16 items |
119 | 8 | ||
Stars, 1973-1976 20 items |
119 | 9 | ||
Sweden, 1975 100 items |
119 | 10 | ||
T, 1934 -1976 75 items |
119 | 11 | ||
Taiwan, 1968-1977 19 items |
119 | 12 | ||
Taiwan, 1968-1977 (cont.) 18 items |
119 | 13 | ||
Teaching film, 1971-1976 189 items |
120 | 1 | ||
Television, 1974-1976 79 items |
120 | 2 | ||
Thailand, 1971-1975 14 items |
120 | 3 | ||
Truffaut, Francois, 1970-1976 21 items |
120 | 4 | ||
U-V, 1971-1976 62 items |
120 | 5 | ||
Ullman, Liv, 1974-1977 19 items |
120 | 6 | ||
United States Government Film, USIA, 1971-1976 48 items |
120 | 7 | ||
Vietnam, 1971 3 items |
120 | 8 | ||
Violence in films, 1972-1977 18 items |
120 | 9 | ||
Wa-Wk, 1971-1976 80 items |
120 | 10 | ||
W1-Z, 1973-1977 46 items |
120 | 11 | ||
Warhol, Andy, 1974-1975 15 items |
120 | 12 | ||
Welles, Orson, 1971-1975 16 items |
120 | 13 | ||
Wertmuller, Lina, 1975-1977 16 items |
120 | 14 | ||
Wilder, Gene, 1975 7 items |
120 | 15 | ||
Wiseman, Frederick, 1971-1977 27 items |
120 | 16 | ||
Women directors in films, 1972-1976 51 items |
121 | 1 | ||
Clippings, 1972-1977 159 items |
121 | 2 | ||
Movies |
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container | folder | |||
Aa-Am, 1934-1976 51 items |
121 | 3 | ||
An-Az, 1970-1976 69 items |
121 | 4 | ||
A11 the President’s Men, 1976 45 items |
121 | 5 | ||
Alice Doesn't Live Here Anymore, 1975 16 items |
121 | 6 | ||
American Graffiti, 1973 33 items |
121 | 7 | ||
Ba-Bk, 1927-1976 121 items |
121 | 8 | ||
B1-Bz, 1959-1976 (with photos) 102 items |
121 | 9 | ||
Barry Lyndon, 1975-1976 26 items |
121 | 10 | ||
Biographical Films, 1975-1976 19 items |
121 | 11 | ||
Ca-Cg, 1967-1976 71 items |
121 | 12 | ||
Ca-Cg, 1967-1976: photographs 1 items |
121 | 13 | ||
Cg-Ck, 1971-1974 39 items |
121 | 14 | ||
Cl-Cn, 1971-1976 84 items |
121 | 15 | ||
Co-Cz, 1971-1976 96 items |
122 | 1 | ||
Co-Cz, 1971-1976: photographs 1 items |
122 | 2 | ||
Citizen Kane, 1971-1972 94 items |
122 | 3 | ||
Chaplin Films, 1973 8 items |
122 | 4 | ||
Cries and Whispers, 1973 33 items |
122 | 5 | ||
Da-Dk, 1972-1976 108 items |
122 | 6 | ||
Di-Doo, 1971-1975 84 items |
122 | 7 | ||
Dop-Em, 1967-1975 120 items |
122 | 8 | ||
En-Ez, 1966-1974 76 items |
122 | 9 | ||
Fa-Fm, 1967-1976 70 items |
122 | 10 | ||
Fn-Fz, 1953-1977 104 items |
122 | 11 | ||
Fn-Fz, 1953-1977: photographs 1 items |
122 | 12 | ||
G, 1941, 1970-1976 142 items |
123 | 1 | ||
Godfather, I and II, The, 1971-1975 20 items |
123 | 2 | ||
Gone With the Wind, 1940, 1973-1976 38 items |
123 | 3 | ||
H, 1971-1975 116 items |
123 | 4 | ||
H, 1971-1975: photographs 1 items |
123 | 5 | ||
I, 1916-1975 78 items |
123 | 6 | ||
J, 1934-1975 86 items |
123 | 7 | ||
K, 1973-1976: photographs |
123 | 8 | ||
K, 1973-1976 75 items |
123 | 9 | ||
La-Ld, 1952-1976 77 items |
123 | 10 | ||
Le-Lk, 1941-1975 59 items |
123 | 11 | ||
Ll-Lz, 1963-1975 119 items |
123 | 12 | ||
Last Laugh, The, 1924 21 items |
123 | 13 | ||
Last Picture Show, The, 1971 21 items |
123 | 14 | ||
Last Tango in Paris, The, 1973 38 items |
123 | 15 | ||
Ma-Md, 1941-1976 165 items |
124 | 1 | ||
Me-Mk, 1926-1976 61 items |
124 | 2 | ||
M1-Mz, 1925-1975 92 items |
124 | 3 | ||
M1-Mz, 1925-1975: photographs 1 items |
124 | 4 | ||
Magic Flute, The, 1975 15 items |
124 | 5 | ||
N, 1946-1976 97 items |
124 | 6 | ||
N, 1946-1976: photographs 1 items |
124 | 7 | ||
O, 1954-1976 (w/3 photos) 107 items |
125 | 1 | ||
Pa-Pm, 1941-1975 80 items |
125 | 2 | ||
Pa-Pm, 1941-1975: photographs 1 items |
125 | 3 | ||
Pn-Pz, 1926-1977 60 items |
125 | 4 | ||
Q-Rm, 1950-1975 (w/8 photos) 95 items |
125 | 5 | ||
Rn-Rz, 1939-1976 99 items |
125 | 6 | ||
Sa-Sez, 1926-1976 118 items |
125 | 7 | ||
Sh-Sk, 1930-1976 87 items |
125 | 8 | ||
Sh-Sk, 1930-1976: photographs, postcards 10 items |
125 | 9 | ||
Sl-Sq, 1937-1977 118 items |
125 | 10 | ||
Sr-Sz, 1939, 1971-1976 152 items |
125 | 11 | ||
Ta-Tk, 1951, 1971-1976 105 items |
126 | 1 | ||
T1-Tz, 1970-1976 85 items |
126 | 2 | ||
Taiwan Film, 1976-1978 10 items |
126 | 3 | ||
U, 1972-1976 48 items |
126 | 4 | ||
V, 1958-1975 28 items |
126 | 5 | ||
Wa-We, 1971-1976 76 items |
126 | 6 | ||
Wf-Wz, 1957-1977 111 items |
126 | 7 | ||
XYZ, 1942-1975 46 items |
126 | 8 | ||
Clippings, 1977-1979 71 items |
126 | 9 | ||
Subseries 4.2: Oceania Productions, 1954-1973Contains company records, including all costs and profits associated with movie production, letters to investors, purchase orders, expenses, and employee information. These records show how Leynse attempted to distribute Out There, a Lone Island (originally titled Under One Roof), and includes magazine articles, primarily in English, with some in Korean. This subseries has been divided into two groups: Chronology, and Brochures and Pamphlets. Chronology contains closed accounts, correspondence, receipts, shipping invoices, bills, and film bookings of the company formed by Leynse in 1951 to produce educational and theatrical films dealing with the Far East. The material in this group dates from 1954 through 1973. The second group, Brochures and Pamphlets, includes film brochures for many of Leynse’s movies and the photoprints for the pamphlet on his film Micronesia. |
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Chronology |
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container | folder | |||
Oceania Productions, n.d. 12 items |
126 | 10 | ||
Oceania Productions, 1954-1955: closed accounts 211 items |
126 | 11 | ||
Oceania Productions, 1961-1965 120 items |
126 | 12 | ||
Oceania Productions, 1961-1965, n.d.: photographs 13 items |
126 | 13 | ||
Oceania Productions, 1965 226 items |
127 | 1 | ||
Oceania Productions, 1966 230 items |
127 | 2 | ||
Oceania Productions, 1967 101 items |
127 | 3 | ||
Oceania Productions, 1968 127 items |
127 | 4 | ||
Oceania Productions, 1969 267 items |
127 | 5 | ||
Oceania Productions, 1969, Sumodo 78 items |
127 | 6 | ||
Oceania Productions, 1969, Sumodo (articles collected by Judith Leynse, 1984-1985) 6 items |
128 | 1 | ||
Oceania Productions, 1970 138 items |
128 | 2 | ||
Oceania Productions, 1971 339 items |
128 | 3 | ||
Oceania Productions, 1972 227 items |
128 | 4 | ||
Oceania Productions, 1973 130 items |
128 | 5 | ||
Brochures and Pamphlets |
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container | folder | |||
Oceania Productions, Film brochures, n.d. 10 items |
129 | 1 | ||
Photoprints for Micronesia pamphlet, n.d. 9 items |
129 | 2 | ||
Subseries 4.3: Writings for Publication, 1945-1975Divided into Short Story Manuscripts and Magazine Articles, and, Book Materials. Short Story Manuscripts and Magazine Articles consists of Leynse’s short story material, much of which was submitted for publication. Book Materials includes drafts, proofs, and copies of Leynse’s book, Selected Short Subjects, a study of Asian, documentary, and propaganda films. |
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Short Story Manuscripts and Magazine Articles |
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container | folder | |||
"Chinese Parade on Leyte," 1945 3 items |
129 | 3 | ||
"Food for Kili," 1952 16 items |
129 | 4 | ||
"The Great Wall," 1972 24 items |
129 | 5 | ||
"Legends," n.d. 86 items |
129 | 6 | ||
Leynse articles, 1951 and 1975 2 items |
129 | 7 | ||
"The Lure of the Frontier," n.d. 49 items |
129 | 8 | ||
Manuscripts from Manila, Philippines, 1945, 1946, n.d. 76 items |
129 | 9 | ||
Photographs, Manila, Philippines, ca. 1943-1945 10 items |
129 | 10 | ||
"Porto," 1949 70 items |
129 | 11 | ||
"Puppet Yesterday¾ President Tomorrow?," 1949 29 items |
129 | 12 | ||
"Shunkin" (Film Treatment), 1970, n.d. 34 items |
129 | 13 | ||
"Shunkin" (Film Treatment), 1970 42 items |
129 | 14 | ||
"Smuggled Entry," 1957 10 items |
129 | 15 | ||
"The Songs of Oak Mountain," 1956 44 items |
129 | 16 | ||
"Three Blind Mice," n.d. 178 items |
129 | 17 | ||
"Three Blind Mice," photographs, 1943, n.d. 9 items |
129 | 18 | ||
Book Materials: Selected Short Subjects |
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container | folder | |||
Asian film, 1973-1974 77 items |
130 | 1 | ||
Author’s page proof, 1974 85 items |
130 | 2 | ||
Bibliography, 1974 4 items |
130 | 3 | ||
Copy, printed, 1974 80 items |
130 | 4 | ||
Draft, 1974 90 items |
130 | 5 | ||
Draft, 1974 85 items |
130 | 6 | ||
First copy, 1974 91 items |
130 | 7 | ||
First draft, 1974 108 items |
130 | 8 | ||
Flaherty, Robert, 1974 66 items |
130 | 9 | ||
Graphics, n.d. 16 items |
130 | 10 | ||
Propaganda, 1974 35 items |
130 | 11 | ||
Subseries 4.4: Washington State University, 1908-1977Consists largely of Leynse’s classroom material. Included are lecture notes, tests, syllabi, handouts, news articles, film schedules, reserve material, and other readings. Also included is a small amount of correspondence, travel fund requests, and other material related to Washington State University. |
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Classes |
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container | folder | |||
Sources, n.d. 50 items |
131 | 1 | ||
Communications 323, 1972-1974 126 items |
131 | 2 | ||
Communications 323, Fall 1975 9 items |
131 | 3 | ||
Communications 323, Spring 1976 106 items |
131 | 4 | ||
Communications 323, Fall 1976 41 items |
131 | 5 | ||
Communications 323, Spring 1977 35 items |
131 | 6 | ||
Communications 323 - Film criticism folder readings, 1948, 1973-1976 23 items |
131 | 7 | ||
Communications 323 - Masters of Cinema, Spring 1975 92 items |
131 | 8 | ||
Communications 323 - Statistically reliable test questions, 1976-1977 4 items |
131 | 9 | ||
Communications 333 and 416, 1975, n.d. 4 items |
131 | 10 | ||
Communications 333 – Film criticism 1971-1976 103 items |
131 | 11 | ||
Communications 323 - Historical film criticism (1908-1922), n.d. 36 items |
131 | 12 | ||
Communications 340, 1972-1973 111 items |
132 | 1 | ||
Communications 357, n.d. 12 items |
132 | 2 | ||
Communications 363, articles on scriptwriting, 1974-1975 93 items |
132 | 3 | ||
Communications 393, The American Film, Spring 1977 76 items |
132 | 4 | ||
Film criticism class, 1975, photographs 1 items |
132 | 5 | ||
Correspondence, Frank Capra, letter, photograph, card, March 22, 1977 3 items |
132 | 6 | ||
Communications 475-3, 1970-1976 |
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container | folder | |||
Asian film clippings, 1970-1975 123 items |
133 | 1 | ||
Asian films, Spring 1976 125 items |
133 | 2 | ||
Folder readings, documentary, 1949-1976 110 items |
133 | 3 | ||
Folder readings, documentary, 1970-1976 109 items |
133 | 4 | ||
The Documentary, Fall 1976 108 items |
133 | 5 | ||
Film seminar, Spring 1975 75 items |
133 | 6 | ||
Film clips, 1976, n.d. 19 items |
133 | 7 | ||
Lecture materials, 1954-1961, n.d. 17 items |
133 | 8 | ||
Movie goers, 1976-1977 3 items |
133 | 9 | ||
Reserve Material |
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container | folder | |||
Blumer, Ronald, "John Grierson," 1970 3 items |
133 | 10 | ||
Callenbach, Ernest, "Grierson," 1974 3 items |
133 | 11 | ||
Corliss, Richard, "Robert Flaherty: The Man in the Iron Myth," 1973 6 items |
133 | 12 | ||
Dispenza, Joseph, "The March of Time," n.d. 5 items |
133 | 13 | ||
Fielding, Raymond, "Time Flickers Out: Notes on the Passing of the March of Time," 1957 5 items |
133 | 14 | ||
Friedlander, Madeline S., "Challenge for Change: An American View," n.d. 4 items |
133 | 15 | ||
Harcourt, Peter, "The Innocent Eye," 1964 6 items |
133 | 16 | ||
Harpole, Charles, "What is Documentary Film?" 1973 4 items |
133 | 17 | ||
Heider, Karl G., "Ethnographic Films," 1974 3 items |
133 | 18 | ||
Linton, James, "Moral Dimension in Documentary," 1976 6 items |
133 | 19 | ||
MacDougal, David, "Prospects of the Ethnographic Film," 1970 16 items |
133 | 20 | ||
Pryluck, Calvin, "Seeking to Take the Longest Journey: A Conversation with Albert Maysles," 1976 8 items |
133 | 21 | ||
Pryluck, Calvin, "Ultimatly We Are All Outsiders: The Ethics of Documentary Filming,"1976 10 items |
133 | 22 | ||
Rickleft, Roger, "One of Russia’s Non-Political Dissidents," 1976 2 items |
133 | 23 | ||
Ryan, Terry, "The Documentary as Document," n.d. 8 items |
133 | 24 | ||
Semsel, George S., "Toward a Personal Documentary," 1971 5 items |
133 | 25 | ||
Sussex, Elizabeth, "The Golden Years of Grierson," 1972 6 items |
133 | 26 | ||
Sussex, Elizabeth, "Grierson on Documentary: The Last Interview," 1973 8 items |
133 | 27 | ||
Swertlow, Frank Sean, "The Policy," 1975 3 items |
133 | 28 | ||
Weinberg, Herman 0., "The Man with the Movie Camera," n.d. 4 items |
133 | 29 | ||
Van Dyke, Willard, "Documentaries of the Thirties," 1973 3 items |
133 | 30 | ||
Vogel, Amos, "Can We Forget the Evil that She Did," 1973 1 1973 2 items |
133 | 31 | ||
Zinnemann, Fred, "Remembering Robert Flaherty," n.d. 4 items |
133 | 32 | ||
Washington State University, 1975-1976 137 items |
134 | 1 | ||
Washington State University, 1973, photographs, H. Leynse 1 items |
134 | 2 | ||
Washington State University, 1975-1976 91 items |
134 | 3 | ||
Subseries 4.5: Film-Related Material, 1957-1976Consists of various production components of Leynse’s film-making activities, such as director’s manuals, working notes, scripts, subject and descriptive treatments, recording assignments, and photographs taken on location. |
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container | folder | |||
Asian Film Festival-Pusan, Korea, 1976 6 items |
134 | 4 | ||
Asian Film Festival (22nd), cassette tape w/note, June 1976 2 items |
134 | 5 | ||
California State Polytechnic Film, 1970 38 items |
134 | 6 | ||
China project, 1971-1973 216 items |
134 | 7 | ||
"A Director’s Manual" 1956 (holograph notebook, approx. 500 pp.) 1 items |
134 | 8 | ||
Great Wall, The, narrative script, n.d. 6 items |
135 | 1 | ||
Kurosawa, A., 1974-1975 174 items |
135 | 2 | ||
Kurosawa, A.,1975 131 items |
135 | 3 | ||
Kurosawa, A., 1974-1975 80 items |
135 | 4 | ||
Litany of Hope, script, n.d. 21 items |
135 | 5 | ||
Litany of Hope, photographs, n.d. 21 items |
135 | 6 | ||
Micronesia, photographs, 1946, 1948-1949, n.d. 50 items |
135 | 7 | ||
Motion picture agreement with United States government, n.d. (ca. 1950s) 8 items |
135 | 8 | ||
Movie equipment, photographs, blueprint, n.d. 5 items |
136 | 1 | ||
Narcotics Trade: A pictoral account of a safari to opium hills of Northern Thailand, for Oceania Productions, 1957 36 items |
136 | 2 | ||
Narcotics Trade: Photographs (negs) taken on location, 1957-1965 118 items |
136 | 3 | ||
Subject and descriptive treatments for the film "Opium", n.d. 26 items |
136 | 4 | ||
Narcotics Trade: Treatment, footage, and script material, n.d. 171 items |
136 | 5 | ||
Out There, A Lone Island (Under One Roof): |
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container | folder | |||
Film treatments, 1966-1967 1 items |
137 | 1 | ||
Photos, slides, film negs., on location, n.d. 153 items |
137 | 2 | ||
Photographs, production stills, n.d. 83 items |
137 | 3 | ||
Recording assignments (books), 1966-1968, n.d. 2 items |
137 | 4 | ||
Revisions in shooting and sound, 1968-1969 1 items |
137 | 5 | ||
Shipping notices, 1967-1968 55 items |
137 | 6 | ||
Shooting script, n.d. 1 items |
137 | 7 | ||
Correspondence, 1971 (w/film negs.) (added 9-29-91) 7 items |
137 | 8 | ||
Sound effects script, n.d. (301 pp. notebook) 1 items |
138 | 1 | ||
Clippings, promotion, 1966-1970 74 items |
138 | 2 | ||
Ullung-Do, 1964-1976 135 items |
138 | 3 | ||
President Sukarno's tour through Indonesia, 1959 18 items |
138 | 4 | ||
President Sukarno and H. Leynse, photographs, 1959 5 items |
138 | 5 | ||
Production ideas, 1966-1973 54 items |
138 | 6 | ||
Subseries 4.6: Personal Papers, 1921-1971Includes biographical items, personal documents, and some personal correspondence. |
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container | folder | |||
Biographical information, 1921-1963 9 items |
138 | 7 | ||
Biographical information, photographs, H. Leynse, n.d. 1 items |
138 | 8 | ||
Chinese and Korean documents, 1962, n.d 3 items |
138 | 9 | ||
Correspondence, general, 1945-1971 137 items |
138 | 10 | ||
Correspondence, photographs accompanying, n.d. (ca. 1965, Korea) 4 items |
138 | 11 | ||
Foundations, 1964-1965, n.d. 73 items |
138 | 12 | ||
Photographs, Oceania Productions, 1961-1965 and undated |
138 | 13 | ||
Korean language material, n.d. 193 items |
139 | 1 | ||
Lecture: "Majuro: An Atoll," n.d. 16 items |
139 | 2 | ||
Peking American School, 1966 12 items |
139 | 3 | ||
Recommendations, 1963-1970 11 items |
139 | 4 | ||
Travel orders and vouchers, 1959-1966 287 items |
139 | 5 | ||
WSU Anthropology 530: "Ethnography of Mainland China," class notes, 1971 |
139 | 6 | ||
Subseries 4.7: Card File9 Boxes (eight wood, one metal) containing lecture notes on notecards, handwritten, n.d. |
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container | folder | |||
The American Film |
140 | 1 | ||
The Asian Film |
140 | 2 | ||
Film Criticism |
140 | 3 | ||
Film Production Notes |
140 | 4 | ||
Film Scripting |
140 | 5 | ||
Masters of the Cinema, A-H |
140 | 6 | ||
Masters of the Cinema, I-Z |
140 | 7 | ||
Masters of the Cinema |
140 | 8 | ||
Photo Communication |
140 | 9 | ||
|
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Series 5: Memorabilia, 1930-1976, n.d.Includes mementos and materials from Leynse’s work and travels, such as puppets, rubber stamps, notebooks, scrolls, and medals. |
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container | folder | |||
H. Leynse Medal, Asian Film Festival, 1976 1 items |
141 | 1 | ||
Notebook with Chinese/English military terms, n.d. 1 items |
141 | 2 | ||
Small cards, n.d. 3 items |
141 | 3 | ||
Color cards, n.d. 3 items |
141 | 4 | ||
Cut-outs, Chinese deities, n.d.; one miniature calendar, 1939 3 items |
141 | 5 | ||
Puppets (painted cardboard?), n.d.; small Chinese cards, n.d. 5 items |
141 | 6 | ||
Sheet poetry, printed by Women’s Club, 1930-1931 1 items |
141 | 7 | ||
Sheets stationery with color prints, n.d. 3 items |
141 | 8 | ||
Addresses: loose sheet, in English/Chinese, n.d. 1 items |
141 | 9 | ||
Brown address book, n.d. 1 items |
141 | 9 | ||
Found in address book: letter, cards of introduction, November 15 1943, NY; Peking, n.d. 1, 3 items |
141 | 9 | ||
Prints on cards, n.d.; calendar with notes, 1956 4, 1 items |
141 | 10 | ||
Title graphics from various films, n.d., Oceania Productions items |
141 | 11 | ||
Pencil sketches, selected short subjects: John Grierson, Robert Flaherty (1946), Leni Riefenstahl, Akira Kurosawa, Satyajit Ray, Frank Capra 6 items |
141 | 12 | ||
Small brown leather case with seeds 1 items |
142 | 1 | ||
Small metal box, Small metal rods 1,3 items |
142 | 2 | ||
Patches from Leynse’s military service, 1943-1945, CIC Counter-Intelligence 4 items |
142 | 3 | ||
Small scroll, n.d. 1 items |
142 | 4 | ||
Original box for seals and stamps above from Oceania Productions 1 items |
142 | 5 | ||
Wood, rubber, metal stamps from Oceania Productions; negative strip; contact prints, n.d. 1,4 items |
142 | 6 | ||
Small round container 1 items |
142 | 6 | ||
container | ||||
Hanbok (traditional Korean costume) belonging to Judith Leynse. 1 items |
143 | |||
|
||||
Index
Subject Index To Films (Series 1)
Name(s)
- 1 Atoll Called Majuro, An:
- 10 Micronesia:
- 11 Micronesia Lecture:
- 12 Moments of Truth:
- 13 Narcotics Trade, The:
- 14 Opium:
- 15 Out There, a Lone Island (originally Under One Roof):
- 16 Pacific Islands:
- 17 Polynesian Dances:
- 18 Hong Kong, Rhythm of:
- 19 Saipan, Guam, Majuro:
- 2 Bali:
- 20 Salome:
- 21 Singapore:
- 22 Sumatra:
- 23 Sumodo:
- 24 Thailand:
- 25 Tijuana Bullfights:
- 26 April Student Revolt, Korea 1960:
- 27 Ask Me!:
- 28 Birds of Paradise:
- 29 Coal:
- 3 Great Wall, The:
- 30 Incomparable Zygmunt Nagorski, The:
- 31 Inn, The:
- 32 Island Doctor:
- 33 Legacy, A:
- 34 Liberty News #352:
- 35 Lighthouse, The:
- 36 Litany of Hope:
- 37 Master’s Hand, The:
- 38 Mighty Man, The:
- 39 Mountain, The:
- 4 Guam and Saipan:
- 40 President Sukarno’s Tour of Indonesia:
- 41 Reeders of Sangnam:
- 42 Screen Magazine#13¾ Horse Hair Hat, The:
- 43 Screen Magazine #21¾ Chris Von Saltza:
- 44 Shipmates:
- 45 Tank:
- 46 To Mr. Leynse:
- 47 With Hand and Heart:
- 48 Art of Chinese Paintings, The:
- 49 Ashes, Ashes, All Fall Down:
- 5 Hong Kong:
- 50 Atlas in Orbit:
- 51 Battle of Britain:
- 52 Battle of Russia:
- 53 Berlin Story:
- 54 Bombs Over Europe:
- 55 Christmas in Many Lands:
- 56 Enoch Prentis:
- 57 Explorers in Space:
- 58 Fall of Hong Kong, Russian Snow Troops, Guadalcanal:
- 59 Fight for Egypt:
- 6 Indonesia:
- 60 Growth of a Language¾ American Version:
- 61 House, a Wife, a Singing Bird, A:
- 62 Images of Debussy:
- 63 Japan: The Ten Years before Pearl Harbor:
- 64 Man in Inhumanity, A:
- 65 Moby Dick:
- 66 Nation in Torment:
- 67 Pacific Island:
- 68 Pearl Harbor and Normandy:
- 69 Rome Falls to the Allies:
- 7 Japan:
- 70 School at Rincon Santo:
- 71 Sea of Winslow Homer, The:
- 72 Sky Power:
- 73 Textiles and Ornamental Arts of India:
- 74 Tilt:
- 75 True Glory, The:
- 76 Unconquerable Tibet:
- 77 Yakuza:
- 78 "Japanese Army" (short):
- 79 "Lei Day" (short):
- 8 Macau:
- 80 "Maps done by the artist" (short):
- 81 "Marchena" (short):
- 82 "Masuro" (Majuro?, short):
- 83-85 "Nauru" (shorts):
- 86 "Simulated lizards and rats" (short):
- 87-89 Unidentified films (shorts):
- 9 Meo Tribes:
- Air Defense, Exploration :
- Arts :
- China :
- Columbia :
- Hungary :
- Indonesia :
- Japan :
- Korea :
- Mexico :
- Micronesia :
- Miscellaneous :
- Pacific Islands :
- Russia :
- Singapore :
- Thailand :
- Tibet :
- World War II :