Container	Cassette	Description	Counter	Orig. tape
		Subseries 2.1: Oceania Productions and USIS-Korea (Cassettes)
90	1	Side A: Men’s Stick Dance, Yap; Songs in Palauan, Koron, February 1952		1
		Side B: Balinese Gamelan Music, April 1959		2
	2	Side A: Indonesian Music (side 1)		3
		Side B: Indonesian Music cont. (side 2 of reel) Song List: 1. Ajo Mama (Ambon); 2. Memotong Padi (Java); 3. Sarinande (Ambon); 4. Iwang Sarge (Batok); 5. Gunung Salhutu (Ambon); 6. Kasih (Java); 7. Sudah Berlajar (Ambon); 8. Rajuan Pulau Kelapa (Java); 9. Tari Pajung (Sumatra); 10. O, Ina, Mkeke (Ambon); 11. Poton Padi (Java); 12. Debiecah Smar Bulan (Java); 13. Bela ‘Ku iNgat (Java); 14. Bununb Nona (Ambon)
	3	Side A: Music to sound version of Micronesia		4
		Side B: Aids to the Pronunciation of Micronesian Words
	4	Side A: Tahitian Songs: 1. Tamure; 2. Tiare Rere; 3. Vana Vana; 4. Tanga Tika; 5. Tau Here; 6. Vahine Anamite; 7. Minoi Minoi; 8. Manu; 9. Papio; 10. Mareva; 11. Café au lait; 12. Maruru		5
		Side B: Majuro and Truk Songs		6
	5	Side A: Yap Women Dances, February 23, 1955		7
		Side B: (blank)
	6	Side A: Korean Kayagum Variations, June 6 This is a recording of Leynse at a meeting with several Korean musicians in which he is inquiring into the possibility of using Korean music in his film.		8
		Side B: Korean Kayagum music used in Birds of a Feather		9
	7	Side A: Nauru Music: original Nauru music including singing, instrumentals, and chants		10
		Side B: (blank)
	8	Side A: Easter Service on airfield on the island of Majuro, April 1952: 1."Glad Breaks the Day" sung by Intermediate Students of the Marshall Islands; 2. Leynse re-reads the Easter Sermon; 3. "I know that my Redeemer" sung in Marshallese 4. Recording of child named "Dougy", Sound to Reel #2 on Atoll Called Majuro		11
		Side B: UN radio presents "The Grand Alliance" (side 2 of reel), October 1953; Abby and Humphrey Leynse’s trip to Hawaii, summer 1951
	9	Side A: Street sounds, Hong Kong, Dec. 1955		12
		Side B: Naura, singing and instruments, March 1953		13
	10	Side A: Sumatra, music Sunstrom’s Trio Hek di-simbir? from Lake Toba Marsirong Sian nd dao Na frogos Andung ni si Boruadi		14
		Side B: Sebolga, Sumatra, Batak Chuetra. Church Songs, February 8, 1958		15
	11	Side A: Sumatra, Menangkaban modern music, February 12, 1958 Gadih Minang (Minang girls) Oi kampuang Titian Nan La Puak (the old bridge) Dendang Djo tari (song and dance) Bruak Pinto (Bad Luck)		16
		Side B: Sumatra, classic and modern music, February 14, 1958 Originals from Padang Sidempuan Uning An Djando & Dendang Sajana From Kotanopan – Gondang Sarama (Tari-Tarian) From S. Golga – Tari piring (modern) From S. Golga – si Kamgang Botan (classical) Grom Toba – Marbulang Ombun (classical) From Toba Paonan Hasang (modern)		17
	12	Side A: Musical Background Sound for the production Thailand		18
		Side B: Indonesian wedding party, Djakarta, February 1, 1959		19
	13	Side A: Street Sounds, Djakarta, Indonesia (original)		20
		Side B: Sumatra, jungle sound, songs from Mandailing Jungle Sounds w/monkeys in trees – Central Sumatra Waterfall – Bakit Tinggi Flute, Drums and Songs from Mandailing Area (Minangkabau)		21
	14	Side A: Marshallese singing, August 1952 Bakudar (Bomb) song of World War II Hymn – Jodis Love Christmas Song – Joy to the World Christmas Tree Song War Chant (Yebwa)		22
		Side B: Sound to An Atoll Called Majuro (side two of reel)
	15	Side A: Balinese Gamelan Music, April 1959 Recorded at Bangli, Bali, Indonesia Legong Keraton Baris Kebiar Duduk (siting dance) Tambulilngan (Bee Dance)		23
		Side B: Korean Buddhist Monk Chants		24
	16	Side A: Sibolga, church songs, February 14, 1958 Cadang do hasusaon (poor recording)		25
		Side B: (blank)
	17	Side A: Sound to "Salome"		26
		Side B: Tahitian Music (side 2 of reel)
	18	Side A: Minangkagau music, February 12, 1958 Talempong – gongs and flute Flue (made of glass) Nalam (native song) Indang (story) 5. Rebab (violin)		27
		Side B: Sound for Micronesia Lecture Film		28
	19	Side A: National election returns and "Tidal Wave Report" (KGU Honolulu radio report), November 4, 1952		29
		Side B: (blank)
	19a	Side A: Hawaiian Music (side 2) (19, 19a on same original tape, #29)		29
		Side B: (blank)
	20	Side A: Soundtrack to Island Doctor		30
		Side B: Soundtrack to Shipmates (music, effects and dialogue)		31
	21	Side A: Soundtrack to The Mighty Han		32
		Side B: (blank)
	22	Side A: Soundtrack to Litany of Hope (reels # 1,2,3,4,5)		33
		Side B: Soundtrack to Litany of Hope (reels # 6,7) (side 2 of reel)
	23	Side A: Soundtrack to A Legacy		34
		Side B: (blank)
	24	Side A: Soundtrack to Ashes, Ashes All Fall Down		35
		Side B: Mask Dance, music and effects		36
	25	Side A: Composite pickup for Sumodo, June 23, 1969		37
		Side B: Indigenous sound effects for Sumodo		38
	26	Side A: Rhythm of Hong Kong, May 17, 1957		39
		Side B: (blank)
	27	Side A: Composite Protection for Out There, A Lone Island, R#1, Jan. 31, 1969		1
		Side B: Composite Protection for Out There, A Lone Island, R#2		2
	28	Side A: Composite Protection for Under One Roof, R#1, Dec. 19, 1968		3
		Side B: Composite Protection for Under One Roof , R#2, Dec. 19, 1968		4
	29	Side A: Composite Protection for Under One Roof , R#2, Dec 19, 1968		5
		Side B: Composite Protection for Under One Roof, R#3, Dec. 19, 1968		6
	30	Side A: Composite Protection for Under One Roof, R#5, Dec. 19, 1968		7
		Side B: Composite Protection for Under One Roof, R#6, Dec. 19, 1968		8
	31	Side A: Composite Protection for Under One Roof, R#7, Dec. 19, 1968		9
		Side B: Composite Protection for Under One Roof, R#8, Dec. 19, 1968		10
	32	Side A: Under One Roof music, reels no. 1 and 2		11
		Side B: Under One Roof music, reels no. 3 and 4		12
	33	Side A: Under One Roof music, reels no. 5 and 6		13
		Side B: Under One Roof music, reels no. 7 and 8		14
	34	Side A: Short clips from Under One Roof (side two of reel 14)		14
		Side B: (blank)
	35	Side A: Composite pickup for Out There a Lone Island, June 23, 1969		15
		Side B: Narration spoken by Lindsay Workman, for Out There, a Lone Island, Jan 9, 1969		16
91	36	Side A: Indigenous Sounds for film Under One Roof, reels # 5,6,7,8		17
		Side B: (blank)
		Sound, songs, and radio programs
	37	Side A: Train at Sangnam, June 1964 Cow Market at Sadong – including cow auctioneer, Oct. 1966		1
		Side B: Cow Market Restaurant; Mountain Cow Talk-echoes, Oct 1966		2
	38	Side A: Cow Talk at loading on Blue Dragon, Aug. 1964; Post Sync dialogue scene #20, Mar. 1967; Blue Dragon Ship music at Todong with pong-pong of neighboring fishing boat, March 1967 James Aaron Leynse, 7 ½ mo. old, baby talk		3,4
		Side B: Dialogue scene #14, effects		4
	39	Side A: Blue Dragon effects; Sangnam train, Mar. 1967
		Side B: Blue Dragon effects; funeral mourns and chants		5
	40	Side A: Dialogue scenes #36, 37, and 38		6
		Side B: Dialogue scenes #33, 29, 31, and 34		7
	41	Side A: Chants; cuckoo bird; Moon-ja singing Miyuk song		8
		Side B: (blank)		9
	42	Side A: Korean Music Effects, June 27, 1967		10
		Side B: Moon-ja’s song, birds twittering, thrashing barley, Autumn Breeze (song)		11
	43	Side A: Cow Panting; Annual Old Men’s Club Affair		12
		Side B: Crickets, rain and thunder sounds		13
	44	Side A: Rain and thunder sounds, theme ideas: Miss Kim sings Korean song, "Cradle Song"		14,15
		Side B: Two Korean Chants: Pyong Chong and Pompei		15
	45	Side A: Squid Fishing Sounds (boat motors, fisherman, squid being caught)		16
		Side B: Squid Return: waves and beach sounds while squid fishers come in, shoveling rocks		17
	46	Side A: Funeral Chants, Monk with bell, Field Day Sounds		18
		Side B: Korean pop music recorded from radio in Seoul, Korea, May 1968		19
	47	Side A: High School Band at Todong, Barbershop sounds		20
		Side B: Barbershop sounds, Court music		21
	48	Side A: Court music		22
		Side B: Scull squawks, water effects and chickens cackling		23
	49	Side A: Bar sounds, Market sounds and Street Sounds in Seoul		24
		Side B: Street Sounds in Seoul, April 1968		25
	50	Side A: Korean farmers dance, Webcore Stereophonic Sound Advertisement		26
		Side B: Webcore Stereophonic Sound Advertisement w/ music from the Concert Series
	51	Side A: Out-takes of live ceremonial sounds not used in the Sumo film, July 20, 1968		27
		Side B: Sumo matches, recorded off radio w/ Japanese commentary, July 13, 1968		28
	52	Side A: Interview (in English) with Jesse Takamiyama, Sumo wrestler from Hawaii, Oct. 18, 1968		29
		Side B: Viennese Zithers		30
		Subseries 2.2: Teaching Materials (See file-card index in box 95)
	53	Side A: Frank Capra on Why We Fight series taken from his autobiography, The Name abovethe Title, narrated by Paul Wadley	000-246	1
		Side B: Frank Capra on the production of Lost Horizon (1937) taken from his autobiography The Name abovethe Title, narrated by Paul Wadley	000-274	2
	54	Side A: NBC News Speaking Freely with Frank Capra, interviewed by Edwin Nealman , Dec. 17, 1971	000-872	3
		Side B: "Hollywood in the ‘50s" from TV series The Dream Factory	000-235	4
		Side A: TV Show Film Odyssey presents M (1931), Frame of Reference interview with Fritz Lang (director of M) and Phil Chamberland	245-498	5
		TV Show Film Odyssey presents Ivan the Terrible (1945) by Sergei Eisenstein, Frame of Reference interview with Annette Michalson	508-764	6
	55	Side A: TV Show Film Odyssey presents Battleship Potemkin (1925) by Sergei Eisenstein, Frame of Reference (Charles Champlin) interview with Annette Michalson	000-312	7
		Frank Capra speaks on the death of Harry Langdon	322-344	8
		Side B: TV Show Film Odyssey presents Orphius (1972) by Jean Cocteau, Frame of Reference (Charles Champlin) interview with Peter Ustinof	000-359	9
	56	Side A: TV Show Film Odyssey presents Knife in the Water (1962) by Roman Polanski, Frame of Reference (Charles Champlin) interview with Roman Polanski	000-365	10
		Side B: TV Show Film Odyssey presents The Overcoat (1961) by Nikolai (Vasilyevich) Gogol, Frame of Reference (Charles Champlin) interview with Franklin Schaffner	000-217	11
		TV Show Film Odyssey presents Our Daily Bread (1934) by King Vidor, Frame of Reference (Charles Champlin) interview with King Vidor and Peter Bogdanovich (film critic)	227-395	12
	57	Side A: TV Show Film Odyssey presents Yojimbo (1961) by Akiri Kurasaura, Frame of Reference (Charles Champlin) interview with Richard Brooks (director)	000-126	13
		TV Show Film Odyssey presents The Last Laugh (1924) by F.W. Murnau, Frame of Reference (Charles Champlin) interview with John Schlesinger	036-329	14
		Bette Davis interview from TV series The Movie Crazy Years	334-426	15
		Side B: Bette Davis interview from TV series The Movie Crazy Years	000-243	16
	58	Side A: TV Show Film Odyssey presents Sawdust and Tinsel (1953) by Igmar Bergman, Frame of Reference (Charles Champlin) interview with Stanley Kauffman (film critic), 1972	000-375	17
		Side B: TV Show Film Odyssey presents Man of Aran (1934) by Robert Flaherty, Frame of Reference (Charles Champlin) interview with Arthur Night, 1972	000-195	18
		TV Show Film Odyssey presents L’adventura (1959) by Michelangelo Antonioni, Frame of Reference (Charles Champlin) introduction, 1972	205-235	19
		TV Show Film Odyssey presents Two Daughters (1961) by Satjut Ray, Frame of Reference (Charles Champlin) introduction	245-275	20
		TV Show Film Odyssey presents Los Olividados (1950) by Louis Buñel, Frame of Reference (Charles Champlin) interview with Andrew Sarris, 1972	285-366	21
	59	Side A: TV Show Film Odyssey presents Cabinet of Dr. Caligari (1919) by Rob Weine, Frame of Reference (Charles Champlin) interview with Alfred Hitchcock, 1972	000-463	22
		Side B: Interview with Ingrid Bergman about Casablanca, from TV series Life Goes to the Movies	000-126	23
		Short interview with John Huston about San Pietro and clips from the film	136-220	24
		Film clips of Charlie Chaplin in Monsieur Verdieux	230-251	25
		Communism in Hollywood, from TV series Hollywood in the 1940s	261-337	26
		The Treasure of Sierra Madre (1948), from TV series Hollywood in the 1940s	347-383	27
		Excerpts from James Cagney films: Roaring Twenties (1938), Strawberry Blond (1941), and White Heat (1949), from TV series Hollywood in the 1940s	393-440	28
	60	Side A: Spellbound (1945) by Alfred Hitchcock (new techniques used in film), from TV series Hollywood in the 1940’s. Excerpts from Frank Capra’s Meet John Doe and remarks from Capra.	000-085 095-189	29 30
		Interviews on Humphrey Bogart’s films: Roaring Twenties (1939), They Drive by Night (1940), High Sierra (1941), and The Maltese Falcon (1941)	199-323	31
		Side B: World War II films Air Force (1943), Mission to Moscow, request by President Roosevelt to enter WWII (1941), patriotic songs	000-252	32
	61	Side A: TV Show Film Odyssey presents Beauty and the Beast (1946) by Jean Cocteau, Frame of Reference (Charles Champlin) interview with Francis Steegmuller (Cocteau’s biographer)	000-387	33
		Side B: Discussion of Arthur Penn’s ending of Bonnie and Clyde (1967), taken from film on Penn, Themes and Variants	000-214	34
		Discussion on impromptu directing and violence and sex used by Arthur Penn, taken from film on Penn, Themes and Variants	224-438	35
	62	Side A: Discussion on Arthur Penn’s films Alice’s Restaurant (1969) and Mickey One, taken from film on Penn Themes and Variants	000-187	36
		Discussion on Arthur Penn’s film Little Big Man (1970), taken from film on Penn Themes and Variants	197-251	37
		TV Show Film Odyssey presents Rules of the Game (1939) by Jean Renoir, Frame of Reference (Charles Champlin) interview with Jean Renoir	261-396	38
		Side B: TV Show Film Odyssey presents Intimate Lighting (1965) by Ivan Passer, Frame of Reference (Charles Champlin) interview with Robert Altman	000-269	39
		TV Show Film Odyssey presents Barrier (1966) Jersy Skolimowski, Frame of Reference (Charles Champlin) interview with Jersy Skolimowski	279-356	40
	63	Side A: TV Show Film Odyssey presents Jules and Jim (1961) by Francois Truffaut, Frame of Reference (Charles Champlin) interview with Jean Renoir	000-225	41
		TV Show Film Odyssey presents The Blue Angel (1942) by Joseph von Sternburg, Frame of Reference (Charles Champlin) interview with Andrew Sarris	229-399	42
		TV Show Film Odyssey presents Grand Illusion (1937) Jean Renoir, Frame of Reference (Charles Champlin) interview with Jean Renoir	404-456	43
		Side B: TV Show Film Odyssey presents Seven Samurai (1954) Akira Kurascausa, Frame of Reference (Charles Champlin) interview with Tishoro Mifune	000-121	44
		Mutiny on the Bounty, from TV (incl. scene MGM lot bids of props) Wizard of Oz	131-149	45
		Wizard of Oz (includes bidding on glass shoes - $15,000)	159-193	46
		Hollywood in the 1920’s	203-302	47
		"Hollywood Starts," from the TV series The Dream Factory (Greta Garbo, Clark Gable)	312-426	48
	64	Side A: TV series The Dream Factory, Hollywood	000-128	49
		the song "Happy Endings"	138-164	50
		Side B: (blank)
	65	Side A: Honky Tonk Music (piano)	000-564	51
		Lewis Milestone discusses his film All Quiet on the Western Front (1930), spoken by Herbert Wood and H. Leynse asking the interview questions	574-824	52
		D.W. Griffith – His declining years (by Igor Kosin)	829-901	53
		Side B: Charlie Chaplin speaks about his childhood	000-051	54a
		Charlie Chaplin speaks about meeting Max Sennett	056-179	54b
		Charlie Chaplin speaks about Gold Rush	184-291	54c
		Charlie Chaplin speaks about his immigration probe	296-405	54d
		Charlie Chaplin speaks about leaving the US	410-460	54e
		Orson Welles introduces the TV showing of the film Intolerance (1916) by D.W. Griffith	470-554	55
	66	Side A: Honky Tonk Music	000-643	56
		Norman McLaren interview by Canadian TV about his films (beginning was not recorded), Oct. 1972	653-807	57
		Side B: 45th Academy Awards, cut to awards won by Cabaret (most awards), Mar. 1973	000-576	58
		45th Academy Awards, announcement of Limelight, Mar. 1973	586-627	59
	67	Side A: American Film Institute tribute to John Ford, April 2, 1973	000-915	60
		Side B: American Film Institute tribute to John Ford (continued from side a), April 2, 1973	000-167	60
		45th Academy Awards, special on Edward G. Robinson introduced by James Cagney, Mar. 1973	177-332	61
		45th Academy Awards, music medley for the 50th Anniversary of Disney Productions, Mar. 1973	342-418	62
		45th Academy Awards, Humanitarian Award given by Frank Sinatra, Mar. 1973	428-497	63
		45th Academy Awards, best actor award for Godfather (Marlon Brando), March 1973	507-642	64
	68	Side A: Frank Capra at the Seattle Film Society, Mar. 9, 1973	000-851	65
		Side B: Frank Capra at the Seattle Film Society (continued from Side A), March 9, 1973	000-704	65
	69	Side A: TV series Humanities Film Forum presents Hamlet (1969) by Tony Ricardson, opening and ending comments only with host Jim Billington, March 12, 1973	000-558	66
		Film clip from Sergant York (1941) by John Huston	568-608	67
		Don Manicienicz talking about Citizen Kane at the Motion Picture Seminar of the Northwest , May 5, 1973	618-729	68
		PBS TV special "Eisenstein" about Russian film director Sergei Eisenstein: his early background, May 1973	739-888	69
		Side B: PBS TV special "Eisenstein" on Sergei Eisenstein’s films Strike (1924) and Battleship Potempkin (1925), May 1973	000-180	70
		PBS TV special "Eisenstein" on Sergei Eisenstein’s films Ten Days that shook the World (1927) and Old and New, May 1973	185-493	71
		PBS TV special "Eisenstein" on Sergei Eisenstein overseas (his western tour in London), including Que Viva Mexico (1930) and Thunder over Mexico, May 1973	498-668	72
		PBS TV special "Eisenstein" on Sergei Eisenstein in Russia again, May 1973		73
		PBS TV special "Eisenstein" on Ivan the Terrible (1943) and Sergei Eisenstein’s Last Days, May 1973	806-921	74
	70	Side A: Camera Talk with Mike Tatem: "What kind of Camera to Buy"	000-113	75
		Camera Talk with Mike Tatem: "Films: Black and White vs. Color"	118-175	76
		Camera Talk with Mike Tatem: "Electronic Flash"	180-248	77
		Camera Talk with Mike Tatem: "You and the Dark Room"	253-324	78
		Camera Talk with Mike Tatem: "Accessories"	329-394	79
		Camera Talk with Mike Tatem: "Indoor Photography"	399-394	80
		Side B: Camera Talk with Mike Tatem: "Light Meter"	000-113	81
		Camera Talk with Mike Tatem: "Light Meters"	118-181	82
		Camera Talk with Mike Tatem: "The Photographic Eye"	186-266	83
		Camera Talk with Mike Tatem: "Photographing Human Emotion"	271-340	84
		Camera Talk with Mike Tatem: "Filters"	345-411	85
		Camera Talk with Mike Tatem: "Macro and Zoom Lessons"	416-475	86
	71	Side A: Katherine Hepburn on the Dick Cavett TV Show, First of 2 part series, Oct. 2 1973	000-911	87
		Side B: Part I continued, of Katherine Hepburn on the Dick Cavett TV Show, Oct. 2 1973	000-108	87
		Part II of Katherine Hepburn on the Dick Cavett TV Show, Oct. 2 1973	118-889	88
92	72	Side A: Katherine Hepburn reminisces about experience making African Queen (1951) with Humphrey Bogart. Clip from the Dick Cavett TV Show, Oct. 3 1973	000-141	89
		Katherine Hepburn interview about early cinema and what it’s like in Hollywood. Clip from Dick Cavett TV Show	151-248	90
		Camera Talk with Mike Tatem: "Enlarging Hints"	258-331	91
		Camera Talk with Mike Tatem: "Available Light Photography"	341-390	92
		Side B: KWSU Radio Show: The Moviegoers moderated by Humphrey Leynse, first show, Sept. 1973.	000-285	93
		Ending clip of Frank Capra taken from the TV show Men Who Made the Movies, Nov. 11, 1973	295-350	94
	73	Side A: Frank Capra’s Meet John Doe (1941) taken from the TV Series Men Who Made The Movies, Nov. 1973	000-276	95
		Frank Capra’s Lost Horizon (1937) taken from the TV Series Men Who Made The Movies, Nov. 1973	281-358	96
		Frank Capra’s Why We Fight Series from the TV Series Men Who Made The Movies, Nov. 1973	263-407	97
		Frank Capra’s Arsenic and Old Lace (1944) taken from the TV Series Men Who Made The Movies, Nov. 1973	412-462	98
		Frank Capra’s It Happened One Night (1934) taken from the TV Series Men Who Made The Movies, Nov. 1973	467-574	99
		Frank Capra’s It’s a Wonderful Life (1946) from the TV Series Men Who Made The Movies, Nov. 1973	579-703	100
		Frank Capra’s Mr. Deeds Goes to Town (1936) taken from the TV Series Men Who Made The Movies, Nov. 1973	708-793	101
		Side B: Frank Capra’s Mr. Smith Goes to Washington (1939) taken from the TV Series Men Who Made The Movies, Nov. 1973	000-250	102
		Howard Hawks interview taken from the TV Series Men Who Made The Movies, includes clips from Crowd Roars (1932), 20th Century (1934), Only Angels Have Wings (1939), His Girl Friday(1940), Air Force (1943), Nov. 1973	255-714	103
		Howard Hawks interview taken from the TV Series Men Who Made The Movies, includes clips from To Have and To Have Not (1944), Nov. 1973	719-807	104
		Howard Hawks’ Red River (1948) taken from the TV Series Men Who Made The Movies, Nov. 1973	812-887	105
	74	Side A: Howard Hawks’ Rio Bravo (1959) taken from the TV Series Men Who Made The Movies, Nov. 1973	000-211	106
		Raoul Walch – His early life and films taken from the TV Series, Men Who Made The Movies, Nov. 1973	216-632	107
		Raoul Walsh’s The Roaring Twenties (1939) from the TV Series Men Who Made The Movies, Nov. 1973	637-712	108
		Raoul Walsh’s High Sierra (1941) taken from the TV Series Men Who Made The Movies, Nov. 1973	717-808	109
		Side B: Raoul Walsh’s The Strawberry Blond (1941) from the TV Series Men Who Made The Movies, Nov. 1973	000-218	110
		Raoul Walsh’s They Died with Their Boots (1941) On from the TV Series Men Who Made The Movies, Nov. 1973	223-425	111
		Raoul Walsh’s Gentleman Jim (1942) taken from the TV Series Men Who Made The Movies, Nov. 1973	440-540	112
		War years films by Raoul Walsh from the TV Series Men Who Made The Movies, Nov. 1973	545-624	113
		Raoul Walsh’s White Heat (1949) and his last films, from the TV Series Men Who Made The Movies, Nov. 1973	629-765	114
	75	Side A: "George Lukor – His Films" (Part I), from the TV Series Men Who Made the Movies , Nov. 1973	000-509	115
		Side B: "George Lukor – His Films" (Part II), from the TV Series Men Who Made the Movies, Nov. 1973	000-533	116
	76	Side A: "The Films of Vincent Minelli" (Part I), from the TV Series Men Who Made the Movies, Nov. 1973	000-468	117
		Side B: "The Films of Vincent Minelli" (Part II), from the TV Series Men Who Made the Movies	000-439	118
		("Science in the News" feature of WSU TV and Radio – ending clip)	439-448	118
	77	Side A: "William Wellman" (Part I), taken from the TV Series Men Who Made the Movies	000-453	119
		Side B: "William Wellman" (Part II), taken from the TV Series Men Who Made the Movies	000-438	120
		("Literacy Scrapbook" WSU Radio – ending clip)	439-444	120
	78	Side A: "Alfred Hitchcock – His Early Years," from the TV Series Men Who Made the Movies	000-177	121
		Alfred Hitchcock’s The Lodger (1926) and Sabeoteur (1942), taken from the TV Series Men Who Made the Movies	182-324	122
		Alfred Hitchcock’s Uncle Charlie, from the TV Series Men Who Made the Movies	329-409	123
		Alfred Hitchcock’s Notorious (1946), taken from the TV Series Men Who Made the Movies	413-520	124
		Alfred Hitchcock’s Psycho (1960), taken from the TV Series Men Who Made the Movies	525-642	125
		Side B: Alfred Hitchcock’s the Birds (1963), taken from the TV Series Men Who Made the Movies	000-149	126
		Alfred Hitchcock’s Torn Curtain (1966) and Frenzy (1971), taken from the TV Series Men Who Made the Movies	159-325	127
		"Films of King Vidor" (Part I), taken from the TV Series Men Who Made the Movies	330-705	128
	79	Side A: "Films of King Vidor" (Part II), taken from the TV Series Men Who Made the Movies	000-432	129
		Side B: Humphrey Leynse interviewed by Jim Dunne, commentator of WSU Radio show Lets Talk About That (program #541). Topic: Film Criticism	000-461	130
	80	Side A: *Classical music recording of Rossial	000-661	131
		Side B: *Classical music recording of Mozart	000-586	132
	81	Side A: *Classical music recording of Suppe	000-600	133
		Side B: *Classical music recording of Hadyn	000-616	134
	82	Side A: The Moviegoers – WSU film criticism radio show, Mar. 15, 1974	000-510	135
		Side B: (blank)
	83	Side A: Platform Presentation by Vincent Price entitled "The Villains Still Pursue Me," Mar. 16, 1974	000-910	136
		Side B: Vincent Price (cont.), Mar. 15, 1974	000-043	136
		Platform Presentation by Vincent Price entitled "The Villains Still Pursue Me", Mar. 16, 1974	048-677	137
	84	Side A: Carl Orff’s Carmina Burana (Part I)	000-518	138
		Carl Orff’s Carmina Burana (Part II)	523-870	139
		Side B: Tchaikovsky	000-637	140
	85	Side A: Prokofiev: Alexander Nevsky, Love of Three Oranges	000-612	141
		James Cagney receives the Life Achievement Award by the American Film Institute, Master of Ceremonies: Frank Sinatra (reel 1)	622-911	142
		Side B: American Film Institute, reel 1 continued	000-143	142
		American Film Institute, reel 2	148-644	143
		American Film Institute, reel 3	649-775	144
	86	Side A: The Moviegoers interview with Vincent Price, Mar 16, 1974	000-300	145
		Side B: The Moviegoers with two guests: Robert Littlewood and Vincent Price	000-502	146
	87	Side A: Mozart – Beethoven – Smetana	000-623	147
		Side B: Tchaikovsky – Symphony #4	000-574	148
	88	Side A: Eddie Cantor singing "Making Whoopie" (1930)	000-033	149
		From the TV show "The Movies," The Chase, Mar. 30, 1974 Teddy at the Throttle, Never Give A Sucker an Even Break (1941), Ben Hur (1925), Bullitt (1968), Casablanca (1943)	043-414	150
		Al Jolson in "Jazz Singer," Toot Toot Tootsie, etc.	424-449	151
		Side B: The Marx Brothers (1931)	000-087	152a
		The Marx Brothers receiving the Honorary Award at the Academy Awards, April 1974	094-256	152b
		Sunset Boulevard (1950), Von Stroheim, Wm. Holden	266-304	153
		Blue Angel, song: "Can’t Help It," sung by M. Dietrich	314-334	154
		Going to Town (1935), Mae West	344-369	155
	89	Side A: From TV series The Movies, Close Up Kisses in the Movies (clips)	000-608	156
		Side B: J.S. Bach, harpsichord, Concerts in C major, C minor, A minor	000-608	157
		song: "Hurray for Hollywood"	510-527	158
	90	Side A: From the TV series The Movies, songs and scenes from Space Odyssey, narrated by Jack Nicholson, C. Gish, Carl Malden and Gregory Peck	000-369	159
		Side B: From the TV series The Movies, Eyes on the Sparrow, Sound of Music, Zippededoodah		160
	91	Side A: From the TV series The Movies,	000-503	161
		Side B: Gone With the Wind, Mar. 1974	000-328	162
		Henri Langlois receives award at the Academy Awards, April 1974	333-390	163
		Cries and Whispers wins Best Cinematography award at Academy Awards, April 1974	395-466	164
		A Touch of Class nominated for Best Picture of the Year at Academy Awards (film clip)	471-498	165
		Day for Night (Truffant) wins Best Foreign Film of the Year at Academy Awards, April 1974	503-533	166
		Clip from Exorcist, 5th nominee for Best Picture at Academy Awards, April 1974	538-562	167
		From the TV show "The Movies," clip from High Noon	567-605	168
		(clip) On the Waterfront (Marlon Brando)	610-637	169
	92	Side A: "The Moviegoers" thirtieth issue, last for the season	000-500	170
		Marshal McLuhan speaks on human behavior and the new and the old	510-535	171
		From TV show "History of the Movies," clip on Harold Lloyd	540-571	173
		From TV show "History of the Movies: Laurel and Hardy" (early period before they got together)	576-636	174
		From TV show "History of the Movies: Buster Keaton"	641-667	175
		Side B: "The Moviegoers," November 8	000-500	172
		Harry Langdon: From TV show History of the Movies	510-548	176
		Charlie Chaplin’s early films: From TV show "History of the Movies"	553-614	177
	93	Side A: Comments on Double Suicide (1969) by Masahiro Shinoda, From TV series The Japanese Film, Jan. 1975	000-177	178
		Karikiri, From TV series The Japanese Film (poor recording), February 1975	182-298	179
		Side B: Three filmmakers discuss Edward Curtis’ work in a documentary. Curtis embarked on a project to record on film all available info on North American Indians (1896)	000-405	180
	94	Side A: Ansel Adams interview by Susan Sollens on NPR	000-170	181
		(side 2) President Nixon announces resignation from the Oval Office (end is cut off)	175-233	181
		Sanjuro (1962) by Akiro Kurosawa and Japanese Film History, From TV series "The Japanese Film"	243-480	182
		Side B: The Moviegoers, February 14, 1975	000-443	183
	95	Side A: Night Drum (1958) by Tadashi Imai, From TV series "The Japanese Film"	000-191	184
		Harp of Burma (1956) by Kon Ichikawa, From TV series "The Japanese Film,"January 23, 1975	201-391	185
		D.W. Griffith: Lillian Gish on Radio, January 1975	396-448	186
		Side B: Audio Soundtrack from film Glimpses of Indian Cinema, also Al Butler speaks on thunder on The Science in the News radio show	000-410	188
	96*	Side A: Honky Tonk Music Side B: Honky Tonk Music cont.		187
	97	Side A: Soundtrack from the film African Queen (1951), Part I	000-914	189
		Side B: Soundtrack from the film African Queen (1951), Part I cont.	000-074	189
		Soundtrack from the film African Queen (1951), Part II	079-571	190
		Ugetsu (1953) by Kenji Mizoguchi, comments by Edwin Reichamer, from TV series The Japanese Film, February 1975	576-777	191
	98	Side A: Comments on When A Woman Ascends the Stairs (1960) by Mikio Naruse, from the TV series The Japanese Film, Mar. 1975	000-410	192
		Tribute to 80 years of Hollywood filmmaking – Hollywood music for the chase (i.e. chase scenes)	420-476	193
		Sansho the Baliff (1954) by Kenji Mizoguchi, from the TV series The Japanese Film, Mar. 1975 (also comments on Japanese culture and male/female roles in society)	486-577	194
		Side B: Twenty Four Eyes (1954) by Keisuke Kinoshita, from TV series, The Japanese Film, Mar. 1975	000-304	195
		Gate of Hell (1953) by Teinosuke Kinugasa, from TV series The Japanese Film, Mar. 1975	314-434	196
	99	Side A: 51st airing of The Moviegoers (1974)	000-418	197
		Early Summer (1951) by Ozu, from TV series The Japanese Film, Mar. 1975	508-621	198
		Side B: NBC Today Show comments by Vincent Canby (NY Times) and Richard Schickel (TIME) on the forthcoming Academy Award Winners, April 8, 1975	000-236	199
		Howard Hawks receives Honorary Award at the 47th Academy Awards, April 8, 1975	246-335	200
		Jean Renoir receives Honorary Award, accepted by Ingrid Bergman at the 47th Academy Awards, April 8, 1975	345-394	201
		Special tribute to Fred Astaire at 47th Academy Awards, presented and sung by Sammy Davis, April 8, 1975	408-477	202
	100	Side A: 47th Academy Awards, April 8, 1975	000-915	203
		Side B: 47th Academy Awards cont., April 8, 1975	000-306	203
		47th Academy Awards, part II, April 9, 1975	311-742	204
		Script Writers Award presented by James Michener at the 47th Academy Awards, April 9, 1975	752-804	205
	101	Side A: Strauss: Death and Transfiguration, Don Juan; Mahler: Symphony #1 (1st and 2nd movements)	000-702	206
		Side B: Strauss cont.	000-072	206
	102	Side A: Mahler – Symphony #1 in D, "Titan," Beethoven – Symphony #7, A major Strauss – Death and Transfiguration, Don Juan	000-915	207
		Side B: Mahler, Beethoven and Strauss cont.	000-915	207
	103	Side A: American Film Institute tribute to Orson Welles, reel 1 of 3. Highlighting the program are clips from some of Welles’ best films, including "Citizen Kane," "The Magnificent Ambersons" (1942), "Othello" (1955) and "Falstaff: Chimes at Midnight" (1967): and from "The Other Side of the Wind," which (was) still in production. At press time, celebrities scheduled to honor Welles included host Frank Sinatra, Charlton Heston, Ingrid Bergman, Edgar Bergen (With Charlie McCarthy), Joseph Cotton, Janet Leigh and Dennis Weaver.	000-519	208
		Side B: American Film Institute tribute to Orson Welles, reel 2 of 3	000-524	209
		American Film Institute tribute to Orson Welles, reel 3 of 3	529-704	210
	104	Side A: 60 Minutes interview with Federico Fellini, May 1975	000-210	211
		The Moviegoers 100th – how it began, how it’s put together and why it’s so popular, Jan. 14, 1975	215-636	218
		Side B: WSU Dept. of Music Student Convocation, February 10, 1976, original compositions from MUS 251 class:	000-642
	105*	Side A: "The Drowning Pool," an interview with Gordon Willis Side B: "The Drowning Pool," an interview with Lawrence Turman and David Foster		213
	106*	Side A: "The Yakuza," an interview with Sydney Pollack Side B: "The Yakuza," an interview with Robert Towne		214
	107*	Side A: "Aloha Bobby and Rose," an interview with William Fraker Side B: "Aloha Bobby and Rose," an interview with Floyd Mutrux		215
	108*	Side A: "Night Moves," an interview with Arthur Penn Side B: "Night Moves," an interview with Bruce Surtees		216
93	109	Side A: Charlie Chaplin: a Nostalgia Theater Presentation with commentator Douglas Sparebanks Jr	000-915	220
		Side B: Charlie Chaplin (cont. side 2) and Charles Kuralt CBS story "On the Road"	000-612	220
	110	Side A: WSU Dept. of Music presents WSU in Concert: Istuan Nadas (artist in residence) plays the keyboard: Fantasia (Chopin) and de Falla, Kimbrough Hall Side B: (blank)	000-506	221
	111*	Side A: "Let’s Do it Again," an interview with Curtis Mayfield Side B: "Let’s Do it Again," an interview with Sidney Poitier		222
	112*	Side A: "Lowell Thomas Remembers"¾ Documentary, Oct. 5, 1975. A history of movie news reels (1919-1963) The 1937 Hindenburg disaster, the eruption of Mount Etna in 1923, and the Russian Revolution are among the headline stories recalled in the first show of a series tracing the history of movie new reels. Veteran commentator Lowell Thomas serves as host for the programs, which draw upon Fox-Movietone News clips from 1919-1963. In the opener, Thomas reminisces about the medium’s early years. Side B: "Lowell Thomas Remembers" – documentary, Oct. 19, 1975 The events of World War II dominate these film clips from 1942. Highlights include scenes of the Allied raid on Dieppe, a Nazi-held French port; air-sea fighting in the Mediterranean; and Prime Minister Churchill reviewing U.S. troops and equipment at a parade at Fort Jackson, S.C.
	113*	Side A: (broken tape)! "Lowell Thomas Remembers" – Documentary, Oct. 12, 1975 The election of President Franklin D. Roosevelt is among the headlines of 1932 recalled in newsreels. Other featured clips include Al Capone beginning a prison sentence for income tax evasion; aviatrix Amelia Earhart setting a new record for crossing the U.S. – 10 hours and 19 minutes; and a speech by President Roosevelt. Side B: BROKEN! "Lowell Thomas Remembers" – Documentary, Oct. 26, 1975 Election news dominates the events of 1952. Film clips cover the Democratic and Republican conventions and the landslide victory of President Eisenhower. Other excerpts include scenes of an atomic-bomb test in Nevada		224
	114*	Side A1: "WWII in North Africa 1940," TV special aired Nov. 9, 1975. The seesaw desert war begins –tanks hold the key to success. Early British victories are reversed when Rommel sweeps across the sands. Films from national and private sources follow the fierce victory-retreat-victory cycles of El Alamein, Tobruk and Benghazi. Officers from both sides candidly discuss the hardships and unique problems encountered. Side B1: "WWII in North Africa 1940," TV special aired Nov. 9, 1975		225
	115*	Side A2: "World At War 1942," TV special aired Nov. 2, 1975 The United States prepares for and enters the war. Roosevelt is reelected, the Lend-Lease Bill is passed and aid goes to Britain. U-boats attack American escort ships in the Atlantic and the Neutrality Act is repealed. Films from national and private sources show Japanese-Americans being sent to internment camps and war preparations. Footage also highlights the fall of Manila, the surrender of American troops at Bataan and the battle at Midway Island Side B2: "World At War 1942," TV special aired Nov. 2, 1975		225
	116*	Side A1: War of the Worlds - Drama, aired Oct. 31, 1975 1975 TV-movie based on a true incident: "The Night That Panicked America" follows the events surrounding Orson Welles’ 1938 radio adaptation of H.G. Wells’ "War of the Worlds" a broadcast that convinced many Americans that Martians had actually attacked New Jersey (2 hours) Side B2: War of the Worlds (cont.)		226
	117*	Side A3: War of the Worlds (cont.) Side B4: War of the Worlds (cont.)		226
	118*	Side 1a: "World At War" – documentary, aired Nov. 16, 1975. A bitter German defeat at the hands of the Russians – the battle of Stalingrad. (60 min.)		227
		Side 1b: "World At War" –documentary, aired Nov. 16, 1975. Battle of Stalingrad (cont.)
	119*	Side 2a: "World At War" – documentary, aired Nov. 23, 1975 1943: U-boat wolf packs stalk the Atlantic, sinking merchant ships on the way to England. On Oct. 17, "the night of the long knives," half the convoy is lost. Capt. Eyton Jones, whose ship was sunk halfway between Brazil and North Africa, recalls how the Germans laughingly retrieved cargo form his ship. Films from national and private sources show U-boats launching torpedoes. (60 min.)		227
		Side 2b: "World At War" – documentary, aired Nov. 23, 1975. U-boats (cont.)
	120*	Side A: "Bogart" – Documentary, aired Nov. 17, 1975 Special: The life and legend of Humphrey Bogart are portrayed in clippings from his movies, footage of his off-screen activities and remembrances by Ingrid Bergman, George Raft and producer Stanley Kramer. Excerpted films include "Casablanca." (60 min) Side B: "Bogart" – Documentary continued		228
	121*	Side A: The Moviegoers, Nov. 21, 1975 (28 min.) Side B: blank		229
	122*	Side A: "World At War" – Documentary, aired Nov. 30, 1975 The Soviet Union…where Hitler’s surge east is finally stopped – at a cost of 20 million lives. Films show the German occupation, the devastated countryside, factories being moved on trains to eastern Russia and the spring thaw of 1942, which reveals thousands of corpses in the streets and yards of Leningrad. Church services resume, fresh troops arrive by ship. (60 min) Side B: "World At War" – Documentary, (cont.)		230
	123*	Side A: "Lowell Thomas Remembers" – Documentary, aired Dec. 7 1975WWII dominates clips from 1941. Events covered include the Japanese bombing of Pearl Harbor, which prompted America’s entry into the war; the German invasion of Yugoslavia and Greece. Side B: "International Report," aired Dec. 7, 1975 A view of the U.S. from abroad is offered in four documentaries produced in England, Japan , Denmark and Canada. Subjects include the Boston busing crisis		231
	124*	Side A: "World At War" – Documentary, aired Jan. 18, 1976 Holland, 1940-44: The long years between capitulation and liberation. Films highlighting the German occupation are accompanied by comments by Dutch civilians. Included in the footage: a rally of Dutch Nazis, the issuing of identity cards, transportation of Jews to concentration camps, conscription of Dutch men to work in war munitions factories and the harsh winter of 1944. Laurence Olivier is the series narrator Side B: "World At War" – Documentary, aired Jan. 18, 1976, (cont.)		232
	125*	Side A: Contemporary Japanese Society Side B: (blank)		233
	126*	Side A: Stanley Kubrick Side B: (blank)		234
	127*	Side A: American Film Institute’s Tribute to William Wyler, Mar. 14, 1976, side 1/3 Side B: American Film Institute’s Tribute to William Wyler, Mar. 14, 1976, side 2/3		236
	128*	Side A: American Film Institute’s Tribute to William Wyler, Mar. 14, 1976, side 3/3 Side B: (blank)		236
	129*	Side A: The Moviegoers, February 14, 1975 with Chief Dan George Side B: (blank)		237
	130*	Side A: Gary Kilder, Dec. 13, 1975 An ethnographer-filmmaker from Australia interviewed by Jim Hunt and Humphrey Leynse (50 min.) Side B: Gary Kilder, Dec. 13, 1975 (cont.)		238
	131*	Side A: Gene Roddenberry, 1975 Science-fiction writer interviewed by Jim Hunt (76 min)		239
		Side B: Gene Roddenberry interview, 1975 (cont.)
	132*	Side A: Roger Greenspun, WSU Lecture Artist Series, February 12, 1976		240
		Side B: Roger Greenspun (cont.)
	133	Side A: Greenspun interview (9:10)	000-186	240a
		Side B: (blank)
	134*	Side A: (blank)		241
		Side B: KGUR interview with Gene Roddenberry, 1975
	135*	Side A: 48th Academy Awards, Mar. 29, 1976 Side B: 48th Academy Awards, Mar. 29, 1976		242
	136*	Side A: 48th Academy Awards, Mar. 29, 1976		242
		Side B: 48th Academy Awards, Mar. 29, 1976
	137*	Side A: Ken Kasey Sides a and b: Dick Cavett Show, "Backlot U.S.A." aired April 5, 1976 A sentimental journey down Hollywood’s memory lane. Touring Paramount Studios, Dick Cavett is the guide for the hour which blends musical numbers and conversations with stars to recall the old days of movie-making. After a brief segment with a new dog star in the tradition of Rin Tin Tin, Cavett meets Mickey Rooney on a city street lot, whereRooney and a children’s chorus sing and dance to "We Got Us." On an Old West set, John Wayne recalls his career, and there’s also a comic sketch with Gene Kelly, but the highlight of the show is a closing segment with Mae West: costumed as Diamond Lil, one of her ‘30s roles, the 82-year-old Miss West sings sultry versions of "Frankie and Johnny" and "After You’ve Gone" Side B: Dick Cavett Show, "Backlot U.S.A." (cont.)	000-88 88-end	243
	138	Side A: John Cleare interviewed by Jim Hunt and Sam Prigg, Oct. 19, 1975	000-248	246
		Side B: (blank)
	139	Side A: Roger Greenspun interviewed for The Moviegoers, February 13, 1976	000-436	247
		The Moviegoers #80, Apr. 2, 1976	441-808	248
		Side B: (blank)
	140*	Side A: Double Suicide (1969) by Masahiro Shinoda, from the TV Film series, The Japanese Film Side B: Double Suicide (cont.)		249
	141*	Side A: "All The President’s Men," an interview with Robert Redford, 1976		250
		Side B: "All The President’s Men," an interview with Dustin Hoffman
	142*	Side A: "All the President’s Men," an interview with Jason Robards 1976		251
		Side B: "All the President’s Men," an interview with Jack Wardon
	143*	Side A: "All the President’s Men," an interview with Walter Coblenz, 1976		252
		Side B: "All the President’s Men," an interview with Alan Pakula
	144*	Side A: "All the President’s Men," an interview with Gordon Willis		253
		Side B: "All the President’s Men," an interview with George Jenkins
94	145*	Side A: State of Washington, a history		254
		Side B: State of Washington (cont.)
	146*	Side A: Donald Bogle interviewed by Ron Brown for The Moviegoers, Mar. 24, 1976		255
		Side B: (blank)
	147	Side A: Donald Bogle interview clip for The Moviegoers by Ron Brown	000-197	255a
		Side B: (blank)
	148*	Side A: Jim Halpin –Screen Writer speaks-- "How to Get the Most Out of a Screen Writer"		256
		Side B: Rob Thompson speaks -- "Writing to Success"
	149*	Side A: The film scores of composer Bernard Herrman (1911-1975), from the TV series Camera Three, Sept. 26, 1976 Side B: "Book Beat," Oct. 4, 1976 James Baldwin discusses his latest book "The Devil Finds Work," a look at the impact of American movies on black culture. Baldwin criticizes Hollywood’s portrayal of blacks		257
	150*	Side A: Soundtrack to film The Gentleman Tramp (1975) – Doc.,		258
		Side B: Soundtrack to film The Gentleman Tramp (1975) – Doc.
	151*	Side A: Clark Gable, a profile from TV show Dear Mr. Gable, Nov. 4, 1976		260
		Side B: Clark Gable profile, continued
	152*	Side A: "Life Goes to the Movies" (cont. #2), see clipping file for details		261
		Side B: "Life Goes to the Movies" (cont. #3), see clipping file for details
	153*	Side A: "Life Goes to the Movies" (cont. #4), see clipping file for details		262
		Side B: "Life Goes to the Movies" (end), see clipping file for details
	154*	Side A: Scott Joplin, "The Red Back Book"		263
		Side B: Scott Joplin, "The Red Back Book"
	155*	Side A: All-Star Tribute to John Wayne, Nov. 26, 1976		264
		Honoring a movie legend. Frank Sinatra is the host for the affair, which feature testimonials to the 69-year-old Wayne by Bob Hope, Charles Bronson, Angie Dickinson, Claire Trevor, Monty Hall, Ron Howard, Henry Winkler, Dan Rowan and Dick Martin
		Side B: All-Star Tribute to John Wayne, Nov. 26, 1976
	156*	Side A: PBS special: "Chinatown, New York," Dec. 10, 1976 Profiles of the residents of New York City’s Chinatown. For tourists, "it’s a nice place to visit," says producer Jon Alpert, but for the poor, like workers in restaurants and laundries, "it’s a difficult place to live." Their hours are long, their wages low, and hopes for a better life (especially among non-English-speaking older Chinese) are said to be slim. The program looks at those who have opened businesses, young people, senior citizens		265
		Side B: PBS special, "Chinatown, New York" (cont.)
	157*	Side A: "Woman," Dec. 16, 1976 Actress Jeanne Moreau, whose first writing-directing effort, "Lumiere," has been well received by critics, describes working behind the camera in the first of a two-part interview		266
		Side B: "Woman," Dec. 27, 1976 French actress, Jeanne Moreau discusses how she perceives relations between the sexes in the conclusion of a two-part interview
	158*	Side A: "Citizen Kane: A Bridge Between the Theories of Realism and Expressionism in Film" by Prof. Edward Hudwin. Life of the Mind presents 2nd of four papers presented to the colloquium on the problem of interpreting film philosophically at the Eastern division of the American Philosophical Association in Boston		267
		Side B: Life of the Mind presents "Two Views of Rashomon" (45 min), by George Lindon, the third paper presented to the colloquium on the problem of interpreting film philosophically at the Eastern division of the American Philosophical Association in Boston
	159*	Side A: "Making of the Weather Underground Film" (50 min)		268
		Side B: "Making of the Weather Underground Film" (cont.)
	160*	Side A: Five Weather Underground (1975) members speak to filmmakers about their revolutionary movement Side B: Five Weather Underground (1975) members speak to filmmakers about their revolutionary movement		269
	161*	Side A: "Jeanne Wolf," Jan. 20, 1977 Joan Fontaine talks about the studio star system, and Hollywood in its heyday. Recalls the actress: "The woman had to fight for her part, fight for her right to do it, fight for her salary." She also discusses her current life		270
		Side B: "Jeanne Wolf with¼ ," January 27, 1977 Jimmy Stewart looks back on his career in a conversation with Jeanne Wolf. Stewart reminisces about the golden years of Hollywood and talks about changes in his acting style
	162	Side A: "The Moviegoers," #95, November 11, 1976 with Bob Clampett	000-500	272
		Full Recording of the interview with Bob Clampett	510-671	273
		Side B: (blank)
	163*	Side A: Scenes from 49th Academy Award winning of Best Picture, February 13, 1977		274
		Side B: Scenes from 49th Academy Award winning of Best Picture, February 13, 1977
	164*	Side A: Frank Capra speaking to WSU "American Film" class on his first years in Hollywood		276
		Side B: Frank Capra speaking to WSU "American Film" class on his first years in Hollywood and Charles Kuralt speaking to class
	165*	Side A: My Darling Clementine/Gunfighter		277
		Side B: 49th Academy Awards, Mar 28, 1977
	166*	Side A: American Film Institute Tribute to Bette Davis, Mar. 21, 1977		278
		Side B: American Film Institute Tribute to Bette Davis, Mar. 21, 1977
	167*	Side A: John Milius – scriptwriter and director		280
		Side B: John Milius (cont.)
	168	Side A: Frank Capra interviewed by Humphrey Leynse at WSU, reel 1	000-566	285
		Frank Capra interviewed by Humphrey Leynse at WSU, reel 2	571-765	286
		Side B: "Chung Kuo" (China), an audio-track to the TV documentary by Antonioni, Jan. 11, 1973	000-915	288
	169	Side A: "Chung Kuo" (China), an audio-track to the TV documentary by Antonioni, Jan. 11, 1973 (continuation)		288
		Side B: (blank)
	170*	Side A: Audio track of The Quiet One		287
		Side B: Audio track of The Quiet One
95		Four green file boxes of 3x5 file cards indexing the previous teaching materials. The file cards are divided alphabetically into two categories: "People and Things" and "Films"

Subseries 2.3: Phonograph Records
Box	Disc	Description	rpm.	Recording company
96	171	"Etenraku": gagaku (court music)	45	Columbia Records
	172	"Tango of the Roses"	78	RecorDisc Corp.
	173	Disc similar to "Tango of the Roses," content unknown	78	RecorDisc Corp.
	174	Siamese (Thai) music; notes written by Leynse on the record cover concerning portions appropriate for use in his films	78	Philips
	175	Chinese Classic (Cantonese)	78	Wondertone Record Co., LTD.
	176	Modern Chinese	78	Columbia Records
	177	Siamese (Thai) music; notes by Leynse on record cover	78	D. Couper-Johnston & Co.
	178	"Varicoes Em Mi Menor," guitarra e viola, Casmiro Ramos e Miguel Ramos	78	Columbia Records
	179	Modern Chinese (Cantonese)	78
	180	Chinese Classic (Mandarin)
	181	Siamese (Thai) Sylaphone, old style	78	Philips
	182-184	German Marches, 16th, 17th, 18th, and 19th century, copied from Nippon-Telefunken Records: "Grosses Historisches Marsch¾ Potpourri," Bearberieter von Emil Kaiser, Grosses Blas-Orchester; Dirigent: Carl Woitschach; songs including Frederic der Grosse Marsch, Der Alte Dessauer	78	National Hollywood Rec.
Subseries 2.4: Original Tapes
97-103		Seven boxes housing Leynse’s reel-to-reel tapes, which were copied by Anna Vogt onto cassettes for the present audio tape collection. Leynse’s original cassettes have been incorporated into this audio cassette collection. Original box/tape numbers have been included in the description, and original cassettes marked with an asterisk (*). (See above Audio Cassettes, Description)