| Box |
Folder |
Description |
| |
|
Series 1: Book files, 1973-2001 |
| |
|
Includes poetry manuscripts, correspondence, galley proofs, and other records related to content development of individual titles. |
| |
|
After Chernobyl, C.L. Rawlins, 1989 |
| 1 |
1 |
Manuscript and correspondence |
| |
|
All That is Burning, DeLuna, undated |
| |
2 |
Manuscript |
| |
|
Always Beginning: Essays on a Life in Poetry, Maxine Kumin, 1998-2000 |
| |
3 |
Correspondence |
| |
4 |
Edited manuscript |
| |
5 |
Manuscript |
| |
6 |
Galley pages, cover galley, biography, promotional material |
| |
7-8 |
First galley uncorrected proof |
| |
9-11 |
First galley with notes |
| |
12 |
Second galley with notes |
| 2 |
13-14 |
Second galley with notes (continued) |
| |
14.1 |
Bound proof |
| |
15-19 |
Essay drafts, photocopies, correspondence |
| |
20 |
Cover, consortium advance, excerpts from marketing materials |
| |
|
Ambition and Survival: Essays on Art and Life, Christian Wiman, undated |
| |
21-22 |
Manuscript |
| |
|
American Citizen and Other Kay Boyle Poems, 1988 |
| 3 |
23 |
Manuscript |
| |
|
American Odalisque, Jane Miller, circa 1987 |
| |
24-25 |
Manuscript |
| |
26-27 |
Galleys, bound galley proof |
| |
|
Animae, Sam Hamill, undated |
| |
28-29 |
manuscript |
| |
|
Archipelago, Arthur Sze, circa 1994-1995 |
| |
30 |
Manuscript draft |
| |
31 |
Manuscript drafts, final version |
| |
32 |
Manuscript |
| 4 |
33 |
Manuscript with notes |
| |
34 |
Manuscript, first galley |
| |
35 |
First galley with notes, correspondence |
| |
36 |
Sample galley pages |
| |
37 |
First galley (photocopy) |
| |
38-40 |
Second galley |
| |
41 |
Final galley |
| |
42 |
Uncorrected bound proof |
| |
|
Ardor, Marvin Bell, circa 1997 |
| |
43 |
Manuscript, correspondence |
| 5 |
44 |
Manuscript |
| |
45 |
Manuscript with notes, correspondence |
| |
46 |
Sample galley pages |
| |
47 |
First galley with notes, style pages, correspondence |
| |
48 |
First galley |
| |
49 |
Second galley with notes, cover galley, correspondence |
| |
50 |
Final galley |
| |
|
Armored Hearts: Selected and New Poems, David Bottoms, circa 1994 |
| |
51 |
Original manuscript |
| |
52 |
Manuscript |
| |
53 |
Manuscript |
| 6 |
54 |
Manuscript, correspondence |
| |
55-56 |
First galley |
| |
57 |
First galley with notes |
| |
58-59 |
Second galley, galley replacement pages |
| |
60 |
Correspondence, sample galley pages |
| |
|
As Earth Begins to End, Patricia Goedicke, circa 1999 |
| |
61 |
Correspondence, author photograph |
| |
62 |
Third Rail manuscript drafts |
| 7 |
63 |
Manuscript, edited |
| |
64 |
Manuscript, copyedited with notes |
| |
65 |
Manuscript revision |
| |
66 |
Uncorrected proof |
| |
67 |
First galley with notes |
| |
68 |
Second galley with notes, bound proof |
| |
|
Asparagus, Jody Gladding, 1998 |
| |
69 |
Manuscript |
| |
70 |
Correspondence |
| |
71 |
Manuscript, notes, table of contents |
| 7.1 |
72 |
Galley with notes |
| |
72.1-72.2 |
Manuscripts, galley proofs, 1991 |
| |
73-74 |
Text camera-ready copy (incomplete) |
| |
75 |
Bound galley proof |
| |
|
At the End of This Summer: Poems 1948-54, John Haines, 1997 |
| |
76 |
Correspondence, galley pages, cover galley |
| |
77 |
Original manuscript |
| |
78 |
Manuscript with notes |
| |
79 |
Manuscript |
| |
80 |
First galley with notes |
| |
81 |
First galley pages |
| |
82 |
Second galley, biographical note |
| |
83 |
Final galley |
| |
|
At the Home-altar, Robert Hedin, circa 1978 |
| |
84 |
Manuscript, correspondence |
| |
|
August Zero, Jane Miller, circa 1992-1993 |
| |
85 |
Preliminary manuscript |
| |
86-87 |
Manuscript |
| 9 |
88 |
Revised manuscript |
| |
89-90 |
Galley |
| |
91 |
Uncorrected bound proof |
| |
92 |
Correspondence regarding Western States Book Award |
| |
93 |
Uncorrected bound proof |
| |
94 |
Reviews, awards |
| |
95 |
Bound galley proof |
| |
|
Badlands, Gerald Costanzo, undated |
| |
96 |
Manuscript |
| |
|
Balloons to Help Them Fly, Brian Swann, 1989 |
| |
97 |
Manuscript, correspondence |
| |
|
Beautiful Signor, Cyrus Cassells, circa 1997 |
| |
98 |
Correspondence |
| |
99-101 |
Manuscript |
| 10 |
102 |
Manuscript, correspondence |
| |
103 |
Manuscript, transcribed and edited |
| |
104 |
Manuscript |
| |
105 |
Sample galley pages |
| |
106 |
First galley |
| |
107 |
First galley with notes |
| |
108 |
First galley |
| |
109 |
Second galley with notes |
| |
110 |
Final galley, cover galley |
| 11 |
111 |
Cover, review, excerpts |
| |
112 |
Sister Circle Book Awards |
| |
|
Beauty of the Weapons, Robert Bringhurst, 1985 |
| |
113 |
Correspondence, proofs |
| |
114 |
Uncorrected proof |
| |
|
Bedrock, David Solway, undated |
| |
115 |
Manuscript |
| |
|
Begin Again, Philip Schultz, 1984 |
| |
116 |
Manuscript, correspondence |
| |
|
Before Ten Thousand Peaks, Paul Hansen (translator), undated |
| |
117-118 |
Manuscript |
| |
119 |
Manuscript |
| |
|
Below Cold Mountain, Joseph Stroud, 1997-1998 |
| |
120 |
Manuscript |
| |
121 |
Manuscript (photocopy) |
| |
122-123 |
Sample pages, correspondence |
| |
124 |
First galley, correspondence |
| 12 |
125 |
First galley with notes |
| |
126 |
Second galley, advertisement |
| |
127 |
Final galley |
| |
|
Bending Home: Selected and New Poetry, Susan Griffin, 1997-1998 |
| |
128-129 |
Manuscript (photocopy) |
| |
132 |
Manuscript with notes, correspondence |
| 13 |
133 |
Manuscript with notes, correspondence (continued) |
| |
134-135 |
Manuscript (reference) |
| |
136-137 |
Galley |
| |
138-139 |
Galley |
| |
140-141 |
First galley |
| 14 |
142-143 |
Second galley, correspondence |
| |
|
The Berry Picker, Marianne Wolfe, undated |
| |
144 |
Manuscript |
| |
|
Beside the Shadblow Tree: A Memoir of James Laughlin, Hayden Carruth, 1998 |
| |
145 |
Manuscript, correspondence, postscript |
| |
146 |
Manuscript with notes |
| |
147 |
Manuscript, edited |
| |
148 |
Style sheets, photographs (photocopies) |
| |
149-150 |
First galley, photographs (photocopies) |
| |
151 |
First galley (photocopy) with notes |
| 15 |
152 |
Second galley with notes |
| |
153 |
Third galley |
| |
154 |
Uncorrected bound proof |
| |
|
Big Joy, James Broughton, 1995 |
| |
155 |
Manuscript |
| |
|
Bird of Endless Time, James Laughlin, 1989 |
| |
156 |
Correspondence, review, jacket notes |
| |
157 |
Galley with notes and corrections |
| |
158 |
Galley proof with notes |
| |
159-160 |
Galley proofs |
| |
|
Bitters, Rebecca Seiferle, 2001 |
| |
161 |
Correspondence |
| 16 |
162 |
Manuscript, correspondence |
| |
163-165 |
Manuscript |
| |
166-167 |
Manuscript with notes (photocopy) |
| |
168-169 |
Manuscript with notes |
| |
170 |
Final manuscript with notes, correspondence |
| 17 |
171-172 |
Uncorrected proof |
| |
173 |
Text and cover camera-ready copy |
| |
174-175 |
First galley with notes, correspondence, style pages |
| |
176-177 |
Second galley with notes, correspondence |
| |
178-179 |
Third galley with notes, correspondence |
| |
|
Black Iris, Jean Joubert, Denise Levertov (translator), circa 1988 |
| |
180 |
Manuscript |
| |
181 |
Manuscript materials |
| 18 |
182-183 |
Manuscript materials |
| |
184 |
Manuscript material, galley, correspondence |
| |
185 |
Galley |
| |
186 |
Galley, correspondence, promotional material |
| |
187 |
Bound galley proof |
| |
|
The Blessing: New and Collected Poems, Richard Jones, 1998-2000 |
| |
188 |
Correspondence |
| |
189-190 |
Manuscript, edited |
| |
191-192 |
Manuscript with notes, correspondence |
| |
193 |
Manuscript with notes |
| 19 |
194 |
Manuscript with notes (continued) |
| |
195-196 |
Manuscript with notes, edited |
| |
197-200 |
First galley with notes, style pages |
| |
201-203 |
Uncorrected proof, first galley, cover proof |
| 20 |
204 |
Uncorrected proof, first galley, cover proof (continued) |
| |
206-209 |
Second galley with notes, correspondence |
| |
210-213 |
Third galley |
| |
|
Blindsided, Jack Myers, 1989 |
| 21 |
214 |
Manuscript, correspondence |
| |
|
Blue Autumn, Christopher Buckley, 1988 |
| |
215 |
Manuscript, correspondence |
| |
|
Blue Dusk: New and Selected ENDPoems, Madeline DeFrees, 2000-2001 |
| |
216-218 |
Manuscript |
| |
219 |
Manuscript with notes |
| |
220 |
Manuscript, edited |
| |
221-222 |
First galley with notes |
| |
223 |
Second galley with notes |
| 22 |
224 |
Second galley with notes |
| |
225 |
Third galley pages |
| |
|
The Body in Bloom, C. Dale Young, undated |
| |
226 |
Manuscript |
| |
|
The Book of Elegiac Geography, Sam Hamill, undated |
| |
227 |
Manuscript |
| |
|
The Book of the Dead Man, Marvin Bell, 1992-1996 |
| |
228 |
Correspondence |
| |
229-230 |
Manuscript, correspondence |
| |
231 |
Galley, jacket notes |
| |
232-233 |
Galley with notes |
| |
|
The Book of Light, Lucille Clifton, 1992-1993 |
| |
234 |
Manuscript |
| |
235 |
Manuscript, correspondence, review |
| |
236 |
Camera-ready copy reprint |
| |
237 |
Manuscript |
| 23 |
238 |
Manuscript with notes and corrections |
| |
239-241 |
Galley |
| |
242 |
Galley, printer instructions |
| |
243 |
Text camera-ready copy |
| |
|
The Book of Questions, Pablo Neruda, William O'Daly (translator), 1991-2000 |
| |
244 |
Correspondence, introduction |
| |
245 |
Manuscript with notes, correspondence |
| |
246-247 |
Manuscript |
| |
248 |
Manuscript (early draft) |
| |
249 |
Manuscript with notes, correspondence |
| 24 |
250-251 |
Manuscript draft with notes and corrections |
| |
252 |
Proof pages |
| |
253 |
Introduction manuscript with notes |
| |
254-255 |
Galley with notes, cover galley |
| |
256 |
Text camera-ready copy |
| |
257 |
Text camera-ready copy (photocopy), galley jacket notes |
| |
258 |
Reprint material |
| |
|
Bones and Buzzards, Kerry Keys, 1990 |
| |
259 |
Manuscript, correspondence |
| |
|
Bottomland: The Whale in the Web, undated |
| |
260 |
Manuscript, correspondence |
| |
|
The Buffalo Sequence, Mark Pawlak, 1974-1978 |
| |
261 |
Manuscript, correspondence with Denise Levertov |
| |
|
Burnt Offerings, Timothy Liu, 1995-2001 |
| |
262 |
Manuscript, correspondence |
| 25 |
263 |
Manuscript |
| |
264 |
Galley |
| |
265 |
Manuscript with notes |
| |
266 |
Galleys with notes |
| |
267-269 |
Galley with notes, manuscript |
| |
270 |
Sample galley pages |
| |
271 |
Digital proof |
| |
272 |
Galley back cover |
| |
273 |
Promotional postcard |
| |
|
Cafe, D.C. Berry, undated |
| |
274 |
Manuscript |
| |
|
The Calling Across Forever, Sam Hamill, undated |
| |
275 |
Manuscript (photocopy) |
| |
|
Carrying Over, Carolyn Kizer, 1988 |
| 26 |
276 |
Correspondence, manuscript |
| |
277-279 |
Manuscript, book photocopies |
| |
280-281 |
Galley |
| |
282 |
Bound galley proof |
| |
|
Cavafy, George Economou, 1999 |
| |
283 |
Manuscript |
| |
|
Celebrations, Michael Cuddihy, circa 1980 |
| |
284 |
Manuscript |
| |
285 |
Galley |
| |
|
Century's Road, Patricia Kirkpatrick, 2000 |
| |
286 |
Query letter, correspondence, manuscript |
| |
|
Cheat Grass, Cheryl Van Dyke, 1975 |
| |
287-288 |
Manuscript |
| |
|
City of Memory, Jose Emilio Pacheco, Cynthia Steele (translator), 1990 |
| 27 |
289 |
Manuscript, correspondence |
| |
|
Cloth of Cilantro, Doren Robbins, undated |
| |
290 |
Manuscript |
| |
|
Collected Longer Poems, Hayden Carruth, 1993 |
| |
291 |
Manuscript |
| |
292-293 |
Manuscript |
| |
294-295 |
Manuscript with notes |
| |
296 |
Galley with author notes |
| 28 |
297 |
Galley with author notes (continued) |
| |
298-299 |
Galley, type specifications, query sheet |
| |
300-301 |
Galley |
| |
302-305 |
Galley pages and galley proofs |
| |
|
Collected Poems of Beatrice Hawley, 1989 |
| |
306 |
Manuscript, correspondence |
| |
|
Collected Poems, Jay Wright, 1997-1998 |
| 29 |
307 |
Correspondence |
| |
|
Collected Poems of Kay Boyle, 1989-1991 |
| |
308-310 |
Manuscript, correspondence |
| |
311-312 |
Manuscript with photocopied pages |
| |
313 |
Galley |
| |
314 |
Galley proof with notes and corrections |
| |
315-316 |
Second galley |
| |
317-318 |
Galley, jacket material, facsimile cover |
| 30 |
319 |
Uncorrected proof |
| |
320 |
Text camera-ready copy (incomplete) |
| |
|
Collected Shorter Poems: 1946-1991, Hayden Carruth, circa 1990-1993 |
| |
321 |
Correspondence |
| |
322 |
Manuscript (table of contents), correspondence |
| |
323-330 |
Manuscript |
| 31 |
331-332 |
Uncorrected proof |
| |
333-337 |
Galley with notes |
| |
338-340 |
Unbound proof |
| 32 |
341-343 |
Text camera-ready copy |
| |
|
The Collected Songs of Cold Mountain, Red Pine (translator), circa 1980s-2000 |
| |
344 |
Correspondence |
| |
345-346 |
Manuscript |
| |
347 |
Manuscript, correspondence |
| |
348 |
Manuscript with notes, correspondence |
| |
349 |
Manuscript with introduction |
| 33 |
350 |
Manuscript with introduction (continued) |
| |
351-352 |
Bilingual manuscript |
| |
353 |
Manuscript of notes |
| |
354-355 |
Edited manuscript, correspondence |
| |
356 |
Digital manuscript sample |
| |
357 |
Galley text and introduction |
| |
358-361 |
First galley with notes, correspondence |
| 34 |
362-365 |
Second galley with notes |
| |
366-369 |
Third galley with notes |
| |
370 |
Cover galley, postcards |
| |
371 |
Cover consortium advance, marketing, biographical note, excerpts |
| |
372 |
Correspondence, printing brochures |
| |
373 |
Galleys (title page, copyright, notes to preface) |
| |
374 |
Correspondence, Library of Congress information, author's stamp |
| |
|
Color Fast, Honor Moore, undated |
| |
375 |
Manuscript |
| |
|
The Compass Flower, W.S. Merwin, undated |
| |
376 |
Manuscript |
| |
377 |
Manuscript (photocopy back to back) |
| 35 |
378 |
Manuscript with notes |
| |
379 |
Photocopy from 1977 Athenaeum edition. Also photocopies of Feathers from the Hill ENDand Opening the Hand |
| |
|
Communion: Poems 1976-1998, Primus St. John; 1999, undated |
| |
380 |
Manuscript (back to back photocopy) |
| |
381-382 |
Manuscript |
| |
383 |
Manuscript |
| |
384 |
Manuscript (incomplete) |
| |
385 |
Manuscript of "If there Were No Days" (reference text) |
| |
386-387 |
Manuscript |
| |
388 |
Manuscript with notes |
| 36 |
389 |
Manuscript with notes (continued) |
| |
390 |
Edited manuscript |
| |
391 |
Correspondence, galley pages |
| |
392-393 |
First galley |
| |
394-395 |
First galley with notes |
| |
396-397 |
Uncorrected proof |
| 37 |
398-399 |
Second galley with replacement pages, jacket galley |
| |
400 |
Third galley pages |
| |
401-402 |
Third galley pages |
| |
403 |
Uncorrected bound proof |
| |
|
Configurations, Clarence Major, 1998 |
| |
404-405 |
Manuscript (partial) with notes, correspondence |
| |
406-407 |
First galley (photocopy) with notes |
| 38 |
408 |
First galley (photocopy) with notes (continued) |
| |
409-411 |
First galley |
| |
412-414 |
First galley with notes |
| |
415 |
Second galley with notes |
| 39 |
416-417 |
Second galley with notes (continued) |
| |
418-420 |
Third galley |
| |
|
Consortium Winter Catalog 1996-97 |
| |
421-422 |
Manuscript |
| |
|
Cool, Calm, and Collected: Poems 1960-2000, Carolyn Kizer, 2000 |
| |
423 |
Correspondence |
| |
424-426 |
Manuscript with notes, correspondence |
| 40 |
427 |
Manuscript with notes, correspondence (continued) |
| |
428-430 |
Manuscript |
| |
431-433 |
Manuscript |
| |
434-437 |
Galley |
| 41 |
438 |
Galley |
| |
439-443 |
Second galley with notes |
| |
444-446 |
Uncorrected proof |
| 42 |
447-448 |
Uncorrected proof (continued) |
| |
449-453 |
First galley (uncorrected proof) |
| |
454 |
Orders, covers, corrections, correspondence, poems |
| |
|
Copper Canyon Press Catalog |
| |
455 |
1984 (Spring) manuscript, galley |
| |
456 |
1985 manuscript, galley, art, cover |
| |
457 |
1986 catalog |
| |
458 |
1986 manuscript, galley, correspondence, art, invoices |
| 43 |
459 |
1986 manuscript, galley, correspondence, mechanical, camera copies |
| |
460 |
1987 manuscript, paste-ups, camera copies |
| |
461 |
1987 manuscript, galley, mechanicals, art |
| |
462 |
1988 manuscript, galley |
| |
463 |
1988 manuscript, galley, invoices, 1987 catalog with notes |
| |
464 |
1988 manuscript |
| |
465 |
1989 manuscript |
| |
466 |
1989 galley, manuscript, paste-ups |
| |
467 |
1989 galley, art, paste-ups, correspondence |
| |
468 |
1991 (Fall) manuscripts, galley, paste-ups, samples |
| |
469 |
1991 (Spring) galley, paste-ups, correspondence |
| |
470 |
1992 catalog |
| |
471 |
1992-1993 (Fall and Winter) manuscript, paste-ups, cover art |
| 44 |
472 |
1992-1993 (Fall and Winter) manuscript, paste-ups, cover art (continued) |
| |
473 |
1993-1994 manuscript, correspondence |
| |
474-475 |
1993-1994 galley, cover, layouts, promotional material |
| |
476 |
1993-1994 proof |
| |
477 |
1994 (Spring and Summer) galley, paste-ups, sample, notes |
| |
478 |
1994 (Spring and Summer) manuscript |
| |
479 |
1993-1994 manuscript, correspondence, invoices, cover art |
| |
480 |
1994 (Spring and Summer) final catalog |
| |
481 |
1994-1995 (Fall and Winter) final catalog |
| |
482 |
1995 (Spring and Summer) final catalog |
| |
483 |
1996 (Spring and Summer) final catalog |
| |
484 |
1996 (Fall and Winter) galley |
| 45 |
485 |
1996 (Fall and Winter) galley (continued) |
| |
486 |
1996 (Spring and Summer) |
| |
487-488 |
1996-1997 (Fall and Winter) galley |
| |
489 |
1996-1997 (Fall and Winter) final catalog |
| |
490 |
1997 (Spring and Summer) galley |
| |
491 |
1997 (Spring and Summer) galley with notes |
| |
492 |
1997 (Spring and Summer) galley short catalog |
| |
493 |
1997 (Spring and Summer) galley flyer catalog |
| |
494 |
1997 (Fall and Winter) flyer, catalog, galley |
| |
495 |
1997 (Spring and Summer) final catalog |
| |
496 |
1998 (Spring and Summer) catalog |
| |
497 |
1998 (Spring and Summer) "New Poetry" final catalog |
| |
498 |
1998 (Fall) galley |
| |
499 |
1998 (Fall and Winter) catalog |
| |
500 |
1998 (Fall and Winter) final catalog |
| 46 |
501 |
1999 (Fall) galley |
| |
502 |
1999 (Spring and Summer) catalog |
| |
503 |
1999 (Fall and Winter) galleys |
| |
504 |
1999 (Fall and Winter) final catalog |
| |
505 |
1999 (Fall) final catalog |
| |
506 |
1999 (Fall and Winter) final catalog |
| |
507 |
2000 (Spring) galley "Books" |
| |
508 |
2000 (Spring) galley "Poetry" |
| |
|
Copperhead II, multiple authors, undated |
| |
509 |
Manuscript, correspondence |
| |
|
Copperhead III, multiple authors; 1995, undated |
| |
510 |
Manuscript, correspondence, art |
| |
|
The Country Between Us, Carolyn Forche, undated |
| |
511 |
Galley proof |
| |
|
Country of Air, Richard Jones, 1985-1992 |
| |
512 |
Correspondence |
| |
513-514 |
Manuscript, proofs |
| |
515 |
Manuscript, previous reviews, author vita |
| |
516 |
Bound galley proof |
| |
517-518 |
Reviews |
| |
|
County O, Robert Hedin; 1986, undated |
| |
519 |
Manuscript |
| |
520 |
Manuscript, correspondence |
| 47 |
521 |
Review |
| |
|
Craving Water, Mary Lou Sanelli, undated |
| |
522 |
Manuscript |
| |
|
Crawles, Nathalie Anderson, 1998 |
| |
523 |
Manuscript |
| |
|
Crow with No Mouth: Ikkyu, Stephen Berg (translator), 1988-2000 |
| |
524 |
Correspondence |
| |
525-526 |
Manuscript draft with notes, galley with notes, jacket notes |
| |
527 |
Galley (photocopy) with notes, foreword, jacket notes |
| |
528 |
Corrected galley pages |
| |
529 |
Text camera-ready copy |
| |
530 |
Bound galley proof |
| |
531 |
Reprint, correspondence, cover |
| |
|
Damages, Elaine Terranova, 1995 |
| |
532 |
Manuscript |
| |
533 |
Manuscript draft (photocopies) |
| |
534-535 |
Manuscript |
| |
536 |
Manuscript with notes, correspondence |
| |
537 |
First galley |
| 48 |
538 |
First galley with notes, correspondence |
| |
539 |
Sample galley pages |
| |
540 |
Galley |
| |
541 |
Galley |
| |
542 |
Manuscript |
| |
|
Dark Freight, A. Hokanson, undated |
| |
543 |
Manuscript |
| |
|
Dark Songs: Slave House and Synagogue, Laurence Leiberman, circa 1994-1996 |
| |
544 |
Manuscript, author biographical note |
| |
545 |
Manuscript |
| |
|
A Daughter's Latitude: New and Selected Poems, Karen Swenson, 1998-1999 |
| |
546-547 |
Manuscript with notes |
| |
548 |
Manuscript, correspondence |
| 49 |
549 |
Manuscript, correspondence (continued) |
| |
550-551 |
Galley |
| |
552-553 |
First galley, correspondence |
| |
554-555 |
First galley with notes |
| |
556 |
Second galley with notes |
| 50 |
557 |
Second galley with notes (continued) |
| |
|
David Lee: A Listener's Guide, 1999 |
| |
558 |
Galley, cover galley |
| |
|
Days of Awe, Maurya Simon, 1987-1992 |
| |
559 |
Galley |
| |
560 |
Correspondence |
| |
561 |
Galley with corrections |
| |
562-563 |
Manuscript, galley with notes |
| |
564 |
Bound galley proof |
| |
|
Day's Work, David Lee, 1990-1992 |
| |
565 |
Correspondence |
| |
566-567 |
First draft manuscript |
| 51 |
568-569 |
Manuscript |
| |
570 |
Manuscript, author vita |
| |
571-572 |
Galley proof with notes |
| |
573-574 |
Galley pages with notes |
| |
575 |
Blue line text, cover, art |
| |
576-577 |
Galley quick pages, cover art and text |
| |
578 |
Text camera-ready copy |
| 52 |
579 |
Bound galley proof |
| |
|
Death Song, Thomas McGrath, 1990 |
| |
580 |
Correspondence |
| |
581-582 |
Manuscript |
| |
583-584 |
Manuscript, cover matter, press release |
| |
585 |
Galley |
| |
586 |
Galley with corrections and notes |
| |
587-588 |
Galley with corrections, advertisement galley |
| |
589 |
Bound galley proof |
| 53 |
590 |
Promotional material |
| |
|
Deepstep Come Shining, C.D. Wright, 1998 |
| |
591 |
Uncorrected page proofs |
| |
592 |
First galley with notes, correspondence |
| |
593 |
Second galley with notes and correspondence |
| |
|
Discovering Ellf, Louise Burton, undated |
| |
594 |
Manuscript, correspondence |
| |
|
Documentary, Robin Morgan, 1981 |
| |
595 |
Manuscript, correspondence |
| |
|
Doctor Jazz, Hayden Carruth, 2000 |
| |
596 |
Manuscript |
| |
597 |
Manuscript with notes |
| |
598 |
First galley with notes, style pages |
| |
599 |
Second galley with notes |
| 54 |
600 |
Third galley |
| |
|
The Doves of Pliny, Simon, undated |
| |
601 |
Manuscript |
| |
|
Driving and Drinking, David Lee, circa 1979-1982 |
| |
602-603 |
Manuscript |
| |
|
Dying for Beauty, Gail Wronsky, circa 1999-2000 |
| |
604 |
Correspondence |
| |
605 |
Manuscript |
| |
606 |
Edited manuscript |
| |
607 |
Manuscript galley with notes, style pages |
| |
608 |
First galley with notes, correspondence |
| |
609 |
First galley |
| |
610 |
Uncorrected proof |
| |
611 |
Second galley with notes, jacket notes, back cover galley |
| 55 |
612 |
Third galley |
| |
|
East Window: The Asian Translations, W.S. Merwin, 1998 |
| |
613 |
Manuscript with notes |
| |
614 |
Manuscript |
| |
615-617 |
Galley |
| |
618-619 |
Galley with notes |
| 56 |
620-623 |
Second galley with notes |
| |
624-626 |
Third galley |
| |
627 |
Galley replacement pages |
| |
628 |
Uncorrected bound proof |
| |
|
Elements, James Galvin, circa 1988 |
| 57 |
629-630 |
Galley with notes |
| |
631 |
Bound galley proof |
| |
|
Empty Word, Emily Warn, 1989 |
| |
632 |
Manuscript, correspondence |
| |
|
The Enchanted Room, Maurya Simon, 1986-1987 |
| |
633 |
Manuscript, invoices |
| |
634 |
Bound galley proof |
| |
635 |
Review |
| |
|
Eros, Eros, Eros: Selected and Last Poems, Odysseas Elytis, Olga Broumas (translator), 1998 |
| |
636 |
Manuscript |
| |
637 |
Manuscript, correspondence |
| |
638 |
Manuscript with notes |
| |
639 |
Manuscript (incomplete) |
| 58 |
640-641 |
Galley with notes |
| |
642-643 |
Second galley with notes, correspondence |
| |
644-645 |
Third galley with notes |
| |
|
Escalante, Sam Hamill, undated |
| |
646 |
Manuscript |
| |
|
Essential Basho, Matsuo Basho, Sam Hamill (translator), 2000 |
| |
647 |
Article, review |
| |
|
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers), 1989-1990 |
| |
648 |
Correspondence, contract copy |
| |
649-650 |
Galley |
| 59 |
651 |
Galley (continued) |
| |
652 |
Correspondence, press release, news clippings, brochures |
| |
653 |
Table of contents manuscript, jacket notes |
| |
654-655 |
Correspondence, galley with notes and correspondence |
| |
656 |
Bound galley proof |
| |
657 |
Galleys with art work |
| |
|
Existing Light, Madeline DeFrees, undated |
| |
658 |
Manuscript |
| |
|
The Faces Are Masks, Made of Stone with Real Tears, Frank Winters, 1993 |
| |
659 |
Manuscript |
| |
|
The Falcon and the Dragon, Mary Johnson, 1976 |
| 60 |
660 |
Manuscript, correspondence, mechanicals |
| |
|
Feathers from the Hill, W.S. Merwin, undated |
| |
661 |
Manuscript |
| |
662 |
Manuscript with notes |
| |
|
Finding True North, W.M. Ransom, 1973 |
| |
663 |
Manuscript, correspondence, art, supporting documentation |
| |
664 |
Unbound advance galley, art |
| |
|
The First Four Books of Poems, W.S. Merwin, 1999-2000 |
| |
665-668 |
First galley with notes, style pages, color cover |
| |
669 |
Correspondence |
| |
670-671 |
Manuscript with notes |
| |
672-673 |
First galley |
| 61 |
674 |
First galley (continued) |
| |
675-678 |
Uncorrected proof first galley |
| |
679-682 |
Second galley with notes |
| |
683-686 |
Third galley |
| |
|
First Things First, Odysseas Elytis, Olga Broumas (translator), 1992 |
| 62 |
687 |
Manuscript poems, introduction, correspondence |
| |
|
Fishing Poems END(anthology; multiple authors), 1975 |
| |
688 |
Manuscript, correspondence, art |
| |
|
Five Pears or ENDPeaches, Reginald Gibbons, undated |
| |
689 |
Manuscript, correspondence |
| |
|
Five Quechua Poets END(anthology), 1997 |
| |
690 |
Trilingual manuscript, correspondence |
| |
|
Flower and Hand, W.S. Merwin, 1996-1997 |
| |
691-692 |
Manuscript |
| |
693-694 |
Galley |
| |
695-696 |
Galley |
| |
697 |
Cover galley |
| |
698 |
Galley (back to back photocopy) |
| |
699 |
Final galley, correspondence |
| 63 |
700 |
Final galley, correspondence (continued) |
| |
701 |
Correspondence, jacket notes, galley pages |
| |
702 |
Sample galley pages, correspondence |
| |
703-704 |
Manuscript, style pages |
| |
705-706 |
First galley with notes |
| |
707-708 |
Second galley |
| |
709-710 |
Galley, cover galley, correspondence |
| |
|
A Flower Whose Name I Do Not Know, David Romtvedt, 1991-1992 |
| 64 |
711 |
Manuscript, correspondence |
| |
712 |
Correspondence, jacket notes, press release |
| |
713 |
Galley |
| |
714-715 |
Galley proofs, manuscript with notes |
| |
716 |
Manuscript with editor's notes |
| |
717 |
Manuscript |
| |
718 |
Galley |
| |
719 |
Galley |
| |
|
Forgiveness, Maxine Scales, 1997 |
| |
720 |
Correspondence |
| |
|
Four Mapuche Poets, undated |
| |
721 |
Bilingual manuscript |
| |
722 |
Photocopy |
| |
|
Fourteen Poems, O.V. de L. Milosz, Kenneth Rexroth (translator), circa 1983 |
| |
723 |
Manuscript, proofs (photocopies) |
| |
724 |
Photocopy of book pages |
| |
|
The Gift of Tongues: Twenty-five Years of Poetry from Copper Canyon Press, 1995-1996 |
| |
725-726 |
Manuscript |
| |
727 |
Manuscript draft |
| |
728-731 |
Manuscript |
| 66 |
732-733 |
Manuscript |
| |
734-736 |
Manuscript (back to back) |
| |
737 |
First galley front matter |
| |
738-741 |
First galley with notes |
| |
742 |
Uncorrected bound proof |
| 67 |
743 |
Uncorrected bound proof |
| |
744-747 |
Second galley |
| |
748-751 |
Second galley |
| |
752 |
Second galley front matter with notes |
| |
753 |
Third galley |
| 68 |
754-756 |
Third galley (continued) |
| |
757 |
Third galley pages |
| |
758-760 |
Final galley |
| |
761 |
Sample galley pages |
| |
762-763 |
Page additions and revisions, correspondence |
| |
764 |
Galley, postcard insert |
| |
|
Glass Town, Lisa Russ Spaar, 1998 |
| |
765 |
Manuscript, correspondence |
| |
|
Gleanings from the Wayside, Pao Yi, undated |
| |
766 |
Manuscript |
| |
|
Go the Distance, Karen Swenson, undated |
| 69 |
767-768 |
Original manuscript |
| |
|
Growing Old Alive, Han Yu, Kenneth Hanson (translator), undated |
| |
769 |
Manuscript, photographs |
| |
|
A Gypsy's History of the World, Kim Robert Stafford, 1976 |
| |
770 |
Manuscript |
| |
771 |
Manuscript, page proofs |
| |
|
A Happy Death: In This Wild Cold Field, Jeffrey Loo, undated |
| |
772 |
Manuscript |
| |
|
Harping On: Poems 1985 to 1994, Carolyn Kizer, 1996 |
| |
773 |
Correspondence, cover galley |
| |
774 |
Cover galley pages, correspondence |
| |
775 |
Sample galley pages |
| |
776 |
Manuscript |
| |
777 |
Manuscript |
| |
778 |
Manuscript with notes |
| |
779 |
First galley with notes |
| |
780 |
First galley |
| |
781 |
Second galley |
| 70 |
782 |
Uncorrected bound proof |
| |
783 |
First galley |
| |
784 |
First galley with notes |
| |
|
Hatsutaiken, Lee Bassett, circa 1980 |
| |
785 |
Manuscript |
| |
|
Hayden Carruth: A Listener's Guide, 1999 |
| |
786 |
Manuscript, first galley, second galley |
| |
|
The Healing Fountains, Jane Miller, undated |
| |
787 |
Manuscript |
| |
|
Heart of Bamboo: A Listener's Guide, 1999 |
| |
788 |
Manuscript, galley with notes |
| |
|
Heart of Bamboo: Poetry and Music in the Zen Tradition, 1999 |
| |
789 |
Galley, cover galley |
| |
|
He Smiled to Himself, Steve Sanfield, undated |
| |
790 |
Manuscript |
| |
|
Hello Central, Give Me Doctor Jazz, Hayden Carruth, undated |
| |
791-792 |
Manuscript |
| |
|
Heroes and Ghosts, Terranova, undated |
| |
793 |
Manuscript |
| |
|
Heroes of the Teton Mythos, Sam Hamill, 1974 |
| |
794 |
Correspondence, manuscript |
| |
|
The Hides of White Horses Shedding Rain, Robert Sund, 1980 |
| |
795 |
Manuscript |
| |
|
Him, Her, the Other, Barrie Jean Borich, undated |
| |
796 |
Manuscript |
| |
|
Holding Our Own: The Selected Poems of Ann Stafford, 2001 |
| |
797 |
Partial manuscript (photocopy from book) |
| 71 |
798 |
Partial manuscript (photocopy from book) |
| |
799 |
Manuscript with notes |
| |
800-801 |
Manuscript with notes, correspondence |
| |
802 |
Manuscript with notes |
| |
803 |
Manuscript design sample |
| |
804-805 |
First galley |
| |
806-807 |
First galley with notes |
| 72 |
808-809 |
First galley with notes, style pages |
| |
810 |
Second galley pages |
| |
811-812 |
Third galley, color cover galley |
| |
813 |
Ann Stafford diary pages |
| |
814-815 |
Second galley with notes, style pages |
| |
|
Homage to Rolf Jacobsen, Robert Bly, undated |
| |
816 |
Introduction |
| |
|
Homage to the Afterlife, Stephen Berg, 1996 |
| |
817-818 |
Manuscript, correspondence |
| |
|
Hotel with Birds, Lewis Hyde, 1986 |
| |
819 |
Manuscript |
| |
|
House of Breath, Ken Garner, circa 1981 |
| |
820 |
Galley, manuscript |
| |
|
House of Poured-Out Waters, Jane Mead, 1998 |
| 73 |
821 |
Manuscript, correspondence |
| |
|
How to Eat a Slug, Frank R. Maloney, 1973-1976 |
| |
822 |
Manuscript, correspondence |
| |
823 |
Galley |
| |
|
I Am Somebody, Oh Yes I Am!, Linda Berg and Paula Bowen, 1984 |
| |
824 |
Manuscript, correspondence |
| |
|
I Don't Bow to Buddhas: Selected Poems of Yuan Mei, J.P. Seaton (translator), 1995 |
| |
825-826 |
Manuscript with notes, correspondence |
| |
827 |
Style pages, correspondence |
| |
828 |
Sample galley pages |
| |
829-830 |
First galley with notes |
| |
831 |
Second galley with notes |
| 74 |
832 |
Second galley, cover art |
| |
833 |
Third galley |
| |
834 |
Third galley |
| |
835 |
Third galley with notes |
| |
836 |
Promotion |
| |
|
Ice Futures, Thomas Johnson, 1976-1978 |
| |
837 |
Manuscript, correspondence |
| |
|
In the Dreamlight: Twenty-two Alaskan Writers, 1983-1984 |
| |
838 |
Manuscript |
| |
839 |
Correspondence, mailing list, advertising |
| |
840-841 |
Manuscript |
| 75 |
842 |
Manuscript (continued) |
| |
843 |
Page proofs |
| |
|
In the Surgical Theatre, Dana Levin, circa 1999 |
| |
844 |
Manuscript |
| |
|
Infanta, Erin Belieu, 1994-1995 |
| |
845 |
Original manuscript |
| |
846 |
Manuscript, correspondence |
| |
847 |
Manuscript |
| |
848 |
Manuscript, correspondence |
| |
849 |
Manuscript (copyedited) |
| |
850 |
Galley design pages, correspondence |
| |
851 |
First galley, manuscript |
| |
852 |
First galley |
| |
853 |
First galley with notes, correspondence |
| 76 |
854 |
Second galley |
| |
855 |
Proof |
| |
856 |
Second printing, galley page |
| |
857 |
Reprint material |
| |
|
Intarsia, Rebecca Wee, undated |
| |
858 |
Manuscript |
| |
|
Iris of Creation, Marvin Bell, 1990 |
| |
859 |
Manuscript |
| |
860 |
Correspondence, publishing contract copy |
| |
861 |
Manuscript |
| |
862 |
Manuscript |
| |
863 |
Galley, manuscript |
| |
864 |
Galley with notes and corrections |
| |
865 |
Bound galley proof |
| |
|
Iron Man of the Hoh, Nelson Bentley, 1975 |
| |
866 |
Manuscript, correspondence, proofs, publication announcement |
| |
|
The Island, Michael White, 1992 |
| |
867 |
Text camera-ready copy |
| 77 |
868 |
Manuscript (former title "The Narcissus Moored") |
| |
869 |
Correspondence |
| |
870 |
Manuscript |
| |
871 |
Galley |
| |
|
The Island of Lost Luggage, Janet McAdams, circa 2000 |
| |
872 |
Manuscript |
| |
|
Ivory Cradle, Anne Marie Macari, 2000 |
| |
873 |
Manuscript |
| |
874 |
Fourth galley |
| |
|
Jawbone, Sam Hamill, undated |
| |
875 |
Manuscript, notes |
| |
|
Jazz: Love, Schuler, undated |
| |
876 |
Manuscript poem |
| |
|
Jonestown, undated |
| |
877 |
Manuscript |
| |
|
Journal of the Sun, James Masao Mitsui, 1973 |
| |
878 |
Manuscript |
| |
878.1 |
Manuscript, correspondence, publication announcement |
| |
|
The Kilroy Sonata, Phillips, 1988 |
| |
879 |
Manuscript |
| |
|
A Kind of Glory, Richard Shelton, circa 1982 |
| |
880 |
Galley pages |
| |
|
Knowing When Being There, Michael Moore, 1990 |
| |
881 |
Manuscript, correspondence |
| |
|
The Landlady in Bangkok, Karen Swenson, 1994 |
| 78 |
882 |
Postcard promotion |
| |
883 |
First manuscript |
| |
884 |
Manuscript, correspondence |
| |
885 |
Manuscript draft with notes |
| |
886 |
Manuscript (photocopy) |
| |
887 |
Manuscript, correspondence |
| |
888 |
Manuscript, correspondence |
| |
889 |
First galley |
| |
890 |
First galley |
| |
891-892 |
Galley proofs |
| |
893 |
First galley corrections |
| |
894 |
First galley author corrections, correspondence |
| 79 |
895 |
First galley |
| |
896 |
First galley with notes |
| |
897 |
Second galley |
| |
898 |
Galley proof |
| |
899 |
Galley (final) with notes |
| |
|
Lauds, Tom Crawford, undated |
| |
900 |
Manuscript |
| |
|
Learning to Clean the Altar, Deena Metzger, undated |
| |
901 |
Manuscript (bound), correspondence |
| |
|
Leaves, Peter Jacoby, 1997 |
| |
902 |
Book (Ramsey Press) |
| |
|
Leaving a Shadow, Heather Allen, 1996 |
| |
903 |
Manuscript |
| |
904 |
Postcard promotion |
| |
905 |
First galley, second galley |
| |
906 |
Manuscript (photocopy) |
| 80 |
907 |
Manuscript, correspondence |
| |
908 |
Uncorrected bound proof |
| |
909 |
First galley with notes |
| |
910 |
Second galley |
| |
911 |
Final galley, cover galley |
| |
|
Lebanese Mountain Cookery, Mary Louise Laird, 1986 |
| |
912-913 |
Galley proof, correspondence |
| |
|
A Legacy of Shadows, Poems 1978 to END1996, David Lee, 1998-1999 |
| |
914-916 |
Manuscript with notes |
| |
917-918 |
First galley with notes |
| 81 |
919-920 |
First galley with notes (continued) |
| |
921-923 |
First galley |
| |
924-926 |
Second galley with notes |
| 82 |
927 |
Second galley with notes (continued) |
| |
928-930 |
Third galley |
| |
931 |
Cover, marketing material, excerpts |
| |
932 |
Fourth galley, cover mechanical |
| |
|
Lethal Frequencies, James Galvin, 1992-1995 |
| |
933 |
Correspondence, interview |
| |
934 |
Manuscript |
| |
935 |
Manuscript |
| |
936 |
Manuscript with notes |
| |
937 |
Final manuscript |
| |
938 |
Final manuscript (photocopied) |
| 83 |
939 |
First galley |
| |
940 |
Photocopies, manuscript, correspondence (query) |
| |
941 |
Manuscript, cataloging information |
| |
942 |
Manuscript with notes, correspondence |
| |
943 |
Manuscript (photocopied) |
| |
944 |
First galley with notes |
| |
945 |
Second galley |
| |
946 |
Manuscript with notes, correspondence |
| |
947 |
First galley |
| |
948 |
Correspondence, sample galley pages |
| |
949 |
Manuscript |
| |
950 |
Final galley |
| |
|
Letter to an Imaginary Friend, Thomas McGrath, 1984-1997 |
| |
951 |
Correspondence |
| |
952 |
Correspondence |
| |
953 |
Manuscript, correspondence |
| 84 |
954-956 |
Manuscript with notes |
| |
957-959 |
Manuscript with notes |
| |
960 |
Manuscript pages |
| |
961-962 |
Manuscript with notes, correspondence |
| |
963-964 |
Galley pages, correspondence, invoices |
| 85 |
965 |
Galley pages |
| |
966-967 |
Galley with notes |
| |
968-970 |
Galley |
| |
971-972 |
Galley |
| 86 |
973 |
Galley (continued) |
| |
974 |
Bound galley proof |
| |
975 |
Second mark up with notes |
| |
976-977 |
Galley pages with notes |
| |
978-980 |
Galley with notes |
| 87 |
981 |
Galley with notes (continued) |
| |
982 |
Final pages, correspondence |
| |
983-984 |
Annotated photocopies |
| |
|
Letters to Wang Wei, Joseph Lisowski, 1989 |
| |
985 |
Manuscript, correspondence |
| |
|
Lights and Mysteries, Thomas Centolella, 1995 |
| |
986 |
Manuscript |
| |
987 |
Manuscript |
| |
988 |
Manuscript |
| |
989 |
Sample galley pages |
| |
990 |
First galley, correspondence |
| |
991 |
Uncorrected proof |
| 88 |
992 |
First galley with notes |
| |
993 |
Second galley |
| |
|
Like Underground Water, Naoshi Koriyama, Edward Lueders (translators), circa 1995 |
| |
994-996 |
Manuscript (photocopy) |
| |
997-999 |
Manuscript |
| |
1000 |
Manuscript (photocopy) with notes |
| 89 |
1001-1002 |
Manuscript (photocopy) with notes |
| |
1003-1004 |
galley |
| |
1005-1007 |
First copy edit |
| |
1008-1009 |
Galley (photocopy) |
| 90 |
1010-1011 |
Galley |
| |
1012-1013 |
Galley |
| |
1014 |
Uncorrected bound proof |
| |
1015-1017 |
First galley quick pages |
| |
1018-1019 |
Manuscript with notes, correspondence |
| 91 |
1020-1021 |
Manuscript with notes, correspondence |
| |
1022-1024 |
Final galley, correspondence |
| |
1025 |
Index |
| |
1026 |
Cover proof |
| |
|
Listener's Guides: Broumas and Carruth, undated |
| |
1027 |
Consortium advance |
| |
|
Little Ice Age, Maureen Seaton, undated |
| |
1028 |
Manuscript |
| |
|
Little Mariner, Odysseas Elytis, Olga Broumas (translator), circa 1988 |
| |
1029 |
Correspondence |
| |
1030-1031 |
Manuscript |
| |
1032 |
Manuscript, galley |
| 92 |
1033 |
Bound galley proof |
| |
1034 |
Galley |
| |
1035 |
Galley, paste-ups |
| |
|
Little Novels, Denise Duhamel and Maureen Seaton, 1998 |
| |
1036 |
Manuscript |
| |
|
Living Light, Sam Hamill, undated |
| |
1037 |
Manuscript |
| |
|
Living Without Horses, J. Barrington, undated |
| |
1038 |
Manuscript |
| |
|
Locusts at the Edge of Summer: New and Selected ENDPoems, John Balaban, 1996-1997 |
| |
1039-1040 |
Manuscript with notes |
| |
1041 |
Manuscript |
| |
1042 |
Sample galley pages |
| |
1043 |
First galley |
| 93 |
1044-1045 |
First galley (continued) |
| |
1046-1047 |
First galley with notes, new poems |
| |
1048-1049 |
First galley |
| |
1050-1051 |
Second galley |
| |
1052-1053 |
Second galley with notes |
| 94 |
1054-1055 |
Second galley |
| |
1056-1057 |
Final galley |
| |
1058 |
Proof (bound digital blues) |
| |
|
Locusts at the Edge of Summer: A Reader's Guide |
| |
1059 |
Pamphlets |
| |
1060 |
Cover, reviews, biographical note, galley excerpts |
| |
|
The Lonesome Beauty of the Moment, Lee Bassett, undated |
| |
1061 |
Manuscript |
| |
|
A Longing for the Light: Selected Poems of Vicente Aleixandre, Lewis Hyde (editor), circa 1985 |
| |
1062 |
Manuscript |
| |
1063 |
Book with binding |
| |
|
Lost Body, Terry Ehret, 1992-1993 |
| |
1064 |
Correspondence |
| 95 |
1065 |
Manuscript, jacket notes |
| |
1066 |
First galley |
| |
1067 |
First galley with notes |
| |
1068 |
Text camera-ready copy |
| |
|
Love and Time, Ou-yang Hsiu, J.P. Seaton (translator), 1989 |
| |
1069 |
Author vita, press release, review copy list |
| |
1070 |
Correspondence |
| |
1071 |
Manuscript (first draft) |
| |
1072 |
Manuscript with notes |
| |
1073 |
Manuscript with notes |
| |
1074 |
Manuscript with notes |
| |
1075 |
Galley |
| |
1076 |
Galley with notes |
| |
1077 |
Galley (translator's copy) with notes |
| |
1078 |
Final galley |
| 96 |
1079 |
Uncorrected proof |
| |
1080 |
Bound galley proof |
| |
|
Madonna Anno Domini, Joshua Clover, 1994 |
| |
1081 |
Manuscript, correspondence |
| |
|
Magpie on the Gallows, Madeline DeFrees, 1982 |
| |
1082-1084 |
Manuscript, galley, art |
| |
1085 |
Manuscript, art, author biography |
| |
|
Making Space for Our Living, undated |
| |
1086 |
Manuscript |
| |
|
Manhattan Seagull: Selected Poetry of Ok-koo Kang Grosjean, translated by Glen and Ok-koo Kang Grosjean, 1999 |
| |
1087 |
Manuscript |
| |
|
The Meadow, James Galvin, undated |
| |
1088-1089 |
Manuscript |
| 97 |
1090 |
Manuscript (continued) |
| |
|
Memory at These Speeds: New and Selected Poems, Jane Miller, 1996 |
| |
1091 |
Correspondence, galley pages |
| |
1092-1093 |
Manuscript with notes |
| |
1094-1095 |
Manuscript |
| |
1096-1097 |
Manuscript (photocopy) |
| |
1098 |
Uncorrected bound proof |
| |
1099 |
Sample galley pages |
| 98 |
1100-1101 |
First galley |
| |
1102-1103 |
First galley with notes |
| |
1104-1105 |
Second galley |
| |
1106-1107 |
Final galley |
| |
|
The Mercy Seat: Collected and New Poems, Norman Dubie, 2000-2001 |
| |
1108 |
Manuscript with notes |
| 99 |
1109-1111 |
Manuscript with notes |
| |
1112 |
Bound manuscript |
| |
1113-1114 |
Manuscript |
| |
1115-1116 |
First galley |
| 100 |
1117-1118 |
First galley (continued) |
| |
1119-1122 |
First galley with notes |
| |
1123-1126 |
Second galley with notes |
| 101 |
1127 |
Manuscript design sample |
| |
1128-1131 |
Third galley |
| |
|
Mermaids in the Basement, Carolyn Kizer, 1984-1987 |
| |
1132 |
Invoices, correspondence |
| |
1133 |
Manuscript |
| |
1134 |
Uncorrected bound proof |
| |
1135 |
Reprint and price change materials |
| |
|
Mexican Hat, Saner, undated |
| |
1136 |
Manuscript |
| |
|
Mid-Winter Break-Up, Sam Hamill (editor), 1977 |
| |
1137 |
Manuscript |
| |
|
Misterioso, Sascha Feinstein, 1991-1999 |
| |
1138 |
Cover, Consortium advance, marketing information, biography |
| |
1139 |
Manuscript |
| 102 |
1140 |
Manuscript design sample, quotes, cover galley |
| |
1141 |
First galley pages (incomplete) |
| |
1142 |
Correspondence, "Brilliant Corners" journal |
| |
1143 |
Manuscript with notes |
| |
1144 |
Edited manuscript |
| |
1145 |
First galley |
| |
1146 |
First galley with notes |
| |
1147 |
Second galley pages (incomplete), correspondence |
| |
1148 |
Second galley with notes, style pages, correspondence |
| |
1149 |
Third galley |
| |
1150 |
Third galley with notes |
| |
1151 |
Uncorrected bound proof |
| |
|
Moment to Moment: Poems of a Mountain Recluse, David Budbill, 1998-1999 |
| |
1152 |
Correspondence |
| |
1153-1154 |
Manuscript, style pages with notes |
| 103 |
1155 |
Manuscript |
| |
1156 |
Manuscript |
| |
1157 |
Manuscript with notes |
| |
1158 |
Uncorrected proof |
| |
1159 |
First galley, manuscript with notes |
| |
1160 |
First galley |
| |
1161 |
Third galley |
| |
|
Mood Science I, Peace Wilson, 1984 |
| |
1162 |
Manuscript |
| |
|
The Moonlit Pond: Korean Classical Poems in Chinese, Sung-Il Lee (translator), 1995-1998 |
| |
1163 |
Edited manuscript |
| 104 |
1164 |
Correspondence |
| |
1165 |
Galley pages, correspondence |
| |
1166 |
Manuscript (early), correspondence, translator vita |
| |
1167-1168 |
Galley with notes |
| |
1169-1170 |
Galley with notes, cover art |
| |
1171-1172 |
Second galley with notes |
| |
1173-1174 |
Final galley |
| |
1175 |
Manuscript |
| 105 |
1176-1177 |
Galley |
| |
1178-1179 |
First manuscript with notes |
| |
1180 |
Second manuscript with notes |
| |
|
The Mother of Waters and Her Son the Dragon, Burt Alpert, 1989-1990 |
| |
1181 |
Manuscript |
| |
|
Mrs. Dumpty, Chana Bloch, undated |
| |
1182 |
Manuscript |
| |
|
My Town, David Lee; 1995, undated |
| |
1183 |
Manuscript |
| |
1184 |
Manuscript |
| |
1185-1186 |
Manuscript with notes |
| 106 |
1187 |
Sample galley pages |
| |
1188 |
First galley (photocopy) |
| |
1189 |
Galley, uncorrected and unbound |
| |
1190-1191 |
First galley with notes, jacket material |
| |
1192-1193 |
Second galley |
| |
1194-1195 |
Final galley |
| |
1196 |
Reprint material (galley) |
| |
1197 |
Consortium sheet, articles, excerpts |
| |
|
The Nearness of You, Carolyn Kizer; 1986, undated |
| |
1198 |
Manuscript |
| |
1199 |
Bound galley proof |
| |
1200 |
Galley, page proofs, mechanicals |
| |
|
Necessary Composition, Leonard Schwartz, 1994 |
| 107 |
1201 |
Manuscript, correspondence, author information |
| |
|
New and Selected Poems, Stephen Berg, 1991-1992 |
| |
1202 |
Blood Axe Books (UK edition), correspondence |
| |
1203 |
Correspondence, review material, manuscript additions |
| |
1204 |
Photocopied manuscript |
| |
1205-1207 |
Manuscript pages, jacket notes, promotional material |
| |
1208-1209 |
Galley |
| |
1210-1211 |
Second galley with notes |
| 108 |
1212 |
Second galley with notes (continued) |
| |
1213 |
Galley |
| |
1214-1216 |
Second galley with notes |
| |
1217-1219 |
Second galley with notes |
| |
1220 |
"Shoeshine" |
| |
|
News from Down to the Cafe: New Poems, David Lee, 1999 |
| |
1221 |
Second galley with notes, correspondence |
| |
1222 |
First galley with notes |
| 109 |
1223 |
First galley |
| |
1224 |
Manuscript with notes |
| |
1225 |
Edited manuscript |
| |
|
Next Door, Gail Mazur, 1980-1981 |
| |
1226 |
Manuscript, proofs |
| |
|
Night Herding Song, Gerald Hausman, 1979 |
| |
1227 |
Correspondence |
| |
1228 |
Manuscript, correspondence, art, pages, publication announcement |
| |
|
Night Seasons, Stephen Kuusisto, undated |
| |
1229 |
Manuscript |
| |
|
Night Works: Poems 1962 to 2000 END(formerly Skulls-Skulls), Marvin Bell, 1999-2000 |
| |
1230-1232 |
Galley |
| |
1233 |
Cataloging data, jacket galley, galley pages |
| 110 |
1234-1235 |
Manuscript with notes |
| |
1236-1237 |
Manuscript with notes |
| |
1238-1239 |
First galley with notes |
| |
1240-1242 |
First galley |
| 111 |
1243-1245 |
Second galley with notes |
| |
1246 |
Manuscript, correspondence |
| |
1247 |
Correspondence |
| |
1248 |
Edited manuscript |
| |
|
No Prisoners, Thomas Lynch, undated |
| |
1249 |
Manuscript (samples) |
| |
|
The Nootka Rose, Sam Hamill; 1986, undated |
| |
1250 |
Manuscript, galley, proofs, reviews, art |
| |
|
Nostalgia for Death, Xavier Villaurrutia, Eliot Weinberger (translator); Hieroglyphs of Desire, Octavio Paz, Esther Allen (translator); 1992-1993 |
| |
1251 |
Manuscript, front matter, jacket notes, correspondence |
| |
1252 |
Galley |
| |
1253-1255 |
Manuscript |
| |
|
Not Even Words Yet Not Even ENDThings, Stephen Berg, 1997 |
| |
1260 |
Manuscript, correspondence |
| |
|
Not Far from the River, David Ray (translator), 1987-1990 |
| |
1261 |
Correspondence, contract copy |
| |
1262 |
Promotion, press release, author vita |
| |
1263 |
Manuscript, introduction |
| |
1264 |
Manuscript with notes |
| 113 |
1265 |
Manuscript introduction with notes |
| |
1266 |
Galley, jacket notes |
| |
1267 |
Galley with corrections |
| |
1268 |
Galley with author's notes |
| |
1269 |
Uncorrected bound proof |
| |
|
Not from Stone, William Ransom Wood, 1983 |
| |
1270 |
Invoices, publishing checklist, correspondence |
| |
|
Not Such a Bad Place to Be, William Kloefkorn, 1980 |
| |
1271-1271.1 |
Correspondence, manuscript |
| |
|
The Novice Insomniac, Emily Warn, 1995-1996 |
| |
1272 |
Manuscript |
| |
1273 |
Manuscript |
| |
1274 |
Final manuscript with notes |
| |
1275 |
Manuscript |
| 114 |
1276 |
Final manuscript, correspondence |
| |
1277 |
First galley sample pages |
| |
1278 |
Sample galley pages |
| |
1279 |
First galley |
| |
1280 |
First galley with notes |
| |
1281 |
Second galley |
| |
1282 |
Second galley, promotional postcard |
| |
1283 |
Second galley, artwork |
| |
1284 |
Uncorrected bound proof |
| |
|
Of Dust, Don Schofield, undated |
| |
1285 |
Manuscript |
| |
|
The Old Beast, Howard McCord; 1974, undated |
| |
1286 |
Manuscript, correspondence, publication announcement |
| |
|
The Old Direction of Heaven, Jennifer Rose, undated |
| 115 |
1287 |
Manuscript |
| |
|
Olga Broumas: A Listener's Guide, 2000 |
| |
1288 |
Third galley |
| |
1289 |
Final galley |
| |
|
On Poetry and Craft: Selected Prose of Theodore Roethke, 2000-2001 |
| |
1290 |
Manuscript |
| |
1291 |
Manuscript, style pages, correspondence, original introduction |
| |
1292 |
Manuscript pages with notes, style pages |
| |
1293 |
Manuscript |
| |
1294 |
Design sample pages |
| |
1295-1296 |
First galley with notes |
| |
1297-1298 |
Second galley |
| 116 |
1299-1300 |
Second galley with notes |
| |
|
On the Way to My Grandmother's House: She is the Wolf, Deena Metzger, 1979 |
| |
1301 |
Manuscript, bound, 1979 |
| |
|
One Above and One Below, Erin Belieu, 1999-2000 |
| |
1302 |
Cover, consortium advance, marketing information, biographical note |
| |
1303 |
Manuscript |
| |
1304 |
Manuscript (photocopy), cover art, manuscript |
| |
1305 |
Manuscript with notes |
| |
1306 |
Edited manuscript |
| |
1307 |
Manuscript, uncorrected cover proof |
| |
1308 |
Manuscript |
| |
1309 |
Final manuscript |
| |
1310 |
First galley with notes |
| |
1311 |
Second galley with notes |
| 117 |
1312 |
Third galley |
| |
1313 |
Uncorrected bound proof |
| |
|
Only Bread, Only Light END(formerly Night Seasons), Stephen Kuusisto, 2000 |
| |
1314 |
Manuscript |
| |
1315 |
Manuscript |
| |
1316 |
Edited manuscript |
| |
1317 |
First galley with notes |
| |
1318 |
Third galley, blues |
| |
1319 |
Correspondence |
| |
1320 |
Manuscript design sample |
| |
1321 |
Manuscript with notes, correspondence |
| |
1322 |
Manuscript with notes |
| |
1323 |
First galley with notes, correspondence |
| |
1324 |
Second galley with notes |
| 118 |
1325 |
Uncorrected bound proof |
| |
|
Open Papers, Odysseas Elytis, Olga Broumas (translator), 1993-1994 |
| |
1326 |
Correspondence |
| |
1327 |
Correspondence |
| |
1328-1329 |
Correspondence, editorial queries |
| |
1330-1331 |
Manuscript |
| |
1332-1333 |
Manuscript |
| |
1334 |
Manuscript |
| 119 |
1335 |
Manuscript (continued) |
| |
1336-1337 |
Manuscript |
| |
1338-1339 |
Manuscript |
| |
1340 |
Editorial changes, correspondence, translation notes |
| |
1341-1342 |
Manuscript (final revisions) |
| 120 |
1343-1349 |
Manuscript, galley |
| 121 |
1350-1351 |
First galley with notes |
| |
1352-1353 |
First galley (revised corrections) |
| |
1354-1355 |
First galley with copyeditor's queries |
| |
1356-1357 |
First galley with translator's notes, correspondence |
| |
1358-1359 |
Second galley with notes |
| 122 |
1360-1361 |
Third galley |
| |
|
Opening the Hand, W.S. Merwin, undated |
| |
1362-1363 |
Manuscript |
| |
1364 |
Manuscript with notes |
| |
|
Orpheus and Eurydice: A Lyric Sequence, Gregory Orr, 2000 |
| |
1365 |
Correspondence |
| |
1366 |
Manuscript |
| |
1367 |
Manuscript with notes |
| |
1368 |
Edited manuscript, style pages |
| |
1369 |
First galley with notes |
| |
1370 |
First galley uncorrected proof |
| |
1371 |
Second galley with notes, correspondence |
| |
|
Other Tongues: Versions, Stephen Berg, 1995 |
| |
1372-1373 |
Manuscript, correspondence |
| 123 |
1374-1375 |
Manuscript |
| |
|
The Owl of Minerva, James Laughlin, 1987 |
| |
1376 |
Manuscript |
| |
1377 |
Manuscript |
| |
1378 |
Galley, proofs, paste-ups, art |
| |
1379 |
Galley proofs |
| |
1380 |
Bound galley proof |
| |
|
Part of the Music, Samuel Green, undated |
| |
1381 |
Bound manuscript |
| |
|
Party of One, Robert Peterson, 1996 |
| |
1382 |
Manuscript |
| |
|
Passages toward the Dark, Thomas McGrath, 1982 |
| |
1383 |
Corrections, additions, mechanicals |
| 124 |
1384-1386 |
Corrections, additions, mechanicals (continued) |
| |
|
Pastoral Jazz, Olga Broumas, circa 1983 |
| |
1387 |
Manuscript |
| |
|
Pawtracks, Tim McNulty, circa 1978 |
| |
1388 |
Manuscript |
| |
|
A Perfect Time, Richard Jones, 1993-1994 |
| |
1389 |
Correspondence, photograph, promotional material |
| |
1390 |
Garden of the World manuscript |
| |
1391-1392 |
Rush manuscript |
| |
1393 |
Rush manuscript |
| |
1394 |
Manuscript, correspondence |
| |
1395-1396 |
Manuscript, galley with notes |
| 125 |
1397 |
Manuscript, correspondence |
| |
1398 |
First galley |
| |
1399 |
First galley |
| |
1400 |
First galley, corrections |
| |
1401 |
Second galley |
| |
1402 |
second galley, corrections |
| |
1403 |
Galley, correspondence, layout notes |
| |
1404 |
Third galley |
| |
1405-1407 |
Galley, correspondence, jacket notes |
| 126 |
1408 |
Galley, correspondence, jacket notes (continued) |
| |
1409 |
Galley, cover |
| |
1410 |
Final galley, front matter |
| |
1411 |
Final galley |
| |
1412 |
Text camera-ready copy |
| |
|
Perpetua, Olga Broumas, 1989 |
| |
1413 |
Correspondence and art |
| |
1414 |
Manuscript, correspondence |
| |
1415 |
Author's manuscript with notes, correspondence |
| |
1416 |
Manuscript (some hand bound), cover art, correspondence |
| |
1417 |
Manuscript (hand bound) with cover photograph |
| |
1418 |
Galley proofs with notes and corrections |
| |
1419 |
Bound galley proof |
| |
|
Philoktetes, Sophokles, Gregory McNamee (translator), 1986-1987 |
| |
1420 |
Correspondence |
| |
1421 |
Manuscript |
| 127 |
1422 |
Manuscript |
| |
1423 |
Galley, correspondence, invoices |
| |
1424 |
Bound galley proof |
| |
|
The Piano beneath the Skin, George Hitchcock, 1977-1979 |
| |
1425 |
Manuscript, correspondence |
| |
1426 |
Manuscript, blues, correspondence, invoices |
| |
|
Pictures that Speak for Themselves, Sharon Dolin, undated |
| |
1427 |
Manuscript |
| |
|
Pieces of Map, Pieces of Music, Robert Bringhurst, 1987 |
| |
1428 |
Bound galley proof |
| |
1429 |
Manuscript, transparencies |
| |
|
A Place Made Fast, Mark Halperin, circa 1982 |
| |
1430 |
Manuscript |
| |
1431 |
Manuscript |
| |
|
Player Piano, Conrad Hilberry, 1996 |
| |
1432 |
Manuscript, correspondence |
| |
|
Poems, Ashley Harmon, undated |
| |
1433 |
Manuscript |
| |
|
Poems 1948 to 1953, John Haines, 1996 |
| |
1434 |
Manuscript, correspondence |
| |
|
Poetry in Native Languages: Four Mapuche Poets, undated |
| 128 |
1435-1436 |
Manuscript (photocopy) |
| |
|
Poetry the Unsayable Said, Donald Hall, circa 1993 |
| |
|
The Pomegranate Speaks from the Dictator's Garden, J.P. White, 1988 |
| |
1437 |
Promotional material, pages |
| |
|
The Porcine Canticles, David Lee, 1984 |
| |
1438-1440 |
Manuscript |
| |
1441 |
Uncorrected bound proof |
| |
1442 |
Galley |
| |
1443 |
First edition proof |
| |
|
The Porcine Legacy, David Lee, circa 1978 |
| |
1444 |
Manuscript, mechanicals |
| |
|
Porno Diva Numero Uno, Stephen Berg, circa 2000 |
| |
1445 |
Manuscript |
| |
|
Port of Departure, James Nolan, undated |
| 129 |
1446 |
Manuscript |
| |
|
The Potato Eaters: 1990 to 1997, Leonard Nathan, circa 1997 |
| |
1447-1448 |
Manuscript, correspondence |
| |
|
The Precincts of Paradise, A. Hoey, undated |
| |
1449 |
Manuscript |
| |
|
Proses: On Poems and Poets, Carolyn Kizer, 1992-1993 |
| |
1450 |
Type corrections camera-ready copy |
| |
1451 |
Correspondence, cover photograph |
| |
1452 |
Manuscript, galley for table of contents, correspondence |
| |
1453 |
Galley, correspondence, printer's instructions |
| |
1454-1455 |
Galley |
| |
1456-1457 |
Galley with notes |
| |
1458 |
Galley proofs |
| 130 |
1459 |
Galley proofs (continued) |
| |
1460-1462 |
First galley |
| |
1463 |
Author's galley, correspondence |
| |
1464-1465 |
Text camera-ready copy, cover art |
| |
1466-1467 |
Uncorrected proof with cover |
| |
|
Prune, Billy Mack Gamill, circa 1979 |
| |
1468 |
Manuscript, correspondence, galley pages, mailing list |
| |
1469-1470 |
Manuscript |
| 131 |
1471-1472 |
Manuscript (continued) |
| |
|
Puget Sound Country, William Stafford, 1981 |
| |
1473 |
Manuscript |
| |
1474 |
Manuscript |
| |
|
Rave: Poems 1975-1998, Olga Broumas, 1999 |
| |
1475-1477 |
Manuscript, correspondence |
| |
1478-1480 |
Manuscript |
| 132 |
1481-1482 |
Edited manuscript |
| |
1483-1485 |
First galley, style pages |
| |
1486-1488 |
First galley (photocopy) |
| |
1489 |
Second galley, cover galley |
| 133 |
1490-1491 |
Second galley, cover galley (continued) |
| |
1492-1494 |
Third galley |
| |
1495 |
Galley (incomplete), cover and jacket material |
| |
1496 |
Uncorrected bound proof |
| |
|
The Realm of the Possible, Sharon Dolin, undated |
| |
1497 |
Manuscript |
| |
|
The Red Dreams, Ken Gerner, undated |
| |
1498 |
Manuscript |
| |
|
The Redshifting Web: Poems 1970-1996, Arthur Sze, 1997-1998 |
| 134 |
1499-1500 |
Manuscript |
| |
1501-1502 |
Manuscript |
| |
1503-1504 |
Final manuscript |
| |
1505-1506 |
First galley with notes |
| |
1507 |
First galley |
| 135 |
1508 |
First galley (continued) |
| |
1509-1510 |
First galley |
| |
1511 |
Uncorrected bound proof |
| |
1512-1513 |
Second galley with notes, correspondence |
| |
1514 |
Second galley replacement pages, correspondence |
| |
|
Reluctantly, Hayden Carruth, 1998 |
| |
1515 |
Manuscript (original), cover art |
| 136 |
1516 |
Manuscript (original), cover art (continued) |
| |
1517-1518 |
Manuscript with notes |
| |
1519 |
Galley |
| |
1520-1521 |
Galley with notes |
| |
1522-1523 |
Second galley with notes |
| |
1524-1525 |
Manuscript (photocopy) |
| 137 |
1526-1527 |
Third galley |
| |
1528 |
Final galley replacement pages |
| |
1529 |
Uncorrected bound proof |
| |
|
Resurrection Update: Poems 1975-97, James Galvin, 1996-1997 |
| |
1530 |
Manuscript (photocopy book pages), correspondence |
| |
1531-1532 |
Manuscript with notes |
| |
1533-1534 |
First galley |
| |
1535 |
Sample galley pages |
| 138 |
1536-1537 |
First galley |
| |
1538-1539 |
First galley with notes (incomplete), correspondence |
| |
1540 |
Cover, reviews, galley excerpts |
| |
1541 |
Correspondence, sample pages |
| |
1542-1544 |
Second galley with notes |
| |
1545 |
Photocopied poems, correspondence |
| 139 |
1546-1547 |
Third galley |
| |
|
Reversing the Spell: New and Selected Poems, Eleanor Wilner, 1997 |
| |
1548 |
Correspondence |
| |
1549-1550 |
Manuscript |
| |
1551-1553 |
Manuscript with notes |
| |
1554 |
Sample galley pages |
| |
1555-1556 |
First galley |
| 140 |
1557 |
First galley (continued) |
| |
1558-1561 |
First galley with notes |
| |
1562-1565 |
Second galley with notes, correspondence |
| |
1566 |
Final galley |
| 141 |
1567-1568 |
Final galley (continued) |
| |
|
Requiem for Kenneth Rexroth, 1983 |
| |
1569 |
Manuscript |
| |
|
Rider, Mark Rudman, undated |
| |
1570 |
Manuscript |
| |
|
The River Poet, Peter Kantor, 1999 |
| |
1571 |
Manuscript |
| |
|
River Songs, undated |
| |
1572 |
Manuscript |
| |
|
Rivers of Salt, Shirley Kaufman, 1991-1993 |
| |
1573 |
Manuscript |
| |
1574 |
Galley proofs |
| |
1575 |
Manuscript |
| |
1576 |
Galley proofs |
| |
1577 |
Uncorrected bound proof |
| |
1578 |
Jacket copy, jacket notes |
| |
1579 |
Jacket notes, correspondence, press releases |
| |
1580 |
Text camera-ready copy |
| |
|
The Roads Have Come to an End Now, Rolf Jacobson; Robert Bly, Roger Greenwald, Robert Hedin (translators), 2001 |
| 142 |
1581-1582 |
Manuscript with photocopied original and translations |
| |
1583-1584 |
Bilingual manuscript with notes, production schedule |
| |
1585 |
Manuscript |
| |
1586 |
Manuscript |
| |
1587 |
Manuscript |
| |
1588-1589 |
First galley with notes |
| |
1590-1591 |
Second galley with notes |
| 143 |
1592-1593 |
Third galley with notes |
| |
1594-1595 |
Fourth galley with notes |
| |
1596 |
Manuscript design sample |
| |
|
Roots in the Air: New and Selected Poems, Shirley Kaufman, 1996 |
| |
1597-1598 |
Manuscript draft with notes |
| |
1599 |
Correspondence |
| |
1600 |
Sample galley pages |
| |
1601-1603 |
First galley (incomplete) |
| |
1604 |
First galley |
| 144 |
1605 |
First galley (continued) |
| |
1606-1607 |
Manuscript |
| |
1608-1610 |
Manuscript with notes |
| |
1611-1612 |
Final galley |
| |
1613-1614 |
Second galley |
| |
1615 |
First galley with notes |
| 145 |
1616 |
First galley with notes (continued) |
| |
|
Rough Grace: New and Collected Poems, Richard Jones, undated |
| |
1617-1618 |
Manuscript |
| |
|
Rufinus: The Complete Poems, Robin Skelton (translator), 1981 |
| |
1619 |
Manuscript, correspondence |
| |
|
The Ruins of Athens: A Balkan Memoir, P.H. Liotta, undated |
| |
1620 |
Manuscript |
| |
|
Run in Darkness, Sleep in Light, Bill Ransom, undated |
| |
1621 |
Manuscript |
| |
|
Sacramental Acts: The Love Poems of Kenneth Rexroth, 1997 |
| |
1622 |
Manuscript (photocopy) |
| |
1623 |
Manuscript (photocopy) |
| |
1624 |
Edited manuscript |
| |
1625 |
First galley |
| 146 |
1626 |
First galley |
| |
1627 |
First galley with notes |
| |
1628 |
Second galley, style pages, correspondence |
| |
1629 |
Final galley |
| |
1630 |
First galley |
| |
1631-1633 |
Original draft |
| 147 |
1634-1636 |
Original draft (continued) |
| |
|
St. John of God, C. Mulrooney, 1990 |
| |
1637 |
Manuscript, correspondence |
| |
|
Sappho's Gymnasium, Olga Broumas and T. Begley, 1994 |
| |
1638 |
Correspondence |
| |
1639 |
Manuscript |
| |
1640-1641 |
Manuscript |
| |
1642-1643 |
Manuscript |
| 148 |
1644-1645 |
Manuscript |
| |
1646-1647 |
Manuscript |
| |
1648 |
Galley proofs, correspondence |
| |
1649-1650 |
First galley |
| |
1651-1652 |
First galley |
| |
1653-1654 |
First galley with author notes, correspondence |
| 149 |
1655-1656 |
First galley, note card with queries |
| |
1657-1658 |
Second galley |
| |
|
Say Goodnight, Timothy Liu, 1997-1998 |
| |
1659 |
Manuscript |
| |
1660 |
Manuscript |
| |
1661 |
Final manuscript |
| |
1662 |
Galley |
| |
1663 |
Type style guide |
| |
1664 |
Galley with notes |
| |
1665 |
Second galley with notes, correspondence |
| 150 |
1666 |
Third galley |
| |
|
Scrambled Eggs and Whiskey, Hayden Carruth, 1995-1996 |
| |
1667 |
Manuscript |
| |
1668 |
First galley, correspondence |
| |
1669 |
Second galley, correspondence |
| |
1670 |
Second galley |
| |
1671 |
Manuscript |
| |
1672 |
First galley |
| |
1673 |
Memorandum (reprints) |
| |
1674 |
Final galley |
| |
1675 |
Uncorrected bound proof |
| |
|
The Sea and the Bells, Pablo Neruda, William O'Daly (translator), 1988 |
| |
1676-1677 |
Manuscript with notes |
| 151 |
1678 |
Text camera-ready copy |
| |
1679 |
Manuscript, correspondence |
| |
1680 |
Manuscript (book photocopies) |
| |
1681 |
Manuscript |
| |
1682 |
Manuscript |
| |
1683 |
Manuscript, mechanicals, photocopies |
| |
1684 |
Galley, designs, correspondence, promotional material |
| |
1685-1686 |
Galley |
| |
1687 |
Bound galley proof |
| |
|
The Second Four Books of Poems, W.S. Merwin, 1991-1993 |
| |
1688 |
Correspondence |
| |
1689 |
Manuscript, correspondence |
| |
1690-1692 |
Manuscript |
| 152 |
1693-1694 |
Manuscript introduction and photocopied book pages |
| |
1695 |
Uncorrected proof |
| |
1696 |
Manuscript (preface) |
| |
1697 |
Galley, index, table of contents |
| |
1698 |
Galley, correspondence |
| |
1699-1702 |
Galley, correspondence |
| |
1703-1705 |
First galley with notes |
| 153 |
1706 |
First galley with notes |
| |
1707-1709 |
Second galley with notes |
| |
1710 |
Promotional material |
| |
1711-1712 |
Text camera-ready copy |
| |
1713 |
Text camera-ready copy (incomplete) |
| |
|
Selected Essays and Reviews, Hayden Carruth, 1995-1996 |
| |
1714-1716 |
Original manuscript, correspondence |
| 154 |
1717 |
Original manuscript, correspondence (continued) |
| |
1718-1721 |
Manuscript (photocopy) |
| |
1722-1723 |
Manuscript |
| 155 |
1724-1725 |
Manuscript (continued) |
| |
1726-1728 |
First galley |
| |
1729 |
Uncorrected page proof |
| |
1730-1732 |
First galley |
| 156 |
1733-1736 |
First galley, correspondence |
| |
1737-1739 |
Second galley |
| |
1739.1-1739.2 |
Second galley with notes |
| 157 |
1740 |
Second galley with notes (continued) |
| |
1741-1743 |
Final galley |
| |
1744 |
Galley pages, correspondence, jacket notes |
| |
1745 |
Final galley pages, cover, jacket notes, correspondence |
| |
|
Selected Letters, Sam Hamill, 1976 |
| |
1746 |
Manuscript |
| |
|
Selected and New Poems: 1963-1992, Marilyn Hacker, 1986-1993 |
| |
1747-1748 |
Manuscript |
| |
1749 |
Promotion, reviews, correspondence, jacket notes |
| |
1750 |
Correspondence, manuscript poems |
| |
|
Selected Poems, Sam Hamill, undated |
| |
1751 |
Manuscript |
| 158 |
1752 |
Manuscript (continued) |
| |
|
Selected Poems of Sandor Csoori, Len Roberts (translator), 1990-1992 |
| |
1753 |
Correspondence, promotion, press releases, translator vita |
| |
1754 |
Correspondence, manuscript |
| |
1755-1757 |
Manuscript |
| |
1758 |
Manuscript |
| |
1759 |
Correspondence, manuscript |
| |
1760 |
Manuscript, correspondence |
| |
1761 |
Galley, correspondence |
| |
1762-1763 |
Manuscript, correspondence, galley |
| 159 |
1764 |
Manuscript, correspondence, galley (continued) |
| |
1765-1766 |
Galley |
| |
1767 |
Galley |
| |
1768 |
Text camera-ready copy |
| |
1769 |
Text camera-ready copy |
| |
|
Selected and New Poems, Eleanor Wilner, circa 1997 |
| |
1770 |
Blurb, author vita |
| |
|
Selected Poems of Su-Tung-P'o, Burton Watson (translator), 1993-1995 |
| |
1771 |
Manuscript (photocopies) |
| |
1772 |
Manuscript (photocopies) |
| |
1773 |
Manuscript |
| |
1774 |
Manuscript with notes |
| |
1775 |
Final manuscript |
| 160 |
1776 |
Final manuscript |
| |
1777 |
First galley |
| |
1778 |
First galley (photocopy) |
| |
1779 |
First galley |
| |
1780 |
First galley with notes |
| |
1781 |
First galley with author corrections |
| |
1782 |
Second galley, outtakes and queries |
| |
1783-1784 |
Second galley |
| |
1785-1786 |
Second galley with notes |
| |
1787 |
Sample galley pages, cover layout, correspondence, notes |
| 161 |
1788 |
Final galley with notes |
| |
1789 |
Uncorrected proof |
| |
1790 |
Cover galley |
| |
1791 |
Text camera-ready copy |
| |
|
Selected Poems of T'ao Ch'ien, David Hinton (translator), 1992-1993 |
| |
1792 |
Correspondence |
| |
1793 |
Manuscript |
| |
1794-1795 |
Manuscript with notes |
| |
1796 |
Galley |
| |
1797 |
Text camera-ready copy |
| |
1798 |
Digital unbound proof, cover |
| 162 |
1799 |
Uncorrected proof |
| |
|
Selected Poems of Yuan Mei, J.P. Seaton (translator), undated |
| |
1800 |
Manuscript |
| |
1801 |
Manuscript |
| |
1802 |
Manuscript (photocopy) |
| |
|
The Separate Rose, Pablo Neruda, William O'Daly (translator), 1985 |
| |
1803 |
Manuscript, correspondence, invoices |
| |
1804 |
Bound galley proof |
| |
|
Seven Hundred Kisses, Lily Pond (editor), undated |
| |
1805 |
Manuscript |
| |
|
The Shape of the Journey, Jim Harrison, 1998-2000 |
| |
1806-1807 |
Manuscript |
| |
1808 |
Galley |
| 163 |
1809-1811 |
Galley (continued) |
| |
1812-1813 |
Page proofs, name board |
| |
1814 |
Galley pages, cover galley, jacket material |
| |
1815 |
Reprint pages, correspondence, jacket notes |
| |
1816 |
Promotional information, excerpts |
| |
|
The Silk Dragon: Translations from the Chinese, Arthur Sze (translator), 1999-2000 |
| |
1817 |
Page revisions, correspondence |
| |
1818 |
Manuscript |
| |
1819 |
Manuscript with notes |
| |
1820 |
Edited manuscript |
| 164 |
1821 |
First galley with notes, style pages |
| |
1822 |
Second galley with notes |
| |
1823 |
Manuscript design sample |
| |
1824 |
Unbound pages, first galley uncorrected proof |
| |
|
The Silver Swan, Kenneth Rexroth, circa 1976 |
| |
1825 |
Manuscript, correspondence |
| |
|
The Sinking of Clay City, Robert Wrigley, circa 1978-1979 |
| |
1826 |
Manuscript |
| |
1827 |
Manuscript pages, broadside, library list |
| |
|
Skins on the Earth, Primus St. John, undated |
| |
1828 |
Manuscript, correspondence |
| |
|
Skulls-Skulls: Poems 1962-2000, Marvin Bell, 2000 |
| |
1829-1830 |
Manuscript, correspondence |
| |
|
The Sleeping Beauty, Hayden Carruth, 1990 |
| |
1831 |
Bound galley proof |
| 165 |
1832 |
Promotion, press release, reviews, author vita |
| |
1833 |
Correspondence |
| |
1834 |
Manuscript draft, advertisement draft |
| |
1835 |
Galley with corrections, advertisement galley |
| |
|
Snow Country, Robert Hedin, 1974 |
| |
1836 |
Manuscript, correspondence |
| |
1837 |
Manuscript, page proofs |
| |
1838 |
Photographs |
| |
|
Soie Sauvage, Olga Broumas, circa 1979 |
| |
1839 |
Cover galley |
| |
1840 |
Manuscript |
| |
|
Sometimes Like a Legend, William Stafford, circa 1981 |
| |
|
Songs of the Pine Wife, Sheila Nickerson, circa 1978 |
| |
1841 |
Manuscript |
| |
|
Soul Make a Path Through Shouting, Cyrus Cassells, 1992-1994 |
| |
1842 |
Correspondence, poems, author's biographical note |
| |
1843 |
Edited manuscript |
| |
1844 |
Uncorrected manuscript |
| |
1845 |
Manuscript, correspondence |
| |
1846 |
Manuscript draft |
| 166 |
1847 |
Manuscript, galley |
| |
1848-1849 |
Manuscript, galley |
| |
1850 |
Manuscript |
| |
1851 |
Final manuscript |
| |
1852 |
First galley |
| |
1853 |
First galley |
| |
1854 |
First galley with notes |
| |
1855 |
Second galley |
| |
1856 |
Third galley |
| |
1857 |
Final galley |
| |
1858 |
Front matter manuscript, galley proof |
| |
1859 |
Galley with notes |
| |
1860 |
Galley |
| |
1861 |
Text camera-ready copy |
| |
|
Spring Essence: The Poetry of Ho Xuan Huong, John Balaban (translator), 1999-2000 |
| 167 |
1862 |
Manuscript |
| |
1863 |
Manuscript with notes |
| |
1864 |
Second galley, correspondence |
| |
1865 |
Manuscript |
| |
1866 |
Bound manuscript |
| |
1867 |
Correspondence |
| |
|
Spring Silk: Translations from the Chinese, Arthur Sze (translator), 2000 |
| |
1868 |
Manuscript |
| |
1869 |
Manuscript |
| |
1870 |
First galley |
| |
1871 |
Final galley |
| |
1872 |
Digital proof |
| |
1873 |
Miscellaneous |
| |
|
The Steel Cricket: Versions 1958-1996, Stephen Berg, 1997 |
| 168 |
1874 |
Cover, reviews, promotional material |
| |
1875 |
Final galley pages, note |
| |
1876-1877 |
Manuscript (photocopy) |
| |
1878 |
Galley pages |
| |
1879 |
Sample galley pages |
| |
1880-1881 |
Manuscript |
| |
1882 |
Uncorrected bound proof |
| |
1883-1884 |
Galley |
| 169 |
1885-1886 |
Galley with notes |
| |
1887-1888 |
Galley |
| |
1889-1891 |
Galley with notes |
| |
1892-1893 |
Galley with notes |
| 170 |
1894 |
Galley with notes (continued) |
| |
1895-1896 |
Uncorrected page proof, cover art |
| |
1897-1898 |
Manuscript with notes |
| |
1899 |
Uncorrected proof |
| |
|
Still Another Day, Pablo Neruda, William O'Daly (translator), circa 1984 |
| |
1900-1902 |
Bilingual manuscript, correspondence |
| |
1903 |
Galley |
| |
|
Stones of the Sky, Pablo Neruda, William O'Daly (translator), 1987 |
| 171 |
1904 |
Manuscript with notes |
| |
1905 |
Manuscript, correspondence |
| |
1906 |
Galley |
| |
1907 |
Manuscript |
| |
1908 |
Galley |
| |
1909 |
Galley, blues |
| |
1910 |
Promotional material, cover |
| |
1911 |
Bound galley proof |
| |
|
A Suitable Church, Jim Heynen, 1981 |
| |
1912 |
Manuscript, correspondence, promotional material |
| |
1913 |
Manuscript, production |
| |
|
Talking to My Body, Anna Swir, 1996 |
| |
1914 |
Manuscript |
| 172 |
1915 |
Manuscript (continued) |
| |
1916-1917 |
Manuscript |
| |
1918-1919 |
Manuscript |
| |
1920-1921 |
Uncorrected proof (photocopy) |
| |
1922-1923 |
First galley with notes |
| |
1924 |
Sample galley pages |
| |
1925 |
Uncorrected bound proof |
| |
1926-1927 |
First galley with notes, correspondence |
| 173 |
1928-1929 |
First galley |
| |
1930-1931 |
Final galley |
| |
1932 |
Final galley pages |
| |
|
Ten Thousand Lives, Ko Un; Brother Anthony of Taize, Young-moo Kim, Gary Gach (translators), 1998 |
| |
1933 |
Manuscript, correspondence |
| |
|
Terra Firma, Thomas Centolella, 1989-1990 |
| |
1934 |
Manuscript with notes, correspondence |
| |
1935 |
Manuscript with notes |
| |
1936 |
Galley with notes |
| |
1937 |
Galley, typeset order |
| |
1938 |
Galley quick pages |
| |
1939 |
Bound galley proof |
| |
|
Tethered to My Shadow: Poems 1978-1996, David Lee, undated |
| |
1940-1941 |
Manuscript with notes |
| 174 |
1942-1943 |
Manuscript with notes |
| |
|
Things Are Happening, Joshua Beckman, 1998 |
| |
1944 |
Second galley |
| |
|
This Book Bans the PTA, Billy Mack Gamill, circa 1979 |
| |
1945 |
Manuscript, art, proofs |
| |
|
Thomas McGrath: Selected Poems 1938-1988, circa 1988 |
| |
1946 |
Manuscript, book photocopies |
| |
1947 |
Galley |
| |
1948-1949 |
Loose bound books |
| 175 |
1950 |
Galley |
| |
|
Throwing Shadows, Ken Gerner, 1983 |
| |
1951 |
Manuscript, correspondence |
| |
1952-1953 |
Correspondence, manuscript, galley, promotional material |
| |
|
Three Versions of Ikkyu, Stephen Berg, circa 1989 |
| |
|
To Frighten a Storm, Gladys Cardiff, 1975 |
| |
1954 |
Manuscript, correspondence |
| |
|
To Leave the Standing Grain, Michael Corr, 1975-1985 |
| |
1955 |
Correspondence, poems, art, publication announcement |
| |
|
Tracking, Nancy Steele, 1975 |
| |
1956 |
Manuscript, page proofs |
| |
1957 |
Advance unbound galley |
| |
|
Transcendence: Poems, Stephen Berg, 1996 |
| |
1958 |
Manuscript (photocopy), correspondence |
| |
|
Triada, Sam Hamill, circa 1978 |
| |
1959 |
Manuscript |
| |
1960 |
Manuscript |
| |
1961 |
Unbound book pages |
| |
|
Twenty-nine Modern Indian Poems, Vinay Dharwadker, 1987 |
| 176 |
1962 |
Uncorrected proofs |
| |
|
Tzuhalem's Mountain, Robert Bringhurst, undated |
| |
1963 |
Unbound pages |
| |
|
Uncertain Grace, Rebecca Liv Wee, 2000 |
| |
1964 |
Manuscript, correspondence |
| |
1965 |
Manuscript with notes |
| |
1966 |
Manuscript, style pages |
| |
1967 |
Uncorrected proof |
| |
1968 |
First galley with notes |
| |
1969 |
Second galley with notes |
| |
1970 |
Third galley, color cover galley |
| |
|
Unexpected Manna, Gary Holthaus, circa 1978 |
| |
1971 |
Manuscript, art |
| |
|
Unremembered Country, Susan Griffin, 1987 |
| |
1972 |
Manuscript, correspondence |
| |
1973 |
Manuscript, correspondence |
| 177 |
1974 |
Galley |
| |
1975 |
Bound galley proof |
| |
|
Unsayable Said, 1993-1994 |
| |
1976 |
Correspondence, promotional brochure |
| |
1977 |
Galley |
| |
|
Vagrant Grace, David Bottoms, 1998-1999 |
| |
1978 |
Correspondence |
| |
1979 |
Manuscript |
| |
1980 |
Manuscript, correspondence |
| |
1981 |
Manuscript with notes |
| |
1982 |
First galley with notes |
| |
1983 |
Second galley with notes, correspondence |
| |
1984 |
Third galley |
| |
|
The Vulnerability of Order, Martine Bellen, 2000-2001 |
| |
1985 |
Manuscript |
| 178 |
1986 |
Manuscript with notes |
| |
1987 |
Manuscript, correspondence |
| |
1988 |
First galley with notes |
| |
1989 |
First galley (additions), correspondence |
| |
1990 |
Second galley with notes, correspondence, style pages |
| |
1991 |
Third galley with notes |
| |
1992 |
Fourth galley |
| |
1993 |
Text proof |
| |
1994 |
First galley |
| |
1995 |
Second galley |
| |
|
W. S. Merwin: A Listener's Guide, 2000 |
| 179 |
1996 |
First and second galley pages, manuscript, correspondence |
| |
|
Waiting for the Angel, Thomas McGrath, undated |
| |
1997-1999 |
Manuscript |
| |
|
Wanderer's Daysong, Denise Levertov, circa 1980-1987 |
| |
2000 |
Manuscript, art, page proofs, correspondence |
| |
2001 |
Galley |
| |
2002 |
Manuscript, galley |
| |
2003 |
Galley, paste up |
| |
2004 |
Bound galley proof |
| |
|
Water Witching, Kathleene West, circa 1984 |
| |
2005 |
Manuscript |
| |
2006 |
Manuscript, galley |
| |
|
What I Love, Odysseas Elytis, Olga Broumas (translator), circa 1985-1986 |
| |
2007 |
Manuscript cover and title page |
| |
2008 |
Manuscript of afterword |
| |
2009 |
Manuscript |
| 180 |
2010 |
Manuscripts, jacket notes, correspondence |
| |
2011 |
Galley |
| |
2012 |
Bound galley proof |
| |
2013 |
Advance galley copy |
| |
2014 |
Correspondence, graphics, production notes |
| |
|
Wherever You Lay Your Head, Jane Miller, 1999 |
| |
2015 |
Manuscript with notes |
| |
2016 |
Manuscript (photocopy), poem pages |
| |
2017 |
Manuscript with notes, style pages |
| |
2018 |
First galley with notes, correspondence |
| |
2019 |
Uncorrected page proof (photocopy) |
| |
2020 |
Second galley with notes, correspondence |
| |
2021 |
Third galley |
| 181 |
2021.1 |
Uncorrected bound proof |
| |
|
The Wind is Blowing on the Crossroads of the World, Tasos Leivaditis, 1990 |
| |
2022 |
Manuscript, correspondence |
| |
|
The Wind of Our Going, Patricia Goedicke, 1985 |
| |
2023 |
Manuscript, correspondence |
| |
2024-2026 |
Manuscript, galley, correspondence |
| |
2027 |
Bound galley proof |
| |
2028-2029 |
Manuscript, correspondence |
| |
|
Winter Garden, Pablo Neruda, William O'Daly (translator), 1986 |
| |
2030 |
Manuscript |
| |
2031 |
Manuscript with notes |
| |
2032 |
Galley with notes |
| 182 |
2033 |
Manuscript |
| |
2034 |
Manuscript |
| |
2035 |
Manuscript with notes, galley |
| |
2036 |
Manuscript (final) |
| |
2037 |
Manuscript, correspondence, invoices |
| |
2038 |
Galley proofs, paste-ups |
| |
2039 |
Bound galley proof |
| |
|
Words for My Daughter, John Balaban, 1990-1991 |
| |
2040 |
Correspondence, revised manuscript |
| |
2041 |
Manuscript with notes, jacket notes |
| |
2042 |
Galley with notes, jacket notes |
| |
2043 |
Bound galley proof |
| |
2044 |
Text camera-ready copy |
| |
2045 |
Galley pages |
| |
|
The Yellow Heart, Pablo Neruda, William O'Daly (translator), 1989-2001 |
| |
2046 |
Manuscript with notes |
| |
2047 |
Revised galley |
| |
2048 |
Manuscript draft with corrections |
| 183 |
2049 |
Manuscript draft with corrections, correspondence |
| |
2050-2053 |
Final manuscript |
| |
2054 |
Final draft |
| |
2055-2056 |
First galley quick pages, type specifications |
| |
2057 |
Bound galley proof |
| |
2058 |
Replacement pages, correspondence |
| |
2059 |
Galley with notes |
| |
2060 |
Galley with notes |
| 184 |
2061 |
Galley with notes |
| |
2062 |
Text camera-ready copy |
| |
2063 |
Manuscript, correspondence |
| |
|
Series 2: Book Production files, 1973-2006 |
| |
|
Includes materials such as page layouts, sample pages, cover art and designs, and other items related to the process of designing and producing individual titles; this series also includes some records related to promotion and marketing of individual titles. |
| |
|
Always Beginning, Maxine Kumin, 1998 |
| 185 |
2064 |
Correspondence |
| |
|
American Odalisque, Jane Miller, 1987-1988 |
| |
2065 |
Concept drawings, correspondence, invoices, mailing list |
| |
2066 |
Art production correspondence, slides |
| |
2067 |
Paste-ups, galley pages |
| |
|
Animae, Sam Hamill, 1980-1985 |
| |
2068-2069 |
Sample pages, correspondence, page layouts |
| |
2070 |
Correspondence, page layouts, mechanical drawings, camera copy |
| |
2071 |
Paste-up camera copy, invoice |
| |
|
Archipelago, Arthur Sze, 1994-1995 |
| |
2072 |
Correspondence, quotes, cover proofs, miscellaneous |
| |
2073 |
Cover designs |
| |
2074 |
Cover sample |
| |
2075 |
Cover camera-ready copy |
| |
2076 |
Cover galley proofs, correspondence, back cover text, checklist |
| |
|
Ardor, Marvin Bell, 1997 |
| |
2077 |
Cover design |
| |
2078 |
Cover proof |
| |
2079 |
Cover design samples, correspondence, specifications, poetry sample pages |
| |
|
Armored Hearts: Selected and New Poems, David Bottoms, 1995 |
| |
2080 |
Blues |
| |
2081 |
Cover galley designs |
| |
2082 |
Cover sample |
| |
2083 |
Correspondence, quotes, cover designs, manuscript poem, production list |
| |
|
As Earth Begins to End, Patricia Goedicke, 1999 |
| |
2084 |
Cover sample |
| |
2085 |
Design pages, manuscript, quotes |
| |
|
Asklepiados, Sam Hamill (translator), 1996 |
| |
2086 |
Mock-ups |
| |
|
At the End of this Summer, John Haines, 1997 |
| |
2087 |
Cover proof |
| |
2088 |
Sample title pages |
| |
2089 |
Correspondence, specifications, quotes, sample pages, cover samples |
| |
2090 |
Uncorrected bound proof |
| |
|
At the Foot of Denali, Tim McNulty, 1978 |
| |
2091 |
Mock-up |
| |
|
At the Home-altar, Robert Hedin, 1978 |
| |
2092 |
Art, edition details |
| |
2093 |
Book pages |
| |
|
August Zero, Jane Miller, 1993 |
| |
2094-2095 |
Camera copy, paste-ups |
| |
2096 |
Correspondence, specifications, quote |
| |
2097 |
Advertising (also includes Ardor: The Book of the Dead Man) |
| |
|
Badlands, Gerald Costanzo, 1973 |
| |
2098 |
Paste-ups, cover art |
| |
|
Beautiful Signor, Cyrus Cassells, 1996-1997 |
| |
2099 |
Cover design |
| |
2100 |
Cover sample |
| |
2101 |
Correspondence, art, quotes, cover copy |
| |
|
Beauty of the Weapons, Robert Bringhurst, 1982-1985 |
| |
2102 |
Cover camera-ready copy |
| |
2103-2104 |
Blues, mechanicals, paste-ups, invoices |
| |
2105 |
Bound proof |
| |
|
Before Ten Thousand Peaks, Paul Hansen (translator), 1980 |
| |
2106 |
Paste-ups |
| |
2107 |
Art calligraphy, paste-ups, partial manuscript |
| |
|
Below Cold Mountain, Joseph Stroud, 1997-1998 |
| |
2108 |
Cover sample |
| |
2109 |
Correspondence, specifications, quotes, art transparency |
| |
|
Bending Home, Susan Griffin, 1998 |
| |
2110 |
Correspondence, specifications, quotes, sample pages, cover sample |
| |
|
The Berry Picker, Marianne Wolfe, 1973 |
| |
2111 |
Paste-ups, art, book dummy |
| |
|
Beside the Shadblow Tree, Hayden Carruth, 1998-1999 |
| |
2112 |
Cover, photographs (photocopies), author biography, Hamill preface, excerpts, article |
| |
2113 |
Design sample, photographs, correspondence, quotes |
| |
2114 |
Photographs, cover art transparency |
| |
|
Bird of Endless Time, James Laughlin, 1988-1989 |
| |
2115-2116 |
Galleys, mechanicals, paste-ups |
| |
2117 |
Mechanicals, photocopies |
| |
2118 |
Mechanicals, camera-ready copy, paste-ups |
| |
2119 |
Poems and art |
| |
2120 |
Correspondence, quotes, drawings, layout, cover art, invoices |
| |
|
Black Iris, Jean Joubert, Denise Levertov (translator), 1988 |
| |
2121 |
Paste-ups |
| |
2122 |
Cover blues, paste-ups |
| |
2123 |
Type for paste-up, camera-ready copy, cover text paste-up |
| |
|
The Blessing, Richard Jones, 1999-2000 |
| 186 |
2124 |
Design sample, correspondence, quotes, sample pages, art |
| |
|
The Book of Elegiac Geography, Sam Hamill, 1978 |
| |
2125 |
Paste-ups, publication announcement |
| |
|
The Book of Light, Lucille Clifton, 1992-1995 |
| |
2126 |
Jacket notes camera-ready copy |
| |
2127 |
Camera-ready copy |
| |
2128 |
Cover sample |
| |
2129 |
Text camera-ready copy |
| |
2130-2132 |
Correspondence, production specifications and quotes, sample pages, art, cover concept drawings, new copyright page for reprint |
| |
|
The Book of Questions, Pablo Neruda, William O'Daly (translator), 1991-2000 |
| |
2133 |
Correspondence, quotes, cover design |
| |
2134 |
Correspondence, quotes, art slide, cover design, copy for paste-up, text camera-ready copy |
| |
2135 |
Reprint correspondence and documentation |
| |
2136 |
Text camera-ready copy, cover paste-ups |
| |
|
The Book of the Dead Man, Marvin Bell, 1994 |
| |
2137 |
Galleys |
| |
|
Brief Songs of the Kisang, 1993 |
| |
2138 |
Art, slides, negatives |
| |
|
The Buffalo Sequence, Mark Pawlak, 1977 |
| |
2139 |
Paste-ups |
| |
2140 |
Check pages, invoices |
| |
|
Burnt Offerings, Timothy Liu, 1995-2001 |
| |
2141 |
Cover sample |
| |
2142 |
Correspondence, cover designs, author photograph |
| |
2143 |
Correspondence, printing bids |
| |
2144 |
Art slide, author photograph, sample pages, cover design sample, correspondence, quotes |
| |
|
The Calling Across Forever, Sam Hamill; 1976, undated |
| |
2145 |
Cover |
| |
2146 |
Book pages |
| |
2147 |
Loose pages |
| |
2148 |
Unbound book |
| |
|
Caritas, Olga Broumas, 1983 |
| |
2149 |
Correspondence, production quotes, camera-ready copy, calligraphy samples |
| |
|
Carrying Over, Carolyn Kizer, 1988-1989 |
| |
2150 |
Cover sample |
| |
2151 |
Paste-ups |
| |
2152 |
Unbound greens |
| |
2153 |
Camera copy type, paste-ups |
| |
2154 |
Extra type for paste-ups, cover text drawing |
| |
2155 |
Correspondence, quotes, invoices, drawings, mailing lists |
| |
|
Celebration, Michael Cuddihy, 1980 |
| |
2156 |
Camera-ready copy |
| |
|
Celebrations, David Lopez, 1979 |
| |
2157 |
Poems with drawings, art, art paste-up, correspondence |
| |
|
City of Dreams, multiple authors, circa 1986 |
| |
2158 |
Art, mechanicals, type specifications, layouts, production schedule |
| |
|
Collected Longer Poems, Hayden Carruth, 1993-1994 |
| |
2159-2160.1 |
Correspondence, miscellaneous |
| |
2161-2162 |
Galleys with printer's instructions |
| |
2163 |
Correspondence, quotes, invoices, cover copy |
| |
|
Collected Poems of Kay Boyle, 1991 |
| |
2164 |
Cover sample |
| |
2165 |
Cover concept sketches, art, copy for paste-up |
| |
2166-2167 |
Camera-ready copy |
| |
2168 |
Correspondence, quotes, camera-ready copy, cover design, concept drawings, invoices |
| |
|
Collected Shorter Poems, Hayden Carruth, 1992-2000 |
| |
2169 |
Production quote |
| |
2170 |
Cover sample |
| |
2171-2172 |
Correspondence, quotes, invoices, quick pages, type for paste-up |
| |
2173-2174 |
Blues |
| 187 |
2175-2180 |
Camera-ready copy |
| |
2181 |
Proof |
| |
2182 |
Cover mechanical |
| |
|
Collected Songs of Cold Mountain, Red Pine (translator), 2001 |
| |
2183 |
Correspondence, quotes, galley pages, miscellaneous |
| |
2184-2186 |
Paste-ups |
| |
2187 |
Correspondence, invoices |
| |
2188 |
Blues |
| |
2189 |
Production copy (Chinese characters) |
| |
2190 |
Rough design (back cover), jacket copy, quotes |
| |
2191 |
Correspondence, mechanicals, camera-ready copy |
| |
|
Communion, Primus St. John, 1998-1999 |
| |
2192 |
Cover sample |
| |
2193 |
Correspondence, author biography, color art |
| |
2194 |
Cover, Consortium advance marketing information, excerpts |
| |
|
Configurations, Clarence Major, 1998 |
| |
2195 |
Cover design |
| |
2196 |
Cover, biography, excerpts, reviews |
| |
2197 |
Cover |
| |
2198 |
Art transparency, design sample, correspondence, quotes, miscellaneous |
| |
2199 |
Bound proof |
| |
|
Cool, Calm, and Collected, Carolyn Kizer, 2001 |
| |
2200 |
Proof (copyright page), correspondence, quotes, miscellaneous |
| |
|
Copper Canyon Press Catalog, production |
| |
2201-2202 |
1979 |
| |
2203 |
1981 |
| |
2204-2206 |
1983 |
| |
2207 |
1986 |
| |
2208 |
1987 |
| |
2209-2212 |
1988 |
| |
2213-2214 |
1989 |
| |
2215-2217 |
1990 |
| |
2218-2219 |
1991 |
| |
2220-2221 |
1992 |
| |
2222 |
1992-1993 |
| |
2223-2224 |
1993-1994 |
| |
2225 |
1994 |
| 188 |
2226-2229 |
1994-1995 |
| |
2230 |
1995 |
| |
2231 |
1996-1997 |
| |
2231.1 |
2001 |
| |
2232-2234 |
Undated |
| |
|
Copper Canyon Press Catalog, final printed issues, 1985-2006 |
| |
2235-2238 |
1985-2006 |
| |
|
Country of Air, Richard Jones; 1986, undated |
| |
2239 |
Camera-ready copy |
| |
2240 |
Correspondence, quotes, invoices, mailing lists, mechanicals, jacket notes |
| |
2241 |
Art, cover copy, cover drawings, invoices, miscellaneous |
| |
2241.1 |
Galley proofs, 1985 |
| |
|
County O, Robert Hedin; 1984, undated |
| |
2242 |
Paste-ups, typesetting instructions, front matter, mechanicals |
| |
2243 |
Correspondence, quotes, invoices, blues (cover), mechanicals (cover) |
| |
2244 |
Paste-up with notes |
| |
|
Crow with No Mouth: Ikkyu, Stephen Berg (translator), 1988-2000 |
| |
2245 |
Correspondence, cover design, sample pages for correction |
| |
2246 |
Cover type, correspondence, quotes, poems, cover mockups, cover concept drawings |
| |
2247 |
Camera-ready copy (second printing) |
| |
|
Damages, Elaine Terranova, 1995 |
| |
2248 |
Cover sample |
| |
2249 |
Cover design |
| |
2250 |
Cover galley |
| |
2251 |
Cover designs, cover text, production checklist, correspondence |
| |
2252 |
Correspondence, quotes, specifications, art, miscellaneous |
| |
|
A Daughter's Latitude, Karen Swenson, 1998-1999 |
| |
2253 |
Art slide, cover designs, design sample pages, correspondence, quotes |
| |
2254 |
Uncorrected bound proof |
| |
|
David Lee: A Listener's Guide, 1999 |
| |
2255 |
Correspondence, quotes, galley copy, meeting minutes |
| |
|
Days of Awe, Maurya Simon, 1989 |
| |
2256 |
Correspondence, quotes, concept drawings, art, invoices, copy for paste-up |
| |
|
Day's Work, David Lee, 1990 |
| |
2257 |
Paste-ups, camera-ready copy |
| |
|
Death Benefits, Robin Morgan, undated |
| |
2258 |
Sample pages |
| |
|
Death Song, Thomas McGrath, 1990-1991 |
| |
2259 |
Cover sample |
| |
2260 |
Cover mockup, mechanicals, concept drawings, transparency |
| |
2261 |
Correspondence, quotes, cover concept drawings, cover design, paste-up copy |
| |
|
Deepstep Come Shining, C.D. Wright, 1998 |
| |
2262 |
Cover sample |
| |
2263 |
Cover design, slide |
| |
2264 |
Cover, biography, excerpts, articles |
| |
2265 |
Author photograph, promotional materials, correspondence, specifications, quotes, sample galley pages, cover designs, jacket notes |
| |
2266 |
Uncorrected bound proof |
| |
|
The Diviner, Brian Friel, undated |
| |
2267 |
Cover sample |
| |
|
The Double Genesis, Dennis Sampson, 1985 |
| |
2268 |
Correspondence, camera-ready copy, mechanical drawing |
| |
|
Dragon in the Clouds, Sam Hamill, 1988 |
| |
2269 |
Correspondence, conceptual layout drawings, jacket copy, cover art |
| |
|
Driving and Drinking, David Lee; 1982, undated |
| |
2270 |
Jacket cover, paste-ups |
| |
2271 |
Camera-ready copy, paste-ups, mechanicals |
| |
2272 |
Loose pages |
| |
|
Dying for Beauty, Gail Wronsky, 1999-2000 |
| |
2273 |
Cover sample |
| |
2274 |
Author photograph, design sample pages, cover designs, correspondence, specifications, quotes |
| |
2275 |
Uncorrected bound proof |
| |
|
East Window, W.S. Merwin, 1998 |
| |
2276 |
Cover sample |
| |
2277 |
Cover, biography, excerpts, articles |
| |
2278-2279 |
Correspondence, galley sample pages, introduction manuscript, quotes |
| |
|
Elements, James Galvin, 1988 |
| |
2280 |
Annotated photocopy, paste-ups, miscellaneous |
| |
2281 |
Text camera-ready copy |
| |
2282 |
Correspondence, layouts, cover concept drawings, quotes |
| |
|
The Enchanted Room, Maurya Simon, 1986 |
| |
2283 |
Paste-ups |
| 189 |
2284-2285 |
Correspondence, invoices, camera-ready copy, concept drawings, page layouts |
| |
2286 |
Correspondence, cover layout, copy |
| |
|
Eros, Eros, Eros, Odysseas Elytis, Olga Broumas (translator), 1997-1998 |
| |
2287 |
Cover proof |
| |
2288 |
Correspondence, specifications, quotes, sample pages |
| |
|
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers); 1989, undated |
| |
2289-2290 |
Camera-ready copy |
| |
2291 |
Correspondence, art, color key paste-ups, quotes, transparency |
| |
2292-2295 |
Paste-ups |
| |
|
Fatal Pleasure, Sam Hamill, undated |
| |
2296 |
Paste-ups |
| |
|
Fine Print, 1989 |
| |
2297 |
Cover design, layouts, correspondence (regarding cover for July 1989 issue) |
| |
|
The First Four Books of Poems, W.S. Merwin, 1999-2000 |
| |
2298 |
Design sample, correspondence, quotes, miscellaneous |
| |
|
Flower and Hand, W.S. Merwin, 1996-1997 |
| |
2299 |
Cover design |
| |
2300 |
Cover sketch series, cover galley series, miscellaneous |
| |
2301 |
Correspondence, font design sample pages, quotes, cover design samples |
| |
|
A Flower Whose Name I Do Not Know, David Romtvedt, 1992 |
| |
2302 |
Cover art layout |
| |
2303 |
Camera-ready copy |
| |
2304 |
Correspondence, quotes, camera-ready copy, art, transparencies |
| |
|
Fourteen Poems, O.V. de L. Milosz, Kenneth Rexroth (translator), 1983 |
| |
2305-2306 |
Paste-ups, invoice, sample dummy |
| |
|
The Gift of Tongues, 1994-1996 |
| |
2307 |
Cover design series |
| |
2308 |
Cover samples |
| |
2309 |
Correspondence, specifications and quotes, sample pages, introduction, bibliography |
| |
|
Gratitude, Sam Hamill, 1998 |
| |
2310 |
Uncorrected bound proof |
| |
|
The Great Digest of Confucius, Ezra Pound (translator), circa 1978 |
| |
2311 |
Cover samples, sample pages |
| |
|
Growing Old Alive, Han Yu, Kenneth Hanson (translator), 1978 |
| |
2312 |
Paste-ups |
| |
|
A Gypsy's History of the World, Kim Stafford, 1976 |
| |
2313 |
Sample pages, paste-ups, publication announcement |
| |
|
Harping On, Carolyn Kizer, 1996 |
| |
2314 |
Cover designs |
| |
2315 |
Cover sample |
| |
2316 |
Correspondence, quotes, sample pages, jacket notes, cover designs |
| |
|
Having Everything Right, Kim Stafford, 1986 |
| |
2317-2318 |
Correspondence, jacket notes, concept drawings, mechanicals, art, cover art transparency |
| |
|
Hayden Carruth: A Listener's Guide, circa 1999 |
| |
2319 |
Cover proof |
| |
|
Heroes of the Teton Mythos, Sam Hamill; 1973, undated |
| |
2320 |
Sample pages |
| |
2321 |
Paste-ups, photographs, miscellaneous |
| |
|
Holding Our Own, Ann Stafford; Maxine Scales and David Trinidad, editors; 2001 |
| |
2322 |
Miscellaneous |
| |
2323 |
Correspondence, production schedule, cover designs, introduction (manuscript), poems |
| |
|
I Don't Bow to Buddhas: Selected Poems of Yuan Mei, J.P. Seaton (translator), 1996-1997 |
| |
2324 |
Cover designs |
| |
2325 |
Cover designs, correspondence |
| |
2326 |
Cover design, design sample pages, correspondence, specifications, quotes, editorial notes |
| |
|
Ice Futures, Thomas Johnson, 1977 |
| |
2327 |
Paste-ups, invoices |
| |
2328 |
Unbound book |
| |
|
In the Dreamlight, 1984 |
| |
2329-2330 |
Paste-ups |
| 190 |
2331 |
Camera-ready copy, essay manuscript, quotes, mechanicals, production checklist |
| |
|
In the Snow, James Laughlin, undated |
| |
2332 |
Samples |
| |
|
In the Surgical Theatre, Dana Levin, circa 1999 |
| |
2333 |
Cover proof |
| |
|
Infanta, Erin Belieu, 1994-1995 |
| |
2334 |
Cover design galley series |
| |
2335 |
Cover sample |
| |
2336 |
Correspondence, cover designs, galley pages |
| |
|
The Infinite Moment, Sam Hamill, 1991 |
| |
2337 |
Pagination form, correspondence, art, cover drawing and transparency |
| |
|
Iris of Creation, Marvin Bell, 1990 |
| |
2338 |
Camera-ready copy |
| |
2339 |
Correspondence, art, negatives, concept drawings |
| |
2340 |
Correspondence, quotes, art slide, cover mockup, concept drawings, miscellaneous |
| |
|
Iron Country, Floyce Alexander (editor), 1978 |
| |
2341-2342 |
Paste-ups |
| |
|
Iron Man of the Hoh, Nelson Bentley, 1978 |
| |
2343 |
Paste-ups, cover blue |
| |
|
The Island, Michael White, 1992 |
| |
2344 |
Correspondence, quotes, camera-ready copy, cover concept drawings, cover paste-ups, invoices |
| |
|
Ivory Cradle, Anne Macari, circa 2000 |
| |
2345 |
Specifications, bid requests, distribution agreement, author vita, jacket blurbs, introduction |
| |
|
A Kind of Glory, Richard Shelton; 1982, undated |
| |
2346-2347 |
Page proofs, blank dummy |
| |
2348 |
Book pages |
| |
|
Land Bound, Kathleene West, 1978 |
| |
2349 |
Title page sample |
| |
2350 |
Greens, paste-ups |
| |
2351 |
Correspondence, production schedule, quotes, marketing list, publication announcement |
| |
|
The Landlady in Bangkok, Karen Swenson, 1994-1995 |
| |
2352-2353 |
Correspondence, sample pages, cover design, art, author photograph, invoices |
| |
|
The Latitude of a Daughter, Karen Swenson, undated |
| |
2354 |
Cover sample |
| |
2355 |
Cover design |
| |
2356 |
Cover, biography, excerpts, reviews |
| |
|
The Leaf Path, Emily Warn, 1982 |
| |
2357-2358 |
Paste-ups, camera-ready copy, concept drawings, art, manuscript poems |
| |
2359 |
Paste-ups |
| |
|
Leaving a Shadow, Heather Allen, 1996 |
| |
2360 |
Cover photograph |
| |
2361 |
Cover sample |
| |
2362 |
Cover galley |
| |
2363 |
Cover design galley |
| |
2364 |
Cover design |
| |
2365 |
Sample text font pages |
| |
|
Lebanese Mountain Cookery, Mary Louise Laird, circa 1986 |
| |
2366 |
Correspondence, editorial notes, art, concept sketches, mechanicals, specifications |
| |
|
A Legacy of Shadows, David Lee, 1998-1999 |
| |
2367 |
Cover sample |
| |
2368 |
Dust jacket galley, front and back pages |
| |
2369 |
Correspondence, author photographs, design sample pages, cover design, quotes, miscellaneous |
| |
2370 |
Uncorrected bound proof |
| |
|
Lethal Frequencies, James Galvin, 1994-1997 |
| |
2371 |
Cover sample |
| |
2372 |
Cover galley designs, correspondence |
| |
2373 |
Cover camera-ready copy |
| |
2374 |
Correspondence, quotes, miscellaneous |
| |
|
Letter to an Imaginary Friend, Thomas McGrath, 1985-1997 |
| |
2375-2376 |
Paste-ups |
| |
2377 |
Cover designs, sample pages |
| |
2378-2379 |
Design sample pages, correspondence, quotes, copy for introduction, cover galley pages, specifications |
| |
2380 |
Paste-ups, mechanical layouts, miscellaneous |
| |
|
Lights and Mysteries, Thomas Centolella, 1995 |
| |
2381 |
Cover design |
| |
2382 |
Cover designs, correspondence, production checklist, miscellaneous |
| |
|
Like Underground Water, Naoshi Koriyama, Edward Lueders (translators); 1995, undated |
| |
2383 |
Cover sample |
| |
2384 |
Cover sample |
| |
2385 |
Table of contents |
| |
2386 |
Correspondence, quotes, jacket notes, photographs, miscellaneous |
| |
2387-2388 |
Correspondence, cover and jacket design, cover text, sample pages |
| |
|
The Little Mariner, Odysseas Elytis, Olga Broumas (translator), 1988 |
| 191 |
2389 |
Paste-ups |
| |
2390 |
Correspondence, extra type for paste-up |
| |
2391 |
Correspondence, pagination form, concept drawings, jacket notes, preface, art, mailing lists, manuscript poems, negatives |
| |
|
Locusts at the Edge of Summer, John Balaban, 1996-1997 |
| |
2392 |
Cover design |
| |
2393 |
Cover sample, miscellaneous |
| |
2393.1 |
Reprint galley pages |
| |
2394 |
Correspondence, quotes, art slides, sample pages, jacket notes |
| |
|
A Longing for the Light: Selected Poems of Vincente Aleixandre, Lewis Hyde (editor), circa 1985 |
| |
2395 |
Mechanicals, art |
| |
2396 |
Correspondence, camera-ready copy, jacket notes, art transparency, quotes |
| |
|
Lost Body, Terry Ehret, 1993 |
| |
2397 |
Correspondence, quotes, art, concept drawings, camera-ready copy |
| |
|
Love and Time, Ou-yang Hsiu, J.P. Seaton (translator), 1989 |
| |
2398 |
Cover camera-ready copy |
| |
2399 |
Correspondence, quotes, art, copy for paste-up, concept drawings, invoices |
| |
|
Magpie on the Gallows, Madeline DeFrees, 1982 |
| |
2400-2401 |
Blues, copy paste-ups |
| |
|
Memory at These Speeds, Jane Miller, 1996 |
| |
2402-2403 |
Cover designs |
| |
2404 |
Design sample pages, cover design samples, specifications, correspondence, quotes |
| |
2405 |
Uncorrected bound proof |
| |
|
The Mercy Seat: Collected and New Poems, Norman Dubie, 2001 |
| |
2406-2407 |
Cover design, design guide, correspondence, quotes, editorial notes |
| |
|
Mermaids in the Basement, Carolyn Kizer, 1984-1991 |
| |
2408-2409 |
Paste-ups |
| |
2410 |
Blues |
| |
2411 |
Mechanical copy with author's corrections |
| |
2412 |
Correspondence, quotes, camera-ready copy, mechanical layouts |
| |
2413 |
Correspondence, quotes, mailing lists, jacket notes, invoices |
| |
2414 |
Uncorrected bound proof |
| |
2415 |
Reprint correspondence, quotes, cover |
| |
|
Mid-Winter Break-Up, Sam Hamill (editor), 1977 |
| |
2416-2417 |
Text and art mechanicals |
| |
2418 |
Loose pages, cover, paste-ups |
| |
|
Moment to Moment: Poems of a Mountain Recluse, David Budbill, 1999 |
| |
2419 |
Cover sample |
| |
2420 |
Correspondence, art, photographs, cover design, quotes |
| |
|
The Moonlit Pond: Koren Classical Poems in Chinese, Sung Il-Lee (translator); 1996-1997, undated |
| |
2421-2422 |
Cover designs |
| |
2423 |
Cover proof |
| |
2424 |
Sample design pages |
| |
2425 |
Correspondence, quotes, design sample pages, art, poems, corrections |
| |
|
My Town, David Lee, 1994-1995 |
| |
2426 |
Cover sample |
| |
2427 |
Back cover galley reprint |
| |
2428 |
Cover rough sketch, cover designs, miscellaneous |
| |
2429 |
Cover blues, correspondence, quotes, color cover design |
| |
2430 |
Reprint quote, shipping instructions |
| |
|
The Nearness of You, Carolyn Kizer, 1986 |
| |
2431 |
Camera-ready copy, galley with notes, paste-ups |
| |
2432 |
Manuscript (photocopy), mechanicals |
| |
2433 |
Complete typographer's camera copy |
| |
2434-2435 |
Correspondence, quotes, mechanicals, concept drawings, licensing documentation, silver print, invoices, mailing list |
| |
|
New and Selected Poems, Stephen Berg, 1991 |
| |
2436 |
Cover sample |
| |
2437-2438 |
Correspondence, quotes, invoices, camera-ready copy, table of contents |
| |
|
News from Down to the Cafe, David Lee, 1998-1999 |
| 192 |
2439 |
Cover designs, production quotes |
| |
2440 |
Cover sample |
| |
2441 |
Author page |
| |
2442 |
Correspondence, specifications, quotes, author photograph, galley pages, cover samples, miscellaneous |
| |
|
Night Herding Song, Gerald Hausman, 1979 |
| |
2443 |
Paste-ups |
| |
|
No Reason on Earth, Katherine Haake, 1986 |
| |
2444 |
Correspondence, mechanicals, production schedules, camera-ready copy |
| |
|
The Nootka Rose, Sam Hamill, circa 1986 |
| |
2445 |
Concept cover drawings, camera-ready copy |
| |
|
Nostalgia for Death, Xavier Villaurrutia, Eliot Weinberger (translator); Hieroglyphs of Desire, Octavio Paz, Esther Allen (translator); 1992, undated |
| |
2446 |
Correspondence, art, invoices, paste-ups |
| |
2447-2448 |
Text camera-ready copy |
| |
|
Not Far from the River, David Ray (translator), 1990 |
| |
2449 |
Cover camera-ready copy |
| |
2450 |
Cover sample |
| |
2451 |
Camera-ready copy |
| |
2452 |
Correspondence, quotes, art, transparency, cover concept layout |
| |
|
Not Such a Bad Place to Be, William Kloefkorn, 1980 |
| |
2453-2454 |
Blues, paste-ups |
| |
2455 |
Cover mechanical |
| |
2456 |
Photograph, blues, camera-ready copy |
| |
2457 |
Correspondence, camera-ready copy, art, cover drawing, printing specifications, publication announcement |
| |
|
The Novice Insomniac, Emily Warn, 1995-1996 |
| |
2458 |
Cover design |
| |
2459 |
Correspondence, cover designs |
| |
2460 |
Correspondence, quotes, design sample pages, cover designs, final cover proof, jacket notes |
| |
|
Olga Broumas: A Listener's Guide, circa 2000 |
| |
2461 |
Cover proof |
| |
|
On Poetry and Craft: Selected Prose of Theodore Roethke, 2001 |
| |
2462 |
Miscellaneous |
| |
|
One Above and One Below, Erin Belieu, 1999-2000 |
| |
2463 |
Design sample pages, self review, correspondence, quotes |
| |
|
Open Papers, Odysseas Elytis, Olga Broumas (translator), 1994-1995 |
| |
2464 |
Cover sample |
| |
2465 |
Cover mockup, galley corrections |
| |
2466 |
Cover designs, correspondence |
| |
2467 |
Correspondence, quotes, invoices |
| |
|
Orpheus and Eurydice: A Lyric Sequence, Gregory Orr, 2000 |
| |
2468 |
Correspondence, bids, sample pages, cover galley |
| |
|
The Owl of Minerva, James Laughlin, 1987 |
| |
2469 |
Correspondence, quotes, invoices, mailing lists |
| |
2470 |
Paste-up |
| |
|
Passages toward the Dark, Thomas McGrath, 1982 |
| |
2471-2473 |
Paste-ups |
| |
2474 |
Blues |
| |
|
Pastoral Jazz, Olga Broumas, 1983 |
| |
2475 |
Paste-ups, color silver print, cover mechanical, invoices |
| |
2476 |
Correspondence, mechanicals, camera-ready copy, promotional material |
| |
2477 |
Correspondence, review copy list, quotes, publication checklist, jacket notes, art |
| |
|
Pawtracks, Jim McNulty, 1978 |
| |
2478 |
Proofs, loose pages, correspondence |
| |
|
A Perfect Time, Richard Jones, 1994 |
| |
2479 |
Cover sample |
| |
2480 |
Correspondence, quotes, invoices, poems |
| |
|
Perpetua, Olga Broumas, 1989 |
| |
2481 |
Camera-ready copy |
| |
2482 |
Camera-ready copy, paste-up |
| |
2483-2484 |
Correspondence, quotes, invoices, art, concept and layout drawings, paste-ups, jacket notes |
| |
|
Philoktetes, Sophokles, Gregory McNamee (translator), 1987 |
| |
2485 |
Correspondence, page layouts |
| |
2486 |
Camera-ready copy, mechanicals, art, jacket notes |
| |
2487 |
Correspondence, quotes, mailing lists, translator vita, miscellaneous |
| |
|
The Piano beneath the Skin, George Hitchcock, 1978-1987 |
| |
2488 |
Paste-ups |
| |
|
Pieces of Map, Pieces of Music, Robert Bringhurst, 1987 |
| |
2489 |
Correspondence, art, transparency, camera-ready copy, invoices, author vita |
| |
2490 |
Copyright page, Copper Canyon Press logo art |
| |
|
A Place Made Fast, Mark Halperin, 1982 |
| 193 |
2491-2492 |
Paste-ups, art, camera-ready copy |
| |
|
Poems, Frank Maloney, 1976 |
| |
2493 |
Mechanical paste-ups |
| |
2494 |
Concept drawing, advertising broadsides |
| |
2495 |
Text blues, text camera-ready copy |
| |
|
The Porcine Canticles, David Lee, 1984-1992 |
| |
2496 |
Art |
| |
2497 |
Reprint blues |
| |
2498-2499 |
Paste-ups |
| |
2500 |
Correspondence, author vita, camera-ready copy |
| |
2501 |
Uncorrected bound proof |
| |
2501.1 |
Reprint correspondence, quotations, miscellaneous, 1992 |
| |
|
The Porcine Legacy, David Lee, 1978 |
| |
2502 |
Paste-ups |
| |
|
Pound as Wuz: Essays and Lectures on Ezra Pound, James Laughlin, circa 1987 |
| |
2503 |
Cover layout |
| |
|
Priest ENDand A Dead Priestess Speaks, H.D. (Hilda Doolittle), undated |
| |
2504 |
Manuscript (photocopy), printing samples |
| |
|
Prune, Billy Mack Gammill, circa 1979 |
| |
2504.1 |
Book dummy, unbound pages |
| |
|
Psalm, Sam Hamill, undated |
| |
2505 |
Printing samples |
| |
|
Rave: Poems 1977-1998, Olga Broumas, 1998-1999 |
| |
2506 |
Cover sample |
| |
2507 |
Cover, Consortium advance marketing information, articles, biography, excerpts |
| |
2508 |
Correspondence, quotes, poems, cover design, author photographs |
| |
|
The Red Dreams, Ken Gerner, 1978 |
| |
2509 |
Paste-ups, publication announcement, miscellaneous |
| |
|
The Redshifting Web: Poems 1970-1996, Arthur Sze, 1997-1998 |
| |
2510 |
Correspondence, specifications, author biography, photograph, cover designs |
| |
|
Reluctantly, Hayden Carruth, 1996 |
| |
2511 |
Correspondence, quotes, cover proof, slide, author photograph |
| |
|
Requiem, Sam Hamill, 1983 |
| |
2512 |
Printing samples, publication announcement |
| |
|
Resurrection Update: Poems 1975-97, James Galvin, 1996-1997 |
| |
2513 |
Cover designs |
| |
2514 |
Dust jacket galley |
| |
2515 |
Galley pages |
| |
2516 |
Cover design galleys, jacket design galleys |
| |
2517 |
Correspondence, specifications, quotes, sample pages, jacket notes, cover samples |
| |
|
Reversing the Spell: New and Selected Poems, Eleanor Wilner, 1997-1997 |
| |
2518 |
Cover designs |
| |
2519 |
Cover proof |
| |
2520-2521 |
Blues |
| |
2522 |
Cover photograph, cover design, correspondence, jacket notes, sample pages |
| |
|
Rivers of Salt, Shirley Kaufman, 1993 |
| |
2523 |
Camera copy for paste-ups |
| |
2524 |
Text camera-ready copy |
| |
2525 |
Uncorrected bound proof, miscellaneous |
| |
|
The Roads Have Come to an End Now, Rolf Jacobsen; Robert Bly, Roger Greenwald, Robert Hedin (translators), 2001 |
| |
2526 |
Correspondence, quotes, production schedule |
| |
|
Roots in the Air, Shirley Kaufman, 1997 |
| |
2527-2528 |
Cover designs |
| |
2529 |
Cover galley |
| |
2530 |
Correspondence, quotes, sample pages, cover design samples |
| |
|
Running Away from Home, Carolyn Kizer, 1979 |
| |
2531 |
Layout drawings, correspondence, photographs, quotes, small book dummy, concept sketches |
| |
|
Sacramental Acts, Kenneth Rexroth, 1997 |
| |
2532 |
Cover designs and cover proof |
| |
2533 |
Correspondence, specifications, quotes, design sample pages, cover design |
| |
2534 |
Uncorrected bound proofs |
| |
|
Sappho's Gymnasium, Olga Broumas and T. Begley, circa 1994 |
| |
2535 |
Cover sample |
| |
2536 |
Cover camera-ready copy |
| |
2537 |
Cover mechanicals, correspondence, art negatives, author photograph |
| |
2538 |
Correspondence |
| |
2539 |
Manuscript (draft) |
| |
|
Say Goodnight, Timothy Liu, 1997-1998 |
| |
2540 |
Correspondence, quotes, design sample, author photograph, cover concept drawings |
| |
|
Scrambled Eggs and Whiskey, Hayden Carruth, 1995-1997 |
| 194 |
2541 |
Cover design |
| |
2542 |
Cover design, art, author drawing, copy (back cover) |
| |
2543 |
Cover design, correspondence, quotes |
| |
2544-2545 |
Text blues, cover flap galley, galley pages |
| |
2546 |
Design sample pages, correspondence |
| |
2547 |
Dust jacket blues |
| |
2548 |
Correspondence (reprint) |
| |
|
The Sea and the Bells, Pablo Neruda, William O'Daly (translator), 1988 |
| |
2548 |
Cover sample |
| |
2548 |
Uncorrected bound proof |
| |
|
The Second Four Books of Poems, W.S. Merwin, 1992-1993 |
| |
2549 |
Cover sample |
| |
2550 |
Correspondence, specifications, quotes, galley samples, cover concept drawings, introduction (manuscript) |
| |
2551 |
Correspondence, reprint specifications, quotes |
| |
2552-2553 |
Text blues |
| |
|
Selected and New Poems, Marilyn Hacker, 1993 |
| |
2554 |
Correspondence |
| |
|
Selected Essays and Reviews, Hayden Carruth, 1995-1996 |
| |
2555 |
Cover sample |
| |
2556 |
Correspondence, production schedule, miscellaneous |
| |
|
Selected Poems 1938-1988, Thomas McGrath, 1987-1988 |
| |
2557-2558 |
Galley proofs, paste-ups |
| |
2559 |
Art, extra type for paste-up |
| |
2560 |
Mechanicals |
| |
2561 |
Correspondence, invoices, miscellaneous |
| |
|
Selected Poems of Su-Tung-P'o, Burton Watson (translator), 1993-1995 |
| |
2562 |
Cover sample |
| |
2563 |
Correspondence, paste-ups, camera-ready copy, quotes, invoices, transparency |
| |
2564 |
Correspondence, cover design, first galleys |
| |
2565 |
Reprint material |
| |
2566-2567 |
Correspondence, miscellaneous |
| |
2568 |
Uncorrected bound proof |
| |
|
Selected Poems of T'ao Ch'ien, David Hinton (translator); 1993, undated |
| |
2569 |
Cover camera-ready copy |
| |
2570 |
Paste-ups |
| |
2571 |
Miscellaneous |
| |
|
The Separate Rose, Pablo Neruda, William O'Daly (translator); 1985, undated |
| |
2572 |
Art cover mechanical |
| |
2573 |
Paste-ups |
| |
2574 |
Cover sample, galleys, paste-ups, camera-ready copy, mechanicals |
| |
|
The Shape of the Journey, Jim Harrison, 1998 |
| |
2575-2576 |
Correspondence, design sample, author photograph, cover designs, quotes |
| |
2577 |
Cover design |
| |
|
Shelter, Laura Jensen, 1985 |
| |
2578-2579 |
Camera-ready copy, mechanicals, production schedule, art |
| |
|
The Silk Dragon, Arthur Sze (translator), 2000 |
| |
2580 |
Correspondence, poems, cover designs, Chinese characters |
| |
|
Silo, 1974 |
| |
2581 |
Paste-ups |
| |
|
The Silver Swan, Kenneth Rexroth, 1976 |
| |
2582 |
Book pages |
| |
2583 |
Book sample, mechanicals |
| |
|
The Sinking of Clay City, Robert Wrigley, 1978-1979 |
| |
2584-2585 |
Cover mockup, paste-ups |
| |
2586 |
Correspondence, camera-ready copy, production schedules, assembly sheets |
| |
|
The Sleeping Beauty, Hayden Carruth, 1990 |
| |
2587 |
Correspondence, cover concept drawings, art transparencies |
| |
2588-2589 |
Camera-ready copy |
| |
2590 |
Correspondence, specifications, camera-ready copy, cover concept drawings |
| 195 |
2591 |
Uncorrected bound proof |
| |
|
Snow Country, Robert Hedin, 1975 |
| |
2592 |
Sample pages and cover |
| |
|
Soie Sauvage, Olga Broumas, 1979 |
| |
2593-2595 |
Paste-ups, mechanicals, camera-ready copy |
| |
2596 |
Paste-ups |
| |
2597 |
Correspondence, cover text sample, art, manuscript (photocopy) |
| |
|
Some Days, Sam Hamill and Tree Swenson, circa 1988 |
| |
2598 |
Correspondence, paste-ups, camera-ready copy, small book dummy, essay manuscript |
| |
|
Sometimes Like a Legend, William Stafford, circa 1981 |
| |
2599-2600 |
Sample pages |
| |
2601 |
Pages with art paste-ups, pages with concept drawings |
| |
|
Somewhere Down the Road: An Anthology of Washington High School Student Poetry and Fiction, undated |
| |
2602-2605 |
Paste-ups, art, cover mechanicals, copy, printing specifications |
| |
2606 |
Concept drawings, book dummy |
| |
|
Songs for Gaia, Gary Snyder, circa 1978 |
| |
2606.1 |
Quotations |
| |
|
Songs of the Pine Wife, Sheila Nickerson, 1980 |
| |
2607 |
Blues, photograph, paste-ups |
| |
|
Soul Make a Path Through Shouting, Cyrus Cassells, 1993-1994 |
| |
2608 |
Correspondence, quotes, front matter |
| |
2609-2610 |
Correspondence, invoices, miscellaneous |
| |
|
Spring Essence: The Poetry of Ho Xuan Huong, John Balaban (translator); 2001, undated |
| |
2611 |
Cover production, manuscript poem |
| |
2612 |
Correspondence, bids, sample pages, invoices |
| |
|
The Steel Cricket: Versions 1958-1996, Stephen Berg, 1996-1997 |
| |
2613-2614 |
Cover designs |
| |
2615 |
Production specifications, cover samples, quotes, correspondence, introduction (manuscript) |
| |
2616 |
Uncorrected bound proof |
| |
|
Still Another Day, Pablo Neruda, William O'Daly (translator), 1983-1984 |
| |
2617 |
Cover paste-ups, transparency |
| |
2618 |
Layouts, cover copy, transparency |
| |
2619 |
Paste-ups |
| |
2620 |
Reprint blues |
| |
2621 |
Correspondence, production schedule, specifications, mechanicals, camera-ready copy, art, invoices, publication announcement |
| |
|
Stones of the Sky, Pablo Neruda, William O'Daly (translator), 1987-1991 |
| |
2622 |
Unbound pages |
| |
2623 |
Miscellaneous |
| |
2624 |
Reprint documentation |
| |
2625 |
Text blues (second printing) |
| |
2626 |
Correspondence, mailing lists, quotes, cover transparency |
| |
2627 |
Uncorrected bound proof |
| |
|
A Suitable Church, Jim Heynen, circa 1981 |
| |
2628 |
Copy for paste-ups |
| |
2628.1 |
Paste-ups |
| |
2629 |
Cover, camera-ready copy, paste-ups, art |
| |
|
Talking to My Body, Anna Swir, 1995-2000 |
| |
2630 |
Cover camera-ready copy |
| |
2631 |
Cover designs |
| |
2632 |
Cover design series, correspondence, invoice |
| |
2633 |
Text blues |
| |
2634 |
Correspondence, specifications, quotes, cover design samples |
| |
|
Terra Firma, Thomas Centolella, 1990 |
| |
2635 |
Cover sample |
| |
2636 |
Correspondence, quotes, cover concept drawings, art, invoices |
| |
|
Things Are Happening, Joshua Beckman, circa 1998 |
| |
2637 |
Cover proof |
| |
2638 |
Cover, author biography, excerpts |
| |
|
To Frighten a Storm, Gladys Cardiff, circa 1975 |
| |
2639-2640 |
Unbound pages |
| |
|
To Leave the Standing Grain, Michael Corr, 1977 |
| |
2641 |
Paste-ups |
| |
2642 |
Title pages, table of contents |
| |
|
Tracking, Nancy Steele, 1977 |
| |
2643 |
Paste-ups |
| 196 |
2644 |
Manuscript |
| |
2645 |
Cover camera-ready copy, text camera-ready copy |
| |
|
Triada, Sam Hamill, 1978 |
| |
2646-2647 |
Paste-ups |
| |
|
Uncertain Grace, Rebecca Liv Wee, 2000-2001 |
| |
2648 |
Sample pages, cover design samples |
| |
2649 |
Correspondence, art, poems (manuscript) |
| |
|
Unexpected Manna, Gary Holthaus, 1978 |
| |
2650-2651 |
Assembly sheet, paste-ups |
| |
|
Unremembered Country, Susan Griffin, 1987 |
| |
2652 |
Paste-ups, camera-ready copy |
| |
2653 |
Correspondence, quotes, invoices, mailing lists |
| |
2654 |
Correspondence, paste-up copy, invoices, jacket notes |
| |
2655 |
Uncorrected bound proof |
| |
|
Vagrant Grace, David Bottoms, 1999 |
| |
2656 |
Cover sample |
| |
2657 |
Miscellaneous |
| |
|
The Vulnerability of Order, Martine Bellen, 2001 |
| |
2658 |
Correspondence, quotes, cover galley, miscellaneous |
| |
|
"Waiting for Annie" (broadside), Cheryl Morse, undated |
| |
2659 |
Printing sample |
| |
|
Wanderer's Daysong, Denise Levertov, circa 1980-1987 |
| |
2660 |
Unbound pages |
| |
|
The Wandering Border, Jaan Kaplinski, 1987 |
| |
2661 |
Text camera-ready copy |
| |
2662 |
Correspondence, quotes, mechanicals, concept drawings, mailing list |
| |
2663 |
Uncorrected bound proof |
| |
|
Water Witching, Kathleene West, 1984 |
| |
2664 |
Camera-ready copy |
| |
2665 |
Paste-ups, manuscript sample pages |
| |
2666 |
Correspondence, quotes, invoices, art, camera-ready copy, miscellaneous |
| |
|
Waving Arms at the Blind, W.M. Ransom, circa 1975 |
| |
2667 |
Chapbook cover sample |
| |
|
We Sit Here Fixed Driven Back on Ourselves Listening, undated |
| |
2668 |
Loose pages |
| |
|
The Whale in the Web, William O'Daly, circa 1979 |
| |
2669 |
Promotional brochure |
| |
|
What I Love, Odysseas Elytis, Olga Broumas (translator); 1985-1986, undated |
| |
2670 |
Copy for back cover paste-up, author photograph |
| |
2671 |
Paste-up type, table of contents, jacket notes |
| |
2672 |
Camera-ready copy (Greek) |
| |
2673-2674 |
Mechanicals, page layout form |
| |
2675 |
Separations |
| |
2676 |
Camera-ready copy (Greek) |
| |
2677-2678 |
Unbound greens, paste-ups |
| |
2679 |
Quotes |
| |
2680 |
Correspondence, quotes, mailing and review lists, cover stamp art, invoices |
| |
2681 |
Uncorrected bound proof |
| |
2682 |
Book boards |
| |
|
Wherever You Lay Your Head, Jane Miller, 1998-1999 |
| |
2683 |
Cover proof |
| |
2684 |
Author biography, cover, articles |
| |
2685 |
Art slides, design sample, correspondence, specifications, quotes |
| |
|
The Wind of Our Going, Patricia Goedicke, 1985 |
| |
2686-2687 |
Paste-ups |
| |
|
Windows Facing East, Carol Finkelstein, 1985-1986 |
| |
2688 |
Correspondence, art, cover samples, camera-ready copy, paste-ups |
| |
|
Winter Garden, Pablo Neruda, William O'Daly (translator); 1986, undated |
| |
2689 |
Blues |
| |
2690 |
Camera-ready copy, mechanicals |
| |
2691 |
Paste-ups, camera-ready copy |
| |
2692 |
Uncorrected bound proof |
| |
|
Words for My Daughter, John Balaban, circa 1991 |
| |
2693 |
Cover sample |
| 197 |
2694 |
Cover mock-up, art, transparencies, miscellaneous |
| |
2695 |
Correspondence, camera-ready copy, quotes, layout drawings, photographs, art |
| |
|
The Yellow Heart, Pablo Neruda, William O'Daly (translator); 1990, undated |
| |
2696 |
Cover sample |
| |
2697 |
Paste-up cover with art |
| |
2698 |
Correspondence, quotes, poems (manuscript), cover art, slides, copy for paste-up |
| |
2699 |
Uncorrected bound proof |
| |
|
Yesterday's Faces, Sam Hamill (editor), 1979 |
| |
2700 |
Paste-ups, blues, invoices |
| |
|
Miscellaneous or unidentified |
| |
2701-2703 |
Covers and cover slides, multiple titles; 2000, undated |
| |
2704-2706 |
CCP announcements, galley proofs, logos; circa 1982, undated |
| |
2707 |
"A Copperhead Checklist" (promotional brochure), undated |
| |
2708 |
CCP logo; 1994, undated |
| |
2709 |
CCP promotion, publication and event announcements, miscellaneous; undated |
| |
2709.1 |
CCP advertising and promotion, circa 1993-1994 |
| |
2709.2 |
Coalition of Writers' Organizations, production materials and correspondence, 1990 |
| |
2710 |
Poetry sample: Marnie Purple, circa 1984 |
| |
2711 |
Poetry samples: William Stafford, Li Ching-Chao, undated |
| |
2712 |
Art for unidentified project, undated |
| |
2712.1 |
Art, invoices, miscellaneous, for unidentified project(s); circa 1978 |
| |
2712.2-2712.3 |
Art for unidentified project(s), undated |
| |
2713 |
Word lists (style pages) for unidentified Pablo Neruda project, undated |
| |
2714 |
Test designs: harps, undated |
| |
2715 |
Gue Walker art samples for unidentified project, undated |
| 197.1 |
2716-2720 |
Miscellaneous or unidentified, undated |
| |
2720.1 |
Unidentified Hayden Carruth reprint production, 1993 |
| |
2720.2 |
Multiple projects, undated |
| |
2720.3 |
Cover mock-ups and concepts, multiple projects, 1995 |
| |
2720.4 |
Unidentified Jaan Kaplinski project; 1985, undated |
| |
2720.5 |
Unidentified Thomas McGrath project, 1985 |
| |
2720.6 |
"Difficult Death," 1986 |
| |
2720.7 |
"Watching the Waves," Sam Hamill, 1989 |
| 197.2 |
2720.8 |
Unidentified project(s), undated |
| |
2720.9 |
Miscellaneous poetry and poetry samples, 1990-1992 |
| |
2720.10-2720.12 |
Quotations, multiple projects, 1980-1985 |
| |
|
Series 3: Broadsides; 1975-1996, undated |
| |
|
Consists of printed broadsides, with related production materials. |
| 198 |
2721 |
Soundings, 1981 |
| |
2722 |
Cheryl Morse, "Waiting for Annie" (4), signed, undated |
| |
|
Larry Laraby, "And Salmon Rise" (2) and "I Have Offered" (2); signed, undated |
| |
|
Marnie Purple, "Love Is Not An Article of Clothing" and "From the Lighthouse" (2); signed, undated |
| |
|
Mary McNeill, "Waiting Your Turn" (2); signed, 1982 |
| |
|
Jo Cochran, "Dent in the Grass," signed, undated |
| |
|
Hali K. Ransom, "California Rabbit," signed, undated |
| |
|
Susan McKelvey, "Alison," signed, undated |
| |
|
Nancy McCleery, "Family on the Platte," signed, undated |
| |
|
Richard Shelton, "Encounter," signed, 1982 |
| |
|
Mary McNeill, "At Madame Madeleine's," signed, 1982 |
| |
|
Tracy Dewsnup, "Cedar Mountain Sundown," signed, undated |
| |
|
Kathleen Crane, "Cornsticks for Margaret," signed, 1982 |
| |
|
Teresa McDougall, "Choke" (2), signed, undated |
| |
|
Robert Hedin, "Glimpse Into a Private Road" (7), signed, undated |
| |
2723 |
Carolyn Kizer, "Election Day, 1984," signed, 1996 |
| |
|
Timothy Liu, "Thoreau," signed, 1995 |
| |
|
Marvin Bell, "Song for a Little Bit of Breath," signed, 1985 |
| |
|
Elaine Terranova, "Self-Examination," signed, 1995 |
| |
|
Alicia Hokanson, "That Weather" (3), signed, undated |
| |
|
Alicia Hokanson, "Harvest of the Dream," signed, undated |
| |
2724 |
Richard Jones, "The Poet's Heart," 1996 |
| |
|
Sam Hamill, "What the Water Knows," 1995 |
| |
|
Sam Hamill, "The Oracle at Sunrise," undated |
| |
|
Sam Hamill, "A Cold Fire," 1996 |
| |
|
Anna Swir, "I Talk to My Body," 1996 |
| |
|
Denise Levertov, "River," undated |
| |
|
Louis Colasanti, "Canada Moon Song" (2), undated |
| |
|
Gerald Hausman, "Wild Geese Again" (2), undated |
| |
|
James Welch, "The Man from Washington," undated |
| |
|
Janice E. Simpson, "The April Rainbow," undated |
| |
|
David Wagoner, "Song for the First People," undated |
| |
|
J.M. Eklund, "Transformations," undated |
| |
|
Pablo Neruda, "Juventud," undated |
| |
|
William Stafford, "Border Incident" (2), undated |
| |
2725 |
Madeline DeFrees, "The Register" and "How the Amish Women Went Down the Iowa River," undated |
| |
|
Ruth Hulett, "A Quick Study of a Slow Afternoon," undated |
| |
|
Robert Hedin, "Last Poet," undated |
| |
|
James Masao Mitsui, "Shrike on Dead Tree," undated |
| |
|
Philip Whalen, "Zenshinji," undated |
| |
|
Alfonso Reyes, "Veracruz," undated |
| |
|
Barbara MacAulay, "My Cat," undated |
| |
|
Jim Bodeen, "Songbird" (2), undated |
| |
|
Tess Gallagher, "In Maceio," undated |
| |
2726 |
Robert Bly, "At Midocean," undated |
| |
|
Thomas Johnson, "Off Hatteras," undated |
| |
|
Kenneth Rexroth, "The Willows," undated |
| |
|
Sam Hamill, "Isis at Twilight" (2), undated |
| |
|
Eron Hamill, "A Dandylion in My Holster," undated |
| |
|
Sam Hamill, "The Cartographer's Wedding," 1982 |
| |
|
Doris Avshalomov, "Not Almond Blossoms" and "Father the Tree," undated |
| |
|
Stephanie Becker, "Farmer," undated |
| |
|
Wanda Buckner, untitled, undated |
| |
|
Joseph Bruchac, "Birdfoot's Grampa," undated |
| |
|
John Brandi, "In a September Rain," undated |
| |
|
Robert Brandts, "Ars Poetica," undated |
| |
|
Kelly Cherry, "Song of the Siberian Shaman," undated |
| |
|
Patricia F. Clark, "Alone in a House," undated |
| |
|
Naomi Clark, "Memorial," undated |
| |
2727 |
James Masao Mitsui, "Poem Written on the First Anniversary of a Parting" (2), 1979 |
| |
|
Kathleene West, "For a Long Winter" (2), undated |
| |
|
Michael McClure, "Big Lips Song," undated |
| |
|
Diane DiPrima, "Dream Poem Abt Reagan and Co., undated |
| |
|
Linda Gregg, "Oedipus Exceeding," undated |
| |
|
James R. Barnett, "Soft Attack," undated |
| |
|
T.E. Jay, "Plainsong," undated |
| |
|
Olga Broumas, from "Home Movies," undated |
| |
|
Sam Hamill, "Saprophyte" (2), undated |
| |
2728 |
W.M. Ransom, "Gaining Sight" (2), undated |
| |
|
Susan Beckley, "Our Smooth Gentleness," undated |
| |
|
Joan Fiset, "Mr. Van Bibber's Winter Fare," undated |
| |
|
Jane Swanson, "Simple to Complex" (2), undated |
| |
|
Chris Sullivan, "Six Ways to Leave the Desert," undated |
| |
|
James Bertolino, "The Toast" (2), 1978 |
| |
|
Donnell Hunter, "Sound Pressure" and "At Fort Worden," undated |
| |
|
Robert Hedin, "Sloughing" (2), undated |
| |
|
Alicia Hokanson, "Harvest of the Dream" (2), undated |
| |
|
Stephen R. Jones, "That Kalapuya Talked," undated |
| |
|
Olga Broumas, "Oregon Landscape With Blue" (2), undated |
| |
|
David Petersen, "Out Our Way," undated |
| |
|
Sam Hamill, "To Kenneth Rexroth" and "Poem for Tree," undated |
| |
|
Judith Irwin, "In My Garden" (2), undated |
| |
|
Samuel Green, "Warming Up at Cape Alava," undated |
| |
|
Primus St. John, "Love and the evil that is victorious," undated |
| |
2729 |
William Pitt Root, "Jeune filles au Bord de la Mer," undated |
| |
|
Kate Gallo, "Bookcases and Hardcovers" (2), undated |
| |
|
W.M. Ransom, "A Beginning" (2), undated |
| |
|
Donald Hall, "My Son, My Executioner," undated |
| |
|
Jane Swanson, "Carrying Anna," undated |
| |
|
Eron Hamill, "A Poem Without a Name," undated |
| |
|
Tom Rea, "Postcard to Beth from Port Townsend," undated |
| |
|
Tracy Dewsnup, "Cedar Mountain Sundown," undated |
| |
|
Tu Fu, "Overlooking the Desert," undated |
| |
|
William Stafford, "Love This Place," undated |
| |
|
Nancy McCleery, "Family on the Platte," undated |
| |
|
Sam Hamill, "Third Psalm," undated |
| |
|
Cynthia Roy McKee, "Reply to My Father," undated |
| |
|
Lisel Miller, "Naming the Animals," undated |
| |
|
Galway Kinnell, "After Making Love We Hear Footsteps" (2), undated |
| |
2730 |
Barbara Courtney, "Visit to a Child With Leukemia," undated |
| |
|
Larry Deal, "From the Heights of Silence," undated |
| |
|
Howard McCord, "Making the Beat Come Out Even," undated |
| |
|
Marvin Bell, "In," undated |
| |
|
Carolyn Kizer (translator), "Spring-Gazing Song," undated |
| |
|
Richard Shelton, "Promises," undated |
| |
|
Edward Cain, 2 Crow Poems, undated |
| |
|
Bill O'Daly, "Our Names Returning After Rain," undated |
| |
|
Kristal Jones, "He and I," undated |
| |
|
Jim Heynen, "Sestina on Middle Age," undated |
| |
|
T.E. Jay, "Lake Ozette," undated |
| |
|
Bill O'Daly, "The Legacy," undated |
| |
|
Linda Packard, "The Monk," undated |
| |
|
Tom Rea, "Love Poem no. 526: Circus" and "Love Poem no. 924: Powder River!" undated |
| |
|
Robert Frost, "Acquainted With the Night," 1976 |
| |
|
Hali K. Ransom, "Butterflys," undated |
| |
|
Howard Aaron, "Beginnings," undated |
| |
2731 |
James Welch, "Snow Country Weavers," undated |
| |
|
Laotse, "Tao," undated |
| |
|
Donnell Hunter, "The View," untitled, "The Lure," and "The Search," undated |
| |
|
Ron McLean, "For These Are My Dry Hills," undated |
| |
|
Marvin Lane, "Orpheus," undated |
| |
|
Barbara MacAulay, "My Cat," undated |
| |
|
James Bertolino, "The Adequacy," undated |
| |
|
J.M. Eklund, "Transformations," undated |
| |
|
W.M. Ransom, "Postcard to K," undated |
| |
|
Suzanne Underwood, "Scar Tissue," undated |
| |
|
William Pitt Root, "Something For You" (2), undated |
| |
|
Richard Hugo, "With Melissa on the Shore" (2), undated |
| |
|
Cheryl Van Dyke, "Kuhn Spit" (2), undated |
| |
|
Deb Beale, "For Isis" (2), undated |
| |
2732 |
Samuel Green, "Calling for a Song on the Mountain," undated |
| |
|
Edward Harkness, "You Took Me," 1975 |
| |
|
Michael S. Harper, "Healing Song for Robert E. Hayden," undated |
| |
|
Robert Hedin, "Herds," undated |
| |
|
Rick Hermann, "The Fisherman," undated |
| |
|
Liz Allison, "The Fisherman," undated |
| |
|
Juan Ramon Jimenez, "With the Roses," undated |
| |
|
Stanley Junitz, "Robin Redbreast," undated |
| |
|
Susan Landgraf, "The Making of a Rainbow," undated |
| |
|
Janet Langbecker, "A Circle of Marbles," undated |
| |
|
Philip Levine, "And the Trains Go On," undated |
| |
|
Margaret Honton, "Falling Into the Crystal Ball," undated |
| |
|
William Pitt Root, "Song of Presence," undated |
| |
|
Marilyn Folkestad, "Okay, Sylvia," undated |
| |
2733 |
Meridel LeSueur, "Bring Us Forth," undated |
| |
|
William Carlos Williams, "Coda" (2), undated |
| |
|
Barbara Pfeiffer, "Bats and Moons," undated |
| |
|
Gladys Cardiff, "Combing" (2 versions), undated |
| |
|
Johannes Bobrowski, "The Baltic Sea Towns," undated |
| |
|
James Welch, "The Man from Washington," undated |
| |
|
Kathleene West, "Roundel on a Sonnet by Marilyn Hacker," 1977 |
| |
|
Sam Hamill, "A Dream of Lorca in San Joaquin" (2), undated |
| |
|
Diane Wakoski, "The Empress No. 5" (2), undated |
| |
|
Kathleene West, "After Matchbox Funerals..." undated |
| |
|
G. Suits, "Point of View" (2), undated |
| |
|
Gwen Kaye, "Weeks of grey and rain," undated |
| |
2734 |
Tess Gallagher, "3 A.M. Kitchen," undated |
| |
|
Gwyneth O'Connell, "Gatherings," undated |
| |
|
Jennifer Hanson, untitled, undated |
| |
|
Sue Walker, "The Sleep Is Different," undated |
| |
|
Primus St. John, "Bedding Down," undated |
| |
|
J.T. Steward, "Maya" (2), undated |
| |
|
Barbara Szerlip, "Cafe," undated |
| |
|
Miriam Schorr, "Writers' Symposium: Cafeteria," undated |
| |
|
Maria Sclafani, "Suicide," undated |
| |
|
Beth Scouller, "Applaud Silently," undated |
| |
|
Richard Shelton, "Job the Father," undated |
| |
|
Janice E. Simpson, "The April Rainbow," undated |
| |
|
Robin Skelton, "The Hermit Shell" (2), undated |
| |
|
Marie-Elise, untitled (3), undated |
| |
|
Elaine Weiss, "Five Images," undated |
| |
|
James Mitsui, "Inland from Tsugaru Strait," undated |
| |
|
James Masao Mitsui, "Nisei," undated |
| |
|
Abby Niebauer, "Uncle's Dream of the Last Century," undated |
| |
2735 |
Miscellaneous or unidentified, undated |
| 199 |
2735.1 |
Tom Parson, "First Amendment," undated |
| |
|
David Petersen, "Entrance," undated |
| |
|
Sam Hamill, "Didactic Poem" (2), undated |
| |
|
Marie Bronoel, "Coffee," undated |
| |
|
Margaret Dolan, "Universal," undated |
| |
|
Sam Hamill, "After Twilight," undated |
| |
|
Olga Broumas, "Imogene Knode," undated |
| |
|
Henry Carlile, "Flying," undated |
| |
|
David Leedy, untitled, undated |
| |
|
Juliana Rogers, "Gypsy Caravan On The Highway," undated |
| |
|
J.T. Stewart, "Snow Queen," undated |
| |
|
Bill Ransom, "Note to Barbara," 1980 |
| |
|
David Lee, "Tuesday Morning, Driving to the Auction at Salina," undated |
| |
|
David Eriksen, "Cherry Soldier," undated |
| |
2735.2 |
Michael Tate, "Seven Meditations," undated |
| |
|
Beth Scouller, "Settled," undated |
| |
|
Senoi, untitled, undated |
| |
|
Marianne Wolfe, "Upstairs," undated |
| |
|
David R. Memmott, "Homestead in Union," undated |
| |
|
Rob Moore, untitled |
| |
|
George E. Murphy, Jr., "Gyre," undated |
| |
|
Laura Newkirk, "Eagle Flight," undated |
| |
|
Abigail Niebauer, "The Huntsmen," undated |
| |
|
Tara O'Bryan, "Winter Moon," undated |
| |
|
Ezra Pound, from "Canto XLVII," undated |
| |
|
Belle Randall, "Diana," undated |
| |
|
Steve Sanfield, "Religion," undated |
| |
|
Betty Hall, "Drifting Toward Byzantium," undated |
| |
|
Mark Halperin, "The Blue Angel," undated |
| |
|
Sam Hamill, "Prologomenon," undated |
| |
|
Sam Hamill, "Song for Waiting," undated |
| |
|
Sam Hamill, "While Galway Reads," undated |
| |
|
Edward Harkness, "Checking the Well at Night," undated |
| |
2735.3 |
Teresa Herlinger, "Discovery," undated |
| |
|
Marybeth Hillard, "Rubber Tires in the Sky," undated |
| |
|
Art Homer, "For My Daughter," undated |
| |
|
Thomas Johnson, "Survival," undated |
| |
|
Jane Kenyon, "Full Moon in Winter," undated |
| |
|
Carolyn Kizer, "I Go Too," undated |
| |
|
Bill Knott, "Rigor Vitus," undated |
| |
|
Maxine Kumin, "In the Pea Patch," undated |
| |
|
Susan Landgraf, "In the Hour After Rape," undated |
| |
|
Susan Landgraf, "Dear David," undated |
| |
|
John Lane, "Poem Beginning with a Line from Eron Hamill," undated |
| |
|
Jake Levine, "Fourth of July," undated |
| |
|
Nancy McCleery, "Correspondences," undated |
| |
|
Michael Hogan, "Spring," undated |
| |
|
Stephen Leggett, "Driving Home Through a Snowstorm" (Cold Mountain Press), undated |
| |
|
Joseph Bruchac, "Birdfoot's Grampa" (Cold Mountain Press), undated |
| |
|
Carlen Arnett, "Luna," undated |
| |
|
Warren R. Belanger, "At Agate Beach" (2), 1978 |
| |
|
Warren R. Belanger, "Freeway," undated |
| |
|
Warren R. Belanger, "Of Course Your 'I-Ness," undated |
| |
2735.4 |
Chris Blanton, "The Mosquito," undated |
| |
|
Nelson Bentley, "An Evening at La Push," undated |
| |
|
Mark Cutshall, "Communion," 1974 |
| |
|
"Everything You Own," undated |
| |
|
William N. Compton, "Sarah," undated |
| |
|
D. Eriksen, "Red Sweatshirt," 1980 |
| |
|
David Neal Eriksen, "Untitled Poem About Dumb Birds and Old Fools," undated |
| |
|
Carolyn Forche, "Because One Is Always Forgotten," undated |
| |
|
Soloman, untitled, undated |
| |
|
"Tenth Decade," undated |
| |
|
Li Ch'ing-chao, "To the Tune," undated |
| |
|
Ishmael Reed, "For Dancer," undated |
| |
|
Barry Lopez, "A Short Manifesto," 1984 |
| |
|
Charles Wright, "Ars Poetica," undated |
| |
|
Mark Strand, "Keeping Things Whole," undated |
| |
|
William Stafford, "Pilgrims," undated |
| |
|
Margaret Atwood, "The Light," undated |
| |
|
Nancy Steele, "The Cremation," undated |
| |
|
Alice Derry, "The Director," undated |
| |
2735.5 |
Carla Cavanaugh, "What Is Old?" undated |
| |
|
Graeme Gibson, from "Perpetual Motion," undated |
| |
|
Hali Kalae Ransom, "The Singing Tree," undated |
| |
|
Tom Rea, "Postcard to Barb from Port Townsend," undated |
| |
|
Marybeth Hillard, "Blue Chocolate Afternoon," undated |
| |
|
Bill Gamill, "That Was the Clearest Moment of His Life," undated |
| |
|
Steven Rea, "Your Other Life," undated |
| |
|
Gigi Suits, "Solo," undated |
| |
|
Sandra McPherson, "7-22-66," undated |
| |
|
Betty Richardson, "The Veil," 1979 |
| |
|
Roger Roberson, "Poems Pass Like Flashes in a River Rolling Over Round Stones," undated |
| |
|
Patricia Ware, "In Winter You Kill Some Meat," undated |
| |
|
C.F. Sutton, "Our Town: Waterfront Park in the Rain," undated |
| |
|
Gigi Suits, "Dark Thought," undated |
| |
|
Tara O'Bryan, "Noche," undated |
| |
|
Betty Richardson, "Listen to My Father Talk of Cattle," undated |
| |
|
Seals and Croft, "King of Nothing," undated |
| |
|
Jane Seidman Vosk, "For my Grandparents," undated |
| |
|
Ann Stanford, "The Center of the Garden," undated |
| |
|
Cherie Luckhurst, "Directional" (2), undated |
| |
|
Gary Snyder, "O Mama," undated |
| |
2735.6 |
Gail Mazur, "Next Door," lithograph (signed and numbered), 1980 |
| |
2736 |
Numbered Copperhead broadsides |
| |
2737 |
Belle Randall, "At Spandau" (2), signed, undated |
| |
|
Anita Skeen, "Mowing" (2), signed, undated |
| |
|
Terry Ehret, "Lost Body," signed, undated |
| |
|
Bill O'Daly, "A New Day," signed, 1977 |
| |
2738 |
Hayden Carruth, "Ecstasy," undated |
| |
|
Leonard Randolph, "Village Dying," 1975 |
| |
|
Leonard Randolph, "Village Dying," undated |
| |
|
Philip Levine, "On a Drawing by Flavio," undated |
| |
|
Pat Kieselhorst, "Davy, Baby," undated |
| |
|
Thomas McGrath, "Praises," undated |
| |
|
Garland Norin, "Search for Genesis," undated |
| |
|
R.A. Swanson, "Solemn Spirits," undated |
| |
|
John Haines, "Nocturnal," circa 1997 |
| |
|
Broadside production files |
| |
2739 |
Copperhead Two, cover sample, undated |
| |
2740 |
The Gift of Tongues, print samples, circa 1996 |
| |
2741 |
Belle Randall, "At Spandau," undated |
| |
2742 |
Gary Snyder, "For All," undated |
| |
2743 |
Lewis Hyde, "Glass Door," undated |
| |
2744 |
Tu Fu, "Heading South," undated |
| |
2745 |
James Laughlin, "In the Snow," undated |
| |
2746 |
Jaan Kaplinski, "New Butterflies," undated |
| |
2747 |
Linda Gregg, "Oedipus Exceeding," undated |
| |
2747.1 |
Supporting documentation: complete list of broadsides published by CCP, circa 1994 |
| |
|
Series 4: Book and production files, oversize material; 1973-2002 |
| |
|
Consists of oversize material separated from related items in Series 1 and 2. These have been subdivided into three subseries according to size. Each subseries is arranged alphabetically by title, corresponding to the arrangement of Series 1 and 2. |
| |
|
Subseries 4.1: Book and production files, Oversize 1 (boxed) |
| 200 |
2748 |
American Odalisque, Jane Miller, circa 1987 |
| |
2749-2750 |
At Home in the World, Sam Hamill; galley, publication announcement; circa 1981 |
| |
2751 |
At Last We Enter Paradise, Richard Jones, circa 1990-1991 |
| |
2752 |
At the Home-altar, Robert Hedin, circa 1978 |
| |
2753 |
August Zero, Jane Miller, circa 1992-1993 |
| |
2754 |
Bending Home: Selected and New Poetry, Susan Griffin, 1997-1998 |
| |
2755 |
The Berry Picker, Marianne Wolfe, undated |
| |
|
The Blessing: New and Collected Poems, Richard Jones, 1998-2000 |
| |
2756 |
Bird of Endless Time, James Laughlin; paste-ups, cover camera-ready copy; 1989 |
| |
2757 |
Blue Dun, undated |
| |
2758 |
Beside the Shadblow Tree: A Memoir of James Laughlin, Hayden Carruth; cover camera-ready copy, 1998 |
| |
2759-2761 |
The Book of Questions, Pablo Neruda, William O'Daly (translator); galley, edited galley, final galley; 1991-2000 |
| 201 |
2762-2764 |
Brief Songs of the Kisang, 1993 |
| |
2765-2766 |
Carrying Over, Carolyn Kizer, 1988-1989 |
| |
2767-2768 |
Celebrations, Michael Cuddihy, circa 1980 |
| |
2769 |
Collected Longer Poems, Hayden Carruth; cover camera-ready copy; 1993 |
| |
2770 |
Collected Poems of Kay Boyle, 1989-1991 |
| |
2771 |
Collected Songs of Cold Mountain, Red Pine (translator), 2001 |
| |
|
Copper Canyon Press Catalog |
| 202 |
2772 |
Fall 1988 |
| |
2773 |
Spring 1989 |
| |
2774 |
Fall 1989 |
| |
2775 |
Fall 1990 |
| |
2776 |
Fall 1991 |
| |
2777 |
Spring 1991 |
| |
2778 |
Fall and Winter 1992-1993 |
| |
2778.1 |
Fall and Winter 1995 |
| |
2779 |
Copper Canyon Press advertising and promotion (miscellaneous), circa 1988 |
| |
2780 |
The Country Between Us, Carolyn Forche, undated |
| 203 |
2781 |
The Country Between Us, Carolyn Forche, undated (continued) |
| |
2782-2783 |
Crow with No Mouth: Ikkyu, Stephen Berg (translator); cover design, cover camera-ready copy, paste-ups; 1988-2000 |
| |
2784 |
Damages, Elaine Terranova; cover camera-ready copy; 1995 |
| |
2785 |
Elements, James Galvin; cover camera-ready copy; 1988 |
| |
2786-2789 |
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers); paste-ups, miscellaneous; circa 1989 |
| 204 |
2790 |
To Frighten a Storm, Gladys Cardiff, circa 1975 |
| |
|
Finding True North, W.M. Ransom, 1973 |
| |
|
The Landlady in Bangkok, Karen Swenson, 1994-1995 |
| |
2791 |
The Hides of White Horses Shedding Rain, Robert Sund, 1980 |
| |
2792-2793 |
Locusts at the Edge of Summer, John Balaban; paste-ups, cover; 1996-1997 |
| |
2794 |
Lost Body, Terry Ehret; cover camera-ready copy; 1993 |
| |
2795 |
Journal of the Sun, James Masao Mitsui, 1973 |
| |
|
Open Papers, Odysseas Elytis, Olga Broumas (translator), 1994-1995 |
| |
|
The Piano beneath the Skin, George Hitchcock, 1978-1987 |
| |
2796 |
The Owl of Minerva, James Laughlin, 1987 |
| |
2797 |
Philoktetes, Sophokles, Gregory McNamee (translator), 1987 |
| |
2798 |
Pieces of Map, Pieces of Music, Robert Bringhurst, 1987 |
| 205 |
2799-2800 |
Proses: On Poems and Poets, Carolyn Kizer; manuscript, miscellaneous; 1992-1993 |
| |
2801 |
Prune, Billy Mack Gammill, circa 1979 |
| |
2802 |
The Sleeping Beauty, Hayden Carruth; cover sample; circa 1990 |
| |
2803 |
The Steel Cricket: Versions 1958-1996, Stephen Berg; paste-ups; circa 1996-1997 |
| |
2804 |
Still Another Day, Pablo Neruda, William O'Daly (translator), 1983-1984 |
| |
2805 |
Throwing Shadows, Ken Gerner, 1983 |
| 206 |
2806 |
Tracking, Nancy Steele; page proofs, print samples; 1975 |
| |
2807 |
Unremembered Country, Susan Griffin, 1987 |
| |
2808 |
Wanderer's Daysong, Denise Levertov, circa 1980-1987 |
| |
2809 |
What I Love, Odysseas Elytis, Olga Broumas (translator); undated |
| |
2810 |
The Wind of Our Going, Patricia Goedicke, 1985 |
| |
2811 |
Winter Garden, Pablo Neruda, William O'Daly (translator); undated |
| |
|
Stones of the Sky, Pablo Neruda, William O'Daly (translator), circa 1987-1991 |
| |
2812-2813 |
Miscellaneous or unidentified production materials, undated |
| |
|
Subseries 4.2: Book and production files, Oversize 2 (boxed) |
| 207 |
2814 |
Animae, Sam Hamill; cover mechanical; circa 1980-1985 |
| |
2815 |
"An Apology To A Friend For Shooting A Hole In His Ceiling," James McKean; miscellaneous; undated |
| |
2816 |
Armored Hearts: Selected and New Poems, David Bottoms; cover galley, dust jacket; 1995 |
| |
2819 |
August Zero, Jane Miller; cover production; 1993 |
| |
2820 |
Beauty of the Weapons, Robert Bringhurst; miscellaneous; 1982-1985 |
| |
2821 |
Before Ten Thousand Peaks, Paul Hansen (translator); art, cover mechanicals; 1980 |
| |
2822 |
Beside the Shadblow Tree, Hayden Carruth; cover galley, cover design; 1998-1999 |
| |
2823 |
Bird of Endless Time, James Laughlin; cover mechanical, overlay; 1988-1989 |
| |
2824-2825 |
Black Iris, Jean Joubert, Denise Levertov (translator); cover production; 1988 |
| |
2826 |
The Book of Elegiac Geography, Sam Hamill; cover production; 1978 |
| |
2827 |
The Book of Light, Lucille Clifton; dust jacket; 1992-1995 |
| |
2828 |
The Book of Questions, Pablo Neruda, William O'Daly (translator); dust jacket; undated |
| |
2829-2830 |
The Book of the Dead Man, Marvin Bell; cover mechanicals, dust jacket; 1994 |
| |
2831 |
Brief Songs of the Kisang; cover mechanicals; 1993 |
| |
2832 |
The Buffalo Sequence, Mark Pawlak; original art, cover production; 1977 |
| |
2833 |
Burnt Offerings, Timothy Liu; cover design, cover camera-ready copy; 1995-2001 |
| |
2834-2836 |
The Calling Across Forever, Sam Hamill; 1976; cover production; undated |
| |
2837-2838 |
Carrying Over, Carolyn Kizer; cover layout, color separations; 1988-1989 |
| 208 |
2839 |
Collected Longer Poems, Hayden Carruth; cover mockup, cover mechanicals, author photograph, production memo; 1993-1994 |
| |
2840 |
Collected Poems of Kay Boyle; cover mechanicals, author photograph; 1991 |
| |
2841-2842 |
Collected Shorter Poems: 1946-1991, Hayden Carruth; cover camera-ready copy, cover mechanicals, copy for paste-up, production correspondence; 1992 |
| |
2843 |
Collected Songs of Cold Mountain, Red Pine (translator); cover mechanicals, proofs, paste-ups, overlay; 2001 |
| |
2844 |
Communion, Primus St. John; cover camera-ready copy; 1998-1999 |
| |
2845-2846 |
Configurations, Clarence Major; art, cover camera-ready copy; 1998 |
| |
|
Copper Canyon Press Catalog production files |
| |
2847 |
Paste-up, text, galley; 1979 |
| |
2848 |
Miscellaneous, 1985-1986 |
| |
2849 |
Paste-up, Spring 1987 |
| |
2850 |
Miscellaneous, Fall 1987 |
| |
2851 |
Mechanicals and art, Spring 1988 |
| |
2852 |
Galleys, Spring 1989 |
| |
2853 |
Galley proofs, Fall 1990 |
| 209 |
2854 |
Mechanical (cover art), Fall 1991 |
| |
2855 |
Camera composite, undated |
| |
2856 |
Copperhead; promotion, print samples; undated |
| |
2857 |
Copperhead; metal plates; undated |
| |
2858 |
Country of Air, Richard Jones; layout, cover camera-ready copy; undated |
| |
2859-2860 |
Days of Awe, Maurya Simon; cover mechanicals, text camera-ready copy, overlay; 1989 |
| |
2861 |
Day's Work, David Lee; cover mechanicals and mock-up; 1990 |
| |
2862 |
Death Song, Thomas McGrath; cover mechanicals and camera-ready copy; 1990-1991 |
| |
2863 |
Doctor Jazz, Hayden Carruth; dust jacket mockup, cover copy and designs; 2000 |
| |
2864-2866 |
Driving and Drinking, David Lee; cover color key, cover paste-up, art, camera-ready copy; circa 1979-1982 |
| |
2867 |
"Duwamish Head," Richard Hugo; poetry samples; 1976 |
| |
2868 |
Elements, James Galvin; cover mock-up; 1988 |
| |
2869 |
The Enchanted Room, Maurya Simon; cover production; 1986 |
| |
2870 |
Eros, Eros, Eros, Odysseas Elytis, Olga Broumas (translator); dust jacket, miscellaneous; 1997-1998 |
| |
2871 |
Exiled in the Word, Jerome Rothenberg and Harris Lenowitz (compilers); cover production; undated |
| 210 |
2872 |
A Flower Whose Name I Do Not Know, David Romtvedt; cover overlay; 1991-1992 |
| |
2873 |
Fourteen Poems, O.V. de L. Milosz, Kenneth Rexroth (translator); art, cover mechanicals; 1983 |
| |
2874-2874.1 |
Graywolf Press; galley proofs, miscellaneous; circa 1985 |
| |
2875 |
A Gypsy's History of the World, Kim Stafford; cover production; 1976 |
| |
2876 |
Heart of Bamboo: Poetry and Music in the Zen Tradition, 1999 |
| |
2877 |
The Hides of White Horses Shedding Rain, Robert Sund; art, page proofs; 1980 |
| |
2878 |
How to Eat a Slug, Frank R. Maloney; cover paste-ups; 1973-1976 |
| |
2879-2880 |
I Don't Bow to Buddhas: Selected Poems of Yuan Mei, J.P. Seaton (translator); final proof color key, cover galleys; 1995 |
| |
2881-2882 |
Ice Futures, Thomas Johnson; cover paste-up, sample, transparencies; 1976-1978 |
| |
2883 |
In the Dreamlight: Twenty-two Alaskan Writers; cover art, production correspondence; 1983-1984 |
| |
2884 |
In the Surgical Theatre, Dana Levin; cover production; circa 1999 |
| |
2885-2886 |
Iris of Creation, Marvin Bell; cover production; 1990 |
| |
2887 |
Iron Country, Floyce Alexander (editor); paste-ups; 1978 |
| |
2888 |
The Island, Michael White; cover camera-ready copy, cover mock-up; 1992 |
| |
2889-2891 |
A Kind of END, Richard Shelton; cove production, poetry samples, signed colophon, miscellaneous; circa 1982 |
| |
2892 |
Land Bound, Kathleene West; cover production; 1978 |
| |
2893 |
The Leaf Path, Emily Warn; cover production; 1982 |
| |
2894 |
Leaving a Shadow, Heather Allen; cover production, correspondence; 1996 |
| |
2895 |
Lebanese Mountain Cookery, Mary Louise Laird; art; circa 1986 |
| 211 |
2896 |
A Legacy of Shadows, Poems 1978 to END1996; cover camera-ready copy; David Lee, 1998-1999 |
| |
2897-2899 |
Letter to an Imaginary Friend, Thomas McGrath; promotion, paste-ups, cover production; 1985-1997 |
| |
2900 |
"The Light," Margaret Atwood; galley proofs; undated |
| |
2901 |
The Little Mariner, Odysseas Elytis, Olga Broumas (translator); cover production; 1988 |
| |
2902-2904 |
Love and Time, Ou-yang Hsiu, J.P. Seaton (translator); cover production, paste-ups; 1989 |
| |
2905 |
Magpie on the Gallows, Madeline DeFrees; cover production; 1982 |
| |
2906 |
Memory at These Speeds, Jane Miller; cover mechanical, production correspondence; 1996 |
| |
2907-2908 |
Mermaids in the Basement, Carolyn Kizer; cover production, miscellaneous; 1984-1991 |
| |
2909 |
Mid-Winter Break-Up, Sam Hamill (editor); cover art paste-up; 1977 |
| |
2910 |
Moment to Moment: Poems of a Mountain Recluse, David Budbill; halftone cover transparency; 1999 |
| |
2911 |
The Nearness of You, Carolyn Kizer; cover production; 1986 |
| |
2912 |
New and Selected Poems, Stephen Berg; cover camera-ready copy; 1991 |
| 212 |
2913 |
News from Down to the Cafe, David Lee; cover camera-ready copy; 1998-1999 |
| |
2914 |
Night Herding Song, Gerald Hausman; cover paste-up; 1979 |
| |
2915 |
Nostalgia for Death, Xavier Villaurrutia, Eliot Weinberger (translator); Hieroglyphs of Desire, Octavio Paz, Esther Allen (translator); cover production; undated |
| |
2916 |
Not Far from the River, David Ray (translator); cover mechanical, art, camera-ready copy; 1990 |
| |
2917 |
Not Such a Bad Place to Be, William Kloefkorn; cover mechanical; 1980 |
| |
2918 |
The Novice Insomniac, Emily Warn; cover mechanicals; 1995-1996 |
| |
2919 |
Orpheus and Eurydice: A Lyric Sequence, Gregory Orr; cover camera-ready copy; 2000 |
| |
2920 |
A Perfect Time, Richard Jones; cover production; 1994 |
| |
2921-2922 |
Perpetua, Olga Broumas; cover camera-ready copy, paste-ups; 1989 |
| |
2923 |
The Piano beneath the Skin, George Hitchcock; quotation, cover mechanicals, screen mechanical; 1978-1987 |
| |
2924 |
A Place Made Fast, Mark Halperin; cover production; 1982 |
| |
2925 |
Passages toward the Dark, Thomas McGrath; cover production; 1982 |
| |
2926 |
Poetry the Unsayable Said, Donald Hall; cover design mechanicals; circa 1993 |
| |
2927 |
A Poet's Work, Sam Hamill; cover mechanical; 1997 |
| |
2928-2930 |
The Porcine Canticles, David Lee; cover production, miscellaneous; 1984 |
| 213 |
2931-2933 |
Priest ENDand A Dead Priestess Speaks, H.D. (Hilda Doolittle); poetry samples, chapbook layout, art, mechanicals, concept drawing, publication announcement, miscellaneous; undated |
| |
2934-2935 |
Proses: On Poems and Poets, Carolyn Kizer; cover production; 1992-1993 |
| |
2936 |
The Red Dreams, Ken Gerner; cover mechanicals, paste-ups, art; 1978 |
| |
2937 |
The Redshifting Web: Poems 1970-1996, Arthur Sze; cover production; 1997-1998 |
| |
2938 |
Resurrection Update: Poems 1975-97, James Galvin; cover proofs; 1996-1997 |
| |
2939 |
Rave: Poems 1977-1998, Olga Broumas; cover production; 1998-1999 |
| |
2940 |
Rivers of Salt, Shirley Kaufman; cover mechanical; 1993 |
| |
2941 |
Sacramental Acts, Kenneth Rexroth; cover mechanical; 1997 |
| |
2942 |
Scrambled Eggs and Whiskey, Hayden Carruth; bluelines (dust jacket proof); 1995-1997 |
| |
|
The Sea and the Bells, Pablo Neruda, William O'Daly (translator), 1988 |
| |
2943-2944 |
Edited galley draft |
| |
2945 |
Final galley |
| |
2946 |
Cover mechanicals |
| 214 |
2947-2949 |
The Second Four Books of Poems, W.S. Merwin; cover production; 1992-1993 |
| |
2950-2952 |
Selected Poems 1938-1988, Thomas McGrath; cover production; 1987-1988 |
| |
2953-2954 |
Selected Poems of Sandor Csoori, Len Roberts (translator); cover production; undated |
| |
2955 |
Selected Poems of T'ao Ch'ien, David Hinton (translator); cover mechanical; undated |
| |
2956-2957 |
The Separate Rose, Pablo Neruda, William O'Daly (translator); cover production; undated |
| |
2958 |
Shelter, Laura Jensen; proof with printing instructions; 1985 |
| |
2959 |
The Silver Swan, Kenneth Rexroth; book pages, text, art copy; 1976 |
| |
2960 |
The Sinking of Clay City, Robert Wrigley; cover production; 1978-1979 |
| |
2961-2962 |
The Sleeping Beauty, Hayden Carruth; paste-ups, cover production; 1990 |
| |
2963 |
Some Days, Sam Hamill and Tree Swenson; paste-ups; circa 1988 |
| |
2964-2965 |
Soul Make a Path Through Shouting, Cyrus Cassells; cover and dust jacket production; 1993-1994 |
| |
2966 |
Special Deliveries, James Broughton; promotion; undated |
| |
2967 |
Still Another Day, Pablo Neruda, William O'Daly (translator); cover production, miscellaneous; 1983-1984 |
| |
|
Stones of the Sky, Pablo Neruda, William O'Daly (translator), 1987-1991 |
| 215 |
2968-2969 |
Edited galley draft |
| |
2970 |
Final galley |
| |
2971 |
Cover (final galley) |
| |
2972 |
Dust jacket |
| |
2973 |
A Suitable Church, Jim Heynen; cover production; circa 1981 |
| |
2974-2975 |
Terra Firma, Thomas Centolella; uncorrected proof, cover camera-ready copy; 1990 |
| |
2976 |
Throwing Shadows, Ken Gerner; cover camera-ready copy; 1983 |
| |
2977 |
To Frighten a Storm, Gladys Cardiff; cover samples; circa 1975 |
| |
2978-2979 |
To Leave the Standing Grain, Michael Corr; pages with color woodcuts; 1977 |
| |
2980 |
Tracking, Nancy Steele; cover camera-ready copy; 1977 |
| |
|
Triada, Sam Hamill, 1978 |
| |
2981 |
Galley proofs |
| |
2982 |
Cover mock-up with art |
| |
2983-2984 |
Camera-ready copy pages |
| |
2985 |
Book pages |
| |
2986-2987 |
Trinc, Thomas McGrath; loose pages, cover sample, poetry samples, colophon, signed title page; undated |
| |
2988 |
Unremembered Country, Susan Griffin; cover camera-ready copy; 1987 |
| |
2989 |
Unexpected Manna, Gary Holthaus; cover production; 1978 |
| 216 |
2990-2992 |
Vagrant Grace, David Bottoms; cover production; 1999 |
| |
2993 |
Wanderer's Daysong, Denise Levertov; galleys, cover proof, paste-ups; circa 1980-1987 |
| |
2994-2995 |
The Wandering Border, Jaan Kaplinski; cover production; 1987 |
| |
2996-2997 |
Water Witching, Kathleene West; cover production; 1984 |
| |
2998-3001 |
What I Love, Odysseas Elytis, Olga Broumas (translator); cover production; circa 1985-1986 |
| |
3002-3003 |
The Wind of Our Going, Patricia Goedicke; cover production; 1985 |
| |
|
Winter Garden, Pablo Neruda, William O'Daly (translator); 1986-2002, undated |
| |
3004 |
Galley draft, 2001 |
| |
3005 |
Galley draft, 2002 |
| |
3006 |
Final galley, 2002 |
| |
3007 |
Cover final galley, 2001 |
| |
3008-3009 |
Cover production, undated |
| |
3010-3011 |
Words for My Daughter, John Balaban; cover production; circa 1991 |
| |
|
The Yellow Heart, Pablo Neruda, William O'Daly (translator); 1990-2002, undated |
| |
3011.1 |
Uncorrected proof, 1990 |
| |
3012 |
Edited galley draft, 2002 |
| |
3013 |
Galley draft, 2002 |
| |
3014 |
Revised galley, 2002 |
| |
3015 |
Final galley, 2002 |
| |
3016 |
Final cover galley, 2001 |
| |
3017-3018 |
Cover production; 1990, undated |
| |
3019 |
Yesterday's Faces, Sam Hamill (editor); art, cover production; 1979 |
| |
|
Miscellaneous or unidentified materials |
| 217 |
3020-3021 |
Miscellaneous Copper Canyon Press promotions, advertising, announcements; 1979-1985, undated |
| |
3022 |
"An Evening of Poetry with Carolyn Kizer and Lucille Clifton," paste-up and pamphlet, 1993 |
| |
3023 |
Copper Canyon Press logo, unidentified project, undated |
| |
3024 |
Unidentified or multiple projects, production materials, undated |
| |
3025 |
Cover production, multiple projects, undated |
| |
3026 |
Mechanical drawings and paste-ups, multiple projects, undated |
| |
3027 |
Cover proofs, multiple projects, undated |
| |
3028 |
Logos, paste-ups, miscellaneous; multiple projects; undated |
| |
3029 |
Advertising and promotion, multiple projects; undated |
| 218 |
3030-3034 |
Production materials, multiple or unidentified projects; undated |
| 219 |
3035 |
"Portfolio 1984" production materials; other unidentified materials; circa 1984, undated |
| |
3036 |
Art, unidentified projects, undated |
| |
3037-3044 |
Production materials, unidentified projects, undated |
| |
3045 |
Course materials, Pacific Lutheran University, Tree Swenson, 1982 |
| |
3046 |
Workshop and lecture materials, Tree Swenson, undated |
| |
3047 |
News clippings, Copper Canyon Press, 1992 |
| |
3048 |
Sam Hamill, Governor's Writers' Day Award certificate, 1990 |
| |
|
Subseries 4.3: Book and production files, Oversize 3 (location: map case) |
| |
3049 |
Armored Hearts: Selected and New Poems, David Bottoms; production materials; 1995 |
| |
3050 |
The Book of Light, Lucille Clifton; promotional poster; undated |
| |
3051 |
Carrying Over, Carolyn Kizer; promotional poster; undated |
| |
3052 |
Collected Longer Poems, Hayden Carruth; dust jacket production; undated |
| |
3053-3055 |
Collected Longer Poems, Hayden Carruth; dust jacket and cover production; undated |
| |
3056 |
Collected Songs of Cold Mountain, Red Pine (translator); production materials; undated |
| |
3057 |
The Country Between Us, Carolyn Forche; galley proofs; undated |
| |
3058 |
Damages, Elaine Terranova; promotional poster; 1995 |
| |
3060 |
Iris of Creation, Marvin Bell; dust jacket production; 1990 |
| |
3061 |
The Landlady in Bangkok, Karen Swenson; cover production; undated |
| |
3062 |
Letter to an Imaginary Friend, Thomas McGrath; cover production; undated |
| |
3063-3064 |
Like Underground Water, Naoshi Koriyama, Edward Lueders (translators); cover production; undated |
| |
3065-3066 |
Night Works: Poems 1962 to 2000 END(formerly Skulls-Skulls), Marvin Bell; dust jacket production; undated |
| |
3067 |
The Nootka Rose, Sam Hamill; camera-ready copy; circa 1986 |
| |
3068 |
The Owl of Minerva, James Laughlin; cover production; 1987 |
| |
3069 |
Pawtracks, Tim McNulty; production; circa 1978 |
| |
3070-3071 |
Poetry the Unsayable Said, Donald Hall; poster production and poster; undated |
| |
3072 |
Prune, Billy Mack Gammill; proofs; circa 1979 |
| |
3073 |
The Red Dreams, Ken Gerner; cover production; undated |
| |
3074-3075 |
Scrambled Eggs and Whiskey, Hayden Carruth; promotional poster and dust jacket production; undated |
| |
3076-3077 |
Thomas McGrath: Selected Poems 1938 - 1988; dust jacket and cover production; circa 1988 |
| |
3078 |
The Separate Rose, Pablo Neruda, William O'Daly (translator); dust jacket production; undated |
| |
3079 |
Sometimes Like a Legend, William Stafford; galley; circa 1981 |
| |
3080 |
A Suitable Church, Jim Heynen; production; undated |
| |
3081 |
Three Version of Ikkyu, Stephen Berg; promotional poster; undated |
| |
3082 |
Unremembered Country, Susan Griffin; cover blues; undated |
| |
3083 |
Miscellaneous unidentified plates and negatives, undated |
| |
|
Series 5: Manuscript submissions and author queries; 1981-2002, undated |
| |
|
Consists of requests for publication and submissions (primarily unsolicited) for consideration by the press. |
| 220 |
3084-3085 |
Publishing request log, 1989-1998 |
| |
|
Author queries and submissions |
| |
3086-3097 |
1981-1984 |
| |
3098-3104 |
1985 |
| |
3105-3111 |
1986 |
| |
3112-3116 |
1987 |
| 221 |
3117-3122 |
1987 (continued) |
| |
3123-3134 |
1988 |
| |
3135-3146 |
1989 |
| 222 |
3147-3149 |
1989 (continued) |
| |
3150-3161.1 |
1990 |
| |
3161.2-3161.4 |
1990s |
| |
3162-3167 |
1991 |
| |
3168-3171.1 |
1992 |
| |
3171.2 |
1992-1993 |
| 223 |
3171.3-3171.8 |
1992-1993 (continued) |
| |
3172-3177 |
1993 |
| |
3178-3181 |
1994 |
| |
3182-3188 |
1995 |
| 224 |
3189-3195 |
1996 |
| |
3196-3204 |
1997 |
| |
3205-3206 |
1998 |
| 225 |
3207-3216 |
1998 (continued) |
| |
3217-3225 |
1999 |
| |
3226-3227 |
2000 |
| 226 |
3228-3235 |
2000 (continued) |
| |
3236-3241 |
2001 |
| |
3242 |
2002 |
| |
3243-3251 |
Mixed or multiple dates, 1990-1999 |
| 227 |
3252 |
Mixed or multiple dates, 1990-1999 (continued) |
| |
3253-3297 |
Undated |
| 228 |
3298-3307 |
Undated (continued) |
| |
|
Series 6: Grant, award and fundraising correspondence and supporting documentation, circa 1979-2001 |
| |
|
Consists of documents related to obtaining external funds for operation, and documents related to various award programs, both awards for CCP authors and award programs administered by CCP. |
| |
|
Hayden Carruth Award for New and Emerging Poets, 1998-2000 |
| |
3308 |
Entry form requests, 1998 |
| |
3309-3318 |
Entry forms, 1998 |
| |
3319 |
Withdrawals, 1998-1999 |
| |
3320 |
Finalists, 1999 |
| |
3321 |
Query letters, 1999-2000 |
| |
3322-3329 |
Entry forms, 1999 |
| |
3330 |
Withdrawals, 1999-2000 |
| |
3331 |
Finalists, 1999-2000 |
| 229 |
3332-3335 |
Finalists, 1999-2000 (continued) |
| |
3336-3339 |
Manuscripts, undated |
| |
|
Award correspondence (by author) |
| |
3340 |
Heather Allen, 1996-1997 |
| |
3341 |
Joshua Beckman, 1998-1999 |
| |
3342 |
Erin Belieu, 1995-1999 |
| |
3343 |
John Berry, 1996 |
| |
3344 |
David Bottoms, 1995 |
| |
3345 |
Olga Broumas, 1999 |
| |
3346 |
Hayden Carruth, 1996 |
| |
3347 |
Thomas Centolella, 1995 |
| |
3348 |
James Galvin, 1995 |
| |
3349 |
James Harrison, 1999 |
| |
3350 |
Shirley Kaufman, 1996 |
| |
3351 |
Carolyn Kizer, 1996-1999 |
| |
3352 |
David Lee, 1995 |
| |
3353 |
Sung-Il Lee, 1988 |
| |
3354 |
Timothy Liu, 1995-1999 |
| |
3355 |
Jane Miller, 1996-1998 |
| |
3356 |
Carl Sandburg Literary Awards, 1995 |
| |
3357 |
Joseph Stroud, 1999 |
| |
3358 |
Anna Swir, 1995-1997 |
| |
3359 |
Arthur Sze, 1995-1999 |
| |
3360 |
Elaine Terranova, 1995-1997 |
| |
3361 |
Emily Warn, 1996 |
| |
3362 |
Gail Wronsky, circa 1998 |
| |
3363 |
Grant applications, through 1983 |
| |
|
National Endowment for the Arts (NEA) |
| |
3364 |
1986-1987 |
| |
3365-3366 |
1987-1988 |
| |
3367-3368 |
1988-1989 |
| |
3369-3370 |
1989-1990 |
| |
3371-3373 |
1990-1991 |
| |
3374-3377.1 |
1991-1992 |
| |
3378-3380 |
1992-1993 |
| |
3381-3384 |
1993-1994 |
| |
3385-3387 |
1994-1995 |
| |
3388 |
1996 |
| |
3389-3391 |
1996-1997 |
| |
3392 |
1997 |
| |
3393-3394 |
1997-1998 |
| |
3395-3399 |
1998 |
| 230 |
3400-3401 |
2000 |
| |
|
NEA Advancement |
| |
3402-3403 |
1992 |
| |
3404-3407 |
1993 |
| |
3408-3409 |
1994 |
| |
3410 |
1996 |
| |
3411 |
Undated |
| |
3412-3414 |
NEA Small Press grants, 1993-1996 |
| |
3415 |
NEA Small Press grants, 1991-1994 |
| |
|
Wallace, 1991 |
| |
|
Lannan, 1992 |
| |
3416 |
NEA, CCP fundraisers, 1993-1998 |
| |
3417 |
NEA, festival creation and presentation, 1998 |
| |
3418 |
NEA, WSAA, other arts alliances, 1994-1995 |
| |
3419 |
New York, CCP 25th anniversary readings, 1996 |
| |
3420 |
Bill O'Daly correspondence, 1995 |
| |
3421-3422 |
Poet Laureate award, 1991-1992 |
| |
3423 |
CCP Read and Feed Barbecue and Poetry, 1996 |
| |
3424 |
Seattle Art Museum reading, 1995 |
| |
3425 |
Small Press Loan Fund, 1992-1996 |
| |
3426-3428 |
Stevens Group, 1992-1997 |
| |
3429 |
Arthur Sze, 1995 |
| |
|
Lila Wallace |
| |
3430 |
1991 |
| |
3431 |
Application, 1992 |
| |
3432 |
Expenses, 1993-1994 |
| |
3433 |
Financial information, 1993-1994 |
| |
3434-3435 |
Final report, 1994 |
| |
3436 |
Reports and summary, 1994, 1996-1998 |
| |
3437 |
Marketing development program, 1995-1997 |
| |
3438 |
Marketing plan, 1992-1994 |
| |
3439 |
Phase II; 1990, 1992-1994 |
| |
3440 |
Evaluation report, 1994 |
| |
3441 |
Evaluation report, 1997-1998 |
| |
3442 |
1992-1993 |
| |
3443 |
Survey, undated |
| |
3444 |
Press releases, 1993 |
| |
3445 |
Marketing trip, 1993 |
| |
3446 |
Poster, 1993 |
| |
3447-3449 |
1993 |
| |
3450 |
Author correspondence, 1994 |
| |
3451 |
20th anniversary celebration, 1993 |
| 231 |
3452 |
Yearly report, 1993 |
| |
3453-3454 |
Evaluation report, 1994-1995 |
| |
3455 |
Final report, 1996 |
| |
3456 |
Essay, 1994 |
| |
3457 |
Projects, 1996 |
| |
3458 |
Poetry pamphlet correspondence, 1994 |
| |
3459 |
Advertising, 1992-1995 |
| |
3460 |
Trip, San Francisco, Denver; 1994 |
| |
3461 |
Marketing trip, Philadelphia, Washington, D.C.; 1994 |
| |
3462 |
Press clippings, reviews; undated |
| |
3463 |
Bookstores, undated |
| |
3464 |
Non-traditional events, 1995-1996 |
| |
3465 |
Mary Bisbee correspondence, 1996 |
| |
3466 |
Quarterly reports, 1993 |
| |
3467 |
Budget notes, undated |
| |
3468 |
Marketing plan and working notes, 1992-1995 |
| |
3469 |
Poetry reading group flyers, 1994 |
| |
3470 |
Proposal draft, 1998 |
| |
3471 |
Sales, circa 1993 |
| |
3472 |
Council of Literary Magazines and Presses, Wallace Award announcement, 1992 |
| |
3473 |
Award submissions, through 1990 |
| |
3474 |
Award submissions, 1991-1992 |
| |
3475 |
Award submissions, 1993-1994 |
| |
3476 |
Awards news, 1997 |
| |
3477 |
Academy of American Poets, 1985-1998 |
| |
3478 |
American Institute of Graphic Arts, Fifty Books competition; 1993, 1999 |
| |
3479 |
American Literary Translators Association, 1985-1999 |
| |
3480 |
Anisfield Wolf Book Awards, 1996-1999 |
| |
3481 |
Association for Asian American Studies, 1995 |
| |
3482 |
Poetry contests (Hayden Carruth, Kathryn A. Morton), 1998 |
| |
3483 |
CCP awards, 1986-1999 |
| |
3484 |
CCP awards, 1988 |
| |
3485 |
Bay Area Book Reviewers Association, 1995-1999 |
| |
3486 |
Rebekah Johnson Bobbitt National Prize for Poetry, 1994-1996 |
| |
3487 |
Boston Globe/Winship, 1988-1998 |
| |
3488 |
Centrum Foundation, circa 1976 |
| |
3489 |
Commonwealth Club of California Book Awards, 1987-1998 |
| |
3490 |
"ForeWord," 1998 |
| |
3491 |
Fund for Culture/Mexico, 1992-1994 |
| |
3492 |
Great Lakes Colleges Association New Writers Award, 1986-1999 |
| |
3493 |
Hardison Prize, 2000 |
| |
3494 |
Independent Publisher Book Awards, 1999 |
| |
3495 |
Kingsley Tufts Poetry Awards, 1994-2000 |
| |
3496 |
Kiriyama Pacific Rim Book Prize, 1996-1999 |
| |
3497 |
Lambda Literary Awards, 1993-1998 |
| |
3498-3501 |
Lannan, 1991-1994 |
| 232 |
3502-3506 |
Lannan, 1991-1999 |
| |
3507 |
Los Angeles Times Book Prizes, 1994-1999 |
| |
3508 |
Marshall/Nation Prize, 1989 |
| |
3509-3512 |
Andrew Mellon Foundation, 1990-1996 |
| |
3513 |
Murray Morgan Prize, 1996 |
| |
3514 |
National Book Awards, 1992-1999 |
| |
3515 |
National Poetry Series, 1994 |
| |
3516 |
Oregon Book Awards; 1987, 1999 |
| |
3517 |
Paterson Poetry Prize, circa 1990s |
| |
3518 |
PEN award, 1991-1999 |
| |
3519 |
Phi Kappa Phi National Artist Award, 2001 |
| |
3520 |
Poets Prize, Nicholas Roerich Museum, 1992-1999 |
| |
3521 |
Poetry Center, San Francisco State University, 1999 |
| |
3522 |
Poetry Society of America, 1988-1998 |
| |
3523 |
Present Tense, 1989 |
| |
3524 |
Pulitzer Prize, 1985-1999 |
| |
3525 |
Pushcart Prize, undated |
| |
3526 |
Rocky Mountain Book Publishers Association, 1998 |
| |
3527 |
Miscellaneous awards, 1986-2000 |
| |
3528 |
Washington State Arts Alliance, 1998 |
| |
3529 |
Washington State Arts Commission, Governor's Arts and Heritage Awards, undated |
| |
|
Washington State Arts Commission |
| |
3530 |
1983-1984 |
| |
3531 |
1989-1990 |
| |
3532 |
1990 |
| |
3533 |
Final report, 1992 |
| |
3534 |
1992 |
| |
3535 |
Final report, 1993 |
| |
3536 |
1993 |
| |
3537 |
1994 |
| |
3538 |
Grant application, 1994-1995 |
| |
3539 |
Final report, 1994-1995 |
| |
3540 |
Grant application, 1995-1996 |
| |
3541 |
Professional development grant, 1995-1996 |
| |
3542 |
Institutional support program, 1995-1997 |
| |
3543 |
Institutional support grant, 1996 |
| |
3544 |
Institutional support program, 1996-1999 |
| |
3545 |
Final report, 1996 |
| |
3546 |
WESTAF; 1993, 1995 |
| |
3547 |
WESTAF, winners, 1998-2000 |
| |
3548 |
WESTAF, undated |
| |
3549 |
Weathertop Prize, 1999 |
| |
|
Poetry symposium submissions |
| 233 |
3550 |
1979 |
| |
3551 |
1980 |
| |
3552 |
1981 |
| |
|
Series 7: Correspondence, 1973-2001 |
| |
3553 |
Erin Belieu, 1995 |
| |
3554 |
David Bottoms, 1995 |
| |
3555 |
Robert Bringhurst, 1985-1989 |
| |
3556 |
Olga Broumas, 1992 |
| |
3557 |
Hayden Carruth, 1995 |
| |
3558 |
Cyrus Cassells, 1995 |
| |
3559 |
Michael Cuddihy, 1978-1980 |
| |
3560 |
Madeline DeFrees, 1979-1986 |
| |
3561 |
Galen Garwood, 1988 |
| |
3562 |
Ken Gerner, 1979-1986 |
| |
3563 |
Patricia Goedicke, 1984-1988 |
| |
3564 |
Mark Halperin, 1981-1988 |
| |
3565 |
Ken Hanson, 1976-1980 |
| |
3566 |
Robert Hedin, 1978-1993 |
| |
3567 |
Richard Jones, undated |
| |
3568 |
Jean Joubert, 1988 |
| |
3569 |
Shirley Kaufman, 1993-1995 |
| |
3570 |
Stephen Kessler and Vincent Alexandre, 1984-1985 |
| |
3571 |
Carolyn Kizer, 1996-1997 |
| |
3572 |
John Lane, 1979-1985 |
| |
3573 |
J. Laughlin, 1987 |
| |
3574 |
David Lee, 1981-1985 |
| |
3575 |
David Lee, circa 1987 |
| |
3576 |
David Lee, 1995 |
| |
3577 |
Denise Levertov, 1979 |
| |
3578 |
Thomas McGrath, 1981-1989 |
| |
3579 |
Jane Miller, 1987-1991 |
| |
3580 |
Frank Mitsui, 1973 |
| |
3581 |
Pablo Neruda, 1982-1993 |
| |
3582 |
James Nolan, Pablo Neruda; 1987-1989 |
| |
3583 |
William O'Daly, 1985-1986 |
| |
3584 |
Bill Porter (Red Pine), 1983 |
| |
3585 |
Bill Ransom, Walking the Whitman Mission (chapbook), undated |
| |
3586 |
Richard Shelton, 1985-1986 |
| |
3587 |
Maurya Simon, 1986-1989 |
| |
3588 |
Bill Stafford, 1981-1984 |
| |
3589 |
Kim Stafford, 1976-1986 |
| |
3590 |
Nancy Steele, 1975-1979 |
| |
|
Review and desk copy requests |
| |
3591 |
1980-1983 |
| |
3592 |
1986-1989 |
| |
3593 |
1988-1991 |
| |
3594 |
1990-1992 |
| |
3595 |
2000 |
| |
3596-3601 |
Copyright and permissions, 1991-1996 |
| |
3602-3610 |
John Berry correspondence, 1988-1997 |
| 234 |
3611-3644 |
General and miscellaneous correspondence, 1973-1994 |
| 235 |
3646-3668 |
General and miscellaneous correspondence, 1985-1993 |
| 236 |
3669-3703 |
General and miscellaneous correspondence, 1988-1993 |
| 237 |
3704-3765 |
General and miscellaneous correspondence, 1992-2001 |
| 238 |
3766-3777.1 |
General and miscellaneous correspondence; 2000-2001; undated |
| |
|
Tree Swenson files, 1973-1993 |
| |
3778 |
Miscellaneous correspondence; 1978, undated |
| |
3779 |
Correspondence, Swenson biographical information, miscellaneous; 1982-1990, undated |
| |
3780 |
Correspondence, address book; 1992-1993 |
| |
3781 |
Correspondence, 1993 |
| |
3782 |
Article, 1979 |
| |
3783 |
Carol Jane Bangs, 1980-1982 |
| |
3784 |
Bringhurst; 1985-1988, undated |
| |
3785 |
Olga Broumas, Perpetua, 1985 |
| |
3791-3793 |
Alcuin (miscellaneous correspondence), 1977-1990 |
| |
3794 |
1984 Writers Conference |
| |
3795 |
Summer conferences; 1981-1983, undated |
| |
3796 |
Dragon Gate, 1985-1986 |
| |
3802 |
Graywolf Press (Jane Kenyon, "Constance"), 1993 |
| |
3803 |
Japan, 1988 |
| |
3804 |
Denise Levertov, 1979 |
| |
3805 |
Miller reviews, 1986 |
| |
3806 |
Bill Ransom poetry; 1982-1983, undated |
| |
3807 |
Review copies and exchange; 1984, undated |
| |
3808 |
Seluzicki, 1981-1985 |
| |
3809 |
Spring Valley Press, undated |
| |
3810 |
T (Turkey, Toothpaste, others), 1979-1989 |
| |
3811 |
Ten Crow, 1980-1981 |
| |
3812 |
Jane Yolen correspondence, 1981-1983 |
| |
3813 |
Emily Warn, 1977-1986 |
| |
3814 |
K. West, 1979-1985 |
| |
3815-3823 |
Miscellaneous, 1973-1992 |
| 239 |
3824-3830 |
Miscellaneous, 1973-1993 (continued) |
| |
3831-3846 |
Vendor files, circa 1970s-1990s |
| |
|
Series 8: Sales, marketing, and promotion, 1973-2001 |
| |
3847-3858 |
Consortium, 1986-2001 |
| 240 |
3859-3881 |
Consortium, 1986-2001 (continued) |
| 241 |
3882-3920 |
Consortium, 1986-2001 (continued) |
| 242 |
3921-3967 |
Consortium, 1986-2001 (continued) |
| 243 |
3968-3994 |
Consortium, 1986-2001 (continued) |
| 244 |
3995-4010 |
Consortium, 1986-2001 (continued) |
| 245 |
4011-4026 |
Consortium, 1986-2001 (continued) |
| 246 |
4027-4038 |
Consortium, 1986-2001 (continued) |
| |
4039 |
Sales reports, 1987 |
| |
4040 |
Sales reports, 1989 |
| |
4041-4046 |
Inventory, shipping and backorder reports, various distributors, 1988 |
| |
4047 |
Miscellaneous invoices, 1982-1984 |
| |
4048 |
Before Columbus Foundation, 1978-1982 |
| |
4049-4053 |
Bookpeople, 1976-1997 |
| |
4054 |
Books and Books, undated |
| |
4055-4056 |
Bookslinger, 1982-1993 |
| |
4057 |
Canadian distribution, 1992-1993 |
| |
4058 |
Distributor sales, 1997 |
| |
4059 |
Foreign distribution, 1989-1995 |
| |
4060 |
Granary, 1985-1989 |
| |
4061 |
Imprint, 1979-1986 |
| |
4062-4063 |
Inland Book Co., 1982-1996 |
| 247 |
4064-4065 |
Inland Book Co., 1982-1996 (continued |
| |
4066 |
Bob Lyon, 1981-1986 |
| |
4067 |
Monmouth Institute, 1986 |
| |
4068 |
Lee Perron, 1986-1988 |
| |
4069 |
Main Street Book Cafe, 1995 |
| |
4070-4075 |
Pacific Pipeline, 1985-1996 |
| |
4076 |
Publisher's monthly statement (Bookpeople), 1986-1987 |
| |
4077 |
Purchase orders and catalog requests, 1986-1992 |
| |
|
Purchase orders |
| |
4078-4079 |
1973-1976 |
| |
4080-4081 |
1976-1977 |
| |
4082 |
1977 |
| |
4083-4086 |
1978 |
| |
4087-4088 |
1979 |
| |
4089 |
1980 |
| |
4090 |
1980 |
| 248 |
4091-4092 |
1981 |
| |
4093 |
1981-1982 |
| |
4094 |
1981-1984 |
| |
4095 |
1982 |
| |
4096-4098 |
1983 |
| |
4099-4101 |
1984 |
| |
4102-4104 |
1984-1985 |
| |
4105-4106 |
1985 |
| |
4107 |
1985-1986 |
| |
4108-4109 |
1986 |
| 249 |
4110-4111 |
1986 (continued) |
| |
4112 |
1987 |
| |
4113-4114 |
1987-1988 |
| |
4115 |
Sales kit poems, 1991 |
| |
4116 |
Comps and exchanges, 1990-1993 |
| |
4117-4118 |
Returns, 1983-1992 |
| |
4119-4120 |
In-house sales, 1986-1992 |
| |
4121 |
In-house sales, 1988-1992 |
| |
4122-4123 |
In-house sales, 1990 |
| |
4124-4126 |
In-house sales, 1991-1993 |
| |
4127-4128 |
In-house sales, 1993-1994 |
| |
4129 |
In-house sales, 1994 |
| |
4130 |
In-house sales, circa 1995 |
| |
4131 |
In-house sales, 1994-1995 |
| |
4132 |
Books requested, 1991 |
| |
4133 |
Order forms, book requests; 1993-1994 |
| |
4134-4135 |
Requests for Hall, Poetry: the Unsayable Said. 1995 |
| |
4136 |
Subscription ledger for Copperhead, 1975-1978 |
| |
4137 |
Mailing lists; 1982, 1983, undated |
| 250 |
4138 |
CCP mailing list, October 1986 |
| |
4139 |
Mailing lists, 1992 |
| |
4140-4142 |
Mailing lists, undated |
| |
4143 |
Orders shipped, 1999 |
| |
4144 |
Special accounts, 1988-1996 |
| |
4145 |
Sales records (weekly), 1982-1986 |
| |
4146 |
Sales lists, 1986-1987 |
| |
4147 |
Invoices, correspondence; 1981-1982 |
| |
4148-4149 |
Sales correspondence, 1979-1983 |
| |
4150 |
Shaman Drum Bookshop, circa 1995 |
| |
4151-4154 |
Small Press Distribution, 1987-1996 |
| |
4155 |
Small Press Traffic Bookstore, 1977-1984 |
| |
4156 |
Standing orders, circa 1980-1990 |
| |
4157 |
Warn, 1982-1985 |
| |
4158 |
Publisher's monthly statement, 1986-1987 |
| |
|
Advertising |
| |
4159 |
Newspapers, 1995-1996 |
| |
4160 |
Ad clippings, 1996 |
| |
4161 |
Agreements, specifications; 1996 |
| |
4162 |
Non-current, circa 1980s |
| |
4163 |
Ad clippings, 1982-1986 |
| |
4164 |
Ad clippings and mechanicals, 1984-1985 |
| |
4165 |
Ad clippings, 1987 |
| |
4166 |
Ad clippings, 1988 |
| |
4167 |
Ad clippings, 1989-1990 |
| |
4168 |
Superstore information, 1992 |
| |
4169-4170 |
Contracts and miscellaneous, 1990s |
| 251 |
4171 |
Ad clippings, 1990 |
| |
4172 |
Ad clippings, 1991 |
| |
4173 |
Ad clippings, 1992 |
| |
4174 |
1992-1993 |
| |
4175 |
1993 |
| |
4176 |
Galleys, newsletters, news articles; circa 1996-1999 |
| |
4177 |
Ad draft, 1997 |
| |
4178 |
Ad clippings, 1997 |
| |
4179 |
Ad mechanicals and diskettes, 1998 |
| |
4180 |
Hamill quotes and CCP ad, "Rain Taxi," 1999 |
| |
4181-4182 |
Rate cards and miscellaneous, 1985-1998 |
| |
4183 |
Book promotion packets, undated |
| |
4184 |
Promotional cards, undated |
| |
4185 |
Promotional materials, undated |
| |
4186 |
Promotion: CCP by season tip sheets, advance book information, production schedule; 1988-1995 |
| |
4187 |
Promotion: academia, 1993-1996 |
| |
4188 |
Promotion: Bay Area, circa 1991 |
| |
4189 |
Promotion: BOA Editions and CCP joint presentation to Barnes and Noble, circa 1998 |
| |
4190 |
Advertising, 1993 |
| |
4191 |
CCP ads and literary mentions, 1994 |
| |
4192 |
Lila Wallace advertising, 1994 |
| |
4193 |
Ad clippings, 1995 |
| |
4194 |
Advertisement confirmation, 1995 |
| |
4195 |
Advertising, 1995 |
| |
4196 |
Inland, 1995 |
| |
4197 |
Promotion, 1980-1985 |
| |
4198 |
Promotion and miscellaneous, circa 1982-1990 |
| |
4199 |
Promotion, 1984-1993 |
| |
4200 |
Promotion, 1985-1995 |
| |
4201 |
Publicity, news clippings; 1986-1987 |
| |
4202 |
Seattle Times article, 1987 |
| |
4203-4206 |
Promotion packages, 1987-1993; press releases, 1992-1993 |
| |
4207 |
Promotion, 1988 |
| |
4208 |
Promotion and miscellaneous; 1988-1992, undated |
| |
4209 |
Local publicity 1993 |
| 252 |
4210 |
Promotion: poem mark-ups, 1993 |
| |
4211-4213 |
Printed announcements and miscellaneous, undated |
| |
4214 |
Centrum and McGrath; 1988, 1993 |
| |
4215 |
Promotional and news releases, 1989 |
| |
4216 |
Promotion, 1989 |
| |
4217 |
Press releases and promotion, 1990-1991 |
| |
4218 |
Promotion, 1991 |
| |
4219 |
Promotion, undated |
| |
4220 |
Promotion, 1993 |
| 253 |
4221 |
Promotion, 1993 |
| |
4222 |
Publicity statements, undated |
| |
4223 |
CCP new reads and notes, undated |
| |
4224 |
Bookstore addresses and promotion, undated |
| |
4225 |
Distributor news, 1987-1991 |
| |
4226 |
Marketing to libraries, 1987 |
| |
4227 |
MLA mailing list information, 1997 |
| |
4228 |
Waterstone's Booksellers, 1995 |
| |
4229 |
Marketing, 1990 |
| |
4230-4231 |
Council of Literary Magazines and Presses, Literary Publishers Marketing Development program, 1992 |
| |
|
Promotion and marketing: conferences, exhibits, fairs |
| |
4232-4239 |
ABA, 1991-1997 |
| |
4240 |
American Library Association, 1998 |
| |
4241 |
Associated Writing Programs conference, 2001 |
| |
4242-4244 |
Book Expo America, 1997-1999 |
| |
4245 |
Book fairs, 1990-1997 |
| |
4246-4254 |
Bumbershoot, 1990-1997 |
| |
4255-4259 |
Displays and exhibits, 1984-1993 |
| |
4260 |
Mountain Writers Series, 1994 |
| |
4261 |
Poets House, 1993 |
| |
4262 |
Poets House, 1994 |
| |
4263 |
Poets House, 2000 |
| |
4264-4278 |
Promotion and marketing: readings and events, 1980-1999 |
| 254 |
4279-4281 |
Promotion and marketing: readings and events, 1980-1999 (continued) |
| |
|
Author information and reviews |
| |
4282 |
Olga Broumas CD research, undated |
| |
4283 |
Gui, 1999 |
| |
4284 |
Susan Griffith, undated |
| |
4285 |
John Haines press release, 1997 |
| |
4286 |
Mark Halperin, undated |
| |
4287-4290 |
Sam Hamill, 1973-2000 |
| |
4291 |
Carolyn Kizer, 1997 |
| |
4292 |
David Lee, 1990 |
| |
4293 |
Pablo Neruda; 1991, 2000 |
| |
4294 |
Kenneth Rexroth, undated |
| |
4295 |
CCP author photographs, undated |
| |
4296 |
Author information (multiple authors), 2000 |
| |
4297 |
Author interviews (multiple authors), undated |
| |
4298 |
Book abstracts and quotes, undated |
| |
4299 |
Author questionnaire, undated |
| |
4300-4329 |
Reviews, 1978-2000 |
| |
|
Series 9: Corporate and administrative records, 1973-2001 |
| 255 |
4330-4356 |
Accounts receivable and receipts (primarily invoices), 1978-1998 |
| 256 |
4357-4370 |
Accounts receivable and receipts (primarily invoices), 1978-1998 (continued) |
| |
4371-4412 |
Accounts payable and disbursements, 1973-1999 |
| 257 |
4413-4467 |
Accounts payable and disbursements, 1973-1999 (continued) |
| 258 |
4468-4529 |
Accounts payable and disbursements, 1973-1999 (continued) |
| 259 |
4530-4572 |
Accounts payable and disbursements, 1973-1999 (continued) |
| 260 |
4573-4596 |
Accounts payable and disbursements, 1973-1999 (continued) |
| 261 |
4597-4614 |
Accounts payable and disbursements, 1973-1999 (continued) |
| 262 |
4615-4635 |
Accounts payable and disbursements, 1973-1999 (continued) |
| |
4636-4637 |
Royalty reports, 1992-1995 |
| |
4638-4649 |
Financial and accounting documents: worksheets, ledgers, journals, statements, check stubs, etc.; 1973-1999 |
| 263 |
4650-4696 |
Financial and accounting documents: worksheets, ledgers, journals, statements, check stubs, etc.; 1973-1999 (continued) |
| 264 |
4697-4703 |
Financial and accounting documents: worksheets, ledgers, journals, statements, check stubs, etc.; 1973-1999 (continued) |
| |
|
Corporate, board, and planning records |
| |
4704 |
Annual meeting agenda and planning documents, 1991 |
| |
4705-4706 |
Articles of incorporation; 1990, undated |
| |
4707 |
Bylaws, 1990 |
| |
4708 |
Board of directors insurance, 1992-1993 |
| |
4709 |
Board agenda and minutes, 1994 |
| |
4710 |
Board minutes, 1994-1999 |
| |
4711-4725 |
Board of directors minutes and miscellaneous, 1993-1998 |
| |
4726 |
List of directors and trustees of Washington State foundations (funding sources), 1995 |
| |
4727 |
Personnel policy, 1994 |
| |
4728 |
Organizational history, undated |
| |
4729 |
Marketing plan, 1993-1994 |
| |
4730 |
Job descriptions, undated |
| |
4731 |
Health insurance, undated |
| |
4732 |
Fundraising, undated |
| |
4733 |
Job descriptions, personnel policies; undated |
| |
4734 |
Internal business (miscellaneous), circa 1996 |
| |
4735 |
Sales meeting notes, undated |
| |
4736 |
Budget statements, 1993-1999 |
| |
4737 |
Budget review, 2000-2001 |
| |
4738 |
Budget information, 1996-1998 |
| |
4739 |
Budget, production and operation, 1999-2001 |
| |
4740 |
Office calendar, 2000 |
| |
4741-4742 |
CCP web site planning and miscellaneous, 1997-2000 |
| |
4743 |
Long-range plan, 1993-1996 |
| |
4744 |
Business plan draft, 2000 |
| |
4745 |
Editorial meeting minutes, 2000-2001 |
| |
4746-4747 |
Miscellaneous notes, undated |
| |
4748 |
Staff meeting minutes, miscellaneous; 1995, 1998 |
| |
4749 |
Marketing committee, 1997 |
| |
4750 |
Long-range plan, 1993-1996 |
| |
4751 |
Long-range planning process, 1996 |
| |
4752 |
Staff meeting and long-range goals notes, undated |
| |
4753 |
Production: Microsoft project proposal, undated |
| 265 |
4754-4761 |
Miscellaneous office records; 1994-1998, undated |
| |
4762 |
Manuscript checklists: production, marketing; 1994 |
| |
4763-4765 |
Production schedule; 1988, 1990 |
| |
4766-4772 |
Production and publication schedules, 1984-2000 |
| |
4773 |
Spring titles, 1992 |
| |
4774-4784 |
Inventory records, 1988-1999 |
| |
4785-4799 |
Miscellaneous or unidentified; 1994-2000, undated |
| |
4800-4803 |
ISBN, barcode, and bibliographic information forms; undated |
| 266 |
4804 |
Title data, 1983-1993 |
| |
4805 |
CCP style guide, 1999 |
| |
4806 |
Highlights, 1995 |
| |
|
Series 10: Miscellaneous materials and photographs; 1981-2000, undated |
| |
4807-4835 |
Miscellaneous (catalogs, non-CCP promotional materials, event, program, and conference announcements, newsletters, etc.); 1981-2000, undated |
| 267 |
4836-4853 |
Miscellaneous (catalogs; non-CCP promotional materials; event, program, and conference announcements; newsletters; clippings; poems, etc.); 1981-2000, undated (continued) |
| |
4854-4855 |
Photographs, undated |